{"id":28098,"date":"2021-02-05T10:27:56","date_gmt":"2021-02-05T09:27:56","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=28098"},"modified":"2021-02-05T17:52:04","modified_gmt":"2021-02-05T16:52:04","slug":"ona-jest-bossem","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/02\/05\/ona-jest-bossem\/","title":{"rendered":"Ona jest bossem"},"content":{"rendered":"<p>Je\u015bli skrzynka mailowa p\u0119ka w szwach, to znaczy, \u017ce wr\u00f3ci\u0142y pi\u0105tki z Bandcampem, czyli \u017ce \u0142askawie panuj\u0105cy w cywilizowanej cz\u0119\u015bci rynku muzycznego serwis znowu nie pobiera swojej op\u0142aty manipulacyjnej. I arty\u015bci wydaj\u0105 wi\u0119cej i ch\u0119tniej. Poni\u017cej stale rosn\u0105ca lista tych dzisiejszych premier, ale skupi\u0119 si\u0119 d\u0142u\u017cej na jednej. <strong>The Weather Station<\/strong>, czyli Tamarze Lindeman, kanadyjskiej wokalistce i autorce, kt\u00f3ra z p\u0142yty na p\u0142yt\u0119 radzi\u0142a sobie coraz lepiej, przechodz\u0105c stopniowo od folku i folk-rocka (dominuj\u0105cych jeszcze na <a href=\"https:\/\/polifonia.blog.polityka.pl\/2017\/10\/10\/polifonia-po-kawalku-vol-3-playlista\/\">recenzowanym tu trzy lata temu<\/a> albumie <em>The Weather Station<\/em>) do&#8230; rany, co tu si\u0119 dzieje na tej nowej p\u0142ycie! Je\u015bli Joni Mitchell, z kt\u00f3r\u0105 Lindeman zestawiano wielokrotnie, w pewnym momencie dokona\u0142a jazzowego zwrotu, to 36-latka z Toronto dokona\u0142a w\u0142a\u015bnie pe\u0142nego zwrotu ku pe\u0142nej artyzmu muzyce pop-rockowej. S\u0142yszalnego ju\u017c w singlowym <em>Robber<\/em>, kt\u00f3rego aran\u017cacja brzmi, jak gdyby t\u0119 piosenk\u0119 montowa\u0142 w studiu Mark Hollis z Talk Talk. Tu pojedynczy, d\u0142ugo wybrzmiewaj\u0105cy akord fortepianu, tam flet, gdzie indziej smyczki, stopniowanie napi\u0119cia. I to wra\u017cenie pojawi si\u0119 jeszcze podczas s\u0142uchania tej p\u0142yty parokrotnie.&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_BRoP1yqjo\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p><em>Ignorance<\/em> to zestaw \u0142adnych piosenek o czym\u015b, \u015bpiewanych pewnie i z wyj\u0105tkow\u0105 barw\u0105, ale te\u017c &#8211; co rzuca si\u0119 w uszy z miejsca &#8211; finezyjnie zaaran\u017cowana superprodukcja, za kt\u00f3r\u0105 wsp\u00f3\u0142odpowiedzialny jest Marcus Paquin, dzia\u0142aj\u0105cy w Montrealu muzyk i aran\u017cer, wcze\u015bniej odpowiedzialny za brzmienie album\u00f3w Arcade Fire i The National. Napi\u0119cie nieco spada tu w drugiej cz\u0119\u015bci p\u0142yty, ale partiach instrumentalnych nie ma mowy o nudzie, co sygnalizowa\u0142 ju\u017c singlowy <em>Robbery<\/em>, ze smacznie towarzysz\u0105c\u0105 rockowemu sk\u0142adowymi parti\u0105 saksofonu. Poza skojarzeniami z Arcade Fire, do\u015b\u0107 oczywistymi wobec niemal tanecznej pracy poszerzonej (poszerzone linie perkusji) sekcji rytmicznej i smyczk\u00f3w, pojawiaj\u0105 si\u0119 tu inne, mo\u017ce nieco bardziej zaskakuj\u0105ce &#8211; z Bruce&#8217;em Springsteenem. Kiedy s\u0142ucham