{"id":33582,"date":"2022-06-24T08:34:05","date_gmt":"2022-06-24T06:34:05","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=33582"},"modified":"2022-06-24T08:34:07","modified_gmt":"2022-06-24T06:34:07","slug":"srednio-na-jeza","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/06\/24\/srednio-na-jeza\/","title":{"rendered":"\u015arednio na je\u017ca"},"content":{"rendered":"<p>Gdyby karier\u0119 Porcupine Tree streszcza\u0107 jednym zdaniem, trzeba by powiedzie\u0107, \u017ce przyszli na \u015bwiat w parku tematycznym rocka progresywnego, tyle \u017ce z poci\u0105gu Pink Floyd przesiedli si\u0119 w pewnym momencie do poci\u0105gu Rush. I cho\u0107 ostatnich 13 lat prze\u017cyli w u\u015bpieniu, z kt\u00f3rego teraz wracaj\u0105 bez basisty Colina Edwina, mam \u015bwiadomo\u015b\u0107, \u017ce oczekiwa\u0107 prostoty od Porcupine Tree to troch\u0119 jak oczekiwa\u0107 od szachisty, \u017ce mocno przy\u0142oi i wygra w trzech ruchach. Formu\u0142a jest nie\u017ale znana i zanim dojdziemy do ko\u0144ca, zesp\u00f3\u0142 obwiezie nas po szybkich sekwencjach akord\u00f3w, zmianach rytmu i instrumentalnych interludiach. Chcia\u0142oby si\u0119 powiedzie\u0107: to nie punk rock, tu si\u0119 trzeba napoci\u0107. Tylko czy <em>Closure\/Continuation<\/em> nie jest aby jednak p\u0142yt\u0105 zbyt oczywist\u0105, na sw\u00f3j spos\u00f3b zbyt leniw\u0105?\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_8yjtkTitsA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>To oczywi\u015bcie wra\u017cenie po pierwszych ods\u0142uchach udost\u0119pnionego w\u0142a\u015bnie materia\u0142u, ale wyr\u00f3\u017cnia si\u0119 w tym zestawie &#8211; jak dla mnie &#8211; w pierwszej kolejno\u015bci refleksyjne <em>Dignity<\/em>, w kt\u00f3rym owszem, panowie Wilson, Barbieri i Harrison s\u0105 niedaleko od Floyd\u00f3w, ale jeszcze bli\u017cej Bowiego. I r\u00f3wnie\u017c zwalniaj\u0105cy na chwil\u0119 tempo <em>Chimera&#8217;s Wreck<\/em>. Poza tym &#8211; jako mi\u0142o\u015bnik Porcupine Tree z ko\u0144ca wieku &#8211; odczuwam pewne zm\u0119czenie maria\u017cem Wilsona z metalem, cho\u0107 zarazem go rozumiem. Bo publiczno\u015b\u0107 metalowa jest wierna, a na tej skoncentrowanej na prog-rocku trudno by\u0142o budowa\u0107 karier\u0119. Gdzie\u015b tam jednak zesp\u00f3\u0142 min\u0105\u0142 r\u00f3\u017cne ciekawe otwieraj\u0105ce si\u0119 drogi. Bo ile\u017c si\u0119 wydarzy\u0142o w sferze brzmie\u0144 elektronicznych &#8211; traktowanych jednak do\u015b\u0107 zachowawczo na <em>Closure\/Continuation.<\/em> Bo doci\u0105\u017canie partii gitary basowej to pomys\u0142, kt\u00f3ry mi tu nie le\u017cy.\u00a0\u00a0<\/p>\n<p>Co si\u0119 narodzi\u0142o w tej &#8211; szeroko rozumianej &#8211; sferze muzycznej gdzie\u015b pomi\u0119dzy kolejnymi p\u0142ytami Porcupine Tree? Ot\u00f3\u017c na przyk\u0142ad pojawi\u0142 si\u0119 zesp\u00f3\u0142 King Gizzard &amp; The Lizard Wizard, operuj\u0105cy czasem &#8211; z du\u017c\u0105 brawur\u0105 i pewnie wi\u0119kszym luzem &#8211; w rejonach zaskakuj\u0105co podobnych do tych, kt\u00f3re penetruje Wilson, cho\u0107by w finale zasadniczej cz\u0119\u015bci p\u0142yty (dost\u0119pnej w dw\u00f3ch wersjach &#8211; streaming pos\u0142uguje si\u0119 wersj\u0105 deluxe). Na co mocniejszych p\u0142ytach Australijczyk\u00f3w kombinowania r\u00f3wnie du\u017co, a s\u0142ycha\u0107 ten dystans, kt\u00f3ry pojawia\u0142 si\u0119 na pierwszych albumach PT jeszcze w jego najwcze\u015bniejszej, katakumbowej inkarnacji, a z czasem we wszystkich dzia\u0142aniach Wilsona troch\u0119 mi go zacz\u0119\u0142o brakowa\u0107. Okre\u015blenie &#8222;\u015brednie&#8221; nie jest &#8211; jak wiemy &#8211; pozytywne. Nawet kiedy kto\u015b dzi\u015b m\u00f3wi <em>troch\u0119 mid<\/em>, nie oznacza to nic dobrego. Ale ten album wydaje mi si\u0119 po pierwszych dw\u00f3ch godzinach do\u015b\u0107 \u015bredni.\u00a0 \u00a0\u00a0<\/p>\n<p><strong>PORCUPINE TREE <em>Closure\/Continuation<\/em><\/strong>, Music For Nations 2022<\/p>\n\n\n<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0w9RrU2alZeQ1BJwpvpFtP?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>18.06 <strong>Sun&#8217;s Signature \/ Elizabeth Fraser<\/strong> Sun&#8217;s Signature, Partisan EP<br \/>18.06 <strong>The Residents<\/strong> Warning: UNiNC.: Live and Experimental Recordings 1971-1972, New Ralph Too arch<br \/>19.06 <strong>Tasos Stamou<\/strong> Balkan Express, Akuphone <br \/>20.06 <strong>Clamm<\/strong> Care, TAR \/ MM \/ UOH <br \/>20.06 <strong>Otomoni<\/strong> Super U, Guides <br \/>20.06<strong> Rempis \/ Abrams \/ Ra + Baker<\/strong> Scylla, Catalytic-Sounds <br \/>21.06 <strong>EKUZ<\/strong> Gardening\/Welding, KOLD <br \/>21.06 <strong>Gaap Kvlt<\/strong> The Longest Day Of Fasting (Summer Solstice) <br \/>21.06 <strong>Himalaya Collective<\/strong> Latawce LP, U Know Me <br \/>21.06 <strong>Jana Winderen<\/strong> Listening Through the Dead Zones, Touch <br \/>21.06 <strong>Korybalski\/Traczyk\/Zemler<\/strong> Don&#8217;t Try, For Tune <br \/>22.06<strong> James Romig &amp; Mike Scheidt<\/strong> The Complexity of Distance, New World <br \/>22.06 <strong>James Romig &amp; Mike Scheidt<\/strong> James Romig: The Complexity of Distance, New World <br \/>22.06 <strong>Lushy!<\/strong> Luscious Mind <br \/>22.06<strong> Robin Jones Quintet<\/strong> Denga, Jazz Room <br \/>23.06<strong> Johnny Walker<\/strong> Advent, Jazz Room <br \/>23.06 <strong>Maria Ka<\/strong> Di shaykhesn \u05d3\u05d9 \u05e9\u05f2\u05b7\u05db\u05d5\u05ea\u05df <br \/>23.06<strong> Nocturnal Emissions<\/strong> In Dub, Holuzam <br \/>23.06 <strong>Orchidvial<\/strong> Sensorik, Glamour.Label <br \/>24.06 <strong>Alexandra Spence<\/strong> Blue waves, Green waves, Room40 <br \/>24.06 <strong>Alexisonfire<\/strong> Otherness, Dine Alone <br \/>24.06 <strong>Ania Leon<\/strong> \u0141ezki, Kayax <br \/>24.06 <strong>Automatic<\/strong> Excess, Stones Throw <br \/>24.06 <strong>Brunhild Ferrari &amp; Christoph Heemann<\/strong> St\u00fcrmische Ruhe, Black Truffle <br \/>24.06 <strong>Bubblemath<\/strong> Turf Ascension, Cuneiform <br \/>24.06 <strong>Chris Brown<\/strong> Breezy <br \/>24.06 <strong>Chrisman<\/strong> Makila, Hakuna Kulala <br \/>24.06 <strong>Classless Act<\/strong> Welcome to the Show, Better Noise <br \/>24.06 <strong>Cochise<\/strong> The Inspection <br \/>24.06 <strong>Coheed And Cambria<\/strong> Vaxis &#8211; Act II: A Window of the Waking Mind <br \/>24.06 <strong>Conan Gray<\/strong> Superache <br \/>24.06 <strong>Damien Jurado<\/strong> Reggae Film Star, Maraqopa <br \/>24.06 <strong>Dan Berkson<\/strong> Reworks, Freestyle <br \/>24.06 <strong>DIIV<\/strong> Sometime \/ Human \/ Geist, Captured Tracks <br \/>24.06 <strong>Fabija\u0144ski<\/strong> Cukier <br \/>24.06 <strong>Fairweather<\/strong> Deluge, Rude <br \/>24.06<strong> F\u00e9licia Atkinson<\/strong> Image Langage, Shelter Press <br \/>24.06 <strong>Ferkat Al Ard<\/strong> Habibi Funk 019: Oghneya, Habibi Funk <br \/>24.06 <strong>Final Light<\/strong> Final Light, Red Creek <br \/>24.06<strong> Finola Merivale<\/strong> Tus, New Focus <br \/>24.06 <strong>Giveon<\/strong> Give or Take <br \/>24.06<strong> Glenn