{"id":28495,"date":"2021-03-12T09:59:39","date_gmt":"2021-03-12T08:59:39","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=28495"},"modified":"2021-03-12T15:27:23","modified_gmt":"2021-03-12T14:27:23","slug":"koncert-byl-zdalny-ale-bootleg-jest","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/03\/12\/koncert-byl-zdalny-ale-bootleg-jest\/","title":{"rendered":"Koncert by\u0142 zdalny, ale bootleg jest"},"content":{"rendered":"<p>Nie lubi\u0119 przekazywa\u0107 z\u0142ych wiadomo\u015bci przy pi\u0105tku, ale te s\u0105 jeszcze z czwartku: nie do\u015b\u0107, \u017ce brak wci\u0105\u017c realnej perspektywy otwierania sal koncertowych, to jeszcze powoli zamykamy na powr\u00f3t to, co by\u0142o otwarte. Zostaj\u0105 p\u0142yty &#8211; jak si\u0119 okazuje, s\u0105 nawet bootlegi z tych koncert\u00f3w, na kt\u00f3re nie mogli\u015bcie p\u00f3j\u015b\u0107 czy pojecha\u0107. Kr\u0105\u017cy ju\u017c nagranie wyst\u0119pu Black Country, New Road z wielkiej &#8211; ale w tym wydaniu niemal pustej &#8211; londy\u0144skiej sali Southbank, w kt\u00f3rej na widowni posadzono grup\u0119 przyjaci\u00f3\u0142 (?) zespo\u0142u, kapitalnie do\u015bpiewuj\u0105cych ch\u00f3rki &#8211; wszystko by\u0142o przygotowane, mieli mikrofony. Mia\u0142em okazj\u0119 ogl\u0105da\u0107 na \u017cywo ten wyst\u0119p i przyznaj\u0119, \u017ce do\u015bwiadczy\u0142em rzadkiej odmiany frustracji &#8211; z powodu tego, \u017ce koncert by\u0142 taki&#8230; dobry. Poni\u017cej lista pi\u0105tkowych premier, je\u015bli kto\u015b zajrza\u0142 tu tylko po ni\u0105. Nieco wy\u017cej wybrana premiera tygodnia. To ju\u017c ca\u0142kiem dobra wiadomo\u015b\u0107. I bardzo podnosz\u0105ca na duchu muzyka.&nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c1L1WJBsY4w\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Jak \u0142atwo si\u0119 by\u0142o zorientowa\u0107 po miniaturze promuj\u0105cej dzisiejszy wpis, t\u0105 p\u0142yt\u0105 jest <em>The Moon and Stars: Prescriptions for Dreamers<\/em>&nbsp;<strong>Valerie June<\/strong>. To ta, kt\u00f3ra w grudniu zagra\u0142a domowy koncert szczeg\u00f3lnie bezpo\u015bredni i intymny, przy kominku &#8211; wklei\u0142em powy\u017cej. Z jednej strony &#8211; \u0142atwy wyb\u00f3r p\u0142yty tygodnia. Cho\u0107 zarazem wcale nie taki oczywisty, bo premiera ameryka\u0144ska na wskro\u015b &#8211; troch\u0119 za bardzo zanurzona w po\u0142udniowym soulu, a nawet country, \u017ceby wywo\u0142a\u0107 jak\u0105\u015b nag\u0142\u0105 mod\u0119, a zarazem Valerie June Hockett nie jest ju\u017c debiutantk\u0105, nie da si\u0119 wi\u0119c te\u017c dokona\u0107 w zwi\u0105zku z ni\u0105 jakiego\u015b epokowego odkrycia.&nbsp;<\/p>\n<p>Tak naprawd\u0119 ju\u017c w partiach wokalnych June jest co\u015b zupe\u0142nie, ale to zupe\u0142nie niezwyk\u0142ego &#8211; brzmi\u0105 jednocze\u015bnie jak g\u0142os osoby bardzo m\u0142odej i jak g\u0142os kogo\u015b w wieku z okolic szczepionkowej grupy zero. Trudno wi\u0119c powiedzie\u0107, \u017ce ta kariera zmierzaj\u0105ca od bluesowo-country&#8217;owych \u017ar\u00f3de\u0142 ku muzyce soul, do\u015b\u0107 momentami wsp\u00f3\u0142czesnej w aran\u017cacjach, to historia nowej Eryki