opartych na mocnych, rockowych groove&#8217;ach sekcji utwor\u00f3w <em>Tried To Tell You<\/em> czy <em>Heart<\/em>, wyobra\u017cam je sobie z \u0142atwo\u015bci\u0105 w\u0142a\u015bnie w repertuarze Bossa. Z ca\u0142ym szacunkiem jednak: obecnie by\u0142yby wtedy raczej gorzej zaaran\u017cowane i mniej atrakcyjne wokalnie. A chyba te\u017c nie zosta\u0142yby napisane z tak\u0105 dba\u0142o\u015bci\u0105 o szczeg\u00f3\u0142 jak w wypadku The Weather Station. A zatem je\u015bli odejdziecie dalej od \u017ar\u00f3d\u0142a d\u017awi\u0119ku, w g\u00f3rnych rejestrach g\u0142osu Lindeman ci\u0105gle us\u0142yszycie ten znany z jej poprzednich p\u0142yt ton, ale z bliska to ju\u017c zupe\u0142nie inna muzyka.&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<\/p>\n<p><strong>THE WEATHER STATION <em>Ignorance<\/em><\/strong>, Fat Possum 2021, <strong>8\/10&nbsp;<\/strong><\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3178393092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/theweatherstation.bandcamp.com\/album\/ignorance\">Ignorance by The Weather Station<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>30.01 <strong>Spoiwo<\/strong> Martial Hearts \u00a0<br \/>30.01 <strong>VA<\/strong> The Dull Hatchet: Late 1940s Lemko Instrumentals in Brooklyn NY, Canary<br \/>1.02 <strong>Courtney Barnett<\/strong> From Where I&#8217;m Standing (Live From the Royal Exhibition Building, Melbourne) <br \/>1.02 <strong>Grateful Dead<\/strong> Dave&#8217;s Picks Vol. 37: College of William and Mary, Williamsburg, VA 4\/15\/78, Rhino arch.<br \/>1.02 <strong>Orchestre Poly-Rythmo De Cotonou<\/strong> Orchestre Poly-Rythmo De Cotonou Dahomey, Superfly <br \/>1.02 <strong>Pauline Anna Storm<\/strong> Angel Tears In Sunlight, RVNG Intl <br \/>1.02 <strong>T\/Aboret<\/strong> Cyjanotypia, T\/Aboret DL<br \/>1.02 <strong>\u017babson<\/strong> Ziomalski Mixtape <br \/>2.02 <strong>Florian T M Zeisig<\/strong> Music For Parents, Metron <br \/>2.02 <strong>Gnod<\/strong> Easy To Build, Hard To Destroy, Rocket <br \/>2.02 <strong>Swamp Dog<\/strong> Sorry You Couldn&#8217;t Make It Demos, Joyful Noise <br \/>2.02 <strong>VA<\/strong> Sahel Sounds Label Sampler 3, Sahel Sounds <br \/>3.02 <strong>Anthony Pateras<\/strong> Pseudocadius, Bocian <br \/>3.02 <strong>Dumb Numbers<\/strong> Scars, Joyful Noise EP<br \/>3.02 <strong>TABA<\/strong> Sen o Czarnej Drodze, Enjoy Life <br \/>4.02 <strong>Aurora<\/strong> For the Humans Who Take Long Walks in the Forest, EP<br \/>4.02 <strong>D\u00f6d<\/strong> Just D\u00f6d It, Opal Tapes MC, DL<br \/>4.02 <strong>Eating The Internet<\/strong> For Parts or Not Working, Opal Tapes MC, DL<br \/>4.02 <strong>Evitceles<\/strong> Black Leaf, Opal Tapes MC, DL<br \/>4.02 <strong>Granite Mask<\/strong> Time Elapsed, Opal Tapes MC, DL<br \/>4.02 <strong>Micachu<\/strong> Feeling Romantic Feeling Tropical Feeling Ill, DDS MC<br \/>4.02 <strong>Novo<\/strong> Line Doors Of Proprioception &#8211; Articulation, Ecstatic <br \/>4.02 <strong>Ssiege<\/strong> Fading Summer, Youth ltd<br \/>4.02 <strong>Taylor Swift<\/strong> The &#8222;Ladies Lunching&#8221; Chapter, EP<br \/>4.02 <strong>Vampire Weekend<\/strong> &#8222;40:42&#8221;, EP<br \/>4.02 <strong>Vladimir Ivkovic<\/strong> Gospels For Moopie, Fleetway Tapes MC<br \/><strong>Ata Saturna<\/strong> Confer\u00eancia Inferno, Lovers &amp; Lollypops <br \/><strong>Baba Dontez<\/strong> Horns for Bob Marley, Black Fire\/Strut arch.