
{"id":34109,"date":"2022-08-05T09:49:24","date_gmt":"2022-08-05T07:49:24","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=34109"},"modified":"2022-08-05T09:51:47","modified_gmt":"2022-08-05T07:51:47","slug":"ja-nic-nie-wiem-ty-nic-nie-wiesz-razem-nie-wiemy-nic","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/08\/05\/ja-nic-nie-wiem-ty-nic-nie-wiesz-razem-nie-wiemy-nic\/","title":{"rendered":"Ja nic nie wiem, ty nic nie wiesz, razem nie wiemy nic"},"content":{"rendered":"<p>To linijka tekstu z nowej p\u0142yty zespo\u0142u <strong>Cheekface<\/strong>, kt\u00f3ry z jakich\u015b powod\u00f3w bardzo lubi\u0119. T\u0142umacz\u0119 to sobie m.in. bardzo prozaiczn\u0105 cech\u0105 \u015bpiewu i melodeklamacji Grega Katza: \u0142atwo zrozumie\u0107 ka\u017cd\u0105 linijk\u0119 tekstu. Podoba mi si\u0119 te\u017c cierpki humor, odniesienia do wsp\u00f3\u0142czesno\u015bci, by\u0107 mo\u017ce jednak koronnym argumentem jest to, \u017ce gdy zamawia\u0142em poprzedni album <em>Emphatically No<\/em> na winylu i dosta\u0142em wersj\u0119 czarn\u0105 zamiast dwukolorowej i zg\u0142osi\u0142em za\u017calenie, dosta\u0142em kolorow\u0105 dwukrotnie, dzi\u0119ki czemu &#8211; rozdaj\u0105c fonogramy Cheekface w\u015br\u00f3d znajomych &#8211; poczu\u0142em si\u0119 jak misjonarz nowego kultu. Niestety, moje dzia\u0142ania nie przynios\u0142y wielkich efekt\u00f3w: ameryka\u0144skiego zespo\u0142u dalej nie graj\u0105 w polskim radiu (a je\u015bli, to sprawdzi\u0107, czy nie Chaci\u0144ski), nie zaprosili go na Off Festival (<a href=\"https:\/\/off-festival.pl\">sprawd\u017acie program<\/a> i je\u017ad\u017acie, to od dzi\u015b), a w\u015br\u00f3d obdarowanych znajomych w miar\u0119 pozytywn\u0105 opini\u0119 wyrazi\u0142 jeden, m\u00f3wi\u0105c, \u017ce to fajna kopia Pavement. Drugi do dzi\u015b si\u0119 nie odzywa.\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lOSXqWTvygY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p>Gdybym by\u0142 popularnym ameryka\u0144skim publicyst\u0105, napisa\u0142bym, \u017ce to zmowa maj\u0105ca na celu odci\u0119cie szerokiej publiczno\u015bci od inspiruj\u0105cej my\u015bli Katza i jego tria. Problem w tym, \u017ce to tacy ameryka\u0144scy publicy\u015bci nale\u017c\u0105 do ulubionych bohater\u00f3w tekst\u00f3w Cheekface &#8211; cho\u0107by prawicowy komentator Ben Shapiro, kt\u00f3rego spos\u00f3b argumentowania wy\u015bmiewaj\u0105 w <em>We Need a Bigger Dumpster<\/em> (nie, to nie nawi\u0105zanie do Vonneguta), ko\u0144cz\u0105c refren memicznym <em>Everything is fine<\/em>. I zesp\u00f3\u0142 z Los Angeles jest troch\u0119 o tym: tr\u00f3jka normals\u00f3w wyprowadzanych z r\u00f3wnowagi w \u015bwiecie podgrzewanym memami do czerwono\u015bci i pr\u00f3buj\u0105cych z tego \u017cartowa\u0107, zdystansowanych do popularno\u015bci (wy\u015bmiewaj\u0105 np. hity EDM), ale jednak po swojemu id\u0105cych w memy i pokrzykuj\u0105cych <em>sheesh. <\/em>Blisko mi chwilami do tej postawy. Muzycznie<em> Too Much to Ask<\/em> to r\u00f3wnie prosta i troch\u0119 s\u0142absza