{"id":35429,"date":"2022-11-11T10:18:54","date_gmt":"2022-11-11T09:18:54","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=35429"},"modified":"2022-11-11T10:19:54","modified_gmt":"2022-11-11T09:19:54","slug":"ada-pan-mi-z-zimna-pada","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/11\/11\/ada-pan-mi-z-zimna-pada\/","title":{"rendered":"Ada, pan mi z zimna pada"},"content":{"rendered":"<p>\u017beby nie by\u0142o, \u017ce w \u015awi\u0119to Niepodleg\u0142o\u015bci nie ma polskiego akcentu, jest chocia\u017c palindrom w tytule &#8211; coraz bardziej aktualny, tutejszy i znajomy, z kolekcji J\u00f3zefa Godzica. Bo ten z tytu\u0142u p\u0142yty <strong>Sarathy&#8217;ego Korwara<\/strong> &#8211; <em>Kalak<\/em> &#8211; troch\u0119 bardziej obcy. Dzia\u0142aj\u0105cy w Wielkiej Brytanii hinduski perkusista jak zwykle proponuje pewien koncept &#8211; na poprzedniej p\u0142ycie <em>More Arriving<\/em> by\u0142 to g\u0142os politycznego sprzeciwu wobec narracji zwolennik\u00f3w Brexitu przygl\u0105daj\u0105cych si\u0119 z nieufno\u015bci\u0105 przybyszom. U nas podobn\u0105 narracj\u0119 r\u00f3wnie\u017c budowano. Dzi\u015b na szcz\u0119\u015bcie przygas\u0142a. A Korwar znowu proponuje nam wej\u015bcie w ma\u0142o znany \u015bwiat &#8211; od transowych przebieg\u00f3w rytmicznych inspirowanych muzyk\u0105 z po\u0142udnia Indii, po ok\u0142adk\u0119 zaprojektowan\u0105 przez graficzk\u0119 z New Delhi, Sijy\u0119 Gupt\u0119.\u00a0 \u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TbJ6n5pvSOI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p>Wszystko razem daje jaki\u015b obraz indyjskiego odpowiednika afrofuturyzmu. Przesz\u0142o\u015b\u0107 miesza si\u0119 z przysz\u0142o\u015bci\u0105, a mo\u017ce raczej rzeczywisto\u015bci\u0105 alternatywn\u0105, bo klamr\u0105 dla albumu jest opowie\u015b\u0107 o amnezji historycznej: z lekko pretensjonalnym przepisem na jej wyleczenie na pocz\u0105tku i puent\u0105 opowiadaj\u0105c\u0105 o utopii jako projekcie kolonialnym, o r\u00f3wnoprawnym, innym spojrzeniu na rzeczywisto\u015b\u0107, kt\u00f3ra nie musi &#8211; jak na Zachodzie &#8211; oznacza\u0107 liniowego rozwoju za wszelk\u0105 cen\u0119. Zatem cho\u0107 <em>Utopia Is a Colonial Project<\/em> by\u0142 po prostu znakomitym nu-jazzowym singlem, album &#8211; nagrany w studiach Real World &#8211; ma pokazywa\u0107 wi\u0119cej i szerzej. I \u0142atwiej go zapami\u0119ta\u0107 za transowe partie perkusji i zgrabny amalgamat tradycji i nowoczesno\u015bci, w kt\u00f3rych zlepieniu pomaga\u0142 ameryka\u0144ski producent Photay. A to &#8211; przypomn\u0119 &#8211; nie pierwsza tego rodzaju p\u0142yta z jego udzia\u0142em w ostatnich miesi\u0105cach. Nak\u0142adem International Anthem ukaza\u0142o si\u0119 niedawno wznowienie <em>An Offering<\/em>, p\u0142yty nagranej rok wcze\u015bniej z (tak\u017ce perkusist\u0105) Carlosem Ni\u00f1o. Brzmieniowo znakomitej. I\u00a0 w utworze Korwara <em>Remember Circles Are Better Than Lines<\/em> s\u0142ycha\u0107 nawet pewne podobie\u0144stwo do tamtego albumu. Mo\u017cna ich, korzystaj\u0105c z polskiego \u015bwi\u0119ta, z przyjemno\u015bci\u0105 pos\u0142ucha\u0107 jednego po drugim.