<br \/><strong>BJC UM<\/strong> Versions, Tone Burst <br \/><strong>Black Country, New Road<\/strong> For the First Time, Ninja Tune <br \/><strong>Boo Hiss<\/strong> Sike Roc, Deathbomb Arc <br \/><strong>Bored At My Grandmas House<\/strong> Sometimes I Forget You&#8217;re Human Too Clue <br \/><strong>Byron Westbrook<\/strong> Distortion Hue, Hands In The Dark<br \/><strong>Caf\u00e9 Kaput<\/strong> Commentaires, Caf\u00e9 Kaput <br \/><strong>Chaos Echoes<\/strong> Ecstasy With the Nonexistents, Sentient Run <br \/><strong>Chuck Johnson<\/strong> The Cinder Grove, Vin du Select Qualitite\/Glitterbeat <br \/><strong>Coma World<\/strong> Coma World, Byrd Out <br \/><strong>Cult Of Luna<\/strong> The Raging River, Red Creek <br \/><strong>Danny Kroha<\/strong> Detroit Blues, Third Man <br \/><strong>Donald Miller<\/strong> Transgression!!!, Vin du Select Qualitite <br \/><strong>Editrix<\/strong> Tell Me I&#8217;m Bad Exploding In Sound (Wendy Eisenberg)<br \/><strong>Eugene Carchesio<\/strong> No Place I, Room40<br \/><strong>Experience Unlimited<\/strong> Free Yourself, Black Fire\/Strut arch. <br \/><strong>Femi Kuti &amp; Made Kuti<\/strong> Legacy+ <br \/><strong>Foo Fighters<\/strong> Medicine at Midnight, RCA <br \/><strong>Frederik Valentin<\/strong> &#8222;0011001&#8221;, Posh Isolation <br \/><strong>Hayley Williams<\/strong> FLOWERS for VASES \/ descansos <br \/><strong>Hoodna Orchestra<\/strong> Alem Alem, Agogo <br \/><strong>I Work In Communications<\/strong> No Signal, DDR <br \/><strong>Jake Xerxes Fussell<\/strong> Copper Kettle, Paradise of Bachelors<br \/><strong>Jeremiah Cymerman \/ Charlie Looker<\/strong> A Horizon Made Of Canvas, Astral Spirits <br \/><strong>John Carpenter<\/strong> Lost Themes III: Alive After Death, Sacred Bones<br \/><strong>Kwiat Jab\u0142oni<\/strong> Mog\u0142o nie by\u0107, Agora<br \/><strong>Legendary Pink Dots<\/strong> Live at the Trocadero, Philadelphia 1993<br \/><strong>Lingua Ignota<\/strong> Agnus Dei <br \/><strong>Lutto Lento<\/strong> Legendo, Haunter <br \/><strong>Max Bravura<\/strong> Too Bravura, Agora <br \/><strong>Meril Wubslin<\/strong> Alors Quoi Les Disques, Bongo Joe <br \/><strong>Nick Walters &amp; The Paradox Ensemble<\/strong> Implicate Order, D.O.T. EP<br \/><strong>Octo Octa<\/strong> She&#8217;s Calling, T4T LUV NRG EP<br \/><strong>\u00f8jeRum<\/strong> Cette Mer Qui Est En Toi, Facture <br \/><strong>Pawe\u0142 Przyborowski<\/strong> Nie\u015bmiesznie, Tutka<br \/><strong>Plaid<\/strong> Stem Sell, Touched arch.<br \/><strong>Prefuse 73<\/strong> The Failing Institute of Drums &amp; Other Percussion<br \/><strong>Psychedelic Porn Crumpets<\/strong> SHYGA! The Sunlight Mound, What Reality?