pozycja ni\u017c <em>Emphatically No<\/em> sprzed ponad roku, ale i tak bardzo si\u0119 ciesz\u0119, \u017ce wysz\u0142a. Oczekiwanie jakiego\u015b arcydzie\u0142a w \u015brodku wakacji (a propos tych lepszych: o Bastardzie z Sutari <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/muzyka\/2175769,1,recenzja-plyty-bastarda--sutari-tamoj.read\">napisa\u0142em w POLITYCE<\/a>), w tygodniu premierowo naprawd\u0119 s\u0142abym to by\u0107 mo\u017ce po prostu <em>too much to ask<\/em>.\u00a0 \u00a0<\/p>\n<p><strong>CHEEKFACE <em>Too Much to Ask<\/em><\/strong>, Cheekface 2022\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3285840916\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/cheekface.bandcamp.com\/album\/too-much-to-ask\">Too Much to Ask by Cheekface<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p><strong>1.08<\/strong> <strong>Amaliya Group<\/strong> Viyezgo. Vimbuza from Mzimba South, Sacral Grooves \/ 1000Hz <br \/>1.08 <strong>Crack Cloud<\/strong> Tough Baby, TAR \/ MM \/ UOH <br \/>1.08 <strong>Five Bucks<\/strong> Demo, Syf Records <br \/>2.08 <strong>Cheekface<\/strong> Too Much to Ask <br \/>3.08 <strong>Hiss Golden Messenger<\/strong> Wise Eyes: Live at The Neptune, Seattle, WA, 2\u200b\/\u200b25\u200b\/\u200b22, Merge <br \/>3.08<strong> Lando Maguszka<\/strong> Konstanty Ildevons, Plexus Of Infinity <br \/>3.08 <strong>VA<\/strong> Rental Yields: Volume 1, Front &amp; Follow <br \/>3.08 <strong>VA<\/strong> Afro-Beat Airways: West African Shock Waves &#8211; Ghana &amp; Togo 1972-1978, Analog Africa <br \/>4.08 <strong>Bastarda &amp; Sutari<\/strong> Tamoj, Audio Cave <br \/>4.08<strong> Kevin Drumm<\/strong> BPPV <br \/>4.08 <strong>VA<\/strong> Pause for the Cause: London Rave Adverts 1991\u200b\u200b-\u200b\u200b1996, Vol. 2, Death Is Not the End <br \/>4.08 <strong>Yunzero<\/strong> Butterfly DNA, West Mineral Ltd <br \/>5.08 <strong>Abaddon<\/strong> Incarnate The Wretched Sermon, Transcening Obscurity <br \/>5.08 <strong>Andy Loebs<\/strong> Flexuous Vertex, Orange Milk <br \/>5.08<strong> Bi Ba Doom<\/strong> Graceful Collision <br \/>5.08 <strong>Bloodz Boi, Claire Rousay, More Eaze<\/strong> A Crying Poem, Orange Milk <br \/>5.08 <strong>Brijean<\/strong> Angelo, Ghostly <br \/>5.08 <strong>Calvin Harris<\/strong> Funk Wav Bounces Vol. 2, Sony <br \/>5.08 <strong>Doechii<\/strong> She \/ Her \/ Black Bitch, Top Dawg EP<br \/>5.08 <strong>Eminem<\/strong> Curtain Call 2, Aftermath <br \/>5.08 <strong>Goo Age<\/strong> Open Zone, Orange Milk <br \/>5.08<strong> Grave Bathers<\/strong> Rock&#8217;N&#8217;Roll Fetish, Seeing Red <br \/>5.08 <strong>Kasabian<\/strong> The Alchemist&#8217;s Euphoria <br \/>5.08<strong> Keefe Jackson \/ Oscar Jan Hoogland \/ Joshua Abrams \/ Mikel Patrick Avery<\/strong> These Things Happen, Astral Spirits <br \/>5.08 <strong>Kokoroko<\/strong> Could We Be More, Brownswood <br \/>5.08 <strong>Kyle Kidd<\/strong> Soothsayer, American Dreams <br \/>5.08 <strong>Lauv<\/strong> All 4 Nothing, Universal <br \/>5.08<strong> Lee Bains + The Glory Fires<\/strong> Old\u200b-\u200bTime Folks, Don Giovanni <br \/>5.08 <strong>Liminal Shroud<\/strong> All Virtues Ablaze, Willowtip <br \/>5.08 <strong>Lincoln<\/strong> Repair and Reward, Temporary Residence Ltd. <br \/>5.08 <strong>Lonely Bindi<\/strong> Anahata, Accidental <br \/>5.08 <strong>Mall Grab<\/strong> What I Breathe, Looking for Trouble <br \/>5.08 <strong>Massimo Magee<\/strong> Toneflower, 577 Records <br \/>5.08 <strong>Mbulelo<\/strong> Kalibre EP, Hakuna Kulala <br \/>5.08 <strong>Meridian Brothers<\/strong> Meridian Brothers &amp; El Grupo Renacimiento, Ansonia <br \/>5.08 <strong>Modular Sleep Patters<\/strong> Modular Sleep Patterns <br \/>5.08 <strong>Okzharp<\/strong> Outside the Ride, Hyperdub <br \/>5.08 <strong>Omni Gardens &amp; Zen Monk<\/strong> <strong>Jogen<\/strong> New Directions in Meditation, Tonalities <br \/>5.08 <strong>Paul McCartney<\/strong> McCartney, box<br \/>5.08<strong> Pierce Warnecke<\/strong> Deafened By The Noise Of Time, Room40 <br \/>5.08 <strong>Prophetas<\/strong> Nested Russian Dolls of Paranoia, Discrepant <br \/>5.08 <strong>Richard Youngs<\/strong> New Emptiness, Fourth Dimension <br \/>5.08 <strong>Serph<\/strong> Apopcalips, Noble <br \/>5.08 <strong>Shadow Child &amp; Mark Archer<\/strong> Morse Code, Pets EP<br \/>5.08 <strong>The Movers<\/strong> The Movers Vol\u200b.\u200b1 &#8211; 1970\u200b-\u200b1976 (Analog Africa Nr. 35), Analog Africa <br \/>5.08 <strong>Tim Bowness<\/strong> Butterfly Mind, InsideOut <br \/>5.08 <strong>Worthitpurchase<\/strong> Truthtelling, Anxiety Blanket <br \/>5.08 <strong>YoungBoy Never Broke Again<\/strong> The Last Slimeto, Atlantic <br \/>6.08<strong> Nieznany Wykonawca<\/strong> Nieznany Wykonawca, BMR<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>To linijka tekstu z nowej p\u0142yty zespo\u0142u Cheekface, kt\u00f3ry z jakich\u015b powod\u00f3w bardzo lubi\u0119. T\u0142umacz\u0119 to sobie m.in. bardzo prozaiczn\u0105 cech\u0105 \u015bpiewu i melodeklamacji Grega Katza: \u0142atwo zrozumie\u0107 ka\u017cd\u0105 linijk\u0119 tekstu. Podoba mi si\u0119 te\u017c cierpki humor, odniesienia do wsp\u00f3\u0142czesno\u015bci, by\u0107 mo\u017ce jednak koronnym argumentem jest to, \u017ce gdy zamawia\u0142em poprzedni album Emphatically No na [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":34113,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,5177,106],"tags":[4538],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/34109"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=34109"}],"version-history":[{"count":4,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/34109\/revisions"}],"predecessor-version":[{"id":34115,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/34109\/revisions\/34115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/34113"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=34109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=34109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=34109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}