{"id":28064,"date":"2021-02-02T10:05:25","date_gmt":"2021-02-02T09:05:25","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=28064"},"modified":"2021-02-09T10:30:17","modified_gmt":"2021-02-09T09:30:17","slug":"116-premier-plytowych-lutego","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/02\/02\/116-premier-plytowych-lutego\/","title":{"rendered":"116 premier p\u0142ytowych lutego"},"content":{"rendered":"<p>Plany wydawnicze lubi\u0105 si\u0119 zmienia\u0107. Pandemie, kolejki w t\u0142oczniach, wydarzenia losowe. Ale teraz dochodz\u0105 jeszcze decyzje wytw\u00f3rni p\u0142ytowych, kt\u00f3re wyrzucaj\u0105 kolejne gwiazdy muzycznego \u015bwiata ze swoich katalog\u00f3w. Po styczniowym marszu na Kapitol g\u0142o\u015bny by\u0142 konflikt wok\u00f3\u0142 <strong>Ariela Pinka<\/strong>, kt\u00f3ry si\u0142y trumpist\u00f3w popiera\u0142 i zosta\u0142 wyrzucony z katalogu wytw\u00f3rni Mexican Summer. Niby dwie p\u0142yty zapowiadane na 29 stycznia <a href=\"https:\/\/shop.ariel-pink.com\/release\/139587-ariel-pink-odditties-sodomies-vol-3\">mo\u017cna kupi\u0107<\/a> (na tym etapie by\u0142y ju\u017c przygotowane do wydania), ale w streamingu ich nie ma. Wznowie\u0144 te\u017c raczej nie b\u0119dzie, wi\u0119c szykuj\u0105 si\u0119 dwa bia\u0142e kruki &#8211; przynajmniej dla tych, kt\u00f3rzy poradz\u0105 sobie z oddzieleniem muzyki artysty od jego idiotycznych wrzutek w mediach spo\u0142eczno\u015bciowych. Teraz z kolei wytw\u00f3rnia Loma Vista <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/marilyn-manson-loma-vista-record-label-drop-abuse-allegations-1122075\/\">rozwi\u0105za\u0142a kontrakt<\/a> z oskar\u017canym o molestowanie i przemoc seksualn\u0105 (m.in. przez aktork\u0119 Evan Rachel Wood) <strong>Marilynem Mansonem<\/strong>. \u015awiat wielkiej artystycznej straty z tego powodu nie odnotuje, \u015brodowisko Mansona ma ju\u017c przemocow\u0105 histori\u0119 (sprawa wyrzuconego z zespo\u0142u po oskar\u017ceniach o gwa\u0142t Twiggyego Ramireza), a w kontek\u015bcie pseudonim\u00f3w artystycznych i ca\u0142ej otoczki to si\u0119 samo komentuje. Lista nadchodz\u0105cych premier jest wi\u0119c mo\u017ce w dalszej perspektywie nieco chudsza, ale w lutym ca\u0142kiem obfita. I znajdziecie na niej par\u0119 nie\u017ale zapowiadaj\u0105cych si\u0119 tytu\u0142\u00f3w. A dwa drobne klipy mog\u0105 by\u0107 ju\u017c jakim\u015b sygna\u0142em.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3l12X1d24Mw\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE LUTEGO 2021<\/strong><\/p>\n<p><strong>1.02 <\/strong><br \/><strong>Courtney Barnett<\/strong> From Where I&#8217;m Standing (Live From the Royal Exhibition Building, Melbourne) <br \/><strong>Grateful Dead<\/strong> Dave&#8217;s Picks Vol. 37: College of William and Mary, Williamsburg, VA 4\/15\/78, Rhino arch.<br \/><strong>Orchestre Poly-Rythmo De Cotonou<\/strong> Orchestre Poly-Rythmo De Cotonou Dahomey, Superfly <br \/><strong>Pauline Anna Storm<\/strong> Angel Tears In Sunlight, RVNG Intl <br \/><strong>T\/Aboret<\/strong> Cyjanotypia, T\/Aboret DL<br \/><strong>\u017babson<\/strong> Ziomalski Mixtape<\/p>\n<p><strong>2.02 <\/strong><br \/><strong>Florian T M Zeisig<\/strong> Music For Parents, Metron <br \/><strong>Gnod<\/strong> Easy To Build, Hard To Destroy, Rocket<\/p>\n<p><strong>3.02 <\/strong><br \/><strong>Anthony