<br \/><strong>Puma Blue<\/strong> In Praise of Shadows, Blue Flowers Music<br \/><strong>Red River Dialect<\/strong> Broken Stay Open Demos, Paradise of Bachelors <br \/><strong>Rob Noyes<\/strong> Arc Minutes, Vin du Select Qualitite <br \/><strong>Roy Montgomery<\/strong> Island of Lost Souls <br \/><strong>Ryley Walker And Kikagaku Moyo<\/strong> Deep Fried Grandeur, Husky Pants<br \/><strong>Sarah Louise<\/strong> Sing a Song of Memory, EP<br \/><strong>Sarah Mary Chadwick<\/strong> Me And Ennui Are Friends, Baby Ba Da Bing<br \/><strong>Siostry Szyd\u0142owskie<\/strong> Siostry Szyd\u0142owskie, Universal <br \/><strong>Slow Walkers<\/strong> Slow Walkers, Room40 <br \/><strong>Slowthai<\/strong> Tyron, Method<br \/><strong>Stephen Vitiello<\/strong> Soundtracks for Lynne Sachs (Volume 1, Film About A Father Who, Tip of My Tongue), Room40 <br \/><strong>Sturle Dagsland<\/strong> Sturle Dagsland <br \/><strong>Subfusc<\/strong> Billy Tutu, Tone Burst MC, DL &#8211; EP<br \/><strong>The Staves<\/strong> Good Woman, Atlantic<br \/><strong>The Weather Station<\/strong> Ignorance, Fat Possum <br \/><strong>Thingy<\/strong> Two Covers and a Sequel <br \/><strong>TV Priest<\/strong> Uppers, Hand in Hive <br \/><strong>VA<\/strong> DYNAM&#8217;HIT &#8211; Europop Version fran\u00e7aise &#8211; 1990\u200b\/\u200b1995, Born Bad<br \/><strong>VA<\/strong> Transmigration, Lullabies for Insomniacs <br \/><strong>Whalesong<\/strong> From Ashes of the Past <br \/><strong>Wobbly<\/strong> Popular Monitress, Hausu Mountain<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 5 lutego &#8211; chyba \u017ce oznaczy\u0142em premiery inn\u0105 dat\u0105.<\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Je\u015bli skrzynka mailowa p\u0119ka w szwach, to znaczy, \u017ce wr\u00f3ci\u0142y pi\u0105tki z Bandcampem, czyli \u017ce \u0142askawie panuj\u0105cy w cywilizowanej cz\u0119\u015bci rynku muzycznego serwis znowu nie pobiera swojej op\u0142aty manipulacyjnej. I arty\u015bci wydaj\u0105 wi\u0119cej i ch\u0119tniej. Poni\u017cej stale rosn\u0105ca lista tych dzisiejszych premier, ale skupi\u0119 si\u0119 d\u0142u\u017cej na jednej. The Weather Station, czyli Tamarze Lindeman, kanadyjskiej [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28102,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,582,3,312,120,3319,444,3309,4543,106],"tags":[3036],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28098"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=28098"}],"version-history":[{"count":13,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28098\/revisions"}],"predecessor-version":[{"id":28113,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28098\/revisions\/28113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/28102"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=28098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=28098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=28098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}