{"id":29653,"date":"2021-06-25T10:29:58","date_gmt":"2021-06-25T08:29:58","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=29653"},"modified":"2021-06-25T19:28:34","modified_gmt":"2021-06-25T17:28:34","slug":"za-dobre","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/06\/25\/za-dobre\/","title":{"rendered":"Za dobre!"},"content":{"rendered":"<p>Niepr\u0119dko czeka nas taka lista premier jak dzi\u015b. Z oczekiwan\u0105 p\u0142yt\u0105 Lucy Dacus, nowo\u015bciami Tylera, The Creatora i Modest Mouse, formacj\u0105 Ceramic Dog (uwaga, w lipcu koncert w Pardon To Tu!), ze \u015bwietnym albumem Arszyna, fajn\u0105 Muzyk\u0105 Ko\u0144ca Lata, nowym Elim Keszlerem, a tak\u017ce Hypnotic Brass Ensemble odgrywaj\u0105cymi album Richarda Youngsa. Jest Tomasz Sroczy\u0144ski i Rysy. Jest Derya Y\u0131ld\u0131r\u0131m &amp; Grup \u015eim\u015fek i John Carroll Kirby. I jeszcze The Mountain Goats. No a ale przede wszystkim s\u0105 te dwie finezyjne p\u0142yty od\u015bwie\u017caj\u0105ce formu\u0142\u0119 R&amp;B jak letnia burza powietrze: <strong>Hiatus Kaiyote<\/strong> i <strong>Sault<\/strong>. Ta druga ma by\u0107 dost\u0119pna w streamingu tylko przez 99 dni. O co chodzi?\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753900468\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/hiatuskaiyote.bandcamp.com\/album\/mood-valiant\">Mood Valiant by Hiatus Kaiyote<\/a><\/iframe>\n\n\n<p>To przede wszystkim niez\u0142y motywator, \u017ceby si\u0119 rzuci\u0107 do s\u0142uchania. Przy takiej inflacji niez\u0142ych wydawnictw jaki\u015b dodatkowy bodziec mo\u017ce si\u0119 przyda\u0107. W wypadku australijskiej grupy Hiatus Kaiyote by\u0142a nim ca\u0142a seria singli (<em>Get Sun<\/em>, <em>Red Room<\/em>, <em>Chivalry Is Not Dead<\/em>), kt\u00f3re w praktyce sprzeda\u0142y mi ten album. Z kolei Sault, tajemniczy projekt producenta Inflo (o kt\u00f3rego dw\u00f3ch poprzednich p\u0142ytach <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/10\/02\/najlepsze-co-mozna-dostac-za-darmo-w-roku-2020\/\">pisa\u0142em z entuzjazmem w ubieg\u0142ym roku<\/a>), og\u0142osi\u0142, \u017ce po 99 dniach album <em>Nine<\/em> zniknie ze streamingu i zostanie u tych, kt\u00f3rzy kupi\u0105 sobie fizyczn\u0105 wersj\u0119. Mo\u017cna pr\u00f3bowa\u0107 r\u00f3\u017cnie, cho\u0107 przyznaj\u0119, \u017ce ten stary pomys\u0142 z singlami ci\u0105gle dzia\u0142a. Lubi\u0119 fizyczne no\u015bniki, ale wol\u0119, jak kto\u015b zan\u0119ca, ni\u017c stawia ultimatum.\u00a0 \u00a0<\/p>\n<p>Co do albumu Hiatus Kaiyote &#8211; w\u0142a\u015bciwie nale\u017ca\u0142oby poczeka\u0107 z ostateczn\u0105 opini\u0105 na no\u015bnik. P\u0142yta jest imponuj\u0105ca muzycznie, cho\u0107 zarazem wyprodukowana na granicy wytrzyma\u0142o\u015bci sprz\u0119towej, je\u015bli chodzi o kompresj\u0119, i podatna na to, co zrobi\u0105 z nim serwisy streamingowe &#8211; ju\u017c r\u00f3\u017cnica w przejrzysto\u015bci nawet mi\u0119dzy Spotify a Bandcampem (na korzy\u015b\u0107 tego drugiego &#8211; i mam tu na my\u015b\u0142i ods\u0142uch online) wydaje mi si\u0119 do\u015b\u0107 pot\u0119\u017cna. Niewykluczone, \u017ce <em>sweet spot<\/em> to w tym wypadku znowu brzmienie winyla i pod jego k\u0105tem ca\u0142o\u015b\u0107 by\u0142a przygotowywana. Nie nale\u017cy si\u0119 na pewno spodziewa\u0107 funkowej eksplozji, ca\u0142a p\u0142yta jest bogata aran\u017cacyjnie, ale raczej nastrojowa, cho\u0107 kilka mocniejszych akcent\u00f3w znajdziemy, nawet takich na poziomie dotychczasowych singli &#8211; np. <em>All the Words We Don&#8217;t Say<\/em>.