
{"id":27866,"date":"2021-01-07T08:00:58","date_gmt":"2021-01-07T07:00:58","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27866"},"modified":"2021-01-07T12:37:02","modified_gmt":"2021-01-07T11:37:02","slug":"27866","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/01\/07\/27866\/","title":{"rendered":"33 p\u0142yty roku 2020 &#8211; odkrycia z przesz\u0142o\u015bci"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-27871\" src=\"\/wp-content\/uploads\/2021\/01\/ARCHIWALIA_2020-1024x1024.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"\/polifonia\/wp-content\/uploads\/2021\/01\/ARCHIWALIA_2020-1024x1024.jpg 1024w, \/polifonia\/wp-content\/uploads\/2021\/01\/ARCHIWALIA_2020-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2021\/01\/ARCHIWALIA_2020-300x300.jpg 300w, \/polifonia\/wp-content\/uploads\/2021\/01\/ARCHIWALIA_2020-768x768.jpg 768w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/p>\n\n\n<!--more-->\n\n\n<p><strong>P\u0141YTY ROKU 2020: ARCHIWALIA, REEDYCJE, KOMPILACJE<\/strong><\/p>\n<p><strong>ART BLAKEY &amp; THE JAZZ MESSENGERS<em> Just Coolin\u2019<\/em><\/strong>, Blue Note <a href=\"https:\/\/open.spotify.com\/album\/7EgjzSVwj5Y8L897m3UiUK?si=7SkeZBCQSrGsuB-sBrEZiQ\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>ARTHUR RUSSELL <em>Sketches For World Of Echo: June 25 1984 Live At EI<\/em><\/strong>, Audika <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/11\/30\/artysci-ktorych-nie-zobaczylem-na-zywo-w-roku-2020\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/arthurrussell.bandcamp.com\/album\/sketches-for-world-of-echo-june-25-1984-live-at-ei\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>BEVERLY GLENN-COPELAND <em>Transmissions: The Music of Beverly Glenn-Copeland<\/em><\/strong>, Transgressive <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/10\/15\/27158\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/beverlyglenn-copeland.bandcamp.com\/album\/transmissions-the-music-of-beverly-glenn-copeland-2\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>BOGDAN JANKOWSKI <em>Himalaya and Karakoram. Voices from the Mountains 1971\u20132003<\/em><\/strong>, Saamleng <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/06\/29\/polskie-nagrania-terenowe-2\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/saamleng.bandcamp.com\/album\/himalaya-and-karakoram-voices-from-the-mountains-1971-2003\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>CHARLES CURTIS <em>Performances &amp; Recordings 1998-2018<\/em><\/strong>, Saltern <a href=\"https:\/\/charlescurtis.bandcamp.com\/album\/performances-recordings-1998-2018\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>COIL <em>Musick to Play in the Dark<\/em><\/strong>, Dais <a href=\"https:\/\/open.spotify.com\/album\/7yZSVm7D1XSUnKAeRqE6FG?si=mmPAJX4RRgOpwWgiEPfaEg\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>GROUPE RTD <em>The Dancing Devils of Djibouti<\/em><\/strong>, Ostinato <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/06\/11\/oficjalny-zespol-jedynej-telewizji-w-kraju\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/ostinatorecords.bandcamp.com\/album\/the-dancing-devils-of-djibouti\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>HENRYK DEBICH \/ ORKIESTRA POLSKIEGO RADIA I TV W \u0141ODZI <em>City<\/em><\/strong>, GAD <a href=\"https:\/\/gadrecords.pl\/portfolio\/henryk-debich-orkiestra-pritv-lodz-city-1978-cd\/\">\u266b<\/a>\u00a0 \u00a0<br \/><strong>HENRYK KU\u0179NIAK &amp; JULIUSZ LORANC <em>Dzi\u0119cio\u0142 \u2013 muzyka filmowa<\/em><\/strong>, GAD <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/03\/04\/witamy-rzodkiewki-pierwsze-witaminy-wiosny\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/gadrecords.pl\/portfolio\/henryk-kuzniak-juliusz-loranc-dzieciol-cd\/\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>JERZY MILIAN <em>Cutting (Jerzy Milian Tapes 09)<\/em><\/strong>, GAD <a href=\"https:\/\/gadrecords.pl\/portfolio\/jerzy-milian-cutting-cd\/\">\u266b<\/a>\u00a0 \u00a0<br \/><strong>JON GIBSON <em>Songs &amp; Melodies 1973-1977<\/em><\/strong>, Superior Viaduct <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/03\/18\/czterech-minimalistow-w-jednym\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/jongibson-sv.bandcamp.com\/album\/songs-melodies-1973-1977\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>JON HASSELL <em>Vernal Equinox<\/em><\/strong>, Ndeya <a href=\"https:\/\/haceha.wordpress.com\/2020\/07\/02\/nocna-strefa-nagrania-terenowe\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/jonhassell.bandcamp.com\/album\/vernal-equinox-remastered\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>JON HASSELL \/ FARAFINA <em>Flash of the Spirit<\/em><\/strong>, tak:til <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/02\/17\/muzyka-nie-z-tego-swiata\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/fourth-world.bandcamp.com\/album\/flash-of-the-spirit\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>JONI MITCHELL <em>Archives Vol. 1, The Early Years 1963-1967<\/em><\/strong>, Rhino\u00a0 <a href=\"https:\/\/open.spotify.com\/album\/5YtEGR5G9awoXLfInVhZxC?si=rjzB9ZYVTVeu_FOxP1fmXA\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>MAALEM MAHMOUD GANIA <em>Aicha<\/em><\/strong>, Hive Mind <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/10\/10\/zamykaja-nam-sklepy-podsumowanie-dwoch-tygodni\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/maalemmahmoudgania.bandcamp.com\/album\/aicha\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>MANFREDO FEST <em>Brazilian Dorian Dream<\/em><\/strong>, Far Out <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/07\/29\/jak-to-sie-robi-w\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/manfredofest.bandcamp.com\/album\/brazilian-dorian-dream\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>MASAYUKI TAKAYANAGI NEW DIRECTION UNIT <em>Axis\/Another Revolvable Thing<\/em><\/strong>, Blank Forms <a href=\"https:\/\/blankformseditions.bandcamp.com\/album\/axis-another-revolvable-thing\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>MUHAL RICHARD ABRAMS <em>Celestial Birds<\/em><\/strong>, karlrecords <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/03\/03\/jazz-i-impro-w-lutym-co-nadrobic-10-propozycji\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/karlrecords.bandcamp.com\/album\/celestial-birds\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>NEIL YOUNG <em>Homegrown<\/em><\/strong>, Reprise <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/06\/23\/pokaz-mi-czego-nie-wydales-a-powiem-ci-kim-jestes\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/open.spotify.com\/album\/08wQogg47jUetQkJjqjn6B?si=RSPQux-MS7CK8NFiZUlBpw\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>PHAROAH SANDERS <em>Live in Paris 1975<\/em><\/strong>, Transversales <a href=\"https:\/\/transversales.bandcamp.com\/album\/live-in-paris-1975\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>PJ HARVEY <em>To Bring You My Love &#8211; Demos<\/em><\/strong>, Island <a href=\"https:\/\/open.spotify.com\/album\/0DIGCmR2jhGrFHZN6Y7EbB?si=-Us3FaZ2TNu6MS-O2GN2XQ\">\u266b<\/a><br \/><strong>PRINCE<em> Sign O\u2019 The Times (Super Deluxe Edition)<\/em><\/strong>, Warner <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/09\/28\/frontman-sam-w-studiu\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/open.spotify.com\/album\/2Uv3zad993qvBkrOcIqdgq?si=vt_XmBtXS26k9gN8Je3_-Q\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>RENATA LEWANDOWSKA <em>Dotyk<\/em><\/strong>, Astigmatic\/The Very Polish Cut-Outs\/Polskie Radio <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/10\/16\/naj-od-lat-czyli-premiery-tygodnia\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/renatalewandowska.bandcamp.com\/album\/dotyk\">\u266b<\/a>\u00a0 \u00a0 <br \/><strong>ROBERT ASHLEY <em>Automatic Writing<\/em><\/strong>, Lovely Music <a