{"id":32821,"date":"2022-04-22T10:18:09","date_gmt":"2022-04-22T08:18:09","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=32821"},"modified":"2022-04-22T12:16:57","modified_gmt":"2022-04-22T10:16:57","slug":"wszyscy-jestesmy-krzyzowkami","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/04\/22\/wszyscy-jestesmy-krzyzowkami\/","title":{"rendered":"Wszyscy jeste\u015bmy krzy\u017c\u00f3wkami"},"content":{"rendered":"<p>Zaczn\u0119 od tego, \u017ce dzi\u015b setka Charlesa Mingusa. Setna rocznica urodzin. Dok\u0142adnie. I niemal dok\u0142adnie <del>50<\/del> 60 lat od wydania p\u0142yty <em>Oh Yeah<\/em>, kt\u00f3ra zawiera\u0142a utw\u00f3r o fascynuj\u0105cym dla mnie kiedy\u015b, a dzi\u015b wci\u0105\u017c jednym z najbardziej aktualnych tytu\u0142\u00f3w: <em>Oh Lord Don&#8217;t Let Them Drop the Atomic Bomb On Me<\/em>. Wi\u0119c zanim o premierach tygodnia, przypomn\u0119 tylko kr\u00f3ciutko mistrza i ten nieco samolubny tytu\u0142 ze \u015bwietnego albumu o wspania\u0142ej ok\u0142adce:\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eaeVLd4G1Zg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p><strong>Fontaines D.C.<\/strong> ok\u0142adk\u0119 te\u017c maj\u0105 niczego sobie. A piosenka, kt\u00f3r\u0105 znamy dot\u0105d najlepiej &#8211; czyli pierwszy singiel, <em>Jackie Down the Line<\/em> &#8211; to rzecz, kt\u00f3ra mog\u0142aby zilustrowa\u0107 obieg gen\u00f3w w muzyce. Co\u015b przechodzi na kolejne pokolenie, co\u015b si\u0119 z czym\u015b krzy\u017cuje &#8211; a w tym konkretnym przypadku dosz\u0142o do skrzy\u017cowania wymarzonego z punktu widzenia wczesnych lat 90. <em>Jackie Down&#8230;<\/em> \u0142\u0105czy mianowicie dwa spo\u015br\u00f3d najpot\u0119\u017cniejszych \u00f3wczesnych okaz\u00f3w: Nirvan\u0119 z Oasis. Nie jest to zreszt\u0105 jedyny punkt, w kt\u00f3rym te rozpoznawalne estetyki si\u0119 tu mijaj\u0105.&nbsp;<\/p>\n<p>Same single dobrane by\u0142y bardzo dobrze. P\u0142yta nie utrzymuje ju\u017c tej samej temperatury, co nie znaczy, \u017ce jest drugorz\u0119dna. Spi\u0119ta bardzo mocn\u0105 klamr\u0105 dw\u00f3ch utwor\u00f3w &#8211; <em>In \u00e1r gCro\u00edthe go deo<\/em> i <em>Nabokov<\/em>&nbsp;&#8211; wydaje si\u0119 albumem \u015bwietnie u\u0142o\u017conym, kt\u00f3ry sprytnie kamufluje momenty s\u0142absze (jak <em>Bloomsday<\/em>) i dobrze eksponuje zalety. Bardziej refleksyjnym ni\u017c dwa poprzednie i r\u00f3wnie mocno zad\u0142u\u017conym w przesz\u0142o\u015bci. Moim zdaniem &#8211; po raz kolejny dzi\u0119ki sprawnemu po\u0142\u0105czeniu pewnych retro-energii (pisa\u0142em o tym w kontek\u015bcie Fontaines D.C. ju\u017c dwukrotnie, nie chc\u0119 si\u0119 powtarza\u0107) &#8211; zaw\u0119druje tym razem nie na drugie, tylko na pierwsze miejsce na brytyjskiej li\u015bcie bestseller\u00f3w.&nbsp;<\/p>\n<p>Nie oznacza to, \u017ce Irlandczycy zaimponowali mi tu bardziej ni\u017c poprzednio. O <em>A Hero&#8217;s Death<\/em> <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/08\/03\/niepewnosc-jak-w-1981\/\">pisa\u0142em dwa lata temu<\/a>, \u017ce przywraca klimat zimnowojennej niepewno\u015bci. \u017bartowa\u0142em nawet, \u017ce gdyby byli zespo\u0142em polskim, nast\u0119pn\u0105 p\u0142yt\u0119 (czyli w\u0142a\u015bnie <em>Skinty Fia<\/em>) nagraliby na zam\u00f3wienie Muzeum Powstania Warszawskiego, a czwart\u0105 &#8211; na zam\u00f3wienie M\u0119skiego Grania. Dzi\u015b takie \u017carty nie przesz\u0142yby mi pewnie przez gard\u0142o, bo &#8211; jak z t\u0105 uwag\u0105 o Mingusie &#8211; z klimatu zimnowojennego zrobi\u0142 nam si\u0119 raczej gor\u0105co-wojenny. A <em>Skinty Fia<\/em> mog\u0142oby by\u0107 raczej albumem nagranym na zam\u00f3wienie Muzeum Historii Naturalnej, skoro odnosi si\u0119 do wymar\u0142ego przed tysi\u0105cami lat gatunku &#8211; jelenia olbrzymiego, zamieszkuj\u0105cego m.in. w\u0142a\u015bnie na terenie dzisiejszej Irlandii (zwany jest te\u017c \u0142osiem irlandzkim). Przesz\u0142o\u015b\u0107 pojawia si\u0119 tu wi\u0119c pod r\u00f3\u017cnymi postaciami. Sami cz\u0142onkowie grupy te\u017c zreszt\u0105 wydaj\u0105 si\u0119 starsi &#8211; szczeg\u00f3lnie gdy w przyjemnie i zaskakuj\u0105co odbiegaj\u0105cym od reszty <em>The Couple Across the Way<\/em> Grian Chatten, akompaniuj\u0105c sobie na akordeonie, \u015bpiewa <em>Babe, it feels like it&#8217;s all happened \/ Twenty-three years of the same<\/em>. W wypadku Fontaines D.C. zalet\u0105 wydaje si\u0119 na razie to, \u017ce robi\u0105 to samo, ale nie tak samo.&nbsp;<\/p>\n<p><strong>FONTAINES D.C. <em>Skinty Fia<\/em><\/strong>, Partisan 2022&nbsp;<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=57726827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/fontainesdc.bandcamp.com\/album\/skinty-fia\">Skinty Fia by Fontaines D.C.<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>17.04 <strong>Grzegorz Bojanek<\/strong> All Bento<br \/><span style=\"color: #3366ff;\">17.04 <strong>VA<\/strong> Akademia Muzyk\u00f3w W\u0119drownych w Narolu 2012\u200b-\u200b2013 [musicians from Poland, Ukraine, Hungary, Slovakia, Czechia, Austria, Spain, USA and Russia], In Crudo<\/span><br \/>18.04 <strong>Siksa<\/strong> Poskromienie z\u0142o\u015bnicy <br \/>18.04 <strong>Zomby<\/strong> Acid, Dream Catalogue EP<br \/>19.04 <strong>Mdou Moctar<\/strong> Afrique Refait (Remix Album), Matador <br \/>19.04 <strong>Sleep<\/strong> New York 2018<br \/>20.04 <strong>Bastard Disco<\/strong> Satelity<br \/>20.04 <strong>Daunik Lazro \/ Jouk Minor \/ Thierry Madiot \/ David Chi\u00e9sa \/ Louis-Michel Marion<\/strong> Sonoris Causa, NoBusiness <br \/>20.04 <strong>Helena Suchy<\/strong> 11th Pediatric Ward, Suche Fakty <br \/>20.04 <strong>Howard Riley \/ Keith Tippett<\/strong> Journal Four, NoBusiness <br \/>20.04 <strong>Jablkagruszki<\/strong> Sea Life, Pointless Geometry <br \/>20.04 <strong>J\u0119drzej Siwek<\/strong> More Music for Sci\u200b-\u200bfi Movies, Out of Stock <br \/>20.04 <strong>Pimpon<\/strong> Pozdrawiam, Pointless Geometry <br \/>20.04 <strong>Rob Brown \/ Juan Pablo<\/strong> Carletti Fertile Garden, NoBusiness <br \/>20.04 <strong>Tropical Soldiers in Paradise<\/strong> Atversailles II Coast Northern Cuts EP<br \/>21.04 <strong>Bzdet<\/strong> Atom, Syf Records <br \/>21.04 <strong>Kadabra Dyskety Kusaje<\/strong> Slowa, Seszele <br \/>22.04 &#8211;<strong>S-<\/strong> Dom, w kt\u00f3rym mieszka\u0142 W\u0105\u017c, I, Voidhanger <br \/>22.04 <strong>Awe Kid<\/strong> Body Logic <br \/>22.04 <strong>Baby Dave<\/strong> Monkey Brain<br \/>22.04 <strong>Bob Vylan<\/strong> Bob Vylan Presents the Price of Life, Ghost Theatre<br \/>22.04 <strong>Bonnie Raitt<\/strong> Just Like That<br \/>22.04 <strong>Bryska<\/strong> Moja ciemno\u015b\u0107, Universal <br \/>22.04 <strong>Claire Rousay<\/strong> Everything Perfect Is Already Here, Shelter Press <br \/>22.04 <strong>Cold Years<\/strong> Goodbye to Misery, Inside Job <br \/>22.04 <strong>Dead Neanderthals<\/strong> IXXO <br \/>22.04 <strong>Elias Stemeseder<\/strong> Piano Solo, Intakt <br \/>22.04 <strong>English Teacher<\/strong> Polyawkward, Nice Swan Recordings EP<br \/>22.04 <strong>Eugene Carchesio<\/strong> MONOlive, Room40 <br \/>22.04 <strong>Filippo Deorsola\u2019s Anaphora<\/strong> Lexicon 1, Auand <br \/>22.04 <strong>Fontaines D.C.<\/strong> Skinty Fia, Partisan <br \/>22.04 <strong>Forest Management<\/strong> Palm Life, Husky Pants <br \/>22.04 <strong>Francisco Mela &amp; Shinya Lin<\/strong> Motions vol. 1, 577 Records <br \/>22.04 <strong>Fran\u00e7ois Tusques<\/strong> Piano Dazibao, Souffle Continu <br \/>22.04 <strong>Green-House<\/strong> Solar Editions, Leaving <br \/>22.04 <strong>Happy Pills<\/strong> Retrosexual, Don&#8217;t Sit On My Vinyl LP ltd<br \/>22.04 <strong>\u6625\u306d\u3080\u308a Haru Nemuri<\/strong> \u6625\u706b\u71ce\u539f Shunka, Ryougen<br \/>22.04 <strong>Hatchie<\/strong> Giving the World Away, Secretly Canadian<br \/>22.04 <strong>IC3PEAK<\/strong> Kiss of Death<br \/>22.04 <strong>Immortal Onion &amp; Jan Micha\u0142 Ciesielski<\/strong> Screens EP, U Know Me <br \/>22.04 <strong>James Heather<\/strong> Invisible Forces, Ahead Of Our Time <br \/>22.04<strong> Jane Antonia Cornish &amp; Vicky Chow<\/strong> Sierra, Cantoloupe <br \/>22.04 <strong>Jane Inc<\/strong> Faster Than I Can Take, Telephone Explosion <br \/>22.04 <strong>Jazzoux<\/strong> Quand le jus de rythme&#8230;, In Paradisum <br \/>22.04 <strong>Jeanines<\/strong> Don&#8217;t Wait for a Sign, Slumberland <br \/>22.04 <strong>Jon Porras<\/strong> Arroyo, Thrill Jockey <br \/>22.04 <strong>Joshua Hedley<\/strong> Neon Blue, New West <br \/>22.04 <strong>Kate Bollinger<\/strong> Look at it in the Night, Ghostly <br \/>22.04 <strong>King Gizzard &amp; The Lizard Wizard<\/strong> Omnium Gatherum <br \/>22.04 <strong>Labrinth<\/strong> Euphoria Season 2 OST <br \/>22.04 <strong>\u0141ukasz Suchy<\/strong> Dawn Chorus at the Children&#8217;s Hospital, Suche Fakty<br \/>22.04 <strong>\u00b5-Ziq<\/strong> Goodbye Remixes, Planet Mu <br \/>22.04 <strong>Neko Case<\/strong> Wild Creatures, Anti- komp<br \/>22.04 <strong>Ocean Grove<\/strong> Up in the Air Forever, UNFD<br \/>22.04 <strong>OHYUNG<\/strong> Imagine Naked!, NNA Tapes <br \/>22.04 <strong>Orang-Utan<\/strong> Orang-Utan, Guerssen arch<br \/>22.04 <strong>Ornette Coleman<\/strong> Genesis of Genius, box<br \/>22.04 <strong>Paavoharju &amp; Joose Keskitalo<\/strong> Happiness, Helmi <br \/>22.04 <strong>Panterah<\/strong> Discover <br \/>22.04 <strong>Patrick Watson<\/strong> Better in the Shade, Secret City <br \/>22.04<strong> Psychedelic Porn Crumpets<\/strong> Night Gnomes, What Reality? <br \/>22.04 <strong>Pusha T<\/strong> It&#8217;s Almost Dry <br \/>22.04 <strong>Robin Carolan &amp; Sebastian Gainsborough<\/strong> The Northman OST, Sacred Bones <br \/>22.04 <strong>Roger Eno<\/strong> The Turning Year, Deutsche Grammophon <br \/>22.04 <strong>S. Carey<\/strong> Break Me Open, Jagjaguwar<br \/>22.04 <strong>Skee Mask<\/strong> ISS008, Ilian Tape EP<br \/>22.04 <strong>Skee Mask<\/strong> ISS007, Ilian Tape EP<br \/>22.04 <strong>SosMula<\/strong> 2High2Die <br \/>22.04 <strong>Spiritualized<\/strong> Everything Was Beautiful, Bella Union <br \/>22.04 <strong>Steve Monite<\/strong> Only You, Soundway <br \/>22.04 <strong>Suki Waterhouse<\/strong> I Can&#8217;t Let Go, Sub Pop <br \/>22.04 <strong>T. Love<\/strong> Hau, hau, Universal <br \/>22.04 <strong>Taj Mahal &amp; Ry Cooder<\/strong> Get On Board, Nonesuch <br \/>22.04 <strong>Undeath<\/strong> It&#8217;s Time&#8230; to Rise from the Grave, Prosthetic <br \/><span style=\"color: #3366ff;\">22.04 <strong>VA<\/strong> Liberty &#8211; compilation of experimental music from Ukraine, Flaming Pines<\/span> <br \/>22.04 <strong>Wiz Khalifa<\/strong> Taylor Allderdice <br \/>22.04 <strong>Wound<\/strong> Clinomania, Wormhole World <br \/>22.04 <strong>Yuko Fijiyama, Graham Haynes, Ikue Mori<\/strong> Quiet Passion, Intakt<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Zaczn\u0119 od tego, \u017ce dzi\u015b setka Charlesa Mingusa. Setna rocznica urodzin. Dok\u0142adnie. I niemal dok\u0142adnie 50 60 lat od wydania p\u0142yty Oh Yeah, kt\u00f3ra zawiera\u0142a utw\u00f3r o fascynuj\u0105cym dla mnie kiedy\u015b, a dzi\u015b wci\u0105\u017c jednym z najbardziej aktualnych tytu\u0142\u00f3w: Oh Lord Don&#8217;t Let Them Drop the Atomic Bomb On Me. Wi\u0119c zanim o premierach tygodnia, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32823,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,5177,106],"tags":[3957],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32821"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=32821"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32821\/revisions"}],"predecessor-version":[{"id":32834,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/32821\/revisions\/32834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/32823"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=32821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=32821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=32821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}