{"id":30407,"date":"2021-10-01T12:14:25","date_gmt":"2021-10-01T10:14:25","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=30407"},"modified":"2021-10-03T20:45:32","modified_gmt":"2021-10-03T18:45:32","slug":"skad-sie-bierze-woda-sodowa","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/10\/01\/skad-sie-bierze-woda-sodowa\/","title":{"rendered":"Sk\u0105d si\u0119 bierze woda sodowa"},"content":{"rendered":"<p>Film o m\u0142odym polskim rapie pod takim tytu\u0142em ch\u0119tnie bym obejrza\u0142. Jest dobry moment, \u017ceby nagrywa\u0107, bo kariery w tej dziedzinie wchodz\u0105 na orbit\u0119, zanim zd\u0105\u017cymy si\u0119 z nimi zapozna\u0107 w ziemskich warunkach. Ja wiem, \u017ce to taki \u015bwiat: wszystko albo nic. Ale szkodliwe to jest niemo\u017cebnie &#8211; ludzie pytaj\u0105 o zdanie w sprawie Young Leosi, kt\u00f3ra przecie\u017c tak naprawd\u0119 niewiele wci\u0105\u017c jeszcze nagra\u0142a i na razie ogl\u0105da si\u0119 t\u0119 eksplozj\u0119 popularno\u015bci troch\u0119 jak na zaskakuj\u0105cy efekt uboczny reklamy alkoholu. Kt\u00f3ra &#8211; jak dobrze wiadomo &#8211; od dawna rap nap\u0119dza, bo gdzie niby maj\u0105 si\u0119 promowa\u0107 ci\u0119\u017ckie alkohole w\u015br\u00f3d nastolatk\u00f3w, je\u015bli nie tu? W <em>Minecrafcie<\/em>? Kiedy\u015b tym polem reklamowym by\u0142a prasa muzyczna, dzi\u015b scena rapowa &#8211; by\u0142bym ostatni\u0105 osob\u0105, kt\u00f3ra rzuci kamieniem, ale nie da si\u0119 ukry\u0107, \u017ce rynek muzyczny sk\u0142ada si\u0119 z od\u0142amu imprezuj\u0105cego elegancko i snobistycznie (wino wchodzi\u0142o chyba tylko w sponsoringi jazzowe), na lekko, ale masowo (M\u0119skie Granie) i wreszcie na ostro. A tak si\u0119 sk\u0142ada, \u017ce ca\u0142a tw\u00f3rczo\u015b\u0107 Leosi opowiada jak na razie o imprezowaniu ostrym. Sam mam dzieci w takim wieku, \u017ce pierwszych wybor\u00f3w imprezowych b\u0119d\u0105 dokonywa\u0107 na podstawie modnych fraz znalezionych w sieci, gdzie &#8222;Bacardi ze szklanki&#8221; trzyma si\u0119 mocno. Ciesz\u0119 si\u0119 wi\u0119c niezmiernie z post\u0119puj\u0105cej feminizacji rapu, lecz wywo\u0142ywany do tablicy, powiem tylko jedno: troch\u0119 rozczarowa\u0142y mnie beaty na <em>Hulankach<\/em>, bo autorka zna si\u0119 na realizacji i did\u017cejce, a wszystko to do\u015b\u0107 jednak cieniutkie. Lepiej jest na nowym albumie Maty &#8211; <em>M\u0142ody Matczak<\/em> brzmi mi na pierwszy rzut ucha jak mocny progres. Ale z kolei przy tekstach z tej nowej p\u0142yty to &#8211; my\u015bl\u0119 sobie &#8211; Matczak senior b\u0119dzie musia\u0142 napisa\u0107 kolejne trzy ksi\u0105\u017cki, \u017ceby wszystko wyt\u0142umaczy\u0107.&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kU2BXG1gKpU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Od paru \u0142adnych dni &#8211; bo tu uda\u0142o si\u0119 to i owo us\u0142ysze\u0107 wcze\u015bniej &#8211; wgryzam si\u0119 za to w <em>Colourgrade<\/em> <strong>Tirzah<\/strong>. I by\u0142oby pewnie rzecz\u0105 zgodn\u0105 z artystowskim odbiorem moich blogowych dywagacji, bym teraz zapia\u0142 z zachwytu. Ale obiecywa\u0142em sobie po tej p\u0142ycie tyle, \u017ce