\u00a0 \u00a0\u00a0<\/p>\n<p>Hiatus Kaiyote &#8211; dwukrotnie ju\u017c nominowani do Grammy z kategorii Best R&amp;B Performance &#8211; nad nowym albumem pracowali jakie\u015b sze\u015b\u0107 lat. I to s\u0142ycha\u0107 w ka\u017cdym elemencie. Nowe Sault ukazuje si\u0119 ledwie po dziewi\u0119ciu miesi\u0105cach od poprzedniej p\u0142yty i wydaje si\u0119 pocz\u0105tkowo p\u0142yt\u0105 do\u015b\u0107 surow\u0105, bardziej zaczepn\u0105, dra\u017cni\u0105c\u0105 brzmieniowo ni\u017c poprzedniczka, czyli <em>Untitled (Rise)<\/em>. Cho\u0107 zdecydowanie mi\u0119knie w okolicach \u0142adnego <em>Bitter Streets<\/em>, a nagrane z udzia\u0142em Little Simz <em>You From London<\/em> okazuje si\u0119 wr\u0119cz zaskakuj\u0105co liryczne i delikatne. I ta druga, soulowa cz\u0119\u015b\u0107 albumu to solidna i godna konkurencja dla Hiatus Kaiyote, cho\u0107 ca\u0142o\u015b\u0107 &#8211; dost\u0119pna ledwie od kilkunastu godzin &#8211; nie powinna zagrozi\u0107 pozycji dw\u00f3ch zesz\u0142orocznych album\u00f3w Inflo.\u00a0<\/p>\n<p>Ko\u0144cowe <em>Light&#8217;s In Your Hands<\/em> formacji Sault podaje r\u0119k\u0119 imponuj\u0105cemu <em>Stone or Lavender<\/em> grupy Hiatus Kaiyote. Dwie soulowe, fortepianowe ballady na dw\u00f3ch oczekiwanych p\u0142ytach tygodnia w roku 2021. W konkurencji tych dw\u00f3ch utwor\u00f3w r\u00f3\u017cnic\u0119 robi wokalistka Naomi Saalfield, czyli Nai Palm &#8211; imponuj\u0105ca, dysponuj\u0105ca oryginalnym g\u0142osem posta\u0107 o niezwyk\u0142ej i do\u015b\u0107 dramatycznej historii. W konkurencji zespo\u0142owej na tym poziomie musi zdecydowa\u0107 czynnik indywidualny.\u00a0 \u00a0 \u00a0 \u00a0<\/p>\n<p><strong>HIATUS KAIYOTE <em>Mood Valiant<\/em><\/strong>, Brainfeeder\/Ninja Tune 2021, <strong>8\/10<\/strong><br \/><strong>SAULT <em>Nine<\/em><\/strong>, Forever Living Originals 2021, <strong>7\/10<\/strong><\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3937460172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/saultglobal.bandcamp.com\/album\/nine\">&#39;NINE&#39; by SAULT<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>19.06 <strong>Angel Bat Dawid<\/strong> Hush Harbor Mixtape Vol. 1 Doxology, International Anthem <br \/>19.06 <strong>Fabio Perletta<\/strong> All\u2019ombra di un fiore secco, Superpang <br \/>19.06 <strong>James Bernard<\/strong> Unreleased Works 1994\u200b-\u200b1999 (Volumes 1 &amp; 2), A Strangely Isolated Place <br \/>19.06 <strong>Keiji Haino<\/strong> An unmistakably mistaken subject now in use, Superpang <br \/>20.06 <strong>Backxwash<\/strong> I Lie Here Buried With My Rings and My Dresses, Ugly Hag <br \/>20.06 <strong>Prolaps<\/strong> Ultra Cycle Pt. 2: Estival Growth Hausu Mountain <br \/>21.06<strong> \\\\\u2019<\/strong> Barto\u0142ty Ma\u0142e, Saamleng <br \/>21.06 <strong>Dewa Budjana<\/strong> Naurora, MoonJune <br \/>21.06 <strong>Kevin Drumm<\/strong> Neighbors, EP<br \/>21.06 <strong>Loveshadow<\/strong> Loveshadow, Music From Memory <br \/>21.06 <strong>Spirits Rejoic<\/strong>e African Spaces, Matsuli arch.