Badu (cho\u0107 pewne skojarzenia budzi). To raczej kariera artystki zafascynowanej g\u0142osami podstarza\u0142ych facet\u00f3w i potrafi\u0105cej modulowa\u0107 g\u0142os tak, by brzmia\u0142 jak nowa wersja&#8230; Lonniego Holleya? Vana Morrisona? Arthura Russella? (Pami\u0119tacie piosenki country tego ostatniego?) Widzia\u0142em nawet zestawienie z Danielem Johnstonem (kt\u00f3rego piosenk\u0119 \u015bpiewa\u0142a podczas wzmiankowanego koncertu!), jakkolwiek egzotycznie by to brzmia\u0142o. I sam ten dziwny charakter wokali jest rzecz\u0105, kt\u00f3ra powinna do tej p\u0142yty przyci\u0105gn\u0105\u0107 r\u00f3wnie\u017c czytelnik\u00f3w Polifonii. W tekstach z kolei jedn\u0105 z inspiracji dla autorki jest Sun Ra.&nbsp; &nbsp;<\/p>\n<p>W ca\u0142o\u015bci ta p\u0142yta po\u015bwi\u0119cona snom jest kolejn\u0105 superprodukcj\u0105 na koncie June, dla kt\u00f3rej prze\u0142omem by\u0142 nagrany z Danem Auerbachem (The Black Keys) album <em>Pushin\u2019 Against the Stone<\/em>. Teraz wsp\u00f3\u0142produkowa\u0142 z ni\u0105 materia\u0142 pianista Jack Splash, kt\u00f3ry na koncie ma prac\u0119 z Kendrickiem Lamarem, Cee-Lo, Solange i Alici\u0105 Keys. A partie smyczk\u00f3w aran\u017cowa\u0142 Lester Snell, znany z kolei z nagra\u0144 Isaaca Hayesa i Solomona Burke&#8217;a. Go\u015bcinnie pojawia si\u0119 Carla Thomas, weteranka zjawiskowej sceny Memphis Soul. Pos\u0142uchajcie, bo chocia\u017c p\u0142yty roku raczej z tego nie b\u0119dzie, to jest to muzyka \u015brodka XXI wieku, ani nowa, ani stara, no i kompletnie bezgatunkowa &#8211; z grubsza taka, <a href=\"https:\/\/www.newyorker.com\/magazine\/2021\/03\/15\/genre-is-disappearing-what-comes-next\">o jakiej ostatnio pisa\u0142a w &#8222;New Yorkerze&#8221;<\/a> Amanda Petrusich.&nbsp; &nbsp;<\/p>\n<p><strong>VALERIE JUNE <em>The Moon and Stars: Prescriptions for Dreamers<\/em><\/strong>, Fantasy 2021, <strong>8\/10<\/strong><\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491862379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/valeriejune.bandcamp.com\/album\/the-moon-and-stars-prescriptions-for-dreamers\">The Moon And Stars: Prescriptions For Dreamers by Valerie June<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>6.03 <strong>Black Country, New Road<\/strong> Queen Elizabeth Hall, Southbank Centre bootleg<br \/>6.03 <strong>Broken Spear &amp; Sluurpee<\/strong> Dragonflies, Noumenal Loom EP<br \/>8.03 <strong>Aleph \u05d0<\/strong> Kairos Galactic Smoke House <br \/>8.03 <strong>Bonnie Mercer &amp; YLP<\/strong> Old Moon, New Moon \/ The Image of 36 Downward LP<br \/>8.03 <strong>Electric Jalaba<\/strong> El Hal \/ The Feeling, Strut <br \/>8.03 <strong>Giving Head<\/strong> Mila Kunis, Enjoy Life <br \/>8.03 <strong>Janka<\/strong> MIDI Life Crisis, U Know Me <br \/>8.03 <strong>Okay Vivian<\/strong> Saye, IA <br \/>8.03 <strong>T&#8217;ien Lai<\/strong> Natures. Vol.1, Brutality Garden <br \/>8.03 <strong>VA<\/strong> VA: 96100, Zathra <br \/>9.03 <strong>Mitski<\/strong> There Is Where We Fall (OST) <br \/>9.03<strong> Sentinel 793<\/strong> Brukwerk, Seagrave <br \/>9.03 <strong>Stephan Thelen<\/strong> Fractal Guitar 2, MoonJune <br \/>9.03 <strong>William Parker<\/strong> Live Ateliers Claus, Les Albums Claus <br \/>10.03 <strong>Ariel Kalma<\/strong> Oasis Music to Dream By, Ariel Kalma <br \/>10.03 <strong>Hikaru Utada<\/strong> One Last Kiss, Sony Japan EP<br \/>10.03 <strong>John Butcher &amp; Rhodri Davies<\/strong> Drunk on Dreams <br \/>10.03 <strong>Killah Priest<\/strong> Lord Sun Heavy Mental 1.1, Proverbs <br \/>10.03 <strong>Meeting By Chance<\/strong> Watershed Moment, Meeting By Chance EP<br \/>11.03<strong> Brone Pone<\/strong> Brone Pone, Vivarium <br \/>11.03 <strong>Daniel Grupa<\/strong> Zanim nadejdzie noc <br \/><strong>Biga Yut<\/strong> Vamparina, Hakuna Kulala EP<br \/><strong>Bisz &amp; Kosa<\/strong> Blady kr\u00f3l, Pchamy Ten Syf <br \/><strong>Blackmore&#8217;s Night<\/strong> Nature&#8217;s Light <br \/><strong>Caribou<\/strong> Suddenly Remixes, City Slang <br \/><strong>Central Cee<\/strong> Wild West, Central Cee <br \/><strong>Charlie Bedford<\/strong> Good to Go, Blue Heart <br \/><strong>Closer<\/strong> Within One Stem, Lauren <br \/><strong>Cory Hanson<\/strong> Pale Horse Rider, Drag City <br \/><strong>Dan Blake<\/strong> Da F\u00e9, Sunnyside <br \/><strong>David Lang &amp; Bill Morrison<\/strong> The Village Detective: a song cycle, Cantaloupe <br \/><strong>David Shea<\/strong> The Thousand Buddha Caves, Room40 <br \/><strong>David Tanenbaum<\/strong> As She Sings, New Focus <br \/><strong>DJ Black<\/strong> Low Uwami, Awesome Tapes From Africa <br \/><strong>Do Nothing<\/strong> Glueland, Exact Truth EP<br \/><strong>Dollar Signs<\/strong> Hearts of Gold, Pure Noise <br \/><strong>Doohickey Cubicle<\/strong> Don&#8217;t Fix Anything \ud83d\ude09 <br \/><strong>Driftmachine<\/strong> Spume &amp; Recollection, Umor-Rex <br \/><strong>Erlend Apneseth Trio<\/strong> Lokk, Hubro <br \/><strong>Eyehategod<\/strong> A History of Nomadic Behavior, Century Media <br \/><strong>Feu! Chatterton<\/strong> Palais d&#8217;argile, Caroline <br \/><strong>Frosti<\/strong> Albert Trapstein <br \/><strong>Graham Lambkin<\/strong> Solos, Blank Forms <br \/><strong>Grosso Gadgetto &amp; Pink Room feat. Oddateee <\/strong>Woke, Atypeek Music\/ Solium <br \/><strong>Guedra Guedra \u0643\u062f\u0631\u0629 \u0643\u062f\u0631\u0629<\/strong> Vexillology, On The Corner <br \/><strong>Israel Nash<\/strong> Topaz <br \/><strong>Joshua Bassett<\/strong> Joshua Bassett <br \/><strong>JuJu<\/strong> Live at 131 Prince Street, Black Fire\/Strut <br \/><strong>Kafar Dix37<\/strong> 23 minuty po p\u00f3\u0142nocy <br \/><strong>Lady Pank<\/strong> LP40, Agora <br \/><strong>Lary Seven<\/strong> Rotation, The Digital Archive of Tapeworm arch. <br \/><strong>Leanne Betasamosake Simpson<\/strong> Theory of Ice, You&#8217;ve Changed <br \/><strong>Linda Smith<\/strong> Till Another Time: 1988\u200b-\u200b1996, Captured Tracks <br \/><strong>Lorenzo Wolff<\/strong> Down Where the Valleys Are Low: Another Otherworld for Judee Sill, Storysound <br \/><strong>Louisahhh<\/strong> The Practice of Freedom, He She They <br \/><strong>Natalia Przybysz<\/strong> MTV Unplugged, Kayax <br \/><strong>Nina De Heney i S\u0142awek Janicki,<\/strong> Bocian 5&#8243; <br \/><strong>Norman