{"id":33173,"date":"2022-05-20T10:03:41","date_gmt":"2022-05-20T08:03:41","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=33173"},"modified":"2022-05-21T18:05:20","modified_gmt":"2022-05-21T16:05:20","slug":"dwa-tygodnie-w-jeden-dzien","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/05\/20\/dwa-tygodnie-w-jeden-dzien\/","title":{"rendered":"Dwa tygodnie w jeden dzie\u0144"},"content":{"rendered":"<p>Tydzie\u0144 temu opu\u015bci\u0142em pi\u0105tek, m.in. ze wzgl\u0119du na wyjazd na projekcj\u0119 <em>Nothing Compares<\/em> w re\u017c. Kathryn Ferguson i dyskusj\u0119 o filmie. Dlatego mi\u0142o mi zakomunikowa\u0107, \u017ce film otrzyma\u0142 nagrod\u0119 Nos Chopina na dobiegaj\u0105cym ko\u0144ca festiwalu Millennium Docs Against Gravity. Pewnie jeszcze wr\u00f3c\u0119 do niego przed regularn\u0105 kinow\u0105 premier\u0105, do kt\u00f3rej &#8211; nie mam w\u0105tpliwo\u015bci &#8211; wkr\u00f3tce dojdzie. W wersji online MDAG nie b\u0119dzie niestety pokazywany. Tymczasem mo\u017cna go jeszcze zobaczy\u0107 w najbli\u017cszy weekend na ostatnich festiwalowych projekcjach i radz\u0119 to zrobi\u0107, szczeg\u00f3lnie tym, kt\u00f3rzy maj\u0105 sentyment do nagra\u0144 <strong>Sin\u00e9ad O\u2019Connor<\/strong> (cho\u0107 nie tylko). Warto do napis\u00f3w ko\u0144cowych &#8211; nie b\u0119d\u0119 spoilowa\u0142. A jeszcze bardziej warto wcze\u015bniej zapozna\u0107 si\u0119 z wydanymi te\u017c po polsku wspomnieniami O&#8217;Connor, o kt\u00f3rych bardzo obszernie pisa\u0142em<a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/2126423,1,sinad-oconnor-historia-zniszczonej-kariery.read\"> jeszcze przy okazji oryginalnego wydania<\/a>. Wyj\u0119ty z kalendarza blogowego pi\u0105tek przysporzy\u0142 mi jednak troch\u0119 problem\u00f3w, wi\u0119c dzi\u015b streszczenie a\u017c dw\u00f3ch tygodni na rynku wydawniczym w wielkim skr\u00f3cie.&nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o0LaNit1ts8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Najpierw tydzie\u0144 poprzedni. Z wyprzedzeniem opisywa\u0142em <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/05\/12\/o-bycie\/\">nowy album <strong>Jerzego Mazzolla<\/strong><\/a>, potem by\u0142o samo g\u0119ste: <strong><a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/05\/19\/5-3-5\/\">The Smile<\/a><\/strong>, <strong><a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/05\/17\/nie-moge-sie-podobac-kazdemu\/\">Kendrick Lamar<\/a><\/strong>, <strong><a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/05\/18\/odpowiedz-niesie-wiatr\/\">Mary Halvorson<\/a><\/strong>. Prawdopodobnie z absencj\u0105 na Polifonii trafi\u0142em w jeden z najlepszych premierowych tygodni w roku. By\u0142a jeszcze ca\u0142kiem udana p\u0142yta <strong>Florence + The Machine<\/strong> (a nie jest to muzyka z mojej bajki), niez\u0142y <strong>Moderat<\/strong>, ciekawy <strong>Obongjayar<\/strong> i <strong>They Hate Change<\/strong>, kt\u00f3rego s\u0142ucha\u0142em do\u015b\u0107 cz\u0119sto (pojawi\u0142 si\u0119 \u015blad na <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/05\/19\/5-3-5\/\">playli\u015bcie<\/a>) i nieco jednak rozczarowuj\u0105ce <strong>The Black Keys<\/strong> i <strong>Sam Gendel<\/strong> poni\u017cej poziom\u00f3w z z lat ubieg\u0142ych. Ukaza\u0142 si\u0119 te\u017c w wersji cyfrowej album<strong> Bastardy<\/strong> z <strong>Holland Baroque<\/strong>, a to dla polskiego zespo\u0142u du\u017ca sprawa. Dwa dni p\u00f3\u017aniej by\u0142a jeszcze premiera kasety <strong>Macieja Polaka<\/strong> na jubileusz wa\u017cnego syntezatora EMS Synthi AKS. O <em>1972<\/em> i samej maszynie rozmawiali\u015bmy bardzo d\u0142ugo (i bardzo ciekawie, \u017ce zareklamuj\u0119) w radiowej Dw\u00f3jce, <a href=\"https:\/\/www.polskieradio.pl\/8\/8820\/Artykul\/2955794,Maly-neseser-pelen-muzyki\">wszystko do przes\u0142uchania tutaj<\/a>.&nbsp;<\/p>\n<p>No i bie\u017c\u0105cy tydzie\u0144. Bardzo lubi\u0119<strong> Harry&#8217;ego Stylesa<\/strong> i uwa\u017cam, \u017ce w muzyce zupe\u0142nego \u015brodka trudno radzi\u0107 sobie du\u017co lepiej, ale pierwszy kontakt z p\u0142yt\u0105 <em>Harry&#8217;s House<\/em> jest jednak dla mnie nieco rozczarowuj\u0105cy. Zd\u0105\u017cy\u0142em za to na spokojnie pos\u0142ucha\u0107 <strong>1988<\/strong> i jego producenckiej <em>Rulety<\/em>. <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/muzyka\/2165549,1,recenzja-plyty-1988-ruleta.read\">Opisa\u0142em j\u0105 zreszt\u0105 kr\u00f3tko w &#8222;Polityce&#8221;<\/a> i pozostaje dla mnie fenomenem, jak dobrze dogaduje si\u0119 Jankowiak muzycznie z weteranami polskiego hip-hopu, kt\u00f3rzy zawsze b\u0142yszcz\u0105 w jego produkcjach &#8211; ten album to zreszt\u0105 udana pr\u00f3ba stworzenia takiej platformy mi\u0119dzypokoleniowej na bazie intensywnego stylu 1988. Sporym wydarzeniem \u0142\u0105cz\u0105cym rynek polski i \u015bwiatowy jest nowy <strong>Matmos<\/strong> z albumem-ho\u0142dem dla Bogus\u0142awa Schaeffera. O tym wydawnictwie jeszcze nie pisa\u0142em, ale te\u017c mamy na koncie <a href=\"https:\/\/www.polskieradio.pl\/8\/8820\/Artykul\/2951353,Boguslaw-Schaeffer-i-Matmos\">jego radiow\u0105 prapremier\u0119 w Nocnej strefie<\/a>. Jednocze\u015bnie wydawnictwo Other People kierowane przez <strong>Nicolasa Jaara<\/strong> publikuje dwucz\u0119\u015bciowy wyb\u00f3r nagra\u0144 ze Studia Eksperymentalnego Polskiego Radia. Nowe<strong> Sundial Trio<\/strong> z Krzysztofem Szma\u0144d\u0105 w miejsce Alberta Karcha grane by\u0142o w Dw\u00f3jce wczoraj. Bardzo d\u0142uga lista kolejnych nowo\u015bci poni\u017cej. I je\u015bli zastanawiacie si\u0119, czy da si\u0119 to wszystko przes\u0142ucha\u0107 w ci\u0105gu dw\u00f3ch tygodni, musz\u0119 udzieli\u0107 odpowiedzi odmownej. A co\u015b o tym wiem, bo pr\u00f3bowa\u0142em.&nbsp; &nbsp;<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1748538037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/matmos.bandcamp.com\/album\/regards-uk-ony-dla-bogus-aw-schaeffer\">Regards\/Uk\u0142ony dla Bogus\u0142aw Schaeffer by Matmos<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE DW\u00d3CH TYGODNI<\/strong><\/p>\n<p>9.05 <strong>Ahir Bhairav<\/strong> Mohi Bahauddin Dagar, Black Sweat Records <br \/>9.05 <strong>Compass Rises<\/strong> Compass Rises, Fredriksberg <br \/>9.05 <strong>Milt Ward &amp; Virgo Spectrum<\/strong> Milt Ward &amp; Virgo Spectrum, Fredriksberg <br \/>10.05 <strong>Carl Michael von Hausswolff<\/strong> Conductor \/ Life and Death of Pboc, Sub Rosa <br \/>10.05 <strong>Charlemagne Palestine, Oren Ambarchi &amp; Eric Thielemans<\/strong> \u0a1a\u0a48\u0a28\u0a32KAANAL\u091a\u0948\u0928\u0932R\u00c1\u00d0\u05e2\u05b8\u05e8\u05d5\u05bc\u05e5 Matiere Memoir <br \/>10.05 <strong>VA<\/strong> In The Deep Drift You Will Find The Most Serene Of Lullabies, American Dreams <br \/>11.05 <strong>Loscil<\/strong> The Sails p\u200b.\u200b2 <br \/>12.05 <strong>Francesca Heart<\/strong> Eurybia, Leaving <br \/>12.05 <strong>Victor Moragues<\/strong> Interval, Superpang <br \/>12.05 <strong>\uc0c8\ub208\ubc14\ud0d5 Bird&#8217;s Eye Batang<\/strong> \uc190\uc744 \ubaa8\uc544 Flood Format <br \/>13.05 <strong>49 Winchester<\/strong> Fortune Favors the Bold, New West <br \/>13.05 <strong>Adrian Younge and Ali Shaheed Muhammad<\/strong> Jazz Is Dead 011, Jazz Is Dead <br \/>13.05 <strong>Aiyyer<\/strong> Final Skin, Cantaloupe <br \/>13.05 <strong>An Moku | Stefan Schmidt<\/strong> Zwischenraum, Karlrecords <br \/>13.05 <strong>Baumschule<\/strong> (), Three:four <br \/>13.05 <strong>Bear&#8217;s Den<\/strong> Blue Hours, Communion <br \/>13.05 <strong>Cameron Knowler &amp; Eli Winter<\/strong> VXVW, American Dreams <br \/>13.05 <strong>Carlotta Valdes<\/strong> Praha, Eclipse <br \/>13.05 <strong>Child Of Illusion<\/strong> Khimaira, Relative Pitch<br \/>13.05<strong> Diatom Deli<\/strong> Time\u200b~\u200bLapse Nature, RVNG Intl <br \/>13.05 <strong>Dorsal<\/strong> <strong>Fins<\/strong> Star of the Show, Remote Control <br \/>13.05<strong> Elza Soares<\/strong> Elza ao vivo no, Municipal Deck <br \/>13.05 <strong>Equations Collective<\/strong> Equations Collective x Lena Platonos x Rabih Beaini, 99Chants <br \/>13.05 <strong>Everything Everything<\/strong> Raw Data Feel <br \/>13.05 <strong>Faust<\/strong> Punkt, Bureau B <br \/>13.05 <strong>Florence + The Machine<\/strong> Dance Fever, Republic <br \/>13.05 <strong>Groth<\/strong> Groth, Zoharum <br \/>13.05 <strong>Heather Woods<\/strong> Broderick Domes, Dauw <br \/>13.05 <strong>Helen Ganya<\/strong> Heart To Heart Mirage, Bella Union EP<br \/>13.05 <strong>Holland Baroque &amp; Bastarda Trio<\/strong> Minne <br \/>13.05 <strong>Idrissa Soumaoro, L\u2019Eclipse De L\u2019I.J.A.<\/strong> Le Tioko-Tioko, Mr Bongo <br \/>13.05 <strong>Jerzy Mazzoll<\/strong> By\u0107, Wytw\u00f3rnia Krajowa <br \/>13.05 <strong>John Carpenter, Cody Carpenter &amp; Daniel Davies<\/strong> Firestarter OST, Back Lot <br \/>13.05 <strong>Kendrick Lamar<\/strong> Mr. Morale and the Big Steppers, Top Dawg <br \/>13.05<strong> Kevin Morby<\/strong> This Is a Photograph, Dead Oceans <br \/>13.05 <strong>Kinny Zimmer<\/strong> Letnisko, SBM <br \/>13.05<strong> Koki Nakano<\/strong> Oceanic Feeling, No Format <br \/>13.05 <strong>Laurie Tompkins<\/strong> Fatty, 33-33 <br \/>13.05 <strong>Leikeli47<\/strong> Shape Up, RCA <br \/>13.05 <strong>Lucian Ban<\/strong> Ways of Disappearing, Sunnyside <br \/>13.05 <strong>Mary Halvorson<\/strong> Belladonna, Nonesuch <br \/>13.05 <strong>Mary Halvorson<\/strong> Amaryllis, Nonesuch <br \/>13.05 <strong>Misery Index<\/strong> Complete Control, Century Media <br \/>13.05 <strong>Moderat<\/strong> MORE D4TA, Monkeytown\/NoPaper <br \/>13.05 <strong>Morgue Supplier<\/strong> Inevitability Transcending Obscurity <br \/>13.05 <strong>Morze<\/strong> Orka <br \/>13.05 <strong>Obongjayar<\/strong> Some Nights I Dream of Doors, The Orchard <br \/>13.05 <strong>Oneness Of Juju<\/strong> Bush Brothers and Space Rangers, Strut arch<br \/>13.05 <strong>Phelimuncasi<\/strong> Ama Gogela, Nyege Nyege Tapes <br \/>13.05 <strong>Popsysze<\/strong> Emisja, Zoharum <br \/>13.05<strong> Reformed Faction<\/strong> Vota, Zoharum <br \/>13.05 <strong>Sam Gendel &amp; Antonia Cytrynowicz<\/strong> Live a Little, Psychic Hotline <br \/>13.05 <strong>Tank And The Bangas<\/strong> Red Balloon, Verve <br \/>13.05 <strong>The Black Keys<\/strong> Dropout Boogie <br \/>13.05<strong> The Chainsmokers<\/strong> So Far So Good, Columbia <br \/>13.05 <strong>The Master Musicians of Jajouka led by Bachir Attar<\/strong> Dancing Under the Moon, Glitterbeat <br \/>13.05 <strong>The Smile<\/strong> A Light for Attracting Attention, XL <br \/>13.05 <strong>They Hate Change<\/strong> Finally, New, Jagjaguwar <br \/>13.05 <strong>Torben Snekkestad \/ S\u00f8ren Kj\u00e6rgaard<\/strong> Another Way of the Heart, Trost <br \/>13.05 <strong>TSVI &amp; Loraine James<\/strong> O53, AD93 <br \/>13.05<strong> Van Morrison<\/strong> What&#8217;s It Gonna Take?, Exile <br \/>13.05 <strong>Whitney K<\/strong> Hard To Be Good <br \/>13.05 <strong>Yutani<\/strong> Not Much of a Talker, Zoharum <br \/>13.05 <strong>Zekarias Thompson<\/strong> Goodnight Shiva, Atlantic Rhythms<\/p>\n<p>15.05 <strong>Maciek Polak<\/strong> &#8222;1972&#8221;, Coastline Northern Cuts<br \/>15.05 <strong>Mats Gustafsson<\/strong> Pianomate &amp; Flute, Bocian winyl 5&#8243;<br \/>16.05 <strong>AIT!<\/strong> Romanticismo Oltranzista, Devoted Art Propaganda <br \/>16.05 <strong>Sopa de Pedra<\/strong> Do Claro Ao Breu, Lovers &amp; Lollypops <br \/>17.05 <strong>N Kramer<\/strong> Altered Scenes and Slight Variations, Leaving <br \/>18.05 <strong>Dirtmusic<\/strong> Hum Hum EP, Glitterbeat <br \/>18.05 <strong>Kiloff &amp; Debtors<\/strong> Mokry Sen, Syf Records <br \/>18.05 <strong>M.O.O.N.<\/strong> Come! See!! <br \/>18.05 <strong>Momenta Quartet<\/strong> Alvin Singleton: Four String Quartets, New World <br \/>19.05<strong> David Toop<\/strong> Pink Spirit, Noir World, Foam On A Wave arch<br \/>19.05 <strong>Evius<\/strong> Extravagant Voyage Guide, Dom Trojga EP<br \/>19.05<strong> Julius Smack<\/strong> Serenity EP, Leaving <br \/>19.05 <strong>Paralell Manifesto<\/strong> ITX024 &#8211; 2044, Ilian Tape<br \/>19.05<strong> Zoh Amba featuring William Parker and Francisco Mela<\/strong> Oh Life, Oh Light vol. 1, 577 Records <br \/>20.05 <strong>1988<\/strong> Ruleta, Def Jam <br \/>20.05 <strong>Aidan Baker<\/strong> Gauge Amber Tones, Slow Tone <br \/>20.05 <strong>Alex Izenberg<\/strong> I&#8217;m Not Here, Domino <br \/>20.05 <strong>Alison Cotton<\/strong> The Portrait You Painted of Me, Rocket <br \/>20.05 <strong>Andrew Bernstein<\/strong> A Presentation, Hausu Mountain <br \/>20.05 <strong>Automatisme &amp; Stefan Paulus<\/strong> Gap\/Void, Constellation <br \/>20.05 <strong>Basic Rhythm<\/strong> Cool Down the Dance, Planet Mu <br \/>20.05<strong> Benny Sings<\/strong> Santa Barbara, EP<br \/>20.05 <strong>Bess Of Bedlam<\/strong> Dance Until the Crimes End, Dur et Doux <br \/>20.05 <strong>Boldy James &amp; Real Bad Man<\/strong> Killing Nothing Man, Real Bad Man <br \/>20.05 <strong>Brandon Coleman<\/strong> Interstellar Black Space, Brainfeeder <br \/>20.05 <strong>Brandon Seabrook<\/strong> In the Swarm, Astral Spirits <br \/>20.05 <strong>Broken Spear<\/strong> Pantomime, Noumenal Loom <br \/>20.05 <strong>Br\u00f6tzmann \/ van Hove \/ Bennink<\/strong> Jazz in der Kammer 1974, Trost <br \/>20.05 <strong>Byty<\/strong> Byty, Tutka <br \/>20.05 <strong>Carl Stone<\/strong> Wat Dong Moon Lek, Unseen Worlds<br \/>20.05 <strong>Cave In<\/strong> Heavy Pendulum, Relapse<br \/>20.05 <strong>Charlie Hickey<\/strong> Nervous at Night, Saddest Factory<br \/>20.05 <strong>Chip Wickham<\/strong> Astral Traveling EP, Gondwana<br \/>20.05 <strong>Cola<\/strong> Deep In View, Firetalk<br \/>20.05 <strong>Cool Maritime<\/strong> Big Earth Energy, Western Vinyl<br \/>20.05 <strong>Craig Finn<\/strong> Legacy of Rentals, Thirty Tigers<br \/>20.05 <strong>Daniel Villarreal<\/strong> Panama 77, International Anthem<br \/>20.05 <strong>Daphne X<\/strong> Transactions in Time, Czaszka (rec.) MC, DL<br \/>20.05 <strong>David Grubbs &amp; Jan St. Werner<\/strong> Translation from Unspecified, Drag City <br \/>20.05<strong> DAVID MURRAY BRAVE NEW WORLD TRIO with Brad Jones and Hamid Drake<\/strong> Seriana Promethea, Intakt <br \/>20.05<strong> David Tudor<\/strong> Composers Into Electronics: David Tudor&#8217;s Rainforest IV, Neuma<br \/>20.05<strong> Delta Spirit<\/strong> One Is One, New West<br \/>20.05 <strong>Dekker<\/strong> I Won&#8217;t Be Your Foe, Useful Fictions <br \/>20.05 <strong>Earth Trax<\/strong> The Sensual World, Shall Not Fade <br \/>20.05 <strong>Einoa<\/strong> Rauha, Eclipse<br \/>20.05 <strong>En Creux<\/strong> Phantasm, Czaszka (rec.) MC, DL<br \/>20.05 <strong>Faizal Mostrixx<\/strong> Transitions, Glitterbeat <br \/>20.05 <strong>Flock<\/strong> Flock, Strut <br \/>20.05 <strong>Florent Ghys<\/strong> Ritournelles, Cantaloupe <br \/>20.05 <strong>Flume<\/strong> Palaces, Transgressive<br \/>20.05 <strong>For Breakfast<\/strong> Trapped in the Big Room, Glasshouse EP<br \/>20.05 <strong>Hanson<\/strong> Red Blue Green<br \/>20.05 <strong>Harry Styles<\/strong> Harry&#8217;s House, Columbia <br \/>20.05 <strong>Hermann Nitsch<\/strong> Weinviertel Symfonie, Trost <br \/>20.05 <strong>Ingrid Laubrock &amp; Andy Milne<\/strong> Fragile, Intakt <br \/>20.05 <strong>Jimi Tenor<\/strong> Multiversum, Bureau B <br \/>20.05 <strong>John Doe<\/strong> Fables in the Foreign Land, Fat Possum <br \/>20.05 <strong>Jordana<\/strong> Face the Wall, Grand Jury <br \/>20.05 <strong>Kieran Hebden<\/strong> Looking at Your Pager, Ministry of Sound <br \/>20.05 <strong>Koray Kantarc\u0131o\u011flu<\/strong> Loopworks 2, Discrepant <br \/>20.05<strong> L\u00e9a Sen<\/strong> You of One Pt. 1, Partisan <br \/>20.05 <strong>Lucy Liyou<\/strong> Welfare \/ Practice, American Dreams <br \/>20.05 <strong>LXV<\/strong> Things That Cannot Be Connected, Warm Winters Ltd <br \/>20.05 <strong>Lykke Li<\/strong> Eyeye Crush\/PIAS <br \/>20.05 <strong>Mai Mai Mai<\/strong> Rimorso, Maple Death<br \/>20.05 <strong>Marina Herlop<\/strong> Pripyat, PAN<br \/>20.05 <strong>Mary Lattimore &amp; Paul Sukeena<\/strong> West Kensington, Three Lobed <br \/>20.05 <strong>Matmos<\/strong> Regards\u200b\/\u200bUk\u0142ony dla Bogus\u0142aw Schaeffer, Thrill Jockey <br \/>20.05 <strong>Mavis Staples &amp; Levon Helm<\/strong> Carry Me Home, Epitaph<br \/>20.05 <strong>Melody Gardot &amp; Philippe Powell<\/strong> Entre Eux Deux, Decca<br \/>20.05 <strong>Moby<\/strong> Reprise &#8211; Remixes, Deutsche Grammophon<br \/>20.05 <strong>Nico Gomez<\/strong> Ritual <br \/>20.05 <strong>Park Jiha &amp; Roy Claire Potter<\/strong> To Call Out Into the Night, TakuRoku <br \/>20.05 <strong>Plankton Wat<\/strong> Hidden Path, Thrill Jockey <br \/>20.05 <strong>Porridge Radio<\/strong> Waterslide, Diving Board, Ladder to the Sky, Secretly Canadian <br \/>20.05 <strong>Project Gemini<\/strong> Children of Scorpio, Mr Bongo <br \/>20.05 <strong>Quinquis<\/strong> Seim, Mute <br \/>20.05 <strong>Rachel Chinouriri<\/strong> Better Off Without, Parlophone <br \/>20.05 <strong>Ravyn Lenae<\/strong> Hypnos, Atlantic<br \/>20.05 <strong>RSS B0Y 1<\/strong> BOW, Don&#8217;t Sit On My Vinyl 10&#8243; limited<br \/>20.05 <strong>Rubber Oh<\/strong> Strange Craft, Rocket <br \/>20.05 <strong>Shabaka<\/strong> Afrikan Culture EP, Impulse! <br \/>20.05 <strong>Soak<\/strong> If I Never Know You Like This Again, Rough Trade <br \/>20.05 <strong>Sundial Trio<\/strong> IV, Alpaka<br \/>20.05 <strong>The Concept Horse<\/strong> Synagogue Hum, Czaszka (rec.) MC, DL<br \/>20.05 <strong>Tourist<\/strong> Inside Out<br \/>20.05 <strong>Trzaska, Vrba, Tokar, Pandi<\/strong> Mal\u00e1 Pardubick\u00e1 Vol. 4, Gusstaff CD<br \/>20.05 <strong>Uffie<\/strong> Sunshine Factory, Company <br \/>20.05 <strong>VA<\/strong> Would It Sound Just As Bad If You Played It Backwards? A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959\u200b-\u200b2001) Vol. I, Other People <br \/>20.05 <strong>VA<\/strong> Would It Sound Just As Bad If You Played It Backwards? A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959\u200b\u200b-\u200b\u200b2001) Vol. II, Other People <br \/>20.05 <strong>VA<\/strong> Egonlab Dynasty, Pinkman<br \/>20.05 <strong>Weird Nightmare<\/strong> Weird Nightmare, Sub Pop<br \/>20.05 <strong>Will Joseph Cook<\/strong> Every Single Thing<\/p>\n<p><br \/><br \/><br \/><\/p>\n<p>\u00a0<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tydzie\u0144 temu opu\u015bci\u0142em pi\u0105tek, m.in. ze wzgl\u0119du na wyjazd na projekcj\u0119 Nothing Compares w re\u017c. Kathryn Ferguson i dyskusj\u0119 o filmie. Dlatego mi\u0142o mi zakomunikowa\u0107, \u017ce film otrzyma\u0142 nagrod\u0119 Nos Chopina na dobiegaj\u0105cym ko\u0144ca festiwalu Millennium Docs Against Gravity. Pewnie jeszcze wr\u00f3c\u0119 do niego przed regularn\u0105 kinow\u0105 premier\u0105, do kt\u00f3rej &#8211; nie mam w\u0105tpliwo\u015bci &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33175,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,3319,444,3309,5177,4],"tags":[5488,5487],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33173"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=33173"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33173\/revisions"}],"predecessor-version":[{"id":33209,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33173\/revisions\/33209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/33175"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=33173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=33173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=33173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}