{"id":32382,"date":"2022-03-25T10:46:53","date_gmt":"2022-03-25T09:46:53","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=32382"},"modified":"2022-03-25T14:47:35","modified_gmt":"2022-03-25T13:47:35","slug":"zaladne-zabrzydkie-wsamraz","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/03\/25\/zaladne-zabrzydkie-wsamraz\/","title":{"rendered":"Za \u0142adne, za brzydkie, w sam raz"},"content":{"rendered":"<p>Ta \u0142adna to &#8211; jak si\u0119 nietrudno domy\u015bli\u0107 &#8211; cho\u0107by p\u0142yta <strong>Aldous Harding<\/strong>. Album numer cztery, kt\u00f3ry Nowozelandka nagra\u0142a ponownie z Johnem Parishem i kt\u00f3ry bywa przez 40 minut g\u0142\u00f3wnie leciutki jak mgie\u0142ka. Nawet wtedy, gdy do\u015bpiewuje jej refren Jason Williamson ze Sleaford Mods. P\u0142yt\u0119 <em>Warm Chris<\/em> (4AD) zapowiada\u0142y niez\u0142e single (ostatnio <em>Fever<\/em>), cho\u0107 oczekiwania &#8211; przynajmniej moje &#8211; by\u0142y ju\u017c mniejsze ni\u017c przy <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/04\/29\/6-plyt-ktorych-trzeba-posluchac-w-tym-tygodniu-4\/\">albumie <em>Designer<\/em><\/a>. Harding (a w\u0142a\u015bciwie Hannah Sian Topp) nie \u015bci\u0105gnie na siebie pe\u0142nej uwagi popowego \u015bwiata &#8211; jest zbyt osobna w swoich upodobaniach, troch\u0119 te\u017c pod pr\u0105d w fascynacji stykiem folku, rocka i rhythm&#8217;n&#8217;bluesa w latach 60. Nie s\u0142ycha\u0107 u niej pretensji, a zarazem potrafi si\u0119 troch\u0119 zapl\u0105ta\u0107 w autorskim, balladowym \u015bwiecie. Mo\u017ce sobie pozwoli\u0107 na odrobin\u0119 aktorskiej interpretacji, na do\u015b\u0107 swobodny akompaniament (instrumenty d\u0119te Gavina Fitzjohna), na rezygnacj\u0119 z partii perkusji w kilku utworach. Jej kariera &#8211; ciekawie si\u0119 w tym kontek\u015bcie obserwuje ewolucj\u0119 Harding na tle rodaczki Lorde robi\u0105cej karier\u0119 via USA &#8211; zdaje si\u0119 coraz mocniej podkre\u015bla\u0107 zwi\u0105zki, nie tylko osobowe, z brytyjsk\u0105 scen\u0105.\u00a0 \u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gMA1kJ7Uc9s\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p>R\u00f3\u017cnorodno\u015bci\u0105 i swobod\u0105 zaskakuje nie tylko muzyka, ale sama Harding. W wyr\u00f3\u017cniaj\u0105cym si\u0119<em>\u00a0Staring at the Henry Moore<\/em> przypomina eteryczn\u0105 Vashti Bunyan z pierwszych lat kariery. W <em>Passion Babe<\/em> jest bli\u017cej ekspresji Courtney Barnett.\u00a0 M\u00f3j ulubiony to jak na razie <em>Tick Tock<\/em> &#8211; bezpretensjonalny utw\u00f3r cz\u0119\u015bciowo wydeklamowany w\u0142a\u015bnie w stylu Barnett, a w refrenie s\u0142odki i rytmiczny jak filmy na TikToku.\u00a0<\/p>\n<p>Tutaj ko\u0144cz\u0119, bo rodzina nie pozwoli\u0142a wys\u0142ucha\u0107 z samego rana odpowiednio g\u0142o\u015bno nowego Fucked Up (to ci &#8222;za brzydcy&#8221;, cho\u0107 rzecz jasna nie dla wszystkich &#8211; dla mnie ulubieni). A w sam raz wydaje si\u0119 ca\u0142y ten pi\u0105tkowy zestaw. Du\u017co do odkrycia. Cover <em>21st Century Schizoid Man<\/em> nagrany przez Black MIDI na ma\u0142\u0105 p\u0142yt\u0119 z nowymi wersjami trzech piosenek (pozosta\u0142e to utwory Taylor Swift i&#8230; Captaina Beefhearta) &#8211; bardzo &#8222;po bo\u017cemu&#8221;, ale do przes\u0142uchania obowi\u0105zkowo. Obstawiam, \u017ce Robert Fripp zazdro\u015bci perkusisty.\u00a0 \u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1616374889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=2459\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/aldousharding.bandcamp.com\/album\/warm-chris\">Warm Chris by Aldous Harding<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>19.03 <strong>Licho<\/strong> Ciucubabka, Pagan <br \/>20.03 <strong>Eric Copeland<\/strong> Spiral Stairs, Les Albums Claus <br \/>20.03 <strong>Gaap Kvlt<\/strong> Spring, Equinox <br \/>20.03 <strong>Miles Okazaki<\/strong> Thisness, Pi Recordings <br \/>20.03 <strong>Zosia Ho\u0142ubowska and Julia Giertz<\/strong> Community Of Grieving, Unsound <br \/>21.03 <strong>dltzk<\/strong> @ Rae&#8217;s Fight for Freedom <br \/>21.03 <strong>Isabelle Antena<\/strong> En Cavale, Numero Group arch<br \/>21.03 <strong>Kevin Drumm<\/strong> Small News, EP<br \/>21.03 <strong>Max Cooper<\/strong> Spectrum, Mesh EP<br \/>21.03 <strong>Nick Klein\/ The Idealist\/ Jean-Louis Huhta<\/strong> No War!, iDEAL <br \/>21.03<strong> Riuichi Daijo \/ Toshimaru Nakamura<\/strong> Ceramic Soul, Raw Tonk <br \/>22.03 <strong>Black MIDI<\/strong> Cavalcovers, Rough Trade EP<br \/>22.03 <strong>Cakedog<\/strong> War Room 3, Leaving EP<br \/>22.03 <strong>Ibibio Sound Machine<\/strong> Electricty, Merge <br \/><span style=\"color: #3366ff;\">23.03 <strong>Rob Burger &amp; Jamie Lidell<\/strong> For Ukraine, EP<\/span><br \/>23.03 <strong>Spoon<\/strong> Wild EP, Matador <br \/>24.03<strong> 33EMYBW &amp; Gooooose<\/strong> Trans-Aeon Express, Svbkvlt <br \/>24.03 <strong>Gordoa \/ Malfon \/ Edwards \/ Narvesen<\/strong> Substantial Myths, Fundacja S\u0142uchaj <br \/>25.03 <strong>Alai K<\/strong> Kila Maras, On The Corner <br \/>25.03 <strong>Aldous Harding<\/strong> Warm Chris, 4AD <br \/>25.03 <strong>Architects<\/strong> For Those That Wish To Exist At Abbey Road, Epitaph <br \/>25.03 <strong>Arcomusical<\/strong> Emigre and Exile, New Focus <br \/>25.03 <strong>Bernice <\/strong>Bonjourno My Friends, Telephone Explosion <br \/>25.03 <strong>Bigger Than Before<\/strong> Ex-V\u00f6id, Don Giovanni <br \/>25.03 <strong>Bodi Bill<\/strong> I Love U I Do, Sinnbus <br \/>25.03 <strong>Branko Mataja<\/strong> Over Fields And Mountains, Numero Group <br \/>25.03 <strong>Brodie West Quintet<\/strong> Meadow of Dreams, Astral Spirits <br \/>25.03 <strong>Charli XCX<\/strong> Crash (Deluxe Edition), Asylum <br \/>25.03 <strong>Coin<\/strong> Uncanny Valley, 10k <br \/>25.03 <strong>Colin Stetson<\/strong> Among the Stars OST, Disney <br \/>25.03 <strong>Croatian Amor<\/strong> Remember Rainbow Bridge, Posh Isolation <br \/>25.03 <strong>David Friend &amp; Jerome Begin<\/strong> Post-, New Amsterdam <br \/>25.03 <strong>Denzel Curry<\/strong> Melt My Eyez See Your Future, Loma Vista <br \/>25.03 <strong>Destroyer<\/strong> Labirynthitis, Bella Union <br \/>25.03<strong> El Khat<\/strong> &#8211; \u0627\u0644\u0642\u0627\u062a Aalbat Alawi Op\u200b.\u200b99, Glitterbeat <br \/>25.03 <strong>Fucked Up<\/strong> Do All Words Can Do, Matador <br \/>25.03 <strong>Guerilla Toss<\/strong> Famously Alive, Sub Pop <br \/>25.03 <strong>Hawkwind<\/strong> Dreamworkers of Time: The BBC Recordings 1985-1995, Atomhenge arch<br \/>25.03 <strong>Heavee<\/strong> Audio Assault, Hyperdub <br \/>25.03<strong> Isik Kural<\/strong> In February, RVNG Intl <br \/>25.03<strong> Jana Rush<\/strong> Darh Humor, Planet Mu <br \/>25.03 <strong>Joel Futterman, Chad Fowler, Steve Hirsh<\/strong> Ebb &amp; Flow, Mahakala <br \/>25.03 <strong>Juanita<\/strong> <strong>Euka<\/strong> Mabanzo, Strut <br \/>25.03 <strong>Jules Hay<\/strong> Where Next? <br \/>25.03 <strong>Kilo Kish<\/strong> American Gurl <br \/>25.03 <strong>Koffee<\/strong> Gifted, Sony <br \/>25.03 <strong>Laibach<\/strong> Wir sind das Volk (ein Musical aus Deutschland), Mute <br \/>25.03 <strong>Latto<\/strong> 777, RCA <br \/>25.03<strong> Leena Lee &amp; Vania<\/strong> <strong>Fortuna<\/strong> Niebla, Flaming Pines <br \/>25.03 <strong>Loop<\/strong> Sonancy, Cooking Vinyl <br \/>25.03 <strong>Lubomski<\/strong> S\u0119k You, Mystic <br \/>25.03 <strong>Machine Gun Kelly<\/strong> Mainstream Sellout, Interscope <br \/>25.03 <strong>Mahogany Frog<\/strong> Faust, MoonJune <br \/>25.03 <strong>Maren Morris<\/strong> Humble Quest, Columbia Nashville <br \/>25.03 <strong>Max Cooper<\/strong> Unspoken Words, Mesh <br \/>25.03 <strong>Md. After Hussain &amp; PAQ<\/strong> Matir Gaan, Hive Mind <br \/>25.03 <strong>Michael Bisio Quartet<\/strong> MBefore, AUM Fidelity<br \/>25.03<strong> Michael Bubl\u00e9<\/strong> Higher, Reprise<br \/>25.03 <strong>Michele Thomas<\/strong> The Assumption <br \/>25.03 <strong>Placebo<\/strong> Never Let Me Go <br \/>25.03 <strong>Polskie Znaki<\/strong> Rzeczy ostatnie, Adult Contemporary<br \/>25.03 <strong>Prins Thomas<\/strong> 8+9, Prins Thomas <br \/>25.03 <strong>Prins Thomas<\/strong> 9, Prins Thomas <br \/>25.03 <strong>Pusha T<\/strong> Rap&#8217;s Villain, Def Jam EP<br \/>25.03 <strong>Pusha T<\/strong> Rags To Riches, Def Jam EP<br \/>25.03 <strong>Quiver Vex<\/strong> Hypnagogia, Room40 <br \/>25.03 <strong>Reginald Omas Mamode IV<\/strong> Stand Strong, Five Easy Pieces <br \/>25.03 <strong>RXM Reality<\/strong> Sick For You, Hausu Mountain <br \/>25.03 <strong>Sly5thAve &amp; Roberto Ver\u00e1stegui<\/strong> Agua de Jamaica, Tru Thoughts <br \/>25.03 <strong>Sofia Carson<\/strong> Sofia Carson, Hollywood <br \/>25.03 <strong>Soft Machine<\/strong> Facelift France and Holland, Cuneiform arch<br \/>25.03<strong> Soul Glo<\/strong> Diaspora Problems, Epitaph<br \/>25.03 <strong>Susanna<\/strong> Elevation, SusannaSonata <br \/>25.03 <strong>Thou<\/strong> Norco OST, Sacred Bones <br \/>25.03 <strong>Tinariwen<\/strong> The Radio Tisdas Sessions, Warp arch<br \/>25.03 <strong>Tindersticks<\/strong> Past Imperfect the Best of Tindersticks &#8217;92 &#8211; &#8217;21, City Slang <br \/>25.03 <strong>Tom Rogerson<\/strong> Retreat to Bliss, Western Vinyl <br \/>25.03 <strong>Tuzza<\/strong> Forza <br \/>25.03 <strong>VA<\/strong> Epiphanies, Hallow Ground <br \/>25.03 <strong>Wallows<\/strong> Tell Me That It&#8217;s Over, Atlantic <br \/>25.03 <strong>Zito Righi E Seu Conjunto<\/strong> Alucinola\u0302ndia, Mr Bongo <br \/>25.03 <strong>Zombie Zombie<\/strong> Vae Vobis, Born Bad<\/p>\n<p>kolor <span style=\"color: #3366ff;\"><strong>niebieski<\/strong> <\/span>= pomoc Ukrainie\u00a0<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Ta \u0142adna to &#8211; jak si\u0119 nietrudno domy\u015bli\u0107 &#8211; cho\u0107by p\u0142yta Aldous Harding. Album numer cztery, kt\u00f3ry Nowozelandka nagra\u0142a ponownie z Johnem Parishem i kt\u00f3ry bywa przez 40 minut g\u0142\u00f3wnie leciutki jak mgie\u0142ka. Nawet wtedy, gdy do\u015bpiewuje jej refren Jason Williamson ze Sleaford Mods. P\u0142yt\u0119 Warm Chris (4AD) zapowiada\u0142y niez\u0142e single (ostatnio Fever), cho\u0107 oczekiwania [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32390,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,5177,106],"tags":[3851],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32382"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=32382"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32382\/revisions"}],"predecessor-version":[{"id":32397,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32382\/revisions\/32397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/32390"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=32382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=32382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=32382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}