href=\"https:\/\/haceha.wordpress.com\/2020\/02\/06\/nokturn-robert-ashley-i-jego-pop-opera\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/www.polskieradio.pl\/8\/740\/Artykul\/2450257,Robert-Ashley-i-jego-pop-opera\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Blue Note Re:Imagined 2020<\/em><\/strong>, Blue Note <a href=\"https:\/\/open.spotify.com\/album\/5afRcZQsR5aBGltG3kIM34?si=DC7fJ7MVTHKrmxft5lmEVg\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>From Brussels With Love<\/em><\/strong>, Les Disques du Crepuscule <a href=\"https:\/\/lesdisquesducrepuscule.com\/from_brussels_with_love_twi007.html\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Live From BBC Maida Vale Gilles Peterson Presents MV4<\/em><\/strong>, Brownswood\u00a0 <a href=\"https:\/\/mv4music.bandcamp.com\/album\/gilles-peterson-presents-mv4\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Mono Egypt<\/em><\/strong>, JuJu Sounds <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/06\/03\/polska-niepolska\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/jujusounds.bandcamp.com\/album\/mono-egypt\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Soul Love Now: The Black Fire Records Story 1975-1993<\/em><\/strong>, Strut <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/08\/24\/te-najwieksze-emocje\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/black-fire.bandcamp.com\/album\/soul-love-now-the-black-fire-records-story-1975-1993\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Tchic Tchic &#8211; French Bossa Nova 1963-1974<\/em><\/strong>, Born Bad <a href=\"https:\/\/shop.bornbadrecords.net\/album\/tchic-tchic-french-bossa-nova-1963-1974\">\u266b<\/a>\u00a0 \u00a0 \u00a0<br \/><strong>THELONIOUS MONK <em>Palo Alto<\/em><\/strong>, Impulse! <a href=\"https:\/\/haceha.wordpress.com\/2020\/11\/19\/nocna-strefa-miedzynarodowka-z-chicago\/\">wi\u0119cej<\/a>\u00a0 <a href=\"https:\/\/open.spotify.com\/album\/6YtnuVQZgEsSNux0kDYErc?si=GH5QuOkLTE6ZFtDE8eSv2g\">\u266b<\/a>\u00a0 \u00a0\u00a0<br \/><strong>WOJCIECH KONIKIEWICZ <em>Muzyka nowej przestrzeni<\/em><\/strong>, GAD <a href=\"https:\/\/open.spotify.com\/album\/1aGLa4rG9iq7Qo0loqPwQ1?si=z79bacPySoegcPwNeUO0ig\">\u266b<\/a> \u00a0<br \/><strong>ZBIGNIEW LEWANDOWSKI <em>Zbigniew Lewandowski<\/em><\/strong>, GAD\u00a0 <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/07\/07\/prosto-z-serca-wydarzen\/\">wi\u0119cej<\/a> <a href=\"https:\/\/gadrecords.pl\/portfolio\/zbigniew-lewandowski-zbigniew-lewandowski-cd\/\">\u266b<\/a>\u00a0\u00a0<\/p>\n<p><em>wi\u0119cej = tekst na Polifonii lub audycja w Dw\u00f3jce<br \/>\u266b = ods\u0142uch<\/em><\/p>\n<p><em>Kolejno\u015b\u0107 jak zwykle alfabetyczna. Konkurencja jak zwykle pot\u0119\u017cna. Co roku sporz\u0105dzanie wyboru archiwali\u00f3w i kompilacji &#8211; nazwanego tu dla niepoznaki &#8222;odkryciami z przesz\u0142o\u015bci&#8221;, \u017ceby si\u0119 lepiej klika\u0142o &#8211; stanowi najwi\u0119ksz\u0105 przyjemno\u015b\u0107. Dla czytelnik\u00f3w Polifonii znajdzie si\u0119 powy\u017cej kilka niespodzianek. O wielu albumach z archiwaliami nie pisz\u0119 na bie\u017c\u0105co, w zalewie nowo\u015bci odk\u0142adaj\u0105c je na bok. Wiele z nich prezentuj\u0119 tylko w radiu.\u00a0\u00a0<\/em><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":27871,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3200,4499,556,558,4197],"tags":[4522,2682,4443,4387,4530,4347,4524,4525,4218,1572,4531,4329,4526,4247,1171,4261,1895,646,4533,4248,171,3044,4438,4368,4527,4532,4240,272,4528,1881,459,632,4445,4529,4523,2743,4534,4356],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27866"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27866"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27866\/revisions"}],"predecessor-version":[{"id":27877,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27866\/revisions\/27877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27871"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}