Pateras<\/strong> Pseudocadius, Bocian<\/p>\n<p><strong>5.02 <\/strong><br \/><strong>Ata Saturna<\/strong> Confer\u00eancia Inferno, Lovers &amp; Lollypops <br \/><strong>Black Country, New Road<\/strong> For the First Time, Ninja Tune <br \/><strong>Bored At My Grandmas House<\/strong> Sometimes I Forget You&#8217;re Human, Too Clue <br \/><strong>Chuck Johnson<\/strong> The Cinder Grove, Vin du Select Qualitite\/Glitterbeat <br \/><strong>Coma World<\/strong> Coma World, Byrd Out <br \/><strong>Cult Of Luna<\/strong> The Raging River, Red Creek <br \/><strong>Danny Kroha<\/strong> Detroit Blues, Third Man <br \/><strong>Donald Mille<\/strong>r Transgression!!!, Vin du Select Qualitite <br \/><strong>Editrix<\/strong> Tell Me I&#8217;m Bad Exploding In Sound (Wendy Eisenberg)<br \/><strong>Eugene Carchesio<\/strong> No Place I, Room40 <br \/><strong>Femi Kuti &amp; Made Kuti<\/strong> Legacy+ <br \/><strong>Foo Fighters<\/strong> Medicine at Midnight, RCA <br \/><strong>Frederik Valentin<\/strong> &#8222;0011001&#8221;, Posh Isolation <br \/><strong>Hoodna Orchestra<\/strong> Alem Alem, Agogo <br \/><strong>Jeremiah Cymerman \/ Charlie Looker<\/strong> A Horizon Made Of Canvas, Astral Spirits <br \/><strong>Kwiat Jab\u0142oni<\/strong> Mog\u0142o nie by\u0107, Agora <br \/><strong>Lutto Lento<\/strong> Legendo, Haunter <br \/><strong>Max Bravura<\/strong> Too Bravura, Agora<br \/><strong>Meril Wubslin<\/strong> Alors Quoi, Les Disques Bongo Joe <br \/><strong>Octo Octa<\/strong> She&#8217;s Calling, T4T LUV NRG EP<br \/><strong>Plaid<\/strong> Stem Sell, Touched arch.<br \/><strong>Puma Blue<\/strong> In Praise of Shadows, Blue Flowers Music <br \/><strong>Rob Noyes<\/strong> Arc Minutes, Vin du Select Qualitite <br \/><strong>Roy Montgomery<\/strong> Island of Lost Souls <br \/><strong>Siostry Szyd\u0142owskie<\/strong> Siostry Szyd\u0142owskie, Universal <br \/><strong>Sturle Dagsland<\/strong> Sturle Dagsland <br \/><strong>The Weather Station<\/strong> Ignorance, Fat Possum <br \/><strong>TV Priest<\/strong> Uppers, Hand in Hive <br \/><strong>VA<\/strong> DYNAM&#8217;HIT &#8211; Europop Version fran\u00e7aise &#8211; 1990\u200b\/\u200b1995, Born Bad<\/p>\n<p><strong>9.02 <br \/>Andrzej Przybielski &amp; Ole\u015b Brothers <\/strong>Short Farewell, Audio Cave<br \/><strong>Antonio Neves<\/strong> A Pegada Agora \u00c9 Essa (The Sway Now), Far Out<\/p>\n<p><strong>10.02 <\/strong><br \/><strong>Haruomi Hosono<\/strong> \u3042\u3081\u308a\u304b \/ Hosono Haruomi Live in US 2019, Speedstar Int&#8217;l<\/p>\n<p><strong>12.02 <\/strong><br \/><strong>Atom&#x2122;<\/strong> &#8222;0.9&#8221;, Raster EP<br \/><strong>Bamboo Mystics<\/strong> Swara Suci, Chinabot <br \/><strong>Bill Stone<\/strong> Stone, Drag City <br \/><strong>Christian L\u00f6ffler<\/strong> Parallels: Shellac Reworks by Christian L\u00f6ffler, Deutsche Grammophon <br \/><strong>David Bowie<\/strong> Look at the Moon! (Live Phoenix Festival 97), ISO arch.<br \/><strong>Django Django<\/strong> Glowing in the Dark, Because <br \/><strong>Dump<\/strong> Hypocrite Dance, Fonoradar LP<br \/><strong>Elephant9<\/strong> Arrival of the New Elders, Rune Grammofon <br \/><strong>Fire!