{"id":35368,"date":"2022-11-04T10:36:36","date_gmt":"2022-11-04T09:36:36","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=35368"},"modified":"2022-11-04T10:36:37","modified_gmt":"2022-11-04T09:36:37","slug":"muzyka-z-tlem","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/11\/04\/muzyka-z-tlem\/","title":{"rendered":"Muzyka z t\u0142em"},"content":{"rendered":"<p>Bardziej ni\u017c chyba kiedykolwiek s\u0142uchamy dzi\u015b muzyki w kontek\u015bcie. Owszem, pewnie i przy domowym ods\u0142uchu ma\u0142o kto miewa\u0142 idealne warunki &#8211; to s\u0105siad robi remont, to zn\u00f3w za oknem przeje\u017cd\u017ca karetka czy nawet pada rz\u0119sisty deszcz i s\u0142ycha\u0107 burz\u0119. O tym, \u017ce nie ma absolutnej ciszy, ju\u017c wiemy. Ale wynalazek walkmana, a potem kolejnych urz\u0105dze\u0144 do indywidualnego, s\u0142uchawkowego odbioru muzyki pozwoli\u0142 nam wyj\u015b\u0107 poza ten domowy kontekst, s\u0142ucha\u0107 w kolejce na poczcie, w metrze czy na spacerze w parku. Dzi\u015b tylko koncerty s\u0105 wydarzeniem spo\u0142ecznym &#8211; s\u0142uchanie nagra\u0144 pozostaje indywidualne, ro\u015bnie pierwsze pokolenie nastolatk\u00f3w w og\u00f3le niezainteresowane posiadaniem zestawu stereo, gdzie\u015b ju\u017c o tym nawet pisa\u0142em. Ale doskonalenie tych zestaw\u00f3w do odbioru muzyki w biegu, wyciszenie, jakie daj\u0105 s\u0142uchawki, sprawi\u0142o, \u017ce mo\u017cna sobie nie tylko pos\u0142ucha\u0107 muzyki, ale i podmieni\u0107 t\u0142o. Mo\u017ce st\u0105d tak wiele album\u00f3w \u0142\u0105cz\u0105cych partie instrumentalne z field recordingiem. Rzadko jednak dzia\u0142aj\u0105 tak intensywnie jak wydane wczoraj <em>Evergreen<\/em> <strong>Patricka Shiroishiego<\/strong>.\u00a0 \u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/js6Z2K_zHBA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p>Shiroishi to nieprawdopodobny muzyk &#8211; ameryka\u0144ski saksofonista i kompozytor, pracowity dzi\u015b, jak pewnie wszyscy improwizatorzy, ale przede wszystkim zainteresowany ca\u0142ym dynamicznym spektrum: od ambientu po noise. I ca\u0142ym spektrum gatunkowym. A przy tym, troch\u0119 tak jak Matana Roberts, uprawiaj\u0105cy rodzinn\u0105 archeologi\u0119, snuj\u0105cy osobiste opowie\u015bci o przodkach, te\u017c zreszt\u0105 zwi\u0105zane ze stosunkiem do mniejszo\u015bci etnicznych w Ameryce &#8211; w tym wypadku mniejszo\u015bci japo\u0144skiego pochodzenia. Takim poszukiwaniem w\u0142asnych korzeni by\u0142 niesamowity album <em>Hidemi<\/em>, po\u015bwi\u0119cony historii jego dziadka, z epizodem obozu koncentracyjnego dla Amerykan\u00f3w japo\u0144skiego pochodzenia utworzonych po wojnie. Ten album trafi\u0142 na <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/01\/04\/40-plyt-roku-2021-reszta-swiata\/\">list\u0119 p\u0142yt roku na Polifonii<\/a>.\u00a0 \u00a0 \u00a0<\/p>\n<p>Shiroishi nagrywa bardzo du\u017co &#8211; w r\u00f3\u017cnych sk\u0142adach i solo. Czasem s\u0105 to rzeczy ostentacyjnie niszowe, czasem trafi si\u0119 kapitalny &#8211; i chyba do\u015b\u0107 niedoceniony &#8211; drobiazg jak wydane w maju <a href=\"https:\/\/patrickshiroishi.bandcamp.com\/album\/you-will-never-walk-alone-a-circle-with-many-centers\"><em>You Will Never Walk Alone<\/em><\/a>. Ale <em>Evergreen<\/em>, opublikowane przez Touch &#8211; i przygotowane z pe\u0142nym przygotowaniem do wej\u015bcia w formu\u0142\u0119 muzyczn\u0105 tej wytw\u00f3rni, kt\u00f3ra przecie\u017c od pocz\u0105tku obejmuje nagrania