Westberg &amp; Jacek Mazurkiewicz<\/strong> First Man in the Moon, Hallow Ground <br \/><strong>Nubiyan Twist<\/strong> Freedom Fables, Strut <br \/><strong>Olie Brice, Binker Golding, Henry Kaiser, N.O. Moore, Eddie Pr\u00e9vost<\/strong> The Secret Handshake with Danger vol. 1, 577 records <br \/><strong>Perfume Genius<\/strong> Immediately Remixes, Matador <br \/><strong>Phew \/ John Duncan \/ Kondo Tatsuo<\/strong> Backfire Of Joy, Black Truffle <br \/><strong>Pino Palladino and Blake Mills<\/strong> Notes With Attachments, Impulse! <br \/><strong>Proceente<\/strong> Antygona <br \/><strong>Resonant Bodies<\/strong> Resonant Bodies, New Focus<br \/><strong>Rob Zombie<\/strong> The Lunar Injection Kool Aid Eclipse Conspiracy, Nuclear Blast <br \/><strong>Selena Gomez<\/strong> Revelacion, Universal <br \/><strong>Sunburned Hand of the Man<\/strong> Pick a Day to Die, Three Lobed <br \/><strong>Teeth Agency<\/strong> You Don&#8217;t Have to Live in Pain, Stones Throw <br \/><strong>The Horrors<\/strong> Lout, Caroline EP<br \/><strong>The Underground Youth<\/strong> The Falling, Fuzz Club <br \/><strong>Todd Anderson-Kunert &amp; GX Jupitter-Larsen<\/strong> Hydrology Suspended, Room40<br \/><strong>Tom Grennan<\/strong> Evering Road, Insanity <br \/><strong>Tricky<\/strong> Fall To Pieces (Remixes), False Idols <br \/><strong>Valerie June<\/strong> The Moon and Stars: Prescriptions for Dreamers, Fantasy <br \/><strong>Valgeir Sigur\u00f0sson<\/strong> Kvika, Bedroom Community <br \/><strong>V\u00edkingur \u00d3lafsson<\/strong> Reflections, Deutsche Grammophon<br \/><strong>ZULI<\/strong> All Caps, UIQ<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 12 marca, chyba \u017ce tak nie jest. A je\u015bli tak nie jest, to pewnie zosta\u0142y oznaczone inn\u0105 dat\u0105.\u00a0<\/em><\/p>\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j-R7hN6bZZ8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Nie lubi\u0119 przekazywa\u0107 z\u0142ych wiadomo\u015bci przy pi\u0105tku, ale te s\u0105 jeszcze z czwartku: nie do\u015b\u0107, \u017ce brak wci\u0105\u017c realnej perspektywy otwierania sal koncertowych, to jeszcze powoli zamykamy na powr\u00f3t to, co by\u0142o otwarte. Zostaj\u0105 p\u0142yty &#8211; jak si\u0119 okazuje, s\u0105 nawet bootlegi z tych koncert\u00f3w, na kt\u00f3re nie mogli\u015bcie p\u00f3j\u015b\u0107 czy pojecha\u0107. Kr\u0105\u017cy ju\u017c nagranie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28501,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,12,582,3,312,120,3319,444,3309,4543,106],"tags":[4550,4573],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28495"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=28495"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28495\/revisions"}],"predecessor-version":[{"id":28510,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/28495\/revisions\/28510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/28501"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=28495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=28495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=28495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}