
{"id":27880,"date":"2021-01-08T10:06:23","date_gmt":"2021-01-08T09:06:23","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27880"},"modified":"2021-01-08T21:03:06","modified_gmt":"2021-01-08T20:03:06","slug":"107-premier-plytowych-stycznia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/01\/08\/107-premier-plytowych-stycznia\/","title":{"rendered":"107 premier p\u0142ytowych stycznia"},"content":{"rendered":"<p>Po podsumowaniach (<a href=\"https:\/\/polifonia.blog.polityka.pl\/podsumowanie-2020\/\">tu wszystkie w jednym miejscu<\/a>) czas wr\u00f3ci\u0107 do mantry zapowiadania p\u0142yt miesi\u0105ca i relacjonowania premier tygodnia. Na pocz\u0105tek jedno z drugim. Premier tygodnia stosunkowo niedu\u017co, cho\u0107 ju\u017c na tym etapie jest co nadrabia\u0107. Sam wszed\u0142em w nowy rok, s\u0142uchaj\u0105c nowego wydawnictwa <strong>Voices Of The Cosmos <em>Interstellar Space<\/em><\/strong>, chyba najlepszego, a z pewno\u015bci\u0105 brzmieniowo najbardziej intensywnego z ca\u0142ego dorobku tego polskiego duetu tworz\u0105cego muzyk\u0119 kosmiczn\u0105. Podobno by\u0142o ostatnio co obserwowa\u0107 na niebie &#8211; tylko nam tu chmury zas\u0142aniaj\u0105 obraz od wielu dni. Cz\u0142onkowie Voices Of The Cosmos dysponuj\u0105 jednak odpowiedni\u0105 aparatur\u0105 &#8211; a to, czego nie wida\u0107, potrafi\u0105 wykorzysta\u0107 w formie d\u017awi\u0119kowej. Cho\u0107 na nowym albumie zasadniczo nawet bez tej kosmicznej otoczki s\u0142ucha\u0142oby si\u0119 tego dobrze jako jeszcze jednej wizji wsp\u00f3\u0142czesnej psychodelii.&nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=532779880\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/voicesofthecosmos.bandcamp.com\/album\/interstellar-space\">INTERSTELLAR SPACE by VOICES OF THE COSMOS<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE STYCZNIA 2021<\/strong><\/p>\n<p><strong>1.01\u00a0<\/strong><br \/><strong>Anavit\u00f3ria<\/strong> COR <br \/><strong>Another Sky<\/strong> Music For Winter Vol. I, Fiction EP<br \/><strong>Canine Callgirls<\/strong> Fading Topography <br \/><strong>Fireman<\/strong> Overcoming the Cycle of Sun, Collapse EP<br \/><strong>Grimes<\/strong> Miss Anthropocene (Rave Edition) <br \/><strong>Hedone<\/strong> &#8222;2020&#8221;, New Sun <br \/><strong>Jane Weaver<\/strong> Flock Fire <br \/><strong>J\u0119drzej Siwek<\/strong> &#8222;2021&#8221;, EP<br \/><strong>KakofoNIKT<\/strong> The Baby of K\u00e2kon <br \/><strong>KLF<\/strong> Solid State Logik &#8211; 7&#8243; Hit Singles 1988-1991, KLF Communications <br \/><strong>Music On Hold<\/strong> 30 Minutes of&#8230;, Born Bad <br \/><strong>R.A.P. Ferreira<\/strong> bob&#8217;s son: R\u200b.\u200bA\u200b.\u200bP. Ferreira in the garden level cafe of the scallops hotel <br \/><strong>Sun Ra and His Arkestra<\/strong> On Jupiter, arch.