terenowe &#8211; to p\u0142yta, kt\u00f3rej nie mo\u017cna przeoczy\u0107. Muzyka z kontekstem. Nagrywana po trosze we w\u0142asnym studiu, \u015brodkami w du\u017cej mierze elektronicznymi, zdecydowanie ambientowymi &#8211; pierwsz\u0105 lini\u0119 melodyczn\u0105 saksofonu us\u0142yszymy tu w \u00f3smej minucie drugiego utworu, w osiemnastej minucie ca\u0142o\u015bci. I jest to niemal od niechcenia snuta melodia, troch\u0119 taka, jak\u0105 si\u0119 gra bardziej dla siebie ni\u017c dla publiczno\u015bci. Ale ca\u0142y czas towarzysz\u0105 nam nagrania zrealizowane przez muzyka na cmentarzu Evergreen w Los Angeles, gdzie le\u017cy du\u017ca cz\u0119\u015b\u0107 jego przodk\u00f3w. I razem z tym t\u0142em tworzy to \u015bwiat muzyczny niby ci\u0105gle delikatny, ale zarazem tak intensywny, \u017ce kompletnie wyjmuje nas poza kontekst codzienno\u015bci. Wiem, \u017ce dzi\u015b Bandcamp Friday i zn\u00f3w mn\u00f3stwo premier, wiem, \u017ce cho\u0107by nowy Skalpel (recenzuj\u0119 ten udany album w <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/muzyka\/2187492,1,recenzja-plyty-skalpel-origins.read\">najnowszej POLITYCE<\/a>), ale chocia\u017c na Shiroishiego macie ca\u0142\u0105 wieczno\u015b\u0107, to warto na ten album zwr\u00f3ci\u0107 uwag\u0119. Troch\u0119 mo\u017ce melancholijny, troch\u0119 te\u017c sp\u00f3\u017aniony w stosunku do atmosfery 1 listopada, ale bardziej niesamowitego pakietu muzyki i t\u0142a dzi\u015b prawdopodobnie nie znajdziecie.\u00a0 \u00a0\u00a0<\/p>\n<p><strong>PATRICK SHIROISHI <em>Evergreen<\/em><\/strong>, Touch 2022\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=628445227\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/touch333.bandcamp.com\/album\/evergreen\">Evergreen by Patrick Shiroishi<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>29.10 <strong>Lady Lykez<\/strong> Woza, Hyperdub <br \/>29.10 <strong>Nene Heroine<\/strong> Mova, Alpaka<br \/>29.10 <strong>Pagan Idol<\/strong> Silent Mountain EP, Plusz <br \/>29.10 <strong>Senyawa + Lawrence English\/Aviva Endean\/Peter Knight\/Helen Svoboda\/Joe Talia<\/strong> The Prey and the Ruler, Room40 <br \/>29.10 <strong>Talachan<\/strong> In the State of Emergency, BAS <br \/>30.10 <strong>Pytko<\/strong> The Way We Blush, Phantasy Sound <br \/>31.10 <strong>Blake Hornsby<\/strong> A Collection of Traditional Folk Songs &amp; Tunes Vol. 1, Ramble <br \/>31.10 <strong>J\u0119drzej Siwek<\/strong> In Memory of Alvin Lucier <br \/>31.10 <strong>Jozef Van Wissem<\/strong> Nosferatu, the Call of the Deathbird <br \/>31.10 <strong>Lugola<\/strong> DEFORM (Live at XX Wroclaw Industrial Festival), Zoharum <br \/>31.10<strong> Rebecca Valeriano-Flores &amp; Theo Katsaounis<\/strong> The Silence of Memory, American Dreams<br \/>1.11 <strong>Current 93<\/strong> Her Ghost Sings Spheres <br \/>1.11 <strong>Klein<\/strong> Star In The Hood <br \/>1.11 <strong>Sault<\/strong> Today &amp; Tomorrow <br \/>1.11 <strong>Sault<\/strong> AIIR <br \/>1.11 <strong>Sault<\/strong> &#8222;11&#8221; <br \/>1.11 <strong>Sault<\/strong> (Unititled) God <br \/>1.11 <strong>Sault<\/strong> Earth <br \/>2.11 <strong>Francesca Naibo<\/strong> So Much Time, Ramble <br \/>2.11 <strong>Muriel Grossmann<\/strong> Universal Code <br \/>2.11 <strong>Tomek Glazik<\/strong> Unsettled Status <br \/>3.11 <strong>Ben Frost<\/strong> Broken Spectre, Vinyl Factory <br \/>3.11 <strong>Joe Morris &amp; Jeremy Brown<\/strong> Magnitude, Fundacja S\u0142uchaj <br \/>3.11 <strong>LRK