<br \/>22.06 <strong>Olga Alexina<\/strong> I&#8217;ll Never Go To Party Again, Badblood <br \/>22.06 <strong>Ulla<\/strong> Limitless Frame, Motion Ward <br \/>23.06 <strong>Gyan Riley<\/strong> Silver Lining <br \/>23.06 <strong>Peyton<\/strong> PSA, Stones Throw <br \/>23.06 <strong>ThE DiAboLIcaL LibERTieS<\/strong> Dub Protection &amp; The Sportswear Mystics, On The Corner <br \/>24.06 <strong>Arszyn<\/strong> Oddech <br \/>24.06 <strong>Black Country, New Road Black<\/strong> Country New Road: Live from Another World, video<br \/>24.06 <strong>Daniel Avery<\/strong> Together in Static, Phantasy <br \/>24.06 <strong>Jan Julius<\/strong> Meat Shot Idyllic, Noumenal Loom <br \/>24.06 <strong>Max Cooper<\/strong> Maps Mesh <br \/>24.06 <strong>Mechanical Noose<\/strong> God Head Mask, Opal Tapes <br \/>24.06 <strong>Megatrend<\/strong> Oberursel Bahnhof, Opal Tapes <br \/>24.06 <strong>Mercedes Cambridge<\/strong> Adversary, Opal Tapes <br \/>24.06 <strong>Misantrop<\/strong> Reproaching the Absurd, Opal Tapes <br \/>24.06 <strong>Santiago Pillado-Matheu<\/strong> La revoluci\u00f3n y la tierra, Buh <br \/>24.06 <strong>Sault<\/strong> &#8222;Nine&#8221;, Forever Living Originals<br \/><strong>7!cHO<\/strong> Ob\u200b[\u200be\u200b]\u200bc\u200b[\u200bn\u200b]\u200bo\u015bci, Szara Reneta MC, DL <br \/><strong>Amaro Freitas<\/strong> Sankofa, Far Out <br \/><strong>Arthur Satan<\/strong> So Far So Good, Born Bad <br \/><strong>Birds Of Maya<\/strong> Valdez <br \/><strong>Cautious Clay<\/strong> Deadpan Love, The Orchard <br \/><strong>Ceramic Dog<\/strong> Hope, Northern Spy <br \/><strong>CTM &amp; August Rosenbaum<\/strong> Celeste, Posh Isolation <br \/><strong>Darkthrone<\/strong> Eternal Hails, Peaceville <br \/><strong>Derya Y\u0131ld\u0131r\u0131m &amp; Grup \u015eim\u015fek<\/strong> DOST1, Les Disques Bongo Joe <br \/><strong>Doja Cat<\/strong> Planet Her, RCA <br \/><strong>East Axis<\/strong> Cool with That, ESP Disk <br \/><strong>Eli Keszler<\/strong> Icons, LuckyMe <br \/><strong>Faye Webster<\/strong> I Know I&#8217;m Funny Haha, Secretly Canadian <br \/><strong>Gaspard Aug\u00e9<\/strong> Escapades, Ed Banger <br \/><strong>Giovanni Lami, Hannibal Chew III, Bardo Todol<\/strong> Stories of the Dotted Indian Whale, Discrepant <br \/><strong>Golden Hallway<\/strong> Music Rules &amp; Chance Vol. 2, Not Not Fun <br \/><strong>Group Ses<\/strong> Program #03, Discrepant <br \/><strong>Helvetia<\/strong> Essential Aliens, Joyful Noise <br \/><strong>Hiatus Kaiyote<\/strong> Mood Valiant, Brainfeeder\/Ninja Tune<br \/><strong>Hiss Golden Messenger<\/strong> Quietly Blowing It, Merge <br \/><strong>Hypnotic Brass Ensemble<\/strong> This is a Mindfulness Drill: A Reimagining of Richard Youngs\u2019 \u201aSapphie\u2019, Jagjaguwar <br \/><strong>Iceburn<\/strong> Asclepius, Southern Lord <br \/><strong>Janis Lago<\/strong> Repeat, Repeat, Repeat&#8230;, Vivarium <br \/><strong>Jasmeno<\/strong> Elixir LP, CD, DL<br \/><strong>John Carroll Kirby<\/strong> Septet, Stones Throw <br \/><strong>John Grant<\/strong> Boy from Michigan, Bella Union <br \/><strong>Kevin Richard Martin<\/strong> Return to Solaris, Phantom Limb <br \/><strong>Kid Millions and Jan St. Werner<\/strong> Imperium Droop, Oneida <br \/><strong>Kojaque<\/strong> Town&#8217;s Dead, Soft Boy <br \/><strong>L&#8217;Rain<\/strong> Fatigue<br \/><strong>Laura Cannell &amp; Kate Ellis<\/strong> June Sounds, Brawl EP <br \/><strong>Lightning Bug<\/strong> A Color of the Sky, Fat Possum <br \/><strong>Liila<\/strong> Soundness of Mind, Not Not Fun<br \/><strong>LindaRL<\/strong> Brain in a Vat, Szara Reneta USB, DL <br \/><strong>Lionel Marchetti<\/strong> La Mo\u00efra <br \/><strong>Lucy Dacus<\/strong> Home Video, Matador <br \/><strong>Lucy Gooch<\/strong> Rain&#8217;s Break, Fire EP<br \/><strong>Marcin \u017b\u00f3\u0142towski x Gamma Function<\/strong> Despre sentimentul constant de disonan\u021b\u0103 care m\u0103 \u00eenso\u021be\u0219te \u00een timp ce m\u0103 plimb pe str\u0103zile Bucure\u0219tiului, Szara Reneta MC, DL<br \/><strong>Matthew Dear<\/strong> Preacher&#8217;s Sigh And Potion: Lost Album<br \/><strong>Michael Bisio\/Kirk Knuffke\/Fred Lonberg-Holm<\/strong> The Art Spirit, ESP Disk <br \/><strong>Michael League<\/strong> So Many Me, GroundUP Music <br \/><strong>Miles Ellis<\/strong> Don&#8217;t Hold Back, Pets EP<br \/><strong>Mlodyskiny<\/strong> Chudy <br \/><strong>Modest Mouse<\/strong> The Golden Casket, Epic <br \/><strong>Mofaya!