{"id":31344,"date":"2021-12-30T08:30:14","date_gmt":"2021-12-30T07:30:14","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=31344"},"modified":"2021-12-30T09:24:03","modified_gmt":"2021-12-30T08:24:03","slug":"33-plyty-roku-2021-polska","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/12\/30\/33-plyty-roku-2021-polska\/","title":{"rendered":"33 p\u0142yty roku 2021 – Polska"},"content":{"rendered":"

\"\"<\/p>\n\n\n\n\n\n

ARSZYN bop<\/em><\/strong>, Arszyn wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
ARSZYN Oddech<\/em><\/strong>, Arszyn wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
BASTARDA & CH\u00d3R UNIWERSYTETU SWPS Ko\u0142owr\u00f3t<\/em><\/strong>, Audio Cave wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
BLED Roots & Futuristic Sci-Fi Sounds<\/em><\/strong>, Alpaka wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0\u00a0
B\u0141OTO Kwasy i zasady<\/em><\/strong>, Astigmatic wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
DELAY_OK Modern Uganda<\/em><\/strong>, U Know Me wi\u0119cej<\/a> \u266b<\/a>\u00a0
DOMINIK STRYCHARSKI CORE | ORKIESTRA D\u0118TA URSUS Symfonia Fabryki Ursus<\/em><\/strong>, Audio Cave wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
FISZ EMADE TWORZYWO Ballady i protest<\/em>y<\/strong>, Grand Imperial\/Dwa Ognie wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
J\u0118DRZEJ SIWEK Music for Sci-Fi Movies<\/em><\/strong>, Odcienie wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
KUST Kust<\/em><\/strong>, Unzipped Fly\/B\u00f3\u0142t \u266b<\/a>\u00a0 \u00a0
MAGNETO Requiem pour satana<\/em><\/strong>, Gusstaff wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
MARTYNA BASTA Making Eye Contact with Solitude<\/em><\/strong>, Warm Winters Ltd. \u266b<\/a>\u00a0\u00a0
MAZZBOXX MazzBoxx<\/em><\/strong>, Audio Cave wi\u0119cej<\/a> \u266b\u00a0 \u00a0\u00a0
MI\u0141OSZ P\u0118KALA 8 Pieces in Different Tempos<\/em><\/strong>, Gusstaff\/Don\u2019t Sit On My Vinyl wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0\u00a0
MIRT Burial Rituals of Il\u00e9-If\u1eb9\u0300<\/em><\/strong>, Mirt wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
MISIA FURTAK Wybory<\/em><\/strong>, Towarzystwo Rec. wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
MISZK, P\u0118KALA, ROGIEWICZ, SOKO\u0141OWSKI, ZEMLER Jagd<\/em><\/strong>, New World Order\/Dux \u266b<\/a>\u00a0 \u00a0
MORDOR MUZIK Mordor CD<\/em><\/strong>, Mordor\/Asfalt Distro wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
MUZYKA KO\u0143CA LATA Prywatny Ciechocinek<\/em><\/strong>, Thin Man wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
NIEWTE Osm\u0119tnica electronica<\/em><\/strong>, B\u00f3\u0142t \u266b<\/a>\u00a0 \u00a0
OXFORD DRAMA What\u2019s the Deal with Time?<\/em><\/strong>, Oxford Drama wi\u0119cej<\/a> \u266b<\/a>\u00a0
OSTROWSKI Endless Fluctuactions<\/em><\/strong>, Pawlacz Perski wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
OSTROWSKI WoKa. Vol. 1<\/em><\/strong>, Brutality Garden wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
PI\u0118TNASTKA Kambium<\/em><\/strong>, Mondoj wi\u0119cej<\/a> \u266b<\/a>
PIOTR DAMASIEWICZ \/ INTO THE ROOTS Watra<\/em><\/strong>, L.A.S. wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0\u00a0
RESINA Speechless<\/em><\/strong>, FatCat wi\u0119cej<\/a> \u266b\u00a0 \u00a0
SHOFAR Right Before It Started\/Right Before Right Before It Started<\/em><\/strong> Gusstaff\/Don’t Sit On My Vinyl \u266b<\/a>\u00a0 \u00a0\u00a0
SNEAKY JESUS For Joseph Riddle<\/em><\/strong>, Shapes Of Rhythm wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
SOK\u00d3\u0141 Nic<\/em><\/strong>, Prosto wi\u0119cej<\/a> \u266b<\/a>\u00a0 \u00a0
WCZASY To wszystko kiedy\u015b minie<\/em><\/strong>, Wczasy\/Asfalt Distro \u266b<\/a>\u00a0 \u00a0
WOJTEK KUREK Buoyancy<\/em><\/strong>, Pawlacz Perski wi\u0119cej<\/a> \u266b<\/a>\u00a0\u00a0
ZAUMNE \u00c9l\u00e9vation<\/em><\/strong>, Mondoj wi\u0119cej<\/a> \u266b<\/a>\u00a0
ZENIAL Lancelot’s Delusions<\/em><\/strong>, Sublime Retreat \u266b<\/a>\u00a0 \u00a0<\/p>\n

\u266b<\/strong> – materia\u0142 do ods\u0142uchania\u00a0<\/em>
wi\u0119cej<\/strong> – materia\u0142 do doczytania\u00a0\u00a0<\/em><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":31354,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,120,5142,107,4993,556,558,4543,1139],"tags":[1176,3058,4842,4285,5012,4578,2061,4608,3768,2594,951,376,5148,4390,1521,3410,5144,5145,5146,5147,135,3409,3662,5023,4745,5149,5143,3951,2191,724,1935,3590,5150,4645,598,3496,3401,3565,1268],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31344"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=31344"}],"version-history":[{"count":12,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31344\/revisions"}],"predecessor-version":[{"id":31357,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31344\/revisions\/31357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/31354"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=31344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=31344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=31344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}