
{"id":31375,"date":"2022-01-03T16:51:03","date_gmt":"2022-01-03T15:51:03","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=31375"},"modified":"2022-01-04T14:25:48","modified_gmt":"2022-01-04T13:25:48","slug":"93-premiery-plytowe-stycznia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/01\/03\/93-premiery-plytowe-stycznia\/","title":{"rendered":"99 premier p\u0142ytowych stycznia"},"content":{"rendered":"<p>O tej porze roku trudno si\u0119 manewruje pomi\u0119dzy podsumowywaniem tego, co by\u0142o, a zapowiadaniem tego, co b\u0119dzie. Te plany mocno si\u0119 na siebie nak\u0142adaj\u0105. Wyj\u0105tkowo pozwalam sobie wi\u0119c na popo\u0142udniowy wpis z list\u0105 zapowiedzi miesi\u0105ca. Stycze\u0144 zwykle pod tym wzgl\u0119dem nie rozpieszcza, ale p\u0142yt\u0119, kt\u00f3ra wydaje si\u0119 do\u015b\u0107 pewn\u0105 kandydatk\u0105 na grudniow\u0105 list\u0119 najlepszych wznowie\u0144 i archiwali\u00f3w, ju\u017c tu widz\u0119. To zreszt\u0105 m\u00f3j pierwszy zakup p\u0142ytowy w nowym roku. Je\u015bli o czym\u015b zapomnia\u0142em, polecam sekcj\u0119 komentarzy &#8211; tutaj i na Facebooku.&nbsp; &nbsp;<\/p>\n\n\n<!--more-->\n\n\n<p><strong>PREMIERY P\u0141YTOWE STYCZNIA 2022<\/strong><\/p>\n<p><strong>1.01 <\/strong><br \/><strong>Czarface<\/strong> Good Guys Bad Guys EP Including Tracks From Venom: Let There Be Carnage, EP<br \/><strong>Dangaus \u010ciabuvis<\/strong> Aerodronas <br \/><strong>Daniel Bachman<\/strong> Lonesome Weary Blues, EP<br \/><strong>Daniel Son &amp; Futurewave<\/strong> Son Tzu &amp; the Wav.God <br \/><strong>El\u00edas Merino &amp; Daniel del R\u00edo<\/strong> Structures for Wave Field Synthesis, Superpang <br \/><strong>kakofoNIKT<\/strong> Dance Epidemic &#8211; Greatest Hits A.D. 1518, Antenna Non Grata CD, DL (prem. 31.12)<br \/><strong>King Gizzard &amp; The Lizard Wizard<\/strong> Live in London, Romanus <br \/><strong>Mydreamfever<\/strong> Rough and Beautiful Place <br \/><strong>Phish<\/strong> LivePhish 12.31.21 &#8211; Live from the Ninth Cube <br \/><strong>Teenage Halloween<\/strong> The Homeless Gospel Choir, Don Giovanni <br \/><strong>Trainwreck<\/strong> A Night at the Drive-In<\/p>\n<p><strong>4.01 <\/strong><br \/><strong>Elvis Costello &amp; The Imposters<\/strong> The Boy Named If, EMI <br \/><strong>Imitation Zone<\/strong> Late<\/p>\n<p><strong>6.01 <\/strong><br \/><strong>Burial<\/strong> Antidawn EP, Hyperdub<br \/><strong>Sentino<\/strong> Aporofobia\u00a0<\/p>\n<p><strong>7.01 <\/strong><br \/><strong>David Bowie<\/strong> Toy:Box, ISO <br \/><strong>Ellen Allien<\/strong> Rosen, UFO EP<br \/><strong>Grzegorz Bojanek<\/strong> Damaged, EP<br \/><strong>Michael Giacchino<\/strong> Spider-Man: No Way Home OST, Sony <br \/><strong>Pelkk\u00e4 Poutanen<\/strong> Pyh\u00e4 veri vuotaa, Eclipse <br \/><strong>Soichi Terada<\/strong> Asakusa Light, Rush Hour <br \/><strong>Stephanie Lamprea<\/strong> Quaking Aspen, New Focus <br \/><strong>Wadada Leo Smith, Henry Kaiser, Alex Varty<\/strong> Pacifica Coral Relief, 577 Records <br \/><strong>Wh0<\/strong> Feels, EP<\/p>\n<p><strong>10.01 <\/strong><br \/><strong>Prykson IFS<\/strong> Psycho Outs, U Know Me <br \/><strong>The Voices<\/strong> We Just Want To Be Ourselves<\/p>\n<p><strong>14.01 <\/strong><br \/><strong>Anna von Hausswolff<\/strong> Live at Montreux Jazz Festival, Southern Lord live<br \/><strong>Bill Fay<\/strong> Still Some Light: Part 1, Dead Oceans <br \/><strong>Bonobo<\/strong> Fragments, Ninja Tune <br \/><strong>Broken Social Scene<\/strong> All Dead Young, komp<br \/><strong>Earl Sweatshirt<\/strong> Sick!, Tan Cressida <br \/><strong>Fazer<\/strong> Plex, City Slang <br \/><strong>FKA Twigs<\/strong> Capri Times, mixtape<br \/><strong>Garcia Peoples<\/strong> Dodging Dues, No Quarter <br \/><strong>Klara Lewis<\/strong> Live In Montreal 2018, Editions Mego <br \/><strong>Mekons<\/strong> Exquisite, Glitterbeat <br \/><strong>Mike Cooper<\/strong> Oceans of Milk and trickle, Room40 <br \/><strong>Steve Roden<\/strong> Oionos, Room40 <br \/><strong>Wojtek Oli\u0144ski<\/strong> Am I Going the Right, Case Studio<\/p>\n<p><strong>18.01 <\/strong><br \/><strong>Claptrap<\/strong> Adulting, Unjenesaisquoi<\/p>\n<p><strong>19.01 <\/strong><br \/><strong>Beach House<\/strong> Once Twice Melody: Chapter Three, Sub Pop EP<\/p>\n<p><strong>20.01 <\/strong><br \/><strong>Joana Gama &amp; Lu\u00eds Fernandes<\/strong> There&#8217;s No Knowing, Holuzam<\/p>\n<p><strong>21.01 <\/strong><br \/><strong>Band Of Horses<\/strong> Things Are Great, BMG <br \/><strong>Billy Talent<\/strong> Crisis of Faith, Warner <br \/><strong>Biosphere<\/strong> Shortwave Memories, Biophon <br \/><strong>Boris<\/strong> W, Sacred Bones <br \/><strong>Boy Harsher<\/strong> The Runner OST, Nude Club<br \/><strong>Dwa S\u0142awy<\/strong> Z archiwum X2, Universal<br \/><strong>Eiko Ishibashi<\/strong> For McCoy, Black Truffle LP (DL ju\u017c jest)<br \/><strong>Hania Rani<\/strong> Live from Studio S2 (Complete Session), Gondawana <br \/><strong>Jake Xerxes Fussell<\/strong> Good and Green Again, Paradise of Bachelors <br \/><strong>Jana Horn<\/strong> Optimism, No Quartet <br \/><strong>John Mellencamp<\/strong> Strictly A One-Eyed Jack, Republic <br \/><strong>John Zorn, Bill Laswell<\/strong> The Cleansing, Tzadik<br \/><strong>Kenny G<\/strong> New Standards, Concord<br \/><strong>King Gizzard &amp; The Lizard Wizard<\/strong> Butterly 3001 <br \/><strong>Maria Moles<\/strong> For Leolanda, Room40 <br \/><strong>Palace<\/strong> Shoals, Fiction <br \/><strong>Pan Daijing<\/strong> Tissues, PAN <br \/><strong>Reptaliens<\/strong> Multiverse, Captured Tracks <br \/><strong>Sana Shenai<\/strong> Warm Former, Les Albums Claus <br \/><strong>The Soundcarriers<\/strong> Wild <br \/><strong>Years &amp; Years<\/strong> Nightcall, Polydor<\/p>\n<p><strong>22.01 <\/strong><br \/><strong>Luke Stewart&#8217;s Silt Trio<\/strong> The Bottom, Cuneiform<\/p>\n<p><strong>23.01 <\/strong><br \/><strong>Rokia Kon\u00e9 &amp; Jacknife Lee<\/strong> Bamanan, Real World<\/p>\n<p><strong>28.01 <\/strong><br \/><strong>Alexander Flood<\/strong> The Space Between, Ropeadope <br \/><strong>Ana\u00efs Mitchell<\/strong> Ana\u00efs Mitchell, BMG <br \/><strong>Beirut<\/strong> Artfacts, Pompeii komp<br \/><strong>Christiana Giannone<\/strong> Zone 7, Room40 <br \/><strong>Claude Cooper<\/strong> Myriad Sounds <br \/><strong>Coran Club<\/strong> Turn To, Not Not Fun <br \/><strong>Czarny HiFi<\/strong> Je\u015bli co\u015b si\u0119 stanie, Universal <br \/><strong>Eels<\/strong> Extreme Witchcraft, E Works <br \/><strong>Etran de L&#8217;A\u00efr<\/strong> Agadez, Sahel Sounds <br \/><strong>Iannis Xenakis<\/strong> Electroacoustic Works, Karlrecords box <br \/><strong>Iannis Xenakis<\/strong> Taurhiphanie \/ Voyage Absolu Des Unari Vers Androm\u00e8de \/ Gendy 3 \/ S\u200b.