<\/strong> Like One Long Dream, Trost <br \/><strong>Muzyka Ko\u0144ca Lata<\/strong> Prywatny Ciechocinek, Thin Man CD<br \/><strong>Patrick The Pan<\/strong> Mi\u0142o wszystko, Agora<br \/><strong>Perila<\/strong> How Much Time It Is Between You and Me?, Smalltown Supersound<br \/><strong>Pestilence<\/strong> Exitivm, Agonia <br \/><strong>Pom Pom Squad<\/strong> Death of a Cheerleader, City Slang <br \/><strong>Ripatti<\/strong> Fun Is Not a Straight Line, Planet Mu<br \/><strong>Rose City Band<\/strong> Earth Trips, Thrill Jockey <br \/><strong>Russell Potter<\/strong> Neither Here Noor There, Tompkins Square <br \/><strong>RXM<\/strong> Reality Advent, Orange Milk <br \/><strong>Rysy<\/strong> 4Get, Dyspensa <br \/><strong>Sarius<\/strong> Antihype 2 <br \/><strong>Six Organs Of Admittance<\/strong> The Veiled Sea, Three Lobed <br \/><strong>Spellling<\/strong> The Turning Wheel, Sacred Bones <br \/><strong>The Forth World Quartet<\/strong> &#8222;1975&#8221;, Cuneiform<br \/><strong>The Holy Family<\/strong> The Holy Family, Rocket <br \/><strong>The Marias<\/strong> Cinema <br \/><strong>The Mountain Goats<\/strong> Dark In Here, Merge <br \/><strong>The Murlocs<\/strong> Bittersweet Demons, ATO <br \/><strong>Tomasz Sroczy\u0144ski<\/strong> Symphony No. 2 \/ Highlander Ici d&#8217;Ailleurs&#8230; <br \/><strong>Tomu<\/strong> Lonesome Valley, American Dreams <br \/><strong>Tony Riparetti<\/strong> The Interrogation of Cheryl Cooper (Original Motion Picture Soundtrack), Deathbomb Arc <br \/><strong>Tyler, The Creator<\/strong> Call Me If You Get Lost <br \/><strong>VA<\/strong> You Can Never Leave, Front &amp; Follow <br \/><strong>Voices Of The Cosmos<\/strong> IV, Eter\/Gusstaff CD<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 25 czerwca &#8211; i to ostatni taki wysyp nowo\u015bci przed wakacjami.\u00a0\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Niepr\u0119dko czeka nas taka lista premier jak dzi\u015b. Z oczekiwan\u0105 p\u0142yt\u0105 Lucy Dacus, nowo\u015bciami Tylera, The Creatora i Modest Mouse, formacj\u0105 Ceramic Dog (uwaga, w lipcu koncert w Pardon To Tu!), ze \u015bwietnym albumem Arszyna, fajn\u0105 Muzyk\u0105 Ko\u0144ca Lata, nowym Elim Keszlerem, a tak\u017ce Hypnotic Brass Ensemble odgrywaj\u0105cymi album Richarda Youngsa. Jest Tomasz Sroczy\u0144ski i [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":29658,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,12,582,3,3745,312,120,3319,444,3309,4543,106],"tags":[4734,4431],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/29653"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=29653"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/29653\/revisions"}],"predecessor-version":[{"id":29665,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/29653\/revisions\/29665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/29658"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=29653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=29653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=29653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}