{"id":33725,"date":"2022-07-04T09:27:15","date_gmt":"2022-07-04T07:27:15","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=33725"},"modified":"2022-07-04T18:20:54","modified_gmt":"2022-07-04T16:20:54","slug":"152-premiery-plytowe-lipca-i-jedyna-moor-mother","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/07\/04\/152-premiery-plytowe-lipca-i-jedyna-moor-mother\/","title":{"rendered":"152 premiery p\u0142ytowe lipca (i jedyna Moor Mother)"},"content":{"rendered":"<p>Sp\u00f3\u017ani\u0142em si\u0119 z list\u0105 premier miesi\u0105ca, ale to niez\u0142a okazja, \u017ceby zaj\u0105\u0107 si\u0119 przy okazji now\u0105 <strong>Moor Mother<\/strong>. Bo cho\u0107 z przera\u017caj\u0105c\u0105 regularno\u015bci\u0105 nagrywa ciekawe p\u0142yty, to<em> Jazz Codes<\/em> jest najpe\u0142niejsz\u0105 wypowiedzi\u0105 Camae Ayewy w og\u00f3le. Brzmi troch\u0119 tak, jakby\u015bmy zamiast biletu na koncert kupili wej\u015bci\u00f3wk\u0119 do jej wyobra\u017ani, gdzie znajdziemy: <br>&#8211; troch\u0119 partii improwizowanych granych przez zaprzyja\u017anionych muzyk\u00f3w (Keir Neuringer, Nicole Mitchell);<br>&#8211; hiphopowe beaty i poetyckie deklamacje samej bohaterki (\u015bwietnie czuj\u0105cej si\u0119 blisko konwencji hiphopowej, jak w 700 Bliss, z kt\u00f3rym wyst\u0105pi na Unsoundzie, czy w duecie z Billym Woodsem; tutaj jest kapitalny YUNGMORPHEUS); <br>&#8211; elementy R&amp;B (z Melanie Charles brzmi to jak Erykah Badu za najlepszych czas\u00f3w); <br>&#8211; sporo polityki (Joe McPhee opowiadaj\u0105cy o faszystach na ulicach USA itd.);<br>&#8211; a wreszcie kapitaln\u0105 prac\u0119 producenck\u0105 autorki, kt\u00f3ra sprawia, \u017ce w ci\u0105gu sekundy dzieje si\u0119 tu tak du\u017co, i to na wielu planach (s\u0142uchawki nie b\u0119d\u0105 z\u0142ym pomys\u0142em dla tej wrz\u0105cej polifonii).&nbsp; To jest zreszt\u0105 niez\u0142y spos\u00f3b na wieczne rozproszenie dzisiejszych czas\u00f3w: nagra\u0107 zestaw utwor\u00f3w pulsuj\u0105cych zmian\u0105, g\u0119stych i zaskakuj\u0105cych co rusz czym\u015b nowym, ale nagra\u0107 go tak, jak si\u0119 gra dobry set did\u017cejski: naniza\u0107 jeden fragment za drugim, skr\u0119caj\u0105c z nich w \u015bcis\u0142ym oplocie jedn\u0105 43-minutow\u0105 opowie\u015b\u0107, z kt\u00f3rej naprawd\u0119 trudno si\u0119 wy\u0142\u0105czy\u0107. Wielu artyst\u00f3w szuka nowej formu\u0142y albumu z muzyk\u0105 rozrywkow\u0105 &#8211; na miar\u0119 czas\u00f3w &#8211; ale Moor Mother si\u0119 uda\u0142o. I moim zdaniem trudno znale\u017a\u0107 dla tej p\u0142yty prosty punkt odniesienia &#8211; najlepszym, jaki przychodzi mi do g\u0142owy, s\u0105 pierwsze, kola\u017cowe p\u0142yty Soft Machine. Odmienne stylistycznie, ale bliskie formalnie. Tak\u017ce poszatkowane do granic abstrakcji, ale zarazem poklejone w p\u0142ynn\u0105 ca\u0142o\u015b\u0107. Ta ma fina\u0142, kt\u00f3ry jest rodzajem artystycznego credo, do\u015b\u0107 zreszt\u0105 wzruszaj\u0105cego: o tym, jak ludzie porzucili jazz i \u017ce by\u0107 mo\u017ce to dobrze, bo wobec wystudiowanych gest\u00f3w muzyki kapitalistycznego rynku przechowa\u0142 swoj\u0105 \u017cywio\u0142owo\u015b\u0107, kt\u00f3r\u0105 mo\u017cna odkry\u0107 na nowo. Z miejsca na list\u0119 p\u0142yt roku.