trudno to teraz to wszystko us\u0142ysze\u0107 na gotowym albumie. Tym bardziej \u017ce jest jeszcze bardziej oszcz\u0119dny ni\u017c debiut. W\u0142a\u015bciw\u0105 form\u0105 odbioru wydawa\u0142o si\u0119 s\u0142uchanie po kolei singli &#8211; intymnych i surowych, na sw\u00f3j spos\u00f3b nawet eksploatuj\u0105cych formu\u0142\u0119 R&amp;B, a nawet hip-hopu, cho\u0107 Tirzah to taki Arthur Russell w wersji R&amp;B. Wyobra\u017cam sobie nawet, \u017ce improwizuje te abstrakcyjne do\u015b\u0107 frazy do zap\u0119tlonego napr\u0119dce podk\u0142adu, i to jeszcze nonszalancko jak na pr\u00f3bie d\u017awi\u0119ku. Tym podk\u0142adem jest zreszt\u0105 cz\u0119sto sama perkusja, co pozbawia wokale harmonicznej bazy &#8211; czasem tylko odzywa si\u0119 gitara, no i dla urozmaicenia mamy tu nucenie na dwa g\u0142osy w \u0142adnym <em>Hive Mind<\/em> z Cobym Seyem. Tutaj z miejsca przechodzimy ze \u015bwiata Russella do \u015bwiata Jamesa Blake&#8217;a.<\/p>\n<p>Wszystko wydaje si\u0119 \u015bwiadomie niedoszlifowane &#8211; co fajne, szczeg\u00f3lnie gdy si\u0119 s\u0142ucha utwor\u00f3w pojedynczo, a nie ca\u0142o\u015bci naraz (i by\u0142aby to niez\u0142a formu\u0142a &#8222;artsy&#8221; niedoszlifowania dla takiej np. Leosi &#8211; tu podpowiadam, jak zepsu\u0107 sobie \u015bwietnie rozwijaj\u0105c\u0105 si\u0119 karier\u0119). Ale te\u017c &#8211; mimo wspania\u0142ego klimatu &#8211; z lekka frustruj\u0105ce. M\u00f3j odbi\u00f3r p\u0142yty ratuje ko\u0144c\u00f3wka, z nieco mocniej doaran\u017cowanymi <em>Send Me<\/em> i <em>Sink In<\/em>. Ale o ile zwykle narzeka si\u0119 na &#8222;za du\u017co nut&#8221;, ale (tu by\u0107 mo\u017ce odzywa si\u0119 moja niekompatybilno\u015b\u0107 z dzia\u0142aniami wsp\u00f3\u0142producentki materia\u0142u, Miki Levi), to tutaj okazuje si\u0119, \u017ce mo\u017cna te\u017c przekombinowa\u0107, schodz\u0105c do najbardziej oszcz\u0119dnej formu\u0142y.&nbsp; &nbsp;&nbsp;<\/p>\n<p><strong>TIRZAH <em>Colourgrade<\/em>,<\/strong> Domino 2021, <strong>7\/10&nbsp;<\/strong>&nbsp;<\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0Uu5MAL65d04IDQ3h1waXy\" width=\"100%\" height=\"250\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>27.09 <strong>K2<\/strong> Eye <br \/>27.09 <strong>Staszek Fungus<\/strong> Bloudit, Pawlacz Perski MC, DL<br \/>28.09 <strong>Jane Weaver<\/strong> Sunset Dreams EP, Fire<br \/>28.09 <strong>Tonfa<\/strong> Kl\u0105twa LP, Agora<br \/>29.09 <strong>Hiroshi Minami \/ Eiko Ishibashi<\/strong> Gasping_Sighing_Sobbing <br \/>29.09<strong> Ryo Fukui<\/strong> My Favourite Tune, WRWTFWW reed.<br \/>29.09 <strong>Salamanda<\/strong> Sphere, Metron <br \/>30.09 <strong>Chore Ia<\/strong> Reanimacja, Antenna Non Grata CD, DL<br \/>30.09 <strong>Maco Sica<\/strong> Ourania, Feeding Tube\/Instant Classic (winyl 10.09)<br \/>30.09 <strong>Maneri\/Kalmanovitch\/Jacobson\/Osgood<\/strong> Variations on No Particular Theme part 1, Gotta Let It Out <br \/>30.09 <strong>Tonga Boys ft. Doctor Kanuska Group<\/strong> Umoyo wa Muthempire (Live in the Temple), 1000Hz MC, DL, CD<br \/>30.09 <strong>Whalesongs<\/strong> Radiant Suns, Deformed<br \/><strong>75 Dollar Bill featuring Barry Weisblat<\/strong> Social Music at Troost vol\u200b.\u200b1 <br \/><strong>Adrian Younge, Ali Shaheed Muhammad<\/strong> Instrumentals JID009, Jazz Is Dead<br \/><strong>Arthur Russell<\/strong> 24 to 24 Music Live at the Kitchen. Audika <br \/><strong>Bastarda &amp; Ch\u00f3r Uniwersytetu SWPS<\/strong> Ko\u0142owr\u00f3t, Audio Cave CD, DL<br \/><strong>Black Dice<\/strong> Mod Prog Sic, FourFour<br \/><strong>Brandi Carlile<\/strong> In These Silent Days, Low Country <br \/><strong>Brett Naucke<\/strong> Mirror Ensemble, American Dreams<br \/><strong>Bummer<\/strong> Dead Horse, Thrill Jockey<br \/><strong>Carousel II<\/strong> Glad To Be Alive, Fredriksberg<br \/><strong>Cate Brooks<\/strong> Commentaires 2, Cafe Kaput<br \/><strong>Christian Wolff<\/strong> Christian Wolff: 3 String Quartets, New World<br \/><strong>Crystal Quartez<\/strong> Sonic Blooming, Beacon Sound<br \/><strong>David Shea<\/strong> The Art of Memory, Room40 <br \/><strong>Doro\u015bli<\/strong> Doro\u015bli, Luna Music <br \/><strong>Double Dagger<\/strong> Sophisticated Urban Living (Contemporary Conveniences Edition), Thrill Jockey <br \/><strong>DRTYWHTVNS<\/strong> Aloof, Orange Milk <br \/><strong>El Pricto &amp; Degenerative Spontaneous Orchestra<\/strong> Spontaneous Live Series 008, Spontaneous Music Tribune <br \/><strong>El Pricto Electric Guitar Quintet<\/strong> Spontaneous Live Series 007, Spontaneous Music Tribune <br \/><strong>Evan Parker<\/strong> Winns Win, Byrd Out <br \/><strong>Explosions In The Sky<\/strong> Big Bend<br \/><strong>Filmmaker<\/strong> Multiverse Nightmare, Opal Tapes MC, DL<br \/><strong>Fionn Reagan<\/strong> 100 Acres of Sycamore, Heavenly <br \/><strong>Full Of Hell<\/strong> Garden of Burning Apparitions, Relapse <br \/><strong>Geir Sundst\u00f8l<\/strong> St\u200b.\u200b Hanshaugen Steel, Hubro<br \/><strong>Guillaume Gargaud<\/strong> 17 Compositions, New Focus <br \/><strong>Hans Riegler<\/strong> Pear Feet and Square Words, Room40 <br \/><strong>Hans Zimmer<\/strong> No Time To Die OST, Decca <br \/><strong>HersteRRRia<\/strong> Gniew, D.I.Y. Ko\u0142o Records<br \/><strong>Hovvdy<\/strong> True Love, Grand Jury Music<br \/><strong>Illuminati Hotties<\/strong> Let Me Do One More, Hopeless <br \/><strong>John Southworth<\/strong> Rialto, TAR\/MM\/UOH <br \/><strong>John Zorn<\/strong> Meditations On The Tarot, Tzadik <br \/><strong>Kalabrese<\/strong> Let Love Rumpel Part 1, Compost <br \/><strong>Keith Tippett &amp; Matthew Bourne<\/strong> Aeolian, Discus<br \/><strong>King Gizzard &amp; The Lizard Wizard<\/strong> Live In Milwaukee &#8217;19 <br \/><strong>Kit Sebastian<\/strong> Melodi, Mr. Bongo <br \/><strong>Kristof Hahn<\/strong> Preludes, Room40 <br \/><strong>Lil Wayne &amp; Rich The Kid<\/strong> Trust Fund Babies<br \/><strong>Lungs\/LoneSword<\/strong> The Birth of LoneSword, PTP <br \/><strong>Maco Oey<\/strong> Kutkutusta, Eclipse<br \/><strong>Makossiri<\/strong> Juicy Juicy, Hakuna Kulala EP <br \/><strong>Mata<\/strong> M\u0142ody Matczak, SBM Label <br \/><strong>Matthias Muller in quartet and trio<\/strong> Spontaneous Live Series 006, Spontaneous Music Tribune <br \/><strong>Ministry<\/strong> Moral Hygiene, Nuclear Blast<br \/><strong>Nebulo<\/strong> Borders, Wabi-Sabi Tapes <br \/><strong>Neil Young<\/strong> Carnegie Hall 1970, Reprise arch.<br \/><strong>No Favours<\/strong> Brutal Century, Opal Tapes MC, DL<br \/><strong>Okyerema Asante feat. Plunky<\/strong> Drum Message, Strut arch.<br \/><strong>Ove<\/strong> Without Territory, Fonoradar <br \/><strong>Paula Shocron \/ William Parker \/ Pablo D\u00edaz<\/strong> El Templo, Astral Spirits <br \/><strong>Pilgrim Raid<\/strong> Anna Agenda, Chinabot <br \/><strong>Pond<\/strong> &#8222;9&#8221;, Spinning Top Music<br \/><strong>Roll The Dice<\/strong> Live In Lisbon &#8211; April 4th 2012, The Leaf Label <br \/><strong>R\u00f6yksopp<\/strong> Lost Tapes, Cooking Vinyl arch.<br \/><strong>Silas Short<\/strong> Drawing, Stones Throw <br \/><strong>Smote<\/strong> Drommon, Rocket <br \/><strong>Strachy Na Lachy<\/strong> Piek\u0142o, SP Records<br \/><strong>Strand Of Oaks<\/strong> In Heaven, Thirty Tigers<br \/><strong>Sven-\u00e5ke Johansson \/ Niklas Fite \/ Joel Grip<\/strong> Swinging at Topsi&#8217;s, Astral Spirits<br \/><strong>The Doobie Brothers<\/strong> Libert\u00e9<br \/><strong>The Notwist<\/strong> Vertigo Dubs Vol. 1: Odd Nosdam, Morr Music EP <br \/><strong>Tirzah<\/strong> Colourgrade, Domino <br \/><strong>Tomasz Go\u0142da<\/strong> Live at 17th M\u00f3zg Festival, Pr\u0105dy DL<br \/><strong>Tongues Of Mount Meru<\/strong> LALIT (02\u200b:\u200b11\u200b:\u200b11 Version), Superpang<br \/><strong>Tony Bennett &amp; Lady Gaga<\/strong> Love for Sale, Universal<br \/><strong>Uffe<\/strong> Words and Endings, On The Corner <br \/><strong>Wendy Eisenberg<\/strong> Bloodletting, Out Of Your Head<br \/><strong>Wiki<\/strong> Half God, Wikset Enterprise <br \/><strong>Yann Novak<\/strong> Bathed In Light And Rapture, Room40 <br \/><strong>Yes<\/strong> The Quest, InsideOut <br \/><strong>ZK Collaboration<\/strong> Slow Food, Polskie Nagrania<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Film o m\u0142odym polskim rapie pod takim tytu\u0142em ch\u0119tnie bym obejrza\u0142. Jest dobry moment, \u017ceby nagrywa\u0107, bo kariery w tej dziedzinie wchodz\u0105 na orbit\u0119, zanim zd\u0105\u017cymy si\u0119 z nimi zapozna\u0107 w ziemskich warunkach. Ja wiem, \u017ce to taki \u015bwiat: wszystko albo nic. Ale szkodliwe to jest niemo\u017cebnie &#8211; ludzie pytaj\u0105 o zdanie w sprawie Young [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":30411,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3,312,120,3319,444,3309,4543],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/30407"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=30407"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/30407\/revisions"}],"predecessor-version":[{"id":30444,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/30407\/revisions\/30444"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/30411"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=30407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=30407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=30407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}