<\/strong> Defeat, Rune Grammofon <br \/><strong>JPEGMAFIA<\/strong> EP2!, EQT <br \/><strong>Psymon Spine<\/strong> Charismatic Megafauna, Northern Spy <br \/><strong>Slowthai<\/strong> Tyron, Method <br \/><strong>Virginia Wing<\/strong> Private Life, Fire<\/p>\n<p><strong>13.02 <\/strong><br \/><strong>The 1975<\/strong> Drive Like I Do<\/p>\n<p><strong>16.02 <\/strong><br \/><strong>New York Disco Orchestra<\/strong> Reverie, Guerssen<\/p>\n<p><strong>19.02 <\/strong><br \/><strong>4 Mars<\/strong> (Djibouti Archives Vol. 1) Super Somali Sounds from the Gulf of Tadjoura, Ostinato <br \/><strong>Animal Collective<\/strong> Crestone OST <br \/><strong>Cassandra Jenkins<\/strong> An Overview On Phenomenal Nature, Ba Da Bing <br \/><strong>Edie Brickell &amp; New Bohemians<\/strong> Hunter and the Dog Star, Shuffle <br \/><strong>Gazelle Twin &amp; NYX<\/strong> Deep England <br \/><strong>Indigo<\/strong> Sparke Echo, Sacred Bones <br \/><strong>Kompozyt<\/strong> Spells, Gusstaff\/Don&#8217;t Sit On My Vinyl!<br \/><strong>Magneto<\/strong> Requiem pour Satana, Gusstaff <br \/><strong>Mogwai<\/strong> As the Love Continues, Rock Action <br \/><strong>Obay Alsharani<\/strong> Sandbox, Hive Mind<br \/><strong>Perfume Genius<\/strong> Immediatly Remixes, Matador <br \/><strong>Rian Treanor<\/strong> Obstacle Scattering, Planet Mu EP<br \/><strong>Roscoe Mitchell &amp; Mike Reed<\/strong> The Ritual and the Dance, Astral Spirits <br \/><strong>Senyawa<\/strong> Alkisah, Phantom Limb <br \/><strong>Shofar<\/strong> Right Before Right Before It Started, Don&#8217;t Sit On My Vinyl ltd.<br \/><strong>STR4TA<\/strong> Aspects, Brownswood <br \/><strong>Tindersticks<\/strong> Distractions, City Slang<br \/><strong>Urth<\/strong> Shadow of the Torturer, Lo\u017ca<\/p>\n<p><strong>20.02 <\/strong><br \/><strong>Gus Garside and Herv\u00e9 Perez <\/strong>The Unexpected Visitor, 577 Records <br \/><strong>Sati Sauri<\/strong> Wieczna muzyka<\/p>\n<p><strong>21.02 <\/strong><br \/><strong>A Winged Victory for the Sullen<\/strong> Invisible Cities, Ninja Tune<\/p>\n<p><strong>22.02 <\/strong><br \/><strong>Vapour Theories<\/strong> Celestial Scuzz, Fire<\/p>\n<p><strong>26.02 <br \/>Adrian Younge <\/strong>The American Negro, Jazz Is Dead<br \/><strong>Albert Ayler Quintet<\/strong> 1966: Berlin, L\u00f6rrach, Paris &amp; Stockholm. Revisited, Hat Hut <br \/><strong>Alt\u0131n G\u00fcn<\/strong> YOL, Glitterbeat <br \/><strong>Architects<\/strong> For Those Who Wish To Exist <br \/><strong>Blanck Mass<\/strong> In Ferneaux, Sacred Bones <br \/><strong>Bogus\u0142aw Rudzi\u0144ski<\/strong> Unitron, GAD<br \/><strong>Byard Lancaster<\/strong> My Pure Joy, Black Fire\/Strut <br \/><strong>Cabaret Voltaire<\/strong> Shadow of Funk, Mute EP<br \/><strong>Cloud Nothings<\/strong> The Shadow I Remember, Carpark <br \/><strong>Dean McPhee<\/strong> Witch&#8217;s Ladder, Hood Faire <br \/><strong>Don Cherry<\/strong> Cherry Jam, Gearbox arch.<br \/><strong>Fr\u00e0n\u00e7ois &amp; The Atlas Mountains<\/strong> Banane Bleue, Domino <br \/><strong>Geneva Jacuzzi<\/strong> Lamaze, Mexican Summer <br \/><strong>Henryk Debich<\/strong> Monika \/ Zabawa w ciemno\u015bci, Astigmatic 7&#8243; <br \/><strong>Jackson Ryland<\/strong> A Million Questions, Atlantic Rhythms <br \/><strong>Jan Ptaszyn Wr\u00f3blewski<\/strong> Quartet S\u0142upy milowe, GAD<br \/><strong>Jeff Mills<\/strong> The Clairvoyant, Axis <br \/><strong>Jerzy Milian \/ Orkiestra PRiTV w Katowicach<\/strong> Znak wodnika, GAD<br \/><strong>John Tejada<\/strong> Year Of The Living Dead, Kompakt <br \/><strong>Julien Baker<\/strong> Little Oblivions, Matador <br \/><strong>Karima Walker<\/strong> Waking the Dreaming Body, Keeled Scales <br \/><strong>King Gizzard &amp; The Lizard Wizard<\/strong> L.W. <br \/><strong>Kuba P\u0142u\u017cek<\/strong> Book of Resonance, Audio Cave<br \/><strong>Madison Beer<\/strong> Life Support, Epic <br \/><strong>Max\u00efmo Park<\/strong> Nature Always Wins, PIAS <br \/><strong>Melvins<\/strong> Working with God, Ipecac <br \/><strong>Mouse On Mars<\/strong> AAI, Thrill Jockey <br \/><strong>Neil Young with Crazy Horse<\/strong> Way Down in the Rust Bucket ,Reprise arch.<br \/><strong>PJ Harvey<\/strong> Stories From the City, Stories From the Sea &#8211; Demos, Island arch.<br \/><strong>Plankton<\/strong> <strong>Wat<\/strong> Future Times, Thrill Jockey <br \/><strong>Portico Quartet \/ Hania Rani<\/strong> Portico Quartet and Hania Rani <br \/><strong>PRO8L3M<\/strong> Block Party Mixtape <br \/><strong>Roosevelt<\/strong> Polydans Greco-Roman<br \/><strong>Smerz<\/strong> Believer<br \/><strong>Stereolab<\/strong> Electrically Possessed [Switched On Vol. 4], Duophonic arch.<br \/><strong>Thumbscrew<\/strong> Never Is Enough, Cuneiform <br \/><strong>Volvopenta<\/strong> Simulacrum, Tonzonen CD, LP, DL<br \/><strong>Wau Wau Collectif<\/strong> Yaral Sa Doom, Sahel Sounds <br \/><strong>wh0wh0<\/strong> wh0wh0, Coastline Northern Cuts <br \/><strong>Willie Nelson<\/strong> That&#8217;s Life, Legacy<br \/><strong>Wojciech Kilar<\/strong> Ca\u0142a naprz\u00f3d! \/ Giuseppe w Warszawie, GAD<\/p>\n<p><strong>28.02 <\/strong><br \/><strong>Ai Yamamoto<\/strong> Pan De Sonic &#8211; Iso, Room40 <br \/><strong>Burial<\/strong> Chemz\/Dolphinz, Hyperdub EP<br \/><strong>Sambar<\/strong> Pierwotniak pantofelek, Antenna Non Grata CD, DL<\/p>\n<p><strong>tbc <\/strong><br \/><strong>Mi\u0119tha<\/strong> 36,6, Asfalt<br \/><strong>Mirt<\/strong> A Strictly Limited Tape With Ambient Music Against the Tyranny of Religious Scum<\/p>\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8bGkXIyqjwE\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Plany wydawnicze lubi\u0105 si\u0119 zmienia\u0107. Pandemie, kolejki w t\u0142oczniach, wydarzenia losowe. Ale teraz dochodz\u0105 jeszcze decyzje wytw\u00f3rni p\u0142ytowych, kt\u00f3re wyrzucaj\u0105 kolejne gwiazdy muzycznego \u015bwiata ze swoich katalog\u00f3w. Po styczniowym marszu na Kapitol g\u0142o\u015bny by\u0142 konflikt wok\u00f3\u0142 Ariela Pinka, kt\u00f3ry si\u0142y trumpist\u00f3w popiera\u0142 i zosta\u0142 wyrzucony z katalogu wytw\u00f3rni Mexican Summer. Niby dwie p\u0142yty zapowiadane na [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28071,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,4009,4543],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28064"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=28064"}],"version-history":[{"count":16,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28064\/revisions"}],"predecessor-version":[{"id":28153,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28064\/revisions\/28153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/28071"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=28064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=28064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=28064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}