&nbsp;<\/p>\n<p><strong>MOOR MOTHER <em>Jazz Codes<\/em><\/strong>, Anti- 2022<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591663213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/moormother.bandcamp.com\/album\/jazz-codes\">Jazz Codes by Moor Mother<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE LIPCA 2022<\/strong><\/p>\n<p><strong>1.07 <\/strong><br \/><strong>Bruno Berle<\/strong> No Reino Dos Afetos, Far Out <br \/><strong>Cameron Deyell &amp; Laurence Pike<\/strong> Isola <br \/><strong>Carlos Truly<\/strong> Not Mine, Bayonet <br \/><strong>Chouk Bwa &amp; The A\u030angstromers<\/strong> Ayiti Kongo Dub #1, Les Disques Bongo Joe <br \/><strong>Christina Chatfield<\/strong> Interpretations Vol IV &#8211; Sutro, Mysteries Of The Deep <br \/><strong>Digifae<\/strong> Digifae, Orange Milk <br \/><strong>Dolfiin Alexander<\/strong> Free Wheeler, Anxienty Blanket <br \/><strong>Dynastor<\/strong> A Memory Away, Shimmering Moods <br \/><strong>GoGo Penguin<\/strong> Between Two Waves, XXIM <br \/><strong>Greg Puciato<\/strong> Mirrorcell, Federal Prisoner <br \/><strong>Guided By Voices<\/strong> Tremblers And Goggles By Rank, Rockathon <br \/><strong>Gwenno<\/strong> Tresor, Heavenly <br \/><strong>Imagine Dragons<\/strong> Mercury &#8211; Act 2, Interscope <br \/><strong>Ivan Knight and the Imaginary Friends<\/strong> &#8222;1958&#8221;, Flex Entertainment <br \/><strong>Jazxing<\/strong> Pearls of the Baltic Sea <br \/><strong>Jet Jaguar<\/strong> Room Tones, Shimmering Moods <br \/><strong>Kabe<\/strong> King Kong, QueQuality <br \/><strong>Kirk Knuffke Trio<\/strong> Gravity Without Air, AUM Fidelity <br \/><strong>Klaus Schulze<\/strong> Deus Arrakis, SPV <br \/><strong>Kyle Dixon &amp; Michael Stein<\/strong> Stranger Things Season 4 OST Lakeshore <br \/><strong>Lotic<\/strong> Sparkling Water, Houndstooth EP<br \/><strong>Macaque<\/strong> <strong>Sauna<\/strong> Yesterday I Thought About You, Cyan Sun <br \/><strong>Mark de Clive-Lowe<\/strong> Freedom &#8211; Celebrating Music of Pharoah Sanders, Soul Bank Music <br \/><strong>Massacre<\/strong> Mytho,s EP <br \/><strong>Mat Ball<\/strong> Amplified Guitar, The Garrote <br \/><strong>Medicine Singers<\/strong> Medicine Singers, Joyful Noise <br \/><strong>Mice Parade<\/strong> lapap\u1ecd, Bubblecore <br \/><strong>Minru<\/strong> Liminality, Morr Music <br \/><strong>Momma<\/strong> Household Name, Polyvinyl <br \/><strong>Moor Mother<\/strong> Jazz Codes, Anti- <br \/><strong>Mosam Howieson<\/strong> Interpretations Vol V &#8211; Aphelion, Mysteries Of The Deep <br \/><strong>Naima Block <\/strong>Giant Palm, Joyful Noise <br \/><strong>Nick Cave<\/strong> Seven Psalms, Cave Things <br \/><strong>Onom Agemo &amp; Ahmed Ag Kaedy<\/strong> Tartit, Agogo <br \/><strong>Oog Bogo<\/strong> Plastic, Drag City <br \/><strong>Paulo Nutini<\/strong> Last Night at the Bitterwseet, Atlantic <br \/><strong>Qba Janicki<\/strong> Organic Synthetics, Superpang <br \/><strong>Risco Connection<\/strong> Risco Version, Strut <br \/><strong>Saul Williams<\/strong> Unanimous Goldmine OST, Fader <br \/><strong>Shinedown<\/strong> Planet Zero, Atlantic <br \/><strong>String Orchestra Of Brooklyn<\/strong> Enfolding, New Focus <br \/><strong>Tedeschi Trucks<\/strong> Band I Am the Moon: II. Ascension <br \/><strong>Terry Jennings<\/strong> Piece for Cello and Saxophone, Saltern <br \/><strong>The Black Dog<\/strong> Dubs vol. 4: Suburbia, EP<br \/><strong>The Telepathic Band: Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene, Federico Ughi<\/strong> Telepatica, 577 Records <br \/><strong>Tomohiko Hira<\/strong> Evil Dead Trap OST, WRWTFWW <br \/><strong>Troposphere 7<\/strong> Grey Parrots, Hakuna Kulala<br \/><strong>Ugorna<\/strong> Nowa herstoria<br \/><strong>VA<\/strong> Valley Of The Sun: Field Guide To Inner Harmony, Numero Group <br \/><strong>VA<\/strong> Minions: The Rise of Gru OST, Decca <br \/><strong>Wax Machine<\/strong> Hermit&#8217;s Grove, Batov <br \/><strong>Yamila<\/strong> Visions, Umor Rex <br \/><strong>Yui Onodera<\/strong> Too Ne, Room40 <br \/><strong>Yutaka Hirose<\/strong> Trace: Sound Design Works 1986\u200b-\u200b1989, WRWTFWW arch<br \/><strong>Zdr\u00f3j<\/strong> Zdr\u00f3j, Syf Records<\/p>\n<p><strong>4.07 <\/strong><br \/><strong>Sage Martens<\/strong> Riding Fences, Edi\u00e7\u00f5es CN<\/p>\n<p><strong>6.07 <\/strong><br \/><strong>Fopa<\/strong> Radio Lato, Superkasety<\/p>\n<p><strong>7.07 <\/strong><br \/><strong>J\u0119drzej Siwek<\/strong> La Mer &#8211; live at Katowice JazzArt Festival 2022 <br \/><strong>Mush <\/strong>Northern Safari, Memphis Industries<\/p>\n<p><strong>8.07 <\/strong><br \/><strong>Acoustic Lounge<\/strong> Alone Together, Mingus <br \/><strong>Antti Tolvi S<\/strong>pectral Organ \/ Feedback Gong, Room40<br \/><strong>Bordo<\/strong> Pos\u0142uchasz to zobaczysz, Rozdawnictwo Jas\u0142o\u0144<br \/><strong>El Hardwick<\/strong> 8 Remixes, 33-33 <br \/><strong>Ian Daniel Kehoe<\/strong> Yes Very So, TAR \/ MM \/ UOH <br \/><strong>Katy J Pearson<\/strong> Sound of the Morning, Heavenly <br \/><strong>Laura Veirs<\/strong> Found Light, Bella Union <br \/><strong>Madeleine Cocolas<\/strong> Northern Storm, Room40 <br \/><strong>Neil Young with Crazy Horse<\/strong> Toast, Reprise arch<br \/><strong>NoSo<\/strong> Stay Proud of Me, Partisan <br \/><strong>Ola Szmidt<\/strong> EP3, Accidental <br \/><strong>Party Dozen<\/strong> The Real Work, Temporary Residence <br \/><strong>SaltmanKnowles<\/strong> Native Speaker, Odradek <br \/><strong>Steve Cardenas \/ Ben Allison \/ Ted Nash<\/strong> Healing Power: The Music of Carla Bley, Sunnyside <br \/><strong>Stimela<\/strong> Rewind Mr Bongo EP<br \/><strong>Stimulator Jones<\/strong> Round Spiritual Ring, Stones Throw <br \/><strong>VA<\/strong> Spirit of France, Spiritmuse<br \/><strong>Viagra Boys<\/strong> Cave World<br \/><strong>Vladislav Delay &amp; Eivind Aarset<\/strong> Singles, Room40 <br \/><strong>Wet Pink<\/strong> Room, Secretly Canadian<\/p>\n<p><strong>13.07 <\/strong><br \/><strong>Klawo<\/strong> Klawo, Coastline Northern Cuts<\/p>\n<p><strong>15.07<\/strong> <br \/><strong>Amanda Irarr\u00e1zabal and Miriam Den Boer<\/strong> Salm\u00f3n Fauces, 577 Recrods <br \/><strong>Amirtha Kidambi &amp; Luke Stewart<\/strong> Zenith\/Nadir, Triptics <br \/><strong>Arp<\/strong> New Pleasures, Mexican Summer <br \/><strong>ASC<\/strong> Original Soundtrack, A Strange Isolated Place <br \/><strong>Ben Shemie<\/strong> Desiderata, Joyful Noise <br \/><strong>BKO<\/strong> Djine Bora, Les Disques Bongo Joe <br \/><strong>Black Midi<\/strong> Hellfire <br \/><strong>DoomCannon<\/strong> Renaissance, Brownswood <br \/><strong>Ed Wynne<\/strong> Tumbling Through The Floativerse, KScope <br \/><strong>Interpol<\/strong> The Other Side of Make-Believe, Matador <br \/><strong>Jasmine Myra<\/strong> Horizons, Gondwana <br \/><strong>Kamyar Arsani<\/strong> Bird, and the Cage, FPE <br \/><strong>Katalyst, Adrian Younge, Ali Shaheed Muhammad<\/strong> Katalyst JID013, Jazz Is Dead <br \/><strong>Kode9<\/strong> Escapology, Hyperdub <br \/><strong>Launder<\/strong> Happening, Ghostly <br \/><strong>Lizzo<\/strong> Special, Warner <br \/><strong>M. Geddes Gengras<\/strong> Expressed, I Noticed Silence, Hausu Mountain <br \/><strong>Madeleine Cocolas<\/strong> Spectral Room40 <br \/><strong>Man Made Hill<\/strong> Mirage Repair, Orange Milk <br \/><strong>Minami Deutsch<\/strong> Fortune Goodies, Guruguru Brain <br \/><strong>Nightlands<\/strong> Moonshine, Western Vinyl <br \/><strong>Pye Corner Audio<\/strong> Let&#8217;s Emerge!, Sonic Cathedral <br \/><strong>Romperayo<\/strong> Asi no se puede Muchaches, Discrepant <br \/><strong>Sababa 5 (feat Shiran Tzfira)<\/strong> Rali &#8211; \u0631\u0627\u0644\u064a (EP), Batov <br \/><strong>Sai Galaxy<\/strong> Get It As You Move, Soundway <br \/><strong>Satin Sheets<\/strong> St. Francis II, 100% Electronica <br \/><strong>Superorganism<\/strong> World Wide Pop, Domino <br \/><strong>The Pyramids<\/strong> Aomawa: The 1970s Recordings, Strut arch<br \/><strong>Vladislav Delay<\/strong> Isoviha, Planet Mu <br \/><strong>Working Men&#8217;s Club<\/strong> Fear Fear, Heavenly<\/p>\n<p><strong>17.07 <\/strong><br \/><strong>JayWood<\/strong> Slingshot, Captured Tracks <br \/><strong>Lando Maguszka<\/strong> Konstanty Ildevons, Plexus of Infinity <br \/><strong>Monik\u00e9<\/strong> A Guide to DJ Hobby Horsing, vol. 1, Brutality Garden<\/p>\n<p><strong>22.07 <\/strong><br \/><strong>ABADIR<\/strong> Mutate, Svbkvlt <br \/><strong>Aftab Darvishi<\/strong> A Thousand Butterflies, 30M <br \/><strong>All In One<\/strong> All In One, Bella Union <br \/><strong>American Wild Ensemble<\/strong> Duos and Trios, New Focus <br \/><strong>Beach Bunny<\/strong> Emotional Creature, Mom+Pop <br \/><strong>Carlos Ni\u00f1o &amp; Friends<\/strong> Extra Presence, International Anthem <br \/><strong>Chucho Vald\u00e9s &amp; Paquito D&#8217;Rivera<\/strong> Reunion Sextet I Missed You Too!, Sunnyside <br \/><strong>Giovanni Costello<\/strong> In Alto Mare, GLM Music <br \/><strong>Hugo y Oswaldo<\/strong> La bossa-nova de&#8230;, Guerssen <br \/><strong>Jack White<\/strong> Entering Heaven Alive, Third Man <br \/><strong>Jazzberry Patch<\/strong> Jazzberry Patch, Jazz Room arch<br \/><strong>Jerry Hunt<\/strong> Ground: Five Mechanic Convention Streams, Blank Forms Editions <br \/><strong>NakedEye Ensemble<\/strong> A Series of Indecipherable Glyphs, New Focus <br \/><strong>Nina Nastasia<\/strong> Riderless Horse, Temporary Residence <br \/><strong>Rafael Anton Irisarri<\/strong> Agitas al Sol, Room40 <br \/><strong>Ricko Nasty<\/strong> Las Ruinas, Sugar Trap <br \/><strong>Sam Prekop &amp; John McEntire<\/strong> Sons Of, Thrill Jockey <br \/><strong>Sture Ericson, Pat Thomas, Raymond Strid Bagman<\/strong> Live at Cafe Oto, 577 Records <br \/><strong>Thor Harris<\/strong> Doom Dub II, Joyful Noise <br \/><strong>TR\/ST<\/strong> Destroyer I &amp; II, House Arrest <br \/><strong>Ty Segall<\/strong> &#8222;Hello, Hi&#8221;, Drag City <br \/><strong>Umer<\/strong> Exits, Atlantic Rhythms <br \/><strong>VA<\/strong> Adrian Sherwood Presents: Dub No Frontiers, Real World <br \/><strong>Wielka Rado\u015b\u0107<\/strong> Ciorana. Nagrania 22<\/p>\n<p><strong>29.07 <\/strong><br \/><strong>Beyonce<\/strong> Renaissance <br \/><strong>Clube Tormenta<\/strong> O Som Do Labirinto OST, Nyege Nyege Tapes <br \/><strong>DC Gore<\/strong> All These Things <br \/><strong>Iceberg<\/strong> Final Thaw Astral Spirits <br \/><strong>Janel Leppin Ensemble<\/strong> Volcanic Ash Cuneiform <br \/><strong>Jeremy Cunningham \/ Dustin Laurenzi \/ Paul Bryan<\/strong> A Better Ghost, Northern Spy <br \/><strong>Joe Armon-Jones &amp; Mala<\/strong> A Way Back, Aquarii <br \/><strong>Kuedo<\/strong> Infinite Window, Brainfeeder <br \/><strong>Lorenzo Morresi &amp; Tenderlonious<\/strong> Cosmica Italiana, 22a <br \/><strong>Marcelo Maccagnan<\/strong> Night Tales <br \/><strong>Of Montreal<\/strong> Freewave Lucifer F&lt;ck F^ck F&gt;ck, Polyvinyl <br \/><strong>Rishin Singh with Martin Sturm<\/strong> Mewl Infans Beacon Sound <br \/><strong>Tallies<\/strong> Patina, Bella Union <br \/><strong>Throwaway<\/strong> Hand That Takes, FPE <br \/><strong>VA<\/strong> Live at WOMAD 1982, Real World <br \/><strong>Voivod<\/strong> Forgotten In Space, BMG box<br \/><strong>Wilder Maker<\/strong> Male Models, Western Vinyl<\/p>","protected":false},"excerpt":{"rendered":"<p>Sp\u00f3\u017ani\u0142em si\u0119 z list\u0105 premier miesi\u0105ca, ale to niez\u0142a okazja, \u017ceby zaj\u0105\u0107 si\u0119 przy okazji now\u0105 Moor Mother. Bo cho\u0107 z przera\u017caj\u0105c\u0105 regularno\u015bci\u0105 nagrywa ciekawe p\u0142yty, to Jazz Codes jest najpe\u0142niejsz\u0105 wypowiedzi\u0105 Camae Ayewy w og\u00f3le. Brzmi troch\u0119 tak, jakby\u015bmy zamiast biletu na koncert kupili wej\u015bci\u00f3wk\u0119 do jej wyobra\u017ani, gdzie znajdziemy: &#8211; troch\u0119 partii improwizowanych [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33730,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,4993,3666,5177],"tags":[2644],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33725"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=33725"}],"version-history":[{"count":12,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33725\/revisions"}],"predecessor-version":[{"id":33738,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/33725\/revisions\/33738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/33730"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=33725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=33725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=33725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}