\u00a0\u00a0<\/p>\n<p><strong>SARATHY KORWAR <em>Kalak<\/em><\/strong>, The Leaf Label 2022\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1287334030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/sarathykorwar.bandcamp.com\/album\/kalak\">KALAK by Sarathy Korwar<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>5.11 <strong>Disorder at the Border (Kaucic \/ D&#8217;Agaro \/ Maier) special guest Tobias Delius<\/strong> Kataklisma, Fundacja S\u0142uchaj <br \/>5.11 <strong>Joe Morris \/ Agusti Fernandez \/ Brad Barrett \/ DoYeon Kim<\/strong> Other Galaxies, Fundacja S\u0142uchaj <br \/>5.11 <strong>PJ Harvey<\/strong> B-Sides, Demos &amp; Rarities, Island komp<br \/>8.11 <strong>Boro\/Sull<\/strong> The Flat Parts of the Day <br \/>8.11 <strong>Daniel Szlajnda<\/strong> Order in Chaos, U Know Me <br \/>9.11<strong> Dariusz Zi\u00f3\u0142ek<\/strong> Forget Not Yet, SJ records <br \/>9.11 <strong>Envy<\/strong> Seimei, Pelagic <br \/>9.11 <strong>More Eaze<\/strong> Strawberry Season, Leaving <br \/>10.11 <strong>Chapadla<\/strong> Ke\u010f si j\u00e1 zaspiev\u200b\u00e1\u200bm, Poli5 <br \/>10.11 <strong>Midori Takada<\/strong> Tree of Life, WRWTFWWR <br \/>10.11 <strong>NYX &amp; Laura Misch<\/strong> Songs of Epping Forest :: Dreamscapes for Voice, Saxophone and Trees, NYX <br \/>11.11 <strong>Aaron Myers-Brooks<\/strong> Oblique ,New Focus <br \/>11.11 <strong>Actress<\/strong> Dummy Corporation, Ninja Tune EP<br \/>11.11 <strong>Alexis Degrenier<\/strong> La mort aura tes yeux, Murailles <br \/>11.11 <strong>Ana Moura<\/strong> Casa Huilhermina, Sony <br \/>11.11 <strong>Anne Eftern\u00f8ler &amp; Lige B\u00f8rn<\/strong> Anne Eftern\u00f8ler &amp; Lige B\u00f8rn, Hobby Horse <br \/>11.11 <strong>Anthony Strong<\/strong> Easy Sailing <br \/>11.11 <strong>Ben LaMar Gay<\/strong> Certain Reveries, International Anthem <br \/>11.11 <strong>Bill Nace<\/strong> Through a Room, Drag City <br \/>11.11 <strong>Black Eyed Peas<\/strong> Elevation, Epic <br \/>11.11 <strong>Brace<\/strong> Quaternity, Holuzam <br \/>11.11 <strong>Bright Eyes<\/strong> I&#8217;m Wide Awake, It&#8217;s Morning: A Companion, Dead Oceans EP<br \/>11.11 <strong>Bright Eyes<\/strong> Digital Ash in a Digital Urn: A Companion, Dead Oceans EP<br \/>11.11 <strong>Bright Eyes<\/strong> Lifted or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion, Dead Oceans EP<br \/>11.11 <strong>Bruce Springsteen<\/strong> Only The Strong Survive &#8211; Covers, Columbia <br \/>11.11 <strong>Chad Fowler, Ivo Perelman, Zoh Amba, Matthew Shipp, William Parker, Steve Hirsh<\/strong> Alien Skin, Mahakala <br \/>11.11 <strong>Charbel Haber<\/strong> A Common Misunderstanding of the Speed of Light, Other People <br \/>11.11 <strong>Chelsea Grin<\/strong> Suffer In Hell, oneRPM <br \/>11.11 <strong>Christine and the Queens<\/strong> Redcar les adorables \u00e9toiles, Because <br \/>11.11 <strong>Colin Stetson<\/strong> Chim\u200b\u00e6\u200bra I, Room40 <br \/>11.11 <strong>Constellatia<\/strong> Megisterial Romance <br \/>11.11 <strong>Dan Deacon<\/strong> Wedding Season OST, Hollywood <br \/>11.11 <strong>Depeche Mode<\/strong> Playing the Angel: The 12&#8243; Singles, Mute box arch<br \/>11.11 <strong>Dickie Landry &amp; Lawrence Weiner<\/strong> Having Been Built on Sand, Unseen Worlds <br \/>11.11 <strong>DJ Muggs &amp; Jay Worthy<\/strong> What They Hittin 4, Soul Assassins <br \/>11.11 <strong>Duval Timothy<\/strong> Meeting with a Judas Tree, Carrying Colour <br \/>11.11<strong> Elena Mindru<\/strong> With the Moldovan National Youth Orchestra, Hybrid <br \/>11.11 <strong>Epica<\/strong> The Alchemy Project, Atomic Fire <br \/>11.11 <strong>Etceteral<\/strong> Rhizome, tak:til <br \/>11.11 <strong>FaltyDL<\/strong> A Nurse to My Patience, Blueberry <br \/>11.11 <strong>Fenella<\/strong> The Metallic Index, Fire <br \/>11.11 <strong>Frederik Lundin &amp; Odense Jazz Orchestra<\/strong> It Takes All Kinds To Make A World, April <br \/>11.11<strong> Guns N&#8217;Roses<\/strong> Use Your Illusion I &amp; II (Super Deluxe), Geffen <br \/>11.11 <strong>Hand Habits<\/strong> Fun House: Blueprints, Saddle Creek <br \/>11.11 <strong>Hyd<\/strong> Clearing, PC Music <br \/>11.11 <strong>J.WLSN<\/strong> &#8222;1993&#8221;, Room40 <br \/>11.11 <strong>Jambinai<\/strong> Apparition, Bella Union <br \/>11.11 <strong>Kode9<\/strong> Astro-Darien, Hyperdub <br \/>11.11 <strong>L.S. Dunes<\/strong> Past Lives, Fantasy <br \/>11.11 <strong>Little Snake<\/strong> Driving On Acid, Brainfeeder <br \/>11.11 <strong>Loney Dear<\/strong> Atlantis, Real World <br \/>11.11 <strong>Louis Tomlison<\/strong> Faith in the Future <br \/>11.11 <strong>MGMT<\/strong> &#8222;11-11-11&#8221; <br \/>11.11 <strong>Nas<\/strong> King&#8217;s Disease III <br \/>11.11 <strong>Ninajirachi<\/strong> Second Nature <br \/>11.11 <strong>Olli Hirvonen<\/strong> Kielo, Ropadope <br \/>11.11 <strong>Plaid<\/strong> Feorm Falorx, Warp <br \/>11.11 <strong>Rauw Alejandro<\/strong> Saturno, Sony <br \/>11.11 <strong>Sarah Elizabeth<\/strong> Charles Blank Canvas, Ropeadope <br \/>11.11<strong> Sarathy Korwar<\/strong> Kalak, The Leaf Label <br \/>11.11 <strong>slowthai<\/strong> Ugly <br \/>11.11 <strong>SoFaygo<\/strong> Pink Heartz, Cactus Jack <br \/>11.11 <strong>Solar Corona<\/strong> Pace, Lovers &amp; Lollypops <br \/>11.11 <strong>Soul Blind<\/strong> Feel It All Around <br \/>11.11 <strong>Steve Pacheco<\/strong> Fades, Facture <br \/>11.11 <strong>STR4TA<\/strong> STR4TASFEAR, Brownswood <br \/>11.11 <strong>Takehisa Kosugi + Akio Suzuki<\/strong> New Sense of Hearing, Blank Forms <br \/>11.11 <strong>Tiago Sousa<\/strong> Ripples on the Surface, Holuzam <br \/>11.11 <strong>Trytony<\/strong> Ta\u0144ce Bydgoskie, Muzyka z M\u00f3zgu\/Bocian LP+CD, reed<br \/>11.11 <strong>Tyondai Braxton<\/strong> Telekinesis, New Amsterdam <br \/>11.11 <strong>Uri Katzenstein<\/strong> Audio Works, Black Truffle <br \/>11.11 <strong>VA<\/strong> Live Forever: A Tribute to Billy Joe Shaver, New West <br \/>11.11 <strong>Vasco Mendon\u00e7a &amp; Drumming GP<\/strong> Play Off, Holuzam <br \/>11.11 <strong>Venus Ex Machina<\/strong> Doxa, AD93 <br \/>11.11 <strong>Warhaus<\/strong> Ha Ha Heartbreak, PIAS <br \/>11.11 <strong>Wau Wau Collectif<\/strong> Mariage, Sahel Sounds <br \/>11.11 <strong>Wizkid<\/strong> More Love, Less Ego, Sony<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>\u017beby nie by\u0142o, \u017ce w \u015awi\u0119to Niepodleg\u0142o\u015bci nie ma polskiego akcentu, jest chocia\u017c palindrom w tytule &#8211; coraz bardziej aktualny, tutejszy i znajomy, z kolekcji J\u00f3zefa Godzica. Bo ten z tytu\u0142u p\u0142yty Sarathy&#8217;ego Korwara &#8211; Kalak &#8211; troch\u0119 bardziej obcy. Dzia\u0142aj\u0105cy w Wielkiej Brytanii hinduski perkusista jak zwykle proponuje pewien koncept &#8211; na poprzedniej p\u0142ycie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35431,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,3666,5177,106],"tags":[5573,2495],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35429"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35429"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35429\/revisions"}],"predecessor-version":[{"id":35435,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35429\/revisions\/35435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/35431"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=35429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=35429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}