<br \/><strong>That Handsome Devil<\/strong> Your Parents Are Sellouts, Modern Savage <br \/><strong>The Dirty Nil<\/strong> Fuck Art, Dine Alone<\/p>\n<p><strong>2.01 <\/strong><br \/><strong>Cranc Copper<\/strong> Fields, Rhodri Davies <br \/><strong>VA (curated by Nick Vander)<\/strong> Walk My Way &#8211; Volume One, 577 Records<\/p>\n<p><strong>4.01 <\/strong><br \/><strong>Steve Earle &amp; The Dukes<\/strong> J.T., New West<\/p>\n<p><strong>5.01 <\/strong><br \/><strong>Schnee: Christof Kurzmann &amp; Burkhard Stangl<\/strong> \u0421\u043d\u0435\u0433, Mikroton <br \/><strong>Kito Jempere<\/strong> Yet Another Kito Jempere Remix EP, Emotional Response <br \/><strong>MKM: Jason Kahn \/ G\u00fcnter M\u00fcller \/ Norbert M\u00f6slang<\/strong> Bangalore, Mikroton <br \/><strong>Osa7029<\/strong> Roots\u200b\/\u200bBranches\u200b\/\u200bCones, Eclipse <br \/><strong>Periferya<\/strong> Boundary Scan, Mikroton<\/p>\n<p><strong>6.01 <\/strong><br \/><strong>Qba Janicki \/ Teoniki Ro\u017cynek<\/strong> Live at 14th M\u00f3zg Festival, Dym <br \/><strong>\u77f3\u6a4b\u82f1\u5b50 [Eiko Ishibashi]<\/strong> Contentless Dream<\/p>\n<p><strong>8.01 <\/strong><br \/><strong>Aaron Frazer<\/strong> Introducing&#8230;, Dead Oceans <br \/><strong>Auvinen<\/strong> Akkosaari, Sub Rosa <br \/><strong>Barry Gibb<\/strong> Greenfields: The Gibb Brothers Songbook, Vol. 1, Universal <br \/><strong>Dura<\/strong> Mercury, Atlantic Rhythms <br \/><strong>Good Willsmith<\/strong> HausLive 2: Good Willsmith at Sleeping Village, 4\u200b\/\u200b25\u200b\/\u200b2019, Hausu Mountain <br \/><strong>Ka Baird<\/strong> Vivification Exercises I, RVNG Intl <br \/><strong>Pierre Henry<\/strong> Un Monde Lac\u00e9r\u00e9, Transversales <br \/><strong>Reviriego \/ Peyghambari \/ Trilla<\/strong> M\u00f6hit, Gusstaff\/Don&#8217;t Sit On My Vinyl <br \/><strong>Viagra Boys<\/strong> Welfare Jazz <br \/><strong>Vincent<\/strong> Vincent, Seagull Ross<br \/><strong>Voices Of The Cosmos<\/strong> Interstellar Space, Gusstaff<\/p>\n<p><strong>10.01 <\/strong><br \/><strong>Renata Lewandowska<\/strong> Polish Disco Sound \/ Super Dotyk Mixes, The Very Polish Cut Outs EP<\/p>\n<p><strong>11.01 <\/strong><br \/><strong>Mazut<\/strong> Sarajevo<\/p>\n<p><strong>14 <\/strong><br \/><strong>VA<\/strong> Spiritual Jazz 13: NOW! Part 2, Jazzman <br \/><strong>VA<\/strong> Spiritual Jazz 13: NOW! Part 1, Jazzman <br \/><strong>\u017bY\u0143Y<\/strong> Falling In Blue, U Know Me<\/p>\n<p><strong>15 <\/strong><br \/><strong>Aki Takase &#8211; Christian Weber &#8211; Michael Griener<\/strong> Auge, Intakt <br \/><strong>Alexander Hawkins feat. Evan Parker, Matthew Wright + Riot Ensemble<\/strong> Togetherness Music, Intakt <br \/><strong>Arszyn<\/strong> Bop <br \/><strong>Augragraph<\/strong> Opacity Field, Hiraeth <br \/><strong>Bedoes<\/strong> Rewolucja romantyczna, SBM <br \/><strong>Cerys Matthews, Hidden Orchestra &amp; 10 Poets<\/strong> We Come from the Sun, Decca <br \/><strong>Czarny Latawiec<\/strong> Pandemic Dreams <br \/><strong>Daniel Knox<\/strong> Won&#8217;t You Take Me With You, H.P. Johnson Presents <br \/><strong>Emma Ruth Rundle &amp; Thou<\/strong> The Helm of Sorrow, Sacred Bones <br \/><strong>Kikagaku Moyo<\/strong> Live at Levitation, The Reverbation Appreciation Society <br \/><strong>Lon Moshe &amp; Southern Freedom Arkestra<\/strong> Love Is Where the Spirit Lies, Black Fire\/Strut <br \/><strong>Mala Herba<\/strong> Demonologia<br \/><strong>Midnight Sister<\/strong> Painting the Roses <br \/><strong>Przemys\u0142aw Str\u0105czek Quartet<\/strong> Fig Tree, Voice Music LP<br \/><strong>Ryszard Lubieniecki<\/strong> Kompozycje izorytmiczne, Nasze Nagrania CD<br \/><strong>Shame<\/strong> Drunk Tank Pink, Dead Oceans <br \/><strong>Sleaford Mods<\/strong> Spare Ribs, Rough Trade <br \/><strong>VA<\/strong> Virtual Dreams: Ambient Explorations In The House &amp; Techno Age, 1993\u200b-\u200b1997, Music From Memory<\/p>\n<p><strong>19.01 <\/strong><br \/><strong>Wojtek Kurek<\/strong> Buoyancy, Pawlacz Perski<\/p>\n<p><strong>22.01 <\/strong><br \/><strong>Azmari<\/strong> Sam\u0101\u2019\u012b, Sdban Ultra <br \/><strong>Biosphere<\/strong> Angel&#8217;s Flight, AD93 <br \/><strong>Christer Both\u00e9n Trio<\/strong> Omen, Bocian <br \/><strong>Clouds<\/strong> The Parallel, Losseless Digital <br \/><strong>Deuce Avenue<\/strong> Perennial Fire and Life, Unifactor <br \/><strong>Elori Saxl<\/strong> The Blue of Distance, Western Vinyl <br \/><strong>Farmer Dave &amp; The Wizards Of The West<\/strong> Farmer Dave &amp; The Wizards Of The West, Curation <br \/><strong>Fran\u00e7ois de Roubaix<\/strong> Les secrets de la Mer Rouge, Transversales reed.<br \/><strong>Ivo Perelman Trio<\/strong> Garden of Jewels, 577 Records <br \/><strong>James Yorkston and the Second Hand Orchestra<\/strong> The Wide, Wide River, Domino <br \/><strong>Lina Tullgren<\/strong> Visiting, Ba Da Bing <br \/><strong>Machine Listener<\/strong> Headfooter, Unifactor <br \/><strong>Rhye<\/strong> Home, Loma Vista <br \/><strong>Shohei Amimori<\/strong> Ex.LIFE, Noble <br \/><strong>Spednar<\/strong> Coniunctio, Unifactor <br \/><strong>Spyros Polychronopoulos \/ Thanos Polymeneas-Liontiris \/ Iakovos Pavlopoulos<\/strong> Widdershins, Room40 <br \/><strong>Still Corners<\/strong> The Last Exit, Wrecking Light <br \/><strong>Susie Ibarra<\/strong> Talking Gong, New Focus <br \/><strong>T.P. Orchestre Poly-Rythmo De Cotonou<\/strong> Vol. 4 \u2013 Yehouessi Leopold Batteur, Acid Jazz <br \/><strong>Tiziano Popoli<\/strong> Burn the Night \/ Bruciare la Notte: Original Recordings, 1983\u20131989, RVNG Intl <br \/><strong>Wardruna<\/strong> Kvitrafn <br \/><strong>Widowspeak<\/strong> Honeychurch, Captured Tracks\u00a0<\/p>\n<p><strong>26.01 <\/strong><br \/><strong>Bisb\u00e2y\u00e9<\/strong> Le Sens De Le Fin \/ The Sense Of An Ending. Cuneiform<\/p>\n<p><strong>29.01 <\/strong><br \/><strong>Aaron Cupples<\/strong> Island of The Hungry Ghosts (OST). PAN <br \/><strong>Ai Yamamoto<\/strong> Pan De Sonic &#8211; Iso, Room40 <br \/><strong>Alostmen<\/strong> Tech Me, Strut <br \/><strong>Ani DiFranco<\/strong> Revolutionary Love, Righteous Babe<br \/><strong>Ariel Pink<\/strong> Sit n\u2019 Spin, Mexican Summer <br \/><strong>Ariel Pink<\/strong> Odditties Sodomies Vol. 3, Mexican Summer <br \/><strong>Arlo Parks<\/strong> Collapsed in Sunbeams, Beatnik<br \/><strong>Dezerter<\/strong> K\u0142amstwo to nowa prawda, Mystic <br \/><strong>Disquiet<\/strong> Disquiet, Trost <br \/><strong>Francesco Toninelli<\/strong> Plan S\u00e9quence, Howard MC, DL<br \/><strong>Joe Lovano, Marilyn Crispell &amp; Carmen Castaldi<\/strong> Garden of Expression, ECM <br \/><strong>Loren Connors &amp; Oren Ambarchi<\/strong> Leone, Family Vineyard <br \/><strong>Lucero<\/strong> When You Found Me, Liberty &amp; Lament <br \/><strong>Marcos Resende &amp; Index<\/strong> Marcos Resende &amp; Index, Far Out <br \/><strong>Martina Bertoni<\/strong> Music For Empty Flats, Karlrecords <br \/><strong>Mikroton<\/strong> Nothing Much Happens, Somewhere Nowhere MC, DL<br \/><strong>Nahawa Doumbia<\/strong> Kanawa, Awesome Tapes From Africa <br \/><strong>PJ Harvey<\/strong> Is This Desire? &#8211; Demos, Island arch.<br \/><strong>Rome<\/strong> Parlez-vous hate?, Trisol <br \/><strong>Steven Wilson<\/strong> The Future Bites, Universal <br \/><strong>Susanna Aleksandra<\/strong> The Siren, Eclipse <br \/><strong>Tassos Chalkias &#8211; \u03a4\u03ac\u03c3\u03bf\u03c2 \u03a7\u03b1\u03bb\u03ba\u03b9\u03ac\u03c2<\/strong> Divine Reeds, Radio Martiko <br \/><strong>The Besnard Lakes<\/strong> The Besnard Lakes Are the Last Great Thunderstorm Warnings, Full Time Hobby <br \/><strong>The Body<\/strong> I&#8217;ve Seen All I Need To See, Thrill Jockey <br \/><strong>The Notwist<\/strong> Vertigo Days, Morr Music <br \/><strong>The Underflow<\/strong> Instant Opaque Evening, Drag City <br \/><strong>Theo Bleckmann &amp; The Westerlies<\/strong> This Land, The Westerlies Music Inc <br \/><strong>University Challenged<\/strong> Oh Temple!, Hive Mind<br \/><strong>VA<\/strong> Ena Tefariki, Radio Martiko <br \/><strong>VA<\/strong> Indaba Is, Brownswood <br \/><strong>William Parker<\/strong> Migration of Silence Into and Out of The Tone World \u2013 [Volumes 1\u201310], AUM Fidelity<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2359490083\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1393\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/thebesnardlakes.bandcamp.com\/album\/the-besnard-lakes-are-the-last-of-the-great-thunderstorm-warnings-2\">The Besnard Lakes Are The Last of the Great Thunderstorm Warnings by The Besnard Lakes<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Po podsumowaniach (tu wszystkie w jednym miejscu) czas wr\u00f3ci\u0107 do mantry zapowiadania p\u0142yt miesi\u0105ca i relacjonowania premier tygodnia. Na pocz\u0105tek jedno z drugim. Premier tygodnia stosunkowo niedu\u017co, cho\u0107 ju\u017c na tym etapie jest co nadrabia\u0107. Sam wszed\u0142em w nowy rok, s\u0142uchaj\u0105c nowego wydawnictwa Voices Of The Cosmos Interstellar Space, chyba najlepszego, a z pewno\u015bci\u0105 brzmieniowo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27884,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,582,3,3822,312,4197,4],"tags":[4535],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27880"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27880"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27880\/revisions"}],"predecessor-version":[{"id":27893,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27880\/revisions\/27893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27884"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}