{"id":33240,"date":"2022-05-27T10:50:40","date_gmt":"2022-05-27T08:50:40","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=33240"},"modified":"2022-05-27T19:41:33","modified_gmt":"2022-05-27T17:41:33","slug":"zle-depesze","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/05\/27\/zle-depesze\/","title":{"rendered":"Z\u0142e depesze"},"content":{"rendered":"<p>Zmar\u0142 muzyk, kt\u00f3rego mia\u0142em na plakacie w wieku 11 lat, wi\u0119c sprawa jest do\u015b\u0107 osobista. Do dzi\u015b nie do ko\u0144ca wiem, co robi\u0142 <strong>Andy Fletcher<\/strong> w Depeche Mode &#8211; zdaje si\u0119, \u017ce sam bagatelizowa\u0142 swoj\u0105 rol\u0119, prezentuj\u0105c si\u0119 jako kumpla reszty. Przez chwil\u0119 gra\u0142 na basie, potem oczywi\u015bcie na klawiszach, ale &#8211; jak wiadomo &#8211; od pewnego momentu i przez d\u0142u\u017cszy czas by\u0142 to jedyny rodzaj aktywno\u015bci dost\u0119pny w tym zespole, je\u015bli si\u0119 nie by\u0142o Dave&#8217;em Gahanem. Od lat t\u0142umacz\u0119 sobie to tak, \u017ce &#8222;Fletch&#8221; musia\u0142 by\u0142 uciele\u015bnieniem tego, \u017ce zespo\u0142y s\u0105 po co\u015b i trzymaj\u0105 si\u0119 z jakiego\u015b powodu. I \u017ce by\u0107 mo\u017ce on &#8211; bodaj najgrzeczniejszy i najspokojniejszy w grupie, a przy tym te\u017c najsympatyczniejszy &#8211; by\u0142 rodzajem tego lepika, kt\u00f3ry ca\u0142o\u015b\u0107 trzyma w najgorszych momentach. Dlatego z fascynacj\u0105 (i pewn\u0105 doz\u0105 triumfalizmu &#8211; nie ka\u017cde wcielenie DM jest moim ulubionym, ale jednak zesp\u00f3\u0142 dzieci\u0144stwa) ogl\u0105da\u0142em jako\u015b w pocz\u0105tkach pandemii zdaln\u0105 ceremoni\u0119 przyjmowania Depeszy do Rock&#8217;n&#8217;Roll Hall of Fame. Fletcher i ca\u0142a reszta w \u015bwietnej formie, wyluzowani, okazy zdrowia. W \u017cyciu bym nie powiedzia\u0142, \u017ce z jednym z nich za kilkana\u015bcie miesi\u0119cy b\u0119dziemy si\u0119 \u017cegna\u0107. Przy okazji \u015bmierci Vangelisa pozwoli\u0142em sobie stwierdzi\u0107, \u017ce uda\u0142 si\u0119 prosto na wieczne elektroniczne jam session ze zmar\u0142ym nieco wcze\u015bniej Klausem Schulze. Bior\u0105c pod uwag\u0119 odej\u015bcie Fletchera, nie mo\u017cna wyklucza\u0107 tego, \u017ce jam session elektronik\u00f3w zmieni si\u0119 w sta\u0142\u0105 formacj\u0119.&nbsp; &nbsp;<\/p>\n<p>Poza tym dzi\u015b tylko lista premier tygodnia.<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZFnEhwmpjXI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>21.05 <strong>Kapela Franciszka Gr\u0119bskiego<\/strong> Zagramy to, sk\u0105d pochodzimy. Z Powi\u015bla, In Crudo <br \/>21.05 <strong>Zeitgeist and John Cage<\/strong> Music for (4), Neuma <br \/>24.05 <strong>M100<\/strong> War EP, Gangstafree <br \/>25.05 <strong>Cat.Finch &amp; Pstyk<\/strong> Insert Coin, Superkasety <br \/>26.05<strong> Kate NV<\/strong> Bouquet, RVNG Intl <br \/>26.05 <strong>Maja Laura<\/strong> Bardo <br \/>26.05 <strong>Pepe.<\/strong> Escapism LP, U Know Me <br \/>27.05 <strong>700 Bliss<\/strong> Nothing to declare, Hyperdub <br \/>27.05 <strong>Afrorack<\/strong> The Afrorack, Hakuna Kulala <br \/>27.05 <strong>\u00c1kos R\u00f3zmann<\/strong> MASS \/ M\u00c4SSA, Ideologic Organ <br \/>27.05 <strong>Alfie Templeman<\/strong> Yellow Moon <br \/>27.05 <strong>Anatolian Weapons<\/strong> Selected Acid Tracks, Byrd Out <br \/>27.05 <strong>Bright Eyes<\/strong> Fevers and Mirrors: A Companion, Dead Oceans EP<br \/>27.05 <strong>Bright Eyes<\/strong> Letting Off the Happiness: A Companion, Dead Oceans EP<br \/>27.05 <strong>Bright Eyes<\/strong> A Collection of Songs Written and Recorded 1995-1997: A Companion, Dead Oceans EP<br \/>27.05 <strong>CTM<\/strong> Babygirl, Posh Isolation <br \/>27.05 <strong>Curlew<\/strong> Phantasmagoria 1998 + WFMU 1997, Cuneiform <br \/>27.05 <strong>Dave Kerman \/ 5uu&#8217;s<\/strong> The Quiet in Your Bones, Cuneiform <br \/>27.05 <strong>David Cordero &amp; Kenji Kihara<\/strong> Komorebi \u6728\u6f0f\u308c\u65e5, Home Normal <br \/>27.05 <strong>David Virelles<\/strong> Nuna, Pi Recordings <br \/>27.05 <strong>Decapitated<\/strong> Cancer Culture<br \/>27.05<strong> Def Leppard<\/strong> Diamond Star Halos<br \/>27.05 <strong>DEHD<\/strong> Blue Skies, Fat Possum<br \/>27.05 <strong>Deliluh<\/strong> Fault Lines, TAR \/ MM \/ UOH\u00a0 <br \/>27.05<strong> Dende &amp; Band<\/strong> Ag\u00f4, Ropadope <br \/>27.05<strong> Dot Allison<\/strong> The Entangled Remix EP, SA <br \/>27.05 <strong>EABS<\/strong> &#8222;2061&#8221;, Astigmatic <br \/>27.05 <strong>Isaac Dunbar<\/strong> Banish the Banshee, EP<br \/>27.05 <strong>John Lemke<\/strong> Thawlines, Denovali <br \/>27.05 <strong>Julia Reidy<\/strong> World in World, Black Truffle <br \/>27.05<strong> Just Mustard<\/strong> Heart Under, Partisan <br \/>27.05 <strong>Kaitlyn Aurelia Smith &amp; Emile Mosseri<\/strong> I Could Be Your Dog \/ I Could Be Your Moon, Ghostly <br \/>27.05 <strong>Liam Gallagher<\/strong> C&#8217;mon You Know, Warner <br \/>27.05 <strong>Lucho Bermudez y su Orquesta<\/strong> The Coastal Invasion, Radio Martiko <br \/>27.05 <strong>Maga Bo<\/strong> Amor (\u00c9 Revolu\u00e7\u00e3o), Kaxambu <br \/>27.05 <strong>Markus Acher<\/strong> Like a Plane, Morr Music <br \/>27.05 <strong>Matthew Bourne<\/strong> Irrealis <br \/>27.05 <strong>Megumi Yonezawa<\/strong> Resonance, Sunnyside <br \/>27.05 <strong>Melissa Weikart<\/strong> Here, There, Northern Spy <br \/>27.05 <strong>MONO<\/strong> My Story, The Buraku Story OST, Temporary Residence <br \/>27.05 <strong>Moundabout<\/strong> Flowers Rot, Bring me Stones, Rocket <br \/>27.05<strong> Murkage Dave<\/strong> The City Needs a Hero <br \/>27.05 <strong>Nat Birchall<\/strong> Afro Train <br \/>27.05 <strong>Nick Macri &amp; Mono No Aware<\/strong> Amache, Cuneiform <br \/>27.05 <strong>OCH<\/strong> P\u00f6 om p\u00f6, Rocket <br \/>27.05<strong> Orson Hentschel<\/strong> Heavy Light, Denovali <br \/>27.05 <strong>PINKCOURTESYPHONE<\/strong> All Intensive Purposes, Room40 <br \/>27.05 <strong>Plastelina<\/strong> Ziarno, Opus Elefantum <br \/>27.05 <strong>Rosie Carney<\/strong> I Wanna Feel Happy, Color Study <br \/>27.05 <strong>Sex Pistols<\/strong> The Original Recordings, Universal <br \/>27.05 <strong>Staszek Fungus<\/strong> Frequencies on the Fifth Floor, Opus Elefantum <br \/>27.05 <strong>Steve Earle<\/strong> Jerry Jeff, New West<br \/>27.05 <strong>Tate McRea<\/strong> I Used to Think I Could Fly, RCA <br \/>27.05 <strong>Tony Lavorgna &amp; The St. Thomas Quartet<\/strong> Chameleon, Jazz Room arch<br \/>27.05 <strong>VA<\/strong> Top Gun: Maverick (Music From The Motion Picture), Interscope <br \/>27.05 <strong>VA<\/strong> Rare SSR Electronica 1989\u200b-\u200b91 \u200b(\u200bCrammed Archives 0), Crammed Discs <br \/>27.05 <strong>Wilco<\/strong> Cruel Country, dBpm<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zmar\u0142 muzyk, kt\u00f3rego mia\u0142em na plakacie w wieku 11 lat, wi\u0119c sprawa jest do\u015b\u0107 osobista. Do dzi\u015b nie do ko\u0144ca wiem, co robi\u0142 Andy Fletcher w Depeche Mode &#8211; zdaje si\u0119, \u017ce sam bagatelizowa\u0142 swoj\u0105 rol\u0119, prezentuj\u0105c si\u0119 jako kumpla reszty. Przez chwil\u0119 gra\u0142 na basie, potem oczywi\u015bcie na klawiszach, ale &#8211; jak wiadomo &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33243,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,595],"tags":[5490],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33240"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=33240"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33240\/revisions"}],"predecessor-version":[{"id":33249,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33240\/revisions\/33249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/33243"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=33240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=33240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=33240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}