Trio<\/strong> Prayer <br \/>3.11 <strong>Patrick Shiroishi<\/strong> Evergreen, Touch <br \/>3.11<strong> That&#8217;s How I Fight<\/strong> Between Movements EP, Zoharum <br \/>4.11 <strong>Agile Experiments<\/strong> These Are Times For Mind And Spirit, DDR <br \/>4.11 <strong>Alicia Keys<\/strong> Santa Baby <br \/>4.11 <strong>Ami Dang<\/strong> The Living World&#8217;s Demands, Phantom Limb <br \/>4.11 <strong>Andrew Sherwell<\/strong> Antiphon, Shimmering Moods <br \/>4.11 <strong>Ang\u00e9lica Salvi<\/strong> Habitat, Lovers &amp; Lollypops <br \/>4.11<strong> Anna Of The North<\/strong> Crazy Life <br \/>4.11 <strong>Bartek W\u0105sik<\/strong> Daydreamer, Mystic <br \/>4.11 <strong>Belmondawg x The Very Polish Cut Outs<\/strong> Sztossingery EP, The Very Polish Cut Outs <br \/>4.11 <strong>Bert Jansch<\/strong> Bert at the BBC, Earth box<br \/>4.11<strong> Biliana Voutchkova &amp; Tomeka Reid<\/strong> Bricolage III <br \/>4.11 <strong>Billy Pod<\/strong> Quintessence <br \/>4.11 <strong>Black Anvil<\/strong> Regenesis, Season Of Mist <br \/>4.11 <strong>Boldy James &amp; Futurewave<\/strong> Mr. Ten08, FXCK RXP <br \/>4.11 <strong>BTTRFLY Quintet<\/strong> Coast, Mocean <br \/>4.11 <strong>Caleb Landry Jones<\/strong> Gadzooks Vol. 2, Sacred Bones <br \/>4.11 <strong>Carla dal Forno<\/strong> Come Around, Kallista <br \/>4.11 <strong>Cavetown<\/strong> Worm Food, Sire <br \/>4.11 <strong>Cercueil<\/strong> Bad Posture, Citizen EP<br \/>4.11 <strong>Charlemagne Palestine &amp; MV Carbon<\/strong> Liquiddd Changesss <br \/>4.11 <strong>Chouk Bwa &amp; The \u00c5ngstr\u00f6mers<\/strong> Ayiti Kongo Dub #2, Bongo Joe <br \/>4.11 <strong>COH meets Abul Mogard<\/strong> COH meets Abul Mogard, Houndstooth <br \/>4.11 <strong>Daniel Avery<\/strong> Ultra Truth, Phantasy Sound <br \/>4.11 <strong>Dayseeker<\/strong> Dark Sun, Spinefarm <br \/>4.11 <strong>Decius<\/strong> Decius vol. 1 <br \/>4.11 <strong>Dermot Kennedy<\/strong> Sonder <br \/>4.11 <strong>Devin Townsend<\/strong> Lightwork, InsideOut <br \/>4.11 <strong>DjeuhDjoah &amp; Lieutenant Nicholson<\/strong> 2+, Hot Casa <br \/>4.11 <strong>dreamcastmoe<\/strong> Sound Is Like Water, Ghostly International <br \/>4.11 <strong>Eyal Talmudi &amp; Rejoicer<\/strong> The Audience, Raw Tapes <br \/>4.11 <strong>Ezra Collective<\/strong> Where I&#8217;m Meant to Be, Partisan <br \/>4.11 <strong>First Aid Kit<\/strong> Palomino, Columbia <br \/>4.11 <strong>Fleshwater<\/strong> We&#8217;re Not Here to Be Loved Closed Casket, Activities <br \/>4.11 <strong>funcion\u00e1rio<\/strong> Cavalcante, Holuzam <br \/>4.11 <strong>Gorycz<\/strong> Kamienie, Pagan <br \/>4.11 <strong>Hamish Balfour<\/strong> Running Colours, Shapes of Rhythm <br \/>4.11 <strong>Heiskanen Bayatz<\/strong> Baharat Samaai Mata, Eclipse <br \/>4.11 <strong>Horse Lords<\/strong> Comradely Objects, RVNG Intl <br \/>4.11 <strong>Hubert Heathertoes + Zan Hoffman<\/strong> Algumas estrelas nuestro encuentro en Boiro, Astipalea MC, DL<br \/>4.11<strong> Ingested Ashes<\/strong> Lie Still, Metal Blade <br \/>4.11 <strong>Joji<\/strong> Smithereens, 88rising <br \/>4.11<strong> Julie Campiche<\/strong> Quartet You Matter, Enja &amp; Yellowbird <br \/>4.11<strong> Julien Chang<\/strong> The Sale, Transgressive <br \/>4.11 <strong>Justin Purtill feat. Leo Genovese and Sean Conly<\/strong> Simple Twist, 577 Records <br \/>4.11 <strong>Katu Kaiku<\/strong> Broken Piece, Eclipse <br \/>4.11 <strong>La Femme<\/strong> Teatro