{"id":33482,"date":"2022-06-17T10:22:30","date_gmt":"2022-06-17T08:22:30","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=33482"},"modified":"2022-06-28T21:33:22","modified_gmt":"2022-06-28T19:33:22","slug":"33482","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/06\/17\/33482\/","title":{"rendered":"Brzydki sezon, pi\u0119kna muzyka"},"content":{"rendered":"<p>Wyj\u015bcie poza swoj\u0105 stref\u0119 komfortu to dobra rzecz i w wielu wypadkach si\u0119 bardzo przydaje. W wypadku Mike&#8217;a Hadreasa, kt\u00f3ry by\u0142 dla mnie wielk\u0105 &#8211; ale wci\u0105\u017c nie do ko\u0144ca spe\u0142nion\u0105 &#8211; nadziej\u0105 artystycznego popu przyda\u0142a si\u0119 praca z choreografk\u0105 Kate Wallich i Seattle Theater Group. Bo zam\u00f3wienie paradoksalnie nie zaw\u0119zi\u0142o, tylko poszerzy\u0142o jeszcze spos\u00f3b my\u015blenia o muzyce, kt\u00f3r\u0105 Hadreas tworzy jako <strong>Perfume Genius<\/strong>. Jestem po pierwszym ods\u0142uchu albumu <em>Ugly Season<\/em>, kt\u00f3ry powsta\u0142 na bazie muzyki do spektaklu <em>The Sun Still Burns Here<\/em>, i mam wra\u017cenie, \u017ce to najlepsza, a z ca\u0142\u0105 pewno\u015bci\u0105 najodwa\u017cniejsza z p\u0142yt tego artysty. Je\u015bli m\u00f3wi\u0105c &#8222;art pop&#8221; mamy cz\u0119sto na my\u015bli Bj\u00f6rk, Kate Bush czy Japan, to nie wiem, jak z zestawianiem poziomu samej oferty, ale owszem, jest to pewien poziom wolno\u015bci por\u00f3wnywalny z takimi artystami.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JQ5kdR_N3Vo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Oczywi\u015bcie uderzaj\u0105ca jest r\u00f3\u017cnorodno\u015b\u0107 p\u0142yty Perfume Geniusa &#8211; od prostego <em>Pop Song<\/em>, w kt\u00f3rym brzmi niczym grupa Low, po s\u0105siaduj\u0105ce z tym utworem instrumentalne, fortepianowe <em>Scherzo<\/em>, kt\u00f3re jest dok\u0142adnie tym, co sugeruje tytu\u0142. Od niebywale rozbudowanego, fantastycznego <em>Herem<\/em>, po<em> Eye in the Wall<\/em>, kt\u00f3re jest mo\u017ce b\u0142\u0105dzeniem, ale potwierdza\u0142oby tez\u0119 znanego serwisu, \u017ce z queerowej gwiazdy popu zrobi\u0142a nam si\u0119 gwiazda queerowej muzyki wsp\u00f3\u0142czesnej w jej najszerszym rozumieniu &#8211; na wz\u00f3r cho\u0107by Arthura Russella. I owszem, <em>Photograph<\/em>, ma co\u015b z klimatu trylogii berli\u0144skiej Bowiego. Potrzebuj\u0119 nieco wi\u0119cej czasu, by te zwroty stylistyczne &#8211; cz\u0119sto w obr\u0119bie jednego nagrania &#8211; przeprocesowa\u0107, nie mam jednak w\u0105tpliwo\u015bci co do skoku brzmieniowego, jaki si\u0119 dokona\u0142 w muzyce Perfume Geniusa. W stosunku do produkcji jego utwor\u00f3w wyra\u017ca\u0142em pewne pretensje, teraz nie mam \u017cadnych &#8211; mo\u017ce dlatego, \u017ce kto\u015b zacz\u0105\u0142 w obr\u00f3bce ko\u0144cowej zamiast pod parkiety i g\u0142o\u015bne stacje radiowe miksowa\u0107 j\u0105 pod k\u0105tem sceny teatralnej i spokojnego domowego odbioru. Pi\u0119knie brzmi ten Hadreas uwolniony od zobowi\u0105za\u0144 wobec popowego rynku (a t\u0119 wolno\u015b\u0107 da\u0142o najwyra\u017aniej owo zam\u00f3wienie). Je\u015bli dot\u0105d go podbija\u0142, teraz mo\u017ce go zmienia\u0107. A o to przecie\u017c w tym wszystkim chodzi.&nbsp;<\/p>\n<p><strong>PERFUME GENIUS <em>Ugly Season<\/em><\/strong>, Matador 2022&nbsp;<\/p>\n\n\n<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6rFFWK98d8hhdSYgaOxI5L?utm_source=generator\" width=\"100%\" height=\"250\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>11.06 <strong>Ko\u0144<\/strong> Pierwszy, Antena Krzyku <br \/>11.06 <strong>Wawau Adler<\/strong> I Play With You, GLM <br \/>12.06 <strong>Friedl\/Gratkowski<\/strong> Moon, Bocian <br \/>12.06 <strong>Nailah Hunter<\/strong> Forest Dwelling, Longform Editions EP<br \/>13.06 <strong>Megan Alice Clune<\/strong> Digital Auras, Longform Editions EP<br \/>13.06 <strong>Wiktoria Poniatowska<\/strong> Queen of Cool, Father and Son Records and Tapes <br \/>14.06 <strong>Foodman<\/strong> Percussion Oyaji, Longform Editions EP<br \/>14.06 <strong>Joe Armon-Jones<\/strong> No Weapon, EP<br \/>14.06 <strong>Psychic Ills<\/strong> FRKWYS Vol. 4\u200b.\u200b5: Nowhere in the Night, RVNG Intl.<br \/>15.06 <strong>Adrian Belew<\/strong> Elevator<br \/>15.06 <strong>Ashley Paul<\/strong> I Am Fog, Orange Milk <br \/>15.06 <strong>Flasher<\/strong> Love Is Yours, Domino <br \/>15.06 <strong>Kim Myhr<\/strong> Up To The Sun Shall Go Your Heartache, Hubro EP<br \/>15.06 <strong>Mark Browne, Martin Hackett, Pat Thomas<\/strong> The Unasked Question, Scatter <br \/>15.06 <strong>Mlody Sprzet<\/strong> Dwa dni, Enjoy Life <br \/>15.06 <strong>Sam Prekop<\/strong> Saturday Sunday, Longform Editions EP<br \/>15.06 <strong>w\u0119drowcy~tu\u0142acze~zbiegi<\/strong> Trzy Siostry, Devoted Art Propaganda <br \/>16.06 <strong>Azu Tiwaline<\/strong> Vesta, I.O.T. <br \/>16.06 <strong>Icehunt<\/strong> Rebirth <br \/>16.06 <strong>Pol Rax<\/strong> Pol Rax (2000-2010), The Very Polish Cut Outs <br \/>16.06 <strong>Pontiac Streator<\/strong> Sone Glo, West Mineral Ltd. <br \/>17.06 <strong>Alanis Morissette<\/strong> The Storm Before the Calm, Epiphany <br \/>17.06 <strong>Alberto Boccardi<\/strong> Petra, Room40 <br \/>17.06 <strong>Alison Cotton<\/strong> The Portrait You Painted of Me, Rocket <br \/>17.06 <strong>Anteloper<\/strong> Pink Dolphins, International Anthem <br \/>17.06 <strong>Auntie Flo &amp; Sarathy Korwar<\/strong> Shruti Dances <br \/>17.06 <strong>Baby Strange<\/strong> World Below Icons, Create Evil Art<br \/>17.06 <strong>Bartees Strange<\/strong> Farm to Table, 4AD<br \/>17.06 <strong>Bennie Maupin &amp; Adam Rudolph<\/strong> Symphonic Tone Poem for Brother Yusef, Strut <br \/>17.06 <strong>Binker Golding<\/strong> Dream Like A Dogwood Wild Boy, Gearbox<br \/>17.06 <strong>Brian Ennals &amp; Infinity Knives<\/strong> King Cobra, Phantom Limb<br \/>17.06 <strong>Burner<\/strong> A Vision of the End, Church Road EP<br \/>17.06 <strong>Burnt Friedman &amp; Jo\u00e3o Pais Filipe<\/strong> Automatic Music Vol.1 \u2013 Mechanics of Waving, Nonplace <br \/>17.06<strong> C.V.E.<\/strong> Chillin Villains: We Represent Billions, Nyege Nyege Tapes <br \/>17.06 <strong>Chair<\/strong> Po co muzyka<br \/>17.06 <strong>Charlie Grifftiths<\/strong> Tiktaalika, InsideOut<br \/>17.06 <strong>Colin Stetson, Elliott Sharp, Billy Martin &amp; Payton MacDonald<\/strong> Void Patrol, Infrequent Seams<br \/>17.06 <strong>Conway the Machine &amp; Big Ghost Ltd<\/strong> What Has Been Blessed Cannot Be Cursed<br \/>17.06 <strong>David Cordero &amp; Kenji Kihara<\/strong> Komorebi \u6728\u6f0f\u308c\u65e5, Home Normal<br \/>17.06 <strong>Drake<\/strong> Honestly, Nevermind, OVO<br \/>17.06 <strong>Drove<\/strong> Drift Away, STMPD EP<br \/>17.06 <strong>Dylan Moon<\/strong> Option Explore, RVNG Intl <br \/>17.06 <strong>Esoctrilihum<\/strong> Consecration of the Spirit\u00fcs Flesh, I, Voidhanger <br \/>17.06 <strong>Evariste<\/strong> Il ne pense qu&#8217;a ca &#8211; 1967\u200b\/\u200b1970, Born Bad <br \/>17.06 <strong>Fabija\u0144ski<\/strong> Cukier <br \/>17.06 <strong>Foals<\/strong> Life Is Yours, Warner <br \/>17.06 <strong>Fresh Pepper<\/strong> Fresh Pepper, Telephone Explosion <br \/>17.06 <strong>George Cory Todd<\/strong> The Other Kind, Atlantic Rhythms <br \/>17.06 <strong>G\u00e9rald Toto<\/strong> D\u00e9riv\u00e9 No Format!, EP<br \/>17.06 <strong>Giuseppe Ielasi<\/strong> The Prospect, 12k <br \/>17.06 <strong>Gordon Grdina Nomad Trio feat. Matt Mitchell &amp; Jim Black<\/strong> &#8211; Boiling Point, Astral Spirits<br \/>17.06 <strong>Greg Puciato<\/strong> Mirrorcell, Federal Prisoner<br \/>17.06<strong> Grey Daze<\/strong> The Phoenix, Loma Vista <br \/>17.06 <strong>Grumpster<\/strong> Fever Dream, Pure Noise <br \/>17.06 <strong>G\u00dcNTER BABY SOMMER AND THE LUCACIU 3<\/strong> Karawane, Intakt <br \/>17.06<strong> Hank Williams, jr.<\/strong> Rich White Honky Blues, Easy Eye Sound <br \/>17.06 <strong>Hercules &amp; Love Affair<\/strong> In Amber, Skint <br \/>17.06 <strong>Human Being<\/strong> Human Equals, April <br \/>17.06 <strong>Infinity Knives &amp; Brian Ennals<\/strong> King Cobra, Phantom Limb <br \/>17.06 <strong>J. Rocc<\/strong> A Wonderful Letter, Stones Throw <br \/>17.06<strong> Jac Berrocal, Vincent Epplay, David Fenech<\/strong> Transcodex, Akuphone <br \/>17.06 <strong>Julia Wieniawa<\/strong> Omamy, Kayax <br \/>17.06 <strong>Kadef Abgi<\/strong> Kadef Abgi, Akuphone <br \/>17.06 <strong>Kev Brown &amp; Daru Jones<\/strong> A Daru State of Mind, Fat Beats <br \/>17.06 <strong>Lawson &amp; Merrill<\/strong> Signals, Neuma <br \/>17.06 <strong>LISBETH QUARTETT Charlotte Greve, Manuel Schmiedel, Marc Muellbauer, Moritz Baumg\u00e4rtner<\/strong> Release, Intakt<br \/>17.06 <strong>Logic<\/strong> Vinyl Days, Def Jam<br \/>17.06 <strong>Luis<\/strong> 057 (Schwyn), AD93 <br \/>17.06 <strong>Madalitso Band<\/strong> Mukalayike, Les Disques Bongo Joe <br \/>17.06 <strong>Maja Kleszcz<\/strong> B.L.UES, Mystic <br \/>17.06<strong> Matthew Shipp<\/strong> World Construct, ESP-Disk<br \/>17.06 <strong>Melisa<\/strong> Zas\u0142uguj\u0119 na istnienie, Koty<br \/>17.06 <strong>Melts<\/strong> Maelstrom, Mother Sky<br \/>17.06 <strong>Micha\u0142 Kie\u0142basa \/ Aleksandra Papierz<\/strong> Movements, Antenna Non Grata <br \/>17.06 <strong>Mika Kallio<\/strong> Gong Odyssey, Eclipse <br \/>17.06 <strong>Minamo &amp; Asuna<\/strong> Tale of Diffraction, 12k <br \/>17.06 <strong>Nettelorth<\/strong> Nocte Ignota, Opus Elefantum <br \/>17.06 <strong>Nick Cave<\/strong> Seven Psalms<br \/>17.06 <strong>Nova Twins<\/strong> Supernova, Marshall<br \/>17.06 <strong>Perfume Genius<\/strong> Ugly Season, Matador <br \/>17.06 <strong>Phill Niblock<\/strong> Working Touch, Touch <br \/>17.06 <strong>Revelators<\/strong> <strong>Sound System<\/strong> Revelators, 37d03d<br \/>17.06 <strong>RY X<\/strong> Blood Moon, Infectious<br \/>17.06 <strong>Sound Of Ceres<\/strong> Emerald Sea, Joyful Noise <br \/>17.06 <strong>Space Jump<\/strong> Insert the Chemical, Pets EP<br \/>17.06 <strong>The Bobby Lees<\/strong> Hollywood Junkyard, Ipecac EP<br \/>17.06 <strong>The Game<\/strong> Drillmatic <br \/>17.06 <strong>The Notwist<\/strong> Vertigo Dubs Vol. 2: Elijah Minnelli, Morr Music <br \/>17.06 <strong>Time Wharp<\/strong> Spiro World, Leaving <br \/>17.06 <strong>Tumult Hands<\/strong> TH, Recognition <br \/>17.06 <strong>TV Priest<\/strong> My Other People, Sub Pop <br \/>17.06 <strong>Valley Of The Sun<\/strong> The Chariot, Ripple Music <br \/>17.06 <strong>Veera Neva<\/strong> Grance Onde, Eclipse<br \/>17.06 <strong>Westside Boogie<\/strong> More Black Superheroes, Shady<br \/>17.06 <strong>White Ward<\/strong> False Light, Debemur Morti\u00a0<br \/>17.06 <strong>Wild Up<\/strong> Julius Eastman Vol. 2: Joy Boy, New Amsterdam <br \/>17.06 <strong>XAM Duo<\/strong> XAM Duo II<br \/>17.06<strong> Yaya Bey<\/strong> Remember Your North Star, Big Dada<br \/>17.06 <strong>Yenting Hsu<\/strong> Flash \u9808\u81fe, Touch<\/p>\n<p>\u00a0<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wyj\u015bcie poza swoj\u0105 stref\u0119 komfortu to dobra rzecz i w wielu wypadkach si\u0119 bardzo przydaje. W wypadku Mike&#8217;a Hadreasa, kt\u00f3ry by\u0142 dla mnie wielk\u0105 &#8211; ale wci\u0105\u017c nie do ko\u0144ca spe\u0142nion\u0105 &#8211; nadziej\u0105 artystycznego popu przyda\u0142a si\u0119 praca z choreografk\u0105 Kate Wallich i Seattle Theater Group. Bo zam\u00f3wienie paradoksalnie nie zaw\u0119zi\u0142o, tylko poszerzy\u0142o jeszcze spos\u00f3b [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33484,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,5177],"tags":[1832],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33482"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=33482"}],"version-history":[{"count":10,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33482\/revisions"}],"predecessor-version":[{"id":33645,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33482\/revisions\/33645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/33484"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=33482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=33482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=33482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}