Jones<\/strong> Vade Mecum, Thrill Jockey <br \/>24.06<strong> Hatis Noit<\/strong> Aura, Erased Tapes <br \/>24.06 <strong>Hedone<\/strong> Werk \/ ReWerk, GAD 2CD<br \/>24.06 <strong>Henryk Ku\u017aniak<\/strong> Ku\u017aniak Scores Bara\u0144ski, GAD CD <br \/>24.06 <strong>Horsy<\/strong> Heroism for Dummies <br \/>24.06 <strong>Idee Fixe<\/strong> Obud\u017a si\u0119, GAD CD <br \/>24.06 <strong>J. Zunz<\/strong> Del Aire, Rocket <br \/>24.06 <strong>Jan LF Strach<\/strong> Higiena snu EP <br \/>24.06 <strong>Joan Shelley<\/strong> The Spur, No Quarter <br \/>24.06 <strong>Katie Alice Greer<\/strong> Barbarism, FourFour <br \/>24.06 <strong>King Wasiu Ayinde Marshal I<\/strong> Talazo Fuji Music Party!, Real World <br \/>24.06 <strong>Lara S\u00fc\u00df<\/strong> Unterwasser, Antenna Non Grata <br \/>24.06 <strong>Lisa Moore<\/strong> Frederic Rzewski: no place to go but around, Cantaloupe <br \/>24.06 <strong>Lupe Fiasco<\/strong> Drill Music in Zion, Thirty Tigers <br \/>24.06 <strong>Martin Courtney<\/strong> Magic Sign, Domino <br \/>24.06 <strong>Muna<\/strong> Muna, Dead Oceans <br \/>24.06 <strong>Nanook Of The North<\/strong> Heide, Denovali <br \/>24.06 <strong>Nayeon<\/strong> Im Nayeon, JYP EP<br \/>24.06 <strong>Omar Pene &amp; Super Diamon<\/strong> Direct From Dakar, Real World <br \/>24.06 <strong>OTOOTO<\/strong> Dosage, April <br \/>24.06 <strong>Piotr Schmidt<\/strong> Komeda Unknown 1967, SJRecords <br \/>24.06 <strong>Porcupine Tree<\/strong> Closure\/Continuation, Sony <br \/>24.06 <strong>Regina Spektor<\/strong> Home, Before and After, Warner <br \/>24.06 <strong>Reil\/Petrescu\/Locher<\/strong> Live at Jazzhus Montmartre, Copenhagen, GLM <br \/>24.06 <strong>Sessa Estrela<\/strong> Acesa, Mexican Summer <br \/>24.06 <strong>Soccer Mommy<\/strong> Sometimes, Forever, Loma Vista <br \/>24.06<strong> Social Animals<\/strong> Social Animals, Rise <br \/>24.06 <strong>Stan Killian<\/strong> Brooklyn Calling, Sunnyside <br \/>24.06 <strong>VA<\/strong> Alien Parade Japan, Alien Transistor <br \/>24.06 <strong>VA<\/strong> Opole 63, GAD 4CD<br \/>24.06 <strong>Vongoiva<\/strong> Jatuli Observatory, Flaming Pines <br \/>24.06 <strong>White 2115<\/strong> Pretty Boy, SBM <br \/>24.06 <strong>Wolf Alice<\/strong> Blue Lullaby, Dirty Hit EP<br \/>24.06 <strong>Zola Jesus<\/strong> Arkhon, Sacred Bones <\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Gdyby karier\u0119 Porcupine Tree streszcza\u0107 jednym zdaniem, trzeba by powiedzie\u0107, \u017ce przyszli na \u015bwiat w parku tematycznym rocka progresywnego, tyle \u017ce z poci\u0105gu Pink Floyd przesiedli si\u0119 w pewnym momencie do poci\u0105gu Rush. I cho\u0107 ostatnich 13 lat prze\u017cyli w u\u015bpieniu, z kt\u00f3rego teraz wracaj\u0105 bez basisty Colina Edwina, mam \u015bwiadomo\u015b\u0107, \u017ce oczekiwa\u0107 prostoty od [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33590,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,3666,5177],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33582"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=33582"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33582\/revisions"}],"predecessor-version":[{"id":33592,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33582\/revisions\/33592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/33590"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=33582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=33582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=33582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}