Lucido, Born Bad <br \/>4.11 <strong>Martial Solal<\/strong> Live in Ottobrunn, GLM 2CD<br \/>4.11 <strong>Marvin Tate&#8217;s D-Settlement<\/strong> Marvin Tate&#8217;s D-Settlement, American Dreams <br \/>4.11 <strong>Matt McBane<\/strong> Bathymetry, Cantaloupe <br \/>4.11 <strong>Mishagas<\/strong> 1996-1997, Astral Spirits <br \/>4.11 <strong>Moreira Chomgui\u00e7a<\/strong> Sounds of Peace, Morestar Ent. <br \/>4.11 <strong>Mount Kimbie<\/strong> Mk 3.5: Die Cuts City Planning, Warp <br \/>4.11<strong> \u00b5-Ziq<\/strong> Hello, Planet Mu<br \/>4.11 <strong>Okay Kaya<\/strong> SAP, Jagjaguwar <br \/>4.11 <strong>Old Fire<\/strong> Voids ,Western Vinyl <br \/>4.11 <strong>Omhu<\/strong> Sp\u200b\u0119\u200blls, Sadki Rec. <br \/>4.11 <strong>Paal Nilssen-Love Circus<\/strong> Pairs of Three, PNL <br \/>4.11 <strong>Personal Trainer<\/strong> Big Love, Blanket <br \/>4.11 <strong>Phoenix<\/strong> Alpha Zulu, Glassnote <br \/>4.11 <strong>Piotr Zio\u0142a<\/strong> Wariat, Warner <br \/>4.11 <strong>R.A.P. Ferreira<\/strong> 5 to the Eye with Stars, Afrolab <br \/>4.11 <strong>Ride<\/strong> 4 EPs, Wichita komp<br \/>4.11 <strong>Romance<\/strong> In My Hour Of Weakness, I Found A Sweetness, Ecstatic <br \/>4.11 <strong>rRoxymore<\/strong> Perpetual Now, Smalltown Supersound <br \/>4.11<strong> Sababa 5<\/strong> Sababa 5, Batov <br \/>4.11 <strong>Skalpel<\/strong> Origins, NoPaper <br \/>4.11 <strong>Sohn<\/strong> Trust, 4AD <br \/>4.11 <strong>Special Interest<\/strong> Endure, Rough Trade <br \/>4.11 <strong>Spoon<\/strong> Lucifer on the Moon, Matador <br \/>4.11 <strong>Suki Waterhouse<\/strong> Milk Teeth, Sub Pop <br \/>4.11 <strong>Svaneborg Kardyb<\/strong> Over Tage, Gondwana <br \/>4.11 <strong>Tinariwen<\/strong> Kel Tinariwen, Wedge <br \/>4.11 <strong>To Rococo Rot<\/strong> John Peel Sessions, Bureau B CD\/LP<br \/>4.11 <strong>Tom Skinner<\/strong> Voices of Bishara, International Anthem\/Brownswood <br \/>4.11 <strong>Tropical Gothclub<\/strong> Tropical Gothclub, Third Man <br \/>4.11 <strong>VA<\/strong> Black Panther: Wakanda Forever &#8211; Music From and Inspired By <br \/>4.11 <strong>VA<\/strong> Erased Tapes \u5341\u4e94, Erased Tapes <br \/>4.11 <strong>Village of the Sun<\/strong> First Light, Gearbox <br \/>4.11 <strong>Voivod<\/strong> Ultraman, Century Media EP<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bardziej ni\u017c chyba kiedykolwiek s\u0142uchamy dzi\u015b muzyki w kontek\u015bcie. Owszem, pewnie i przy domowym ods\u0142uchu ma\u0142o kto miewa\u0142 idealne warunki &#8211; to s\u0105siad robi remont, to zn\u00f3w za oknem przeje\u017cd\u017ca karetka czy nawet pada rz\u0119sisty deszcz i s\u0142ycha\u0107 burz\u0119. O tym, \u017ce nie ma absolutnej ciszy, ju\u017c wiemy. Ale wynalazek walkmana, a potem kolejnych urz\u0105dze\u0144 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35371,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,4993,3666,5177],"tags":[4902],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35368"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35368"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35368\/revisions"}],"predecessor-version":[{"id":35372,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35368\/revisions\/35372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/35371"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=35368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=35368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}