
{"id":35519,"date":"2022-11-18T12:14:37","date_gmt":"2022-11-18T11:14:37","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=35519"},"modified":"2022-11-18T12:14:39","modified_gmt":"2022-11-18T11:14:39","slug":"klasyczna-plyta-na-dziwne-czasy","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/11\/18\/klasyczna-plyta-na-dziwne-czasy\/","title":{"rendered":"Klasyczna p\u0142yta na dziwne czasy"},"content":{"rendered":"<p>Nowa p\u0142yta Natalie Mering nie sprawdzi si\u0119 na playli\u015bcie. \u0141adne single gin\u0119\u0142y gdzie\u015b w t\u0142umie innych, demonstracyjnie d\u0142ugie, delikatne. Za to w ca\u0142o\u015bci trudno to wy\u0142\u0105czy\u0107. Mo\u017ce nawet przesadnie rozci\u0105gni\u0119te dla niekt\u00f3rych, maj\u0105 te utwory bezapelacyjnie czar przenosz\u0105cy w inn\u0105 przestrze\u0144. Wydaje si\u0119, \u017ce s\u0142uchamy \u017ce\u0144skiej odpowiedzi na najlepsze nagrania Johna Granta, ale koncept zak\u0142ada mniejszy popowy potencja\u0142 i wi\u0119kszy rozmach. Bli\u017cej Briana Wilsona ni\u017c Eltona Johna, a w kategorii komponuj\u0105cych i kreuj\u0105cych pe\u0142n\u0105 wizj\u0119 swojej muzyki wokalistek ta p\u0142yta to moment w stylu najambitniejszych dzia\u0142a\u0144 Julii Holter czy Joanny Newsom. Tyle \u017ce formalnie bli\u017cej Joni Mitchell, momentami te\u017c Scotta Walkera. <em>And In <\/em><span style=\"font-size: inherit;\"><em>The Darkness&#8230;<\/em> nie ma w sobie przebojowego potencja\u0142u <em>Titanic Rising<\/em>, ale magnetyzm ten sam. Ma za to koj\u0105cy charakter przydatny zapewne w dziwnych czasach.\u00a0<\/span><\/p>\n<p>Wpis dzi\u015b symboliczny, bo z podr\u00f3\u017cy. Z tych samych wzgl\u0119d\u00f3w brakuje paru sta\u0142ych element\u00f3w. Warunki by\u0142y jednak do\u015b\u0107 partyzanckie.\u00a0<\/p>\n\n\n<!--more-->\n\n\n<p><strong>WEYES BLOOD <em>And In The Darkness, Hearts Aglow<\/em><\/strong>, Sub Pop<\/p>\n\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>12 <strong>Heather Trost<\/strong> Desert Flowers, Ba Da Bing! <br>14 <strong>Inkosi Lestar<\/strong> Vina, Sat00rna <br>14 <strong>Martin Iddon and Apartment House<\/strong> Naiad, Another Timbre <br>15 <strong>Philip Jeck<\/strong> Resistenza, Touch <br>15 The Muffins Baker&#8217;s Dozen 6 [1977\u200b-\u200b1978], Cuneiform <br>16 Cool Sorcery Intergalactic Void Boys, Syf Records <br>16 Joshua Bonnetta Innse Gall Shelter Press <br>16 MIT Przybli\u017cenia, Nasze Nagrania MC, DL<br>16 Nathan Roche Break Away, Born Bad <br>16 Philippe Mat\u00e9 \/ Jef Gilson Workshop, Souffle Continu arch<\/p>\n<p>17 Brockhampton The Family, RCA<br>17 Julek Ploski Julek! Julek! Julek!, Glamour Label <br>17 Sambor Czarne motyle <br>18 Architects The Classic Symptoms Of A Broken Spirit, Epitaph <br>18 Avram Fefer Quartet Juba Lee, Clean Feed<\/p>\n<p><span style=\"font-size: inherit;\">18 Candlemass Sweet Evil Sun, Napalm<\/span><\/p>\n<p>18 Daniel Bachman Almanac Behind, Three Lobed <br>18 Dezron Douglas Atalaya, International Anthem <br>18 Disturbed Divisive, Reprise <br>18 Duxius Remanence, Springstoff <br>18 Eric Ghost Secret Sauce, Jazz Room <br>18 Felix Laband The Soft White Hand, Compost <br>18 Helen Ganya Polish the Machin\u0119, Bella Union <br>18 Luigi Turra + Belinda Guerriero Ressac, L-ne <br>18 Metal Preyers Shadow Swamps, Nyege Nyege Tapes <br>18 Neil Young &amp; Crazy Horse World Record, Reprise <br>18 Nichunimu Un Cacho de Metal, Un Resto de Vaiv\u00e9n, 577 Records <br>18 Noah Barker Instrumental Memory, FPE <br>18 ONO Kate Cincinnati American Dreams <br>18 Panda Bear and Sonic Boom Reset (Songbook Instