{"id":31073,"date":"2021-11-30T16:03:39","date_gmt":"2021-11-30T15:03:39","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=31073"},"modified":"2021-11-30T16:03:52","modified_gmt":"2021-11-30T15:03:52","slug":"110-premier-plytowych-grudnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/11\/30\/110-premier-plytowych-grudnia\/","title":{"rendered":"110 premier p\u0142ytowych grudnia"},"content":{"rendered":"<p>Na tym etapie mo\u017cna ju\u017c bez du\u017cego ryzyka uzna\u0107, \u017ce grudzie\u0144 nadejdzie. Do niedawna mia\u0142em jeszcze nadziej\u0119, \u017ce b\u0119dzie wtedy mo\u017cna przes\u0142ucha\u0107 na spokojnie p\u0142yty z ca\u0142ego roku raz jeszcze, ale wygl\u0105da na to, \u017ce dojdzie do puli jeszcze kilka nowych. Poni\u017cej lista, a w kolejnych wpisach szczeg\u00f3\u0142y na temat niekt\u00f3rych wydawnictw.\u00a0 \u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AnemzCHZP0U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE GRUDNIA 2021<\/strong><\/p>\n<p><strong>1.12 <\/strong><br \/><strong>Dialect<\/strong> Keep Going&#8230; Under, RVNG Intl<\/p>\n<p><strong>3.12 <\/strong><br \/><strong>Andrzej Korzy\u0144ski<\/strong> Nie ma mocnych, GAD Records reed. CD <br \/><strong>Arca<\/strong> Kick ii, XL <br \/><strong>Arca<\/strong> Kick iii, XL <br \/><strong>Artyku\u0142y Rolne<\/strong> Porno, Koty <br \/><strong>Atsuko Hatano &amp; Midori Hirano<\/strong> Water Ladder, Alien Transistor <br \/><strong>Baxter Dury<\/strong> Mr Maserati, Heavenly <br \/><strong>Beauty Pill<\/strong> Instant Night, Northern Spy <br \/><strong>Ben Link Collins<\/strong> Fictionalism, Flaming Pines <br \/><strong>Can<\/strong> Live in Brighton 1975, Mute arch.<br \/><strong>Christian Wallumr\u00f8d<\/strong> Speaksome, Hubro <br \/><strong>Corroded Spiral<\/strong> Ancient Nocturnal Summoning, Phantom Limb <br \/><strong>Dawid Podsiad\u0142o<\/strong> Le\u015bna muzyka (live, czyli na \u017cywo), Sony <br \/><strong>DJ Harrison<\/strong> Tales from the Old Dominion, Stones Throw <br \/><strong>Eli Keszler<\/strong> The Scary of Sixty\u200b-\u200bFirst OST, Deeper Into Movies <br \/><strong>Ennio Morricone<\/strong> Dollars, Dust &amp; Pistoleros: The Westerns Anthology, Cinevox <br \/><strong>Erik Palmberg<\/strong> In Between, Prophone-Naxos <br \/><strong>Gas<\/strong> Der Lange Marsch <br \/><strong>Hadi Bastani<\/strong> Cold Hour, Room40 <br \/><strong>Hanson<\/strong> Against the World <br \/><strong>Hedone<\/strong> Wstyd New Sun CD-SP<br \/><strong>Ian Wellman<\/strong> On The Darkest Day, You took My Hand and Swore It Will Be Okay, Room40 <br \/><strong>Ian Wellman<\/strong> I Watched The World Burn Without Leaving My Home, Room40 <br \/><strong>Jerman\/Barnes<\/strong> Hiss Lift Room40 <br \/><strong>Julien Dyne<\/strong> Modes, Soundway <br \/><strong>Leo Abrahams<\/strong> Scene Memory II <br \/><strong>Mars Williams<\/strong> Mars Williams Presents: An Ayler Xmas Vol. 5 <br \/><strong>Matthew Halsall<\/strong> Salute to the Sun \u2013 Live at Halle\u0301 St. Peter&#8217;s, Gondwana <br \/><strong>Modern Nature<\/strong> Island of Noise, Bella Union <br \/><strong>My Morning Jacket<\/strong> Live 2015 <br \/><strong>Nils Frahm<\/strong> Old Friends New Friends, Leiter <br \/><strong>Paul Weller<\/strong> An Orchestrated Songbook: Paul Weller With Jules Buckley &amp; the BBC Symphony Orchestra <br \/><strong>Pick A Piper<\/strong> Sea Steps, TAR\/MM\/UOH <br \/><strong>Quadro Nuevo<\/strong> Odyssee &#8211; A Journey Into The Light, GLM Music <br \/><strong>Quidam<\/strong> Quidam, GAD Records reed. CD\/2LP<br \/><strong>Rival Consoles<\/strong> Overflow, Erased Tapes <br \/><strong>Ryterski<\/strong> Tears Are the Diamonds of the Soul, BAS <br \/><strong>Speedometer<\/strong> This Is Speedometer, Freestyle <br \/><strong>Tonkyn<\/strong> <strong>Pearson<\/strong> Erbium, Flaming Pines <br \/><strong>VA<\/strong> Essiebons Special 1973 &#8211; 1984 \/\/ Ghana Music Power House, Analog Africa <br \/><strong>VA<\/strong> Remixes JID010, Jazz Is Dead <br \/><strong>VA<\/strong> Sentimental Noise, Jagjaguwar <br \/><strong>Valery Vermeulen<\/strong> Mikromedas AdS\u200b\/\u200bCFT 001, Touch <br \/><strong>Wajatta<\/strong> Do You Even Care Anymore?, Brainfeeder<\/p>\n<p><strong>7.12<\/strong><br \/><strong>NYX<\/strong> Mutualism Remixed, EP<\/p>\n<p><strong>8.12 <\/strong><br \/><strong>Beach House<\/strong> Once Twice Melody: Chapter Two, Sup Pop EP<br \/><strong>Sam Gendel<\/strong> AE-30, Leaving<\/p>\n<p><strong>9.12 <\/strong><br \/><strong>Price<\/strong> Sequences (True Sentiments), Latency<\/p>\n<p><strong>10.12 <\/strong><br \/><strong>Aeon Station<\/strong> Observatory, Sub Pop <br \/><strong>Agressiva 69<\/strong> Dlaczego nie Ty &#8211; Deformacja, Requiem <br \/><strong>Alicia Keys<\/strong> Keys, RCA <br \/><strong>Benny Sings<\/strong> Beat Tape II, Stones Throw <br \/><strong>Beverly Glenn-Copeland<\/strong> Keyboard Fantasies Reimagined <br \/><strong>Bill Callahan &amp; Bonnie \u201aPrince\u2019 Billy<\/strong> Blind Date Party, Drag City <br \/><strong>Black Country, New Road<\/strong> Never Again, Ninja Tune EP<br \/><strong>David Watson &amp; Matthew Welch<\/strong> Woven, Room40 <br \/><strong>Dead<\/strong> <strong>Best<\/strong> Dead Best <br \/><strong>Dziarma<\/strong> Dziarma, 2020 Records <br \/><strong>Eskaubei &amp; Tomek Nowak Quartet<\/strong> Tyrmand to Jazz, JuNouMi <br \/><strong>Favst &amp; Gibbs<\/strong> Hample <br \/><strong>It&#8217;s July Already<\/strong> Omnibus, Wynik Wsp\u00f3\u0142pracy <br \/><strong>Jeff Parker<\/strong> Forfolks, International Anthem <br \/><strong>Jeff Tweedy<\/strong> Live Is The King, dBpm <br \/><strong>Jlin<\/strong> Embryo, Planet Mu <br \/><strong>Majid Soula<\/strong> Habibi Funk 017: Chant Amazigh, Habibi Funk <br \/><strong>Mariusz Duda<\/strong> Interior Drawings, Glassville <br \/><strong>Meitei<\/strong> Kofu\u0304 II <br \/><strong>Michael Hurley<\/strong> The Time of the Foxgloves, No Quarter <br \/><strong>Mike Majkowski<\/strong> Four Pieces, Fragments <br \/><strong>Moses Sumney<\/strong> Live From Blackalachia <br \/><strong>Mouth Congree<\/strong> Waiting for Henry, Captured Tracks <br \/><strong>Nalan<\/strong> I&#8217;m Good. The Crying Tape, Mansions and Millions <br \/><strong>Neil Young &amp; Crazy Horse<\/strong> Barn, Reprise <br \/><strong>Nightlands<\/strong> Moonshine EP, Western Vinyl <br \/><strong>Nosdam + Rayon<\/strong> From Nowhere to North, Morr Music <br \/><strong>Oren Ambarchi<\/strong> Live Hubris, komp. <br \/><strong>Overview Effect<\/strong> Remixes, Don&#8217;t Sit On My Vinyl EP, 12&#8243;<br \/><strong>Rapoon<\/strong> Seeds in the Tide Volume 6, Zoharum <br \/><strong>Shay Hazan<\/strong> Reclusive Rituals, Batov <br \/><strong>The Residents<\/strong> Duck Stab! Alive!, Grand Chess <br \/><strong>Tout Bleu<\/strong> Otium, Les Disques Bongo Joe <br \/><strong>VA<\/strong> Heavenly Remixes 1, Heavenly <br \/><strong>VA<\/strong> Heavenly Remixes 2, Heavenly <br \/><strong>VA<\/strong> Antologia de M\u00fasica At\u00edpica Portuguesa Vol\u200b.\u200b3: Canto Devocin\u00e1rio, Discrepant<\/p>\n<p><strong>13.12 <\/strong><br \/><strong>Tede<\/strong> ESPEOERTE 0121<\/p>\n<p><strong>14.12 <\/strong><br \/><strong>kakofoNIKT<\/strong> Dance Epidemic &#8211; Greatest Hits A.D. 1518, Antenna Non Grata CD, DL<br \/><strong>Vidna Obmana<\/strong> The River of Appearance (25th Anniversary Edit\u200b.\u200b), Zoharum<\/p>\n<p><strong>16.12 <\/strong><br \/><strong>Canine Callgirls<\/strong> Baboon Wrestling, Fonoradar<\/p>\n<p><strong>17.12 <\/strong><br \/><strong>Adam Olsz\u00f3wka<\/strong> Z notatnika kerownika&#8230;, GAD Records ksi\u0105\u017cka<br \/><strong>Behemoth<\/strong> In Absentia Dei, Nuclear Blast <br \/><strong>Berson<\/strong> \u017belbeton solo, Def Jam Poland <br \/><strong>Consider The Source<\/strong> Hybrid Vol. 1: Such As A Mule, Ropadope <br \/><strong>Ed Pettersen<\/strong> The Problem with Livia, 577 Records <br \/><strong>John Zorn<\/strong> New Masada Quartet, Tzadik <br \/><strong>Johnny Marr<\/strong> Fever Dreams, pt. 2, BMG <br \/><strong>Koralle<\/strong> Still Life0, Beat Jazz <br \/><strong>Le Tout Sur Le Tout<\/strong> All About All, Cuneiform <br \/><strong>Memory Pearl<\/strong> Music for 7 Paintings, Altin Village &amp; Mine <br \/><strong>Merzbow<\/strong> Horizon, komp.<br \/><strong>Nick Cave &amp; Warren Ellis<\/strong> La Panth\u00e8re Des Neiges, OST <br \/><strong>Omni<\/strong> Opera omnia, GAD Records 2CD<br \/><strong>Rick Biddulph<\/strong> Second Nature, Cuneiform <br \/><strong>The Humble Bee<\/strong> Light Trespassing, Motion Ward <br \/><strong>Valeria Miracapillo | Dimos Vryzas<\/strong> Discipline of the Slow, Flaming Pines<\/p>\n<p><strong>21.12 <\/strong><br \/><strong>Prolaps<\/strong> Ultra Cycle Pt. 4: Hibernal Death, Hausu Mountain<\/p>\n<p><strong>24.12 <\/strong><br \/><strong>Westside Gunn<\/strong> Hitler Wears Hermes 8: Sincerely Adolf<\/p>\n<p><strong>31.12 <\/strong><br \/><strong>Czarny HiFi<\/strong> Je\u015bli co\u015b si\u0119 stanie&#8230; <br \/><strong>Dave Sewelson<\/strong> Smooth FreeJazz, Mahakala <br \/><strong>Fokus<\/strong> Arogant, MaxFloRec<\/p>\n<p><strong>tbc <\/strong><br \/><strong>Pejza\u017c<\/strong> Noce i dnie, LP (wersja cyfrowa ju\u017c jest)\u00a0<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Na tym etapie mo\u017cna ju\u017c bez du\u017cego ryzyka uzna\u0107, \u017ce grudzie\u0144 nadejdzie. Do niedawna mia\u0142em jeszcze nadziej\u0119, \u017ce b\u0119dzie wtedy mo\u017cna przes\u0142ucha\u0107 na spokojnie p\u0142yty z ca\u0142ego roku raz jeszcze, ale wygl\u0105da na to, \u017ce dojdzie do puli jeszcze kilka nowych. Poni\u017cej lista, a w kolejnych wpisach szczeg\u00f3\u0142y na temat niekt\u00f3rych wydawnictw.\u00a0 \u00a0<\/p>\n","protected":false},"author":1,"featured_media":31081,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3822],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31073"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=31073"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31073\/revisions"}],"predecessor-version":[{"id":31082,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31073\/revisions\/31082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/31081"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=31073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=31073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=31073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}