\u200b709, Karlrecords <br \/><strong>Iannis Xenakis<\/strong> Diamorphoses \/ Concret PH \/ Orient Occident \/ Bohor, Karlrecords <br \/><strong>Iannis Xenakis<\/strong> Hibiki Hana\u200b-\u200bMa \/ Mycenae Alpha \/ Polytope de Cluny, Karlrecords <br \/><strong>Imarhan<\/strong> Aboogi, City Slang <br \/><strong>Jarkka Rissanen &amp; Timo Ylinen<\/strong> Long Time Coming, Eclipse <br \/><strong>John Patton<\/strong> Soul Connection, Jazz Room <br \/><strong>Jonathan Fitoussi \/ Clemens Hourri\u00e8re<\/strong> M\u00f6bius, Transversales <br \/><strong>Josephine Foster<\/strong> Godmother, Fire <br \/><strong>M\u00d8<\/strong> Motordrome, Sony <br \/><strong>North Mississippi Allstars<\/strong> Set Sail, New West <br \/><strong>Opening Performance Orchestra \/ Reinhold Friedl \/ Miroslav Beinhauer<\/strong> Chess Show (Other Memories of John Cage), Neos <br \/><strong>Paul Draper<\/strong> Cult Leader Tactics, KScope <br \/><strong>Pinegrove<\/strong> 11:11, Rough Trade <br \/><strong>Pixies<\/strong> Live in Brixton, Demon box<br \/><strong>PJ Harvey<\/strong> Let England Shake &#8211; demos, Island <br \/><strong>Severed+Said<\/strong> Tragic Seeker, Not Not Fun <br \/><strong>Soda Lite<\/strong> Aqua Solar Cura, Not Not Fun <br \/><strong>St. Paul &amp; The Broken Bones<\/strong> The Alien Coast, ATO <br \/><strong>The Residents<\/strong> Wormwood Box, Cherry Red komp<br \/><strong>Urge Overkill<\/strong> We, Omnivore <br \/><strong>VA<\/strong> Future Sounds of Jazz vol. 15, Compost <br \/><strong>VA<\/strong> L&#8217;Esprit Ka: New Directions in Gwoka Music from Guadeloupe 1981-2010, Time Capsule<br \/><strong>Woda<\/strong> Ziemia, thisinotarecord BC<\/p>\n<p><strong>29.01 <\/strong><br \/><strong>Dominowe<\/strong> UMTHAKATHI, Gqom Oh!<\/p>\n<p><strong>30.01 <\/strong><br \/><strong>Roy Of The Ravers<\/strong> Emotinium &#8217;22, Emotional Response EP<\/p>\n<p><strong>31.01 <\/strong><br \/><strong>Rob Magill<\/strong> The Beast of Our Nation \/ Tired Times Atlantic Rhythms<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O tej porze roku trudno si\u0119 manewruje pomi\u0119dzy podsumowywaniem tego, co by\u0142o, a zapowiadaniem tego, co b\u0119dzie. Te plany mocno si\u0119 na siebie nak\u0142adaj\u0105. Wyj\u0105tkowo pozwalam sobie wi\u0119c na popo\u0142udniowy wpis z list\u0105 zapowiedzi miesi\u0105ca. Stycze\u0144 zwykle pod tym wzgl\u0119dem nie rozpieszcza, ale p\u0142yt\u0119, kt\u00f3ra wydaje si\u0119 do\u015b\u0107 pewn\u0105 kandydatk\u0105 na grudniow\u0105 list\u0119 najlepszych wznowie\u0144 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31385,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3822,1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31375"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=31375"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31375\/revisions"}],"predecessor-version":[{"id":31398,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/31375\/revisions\/31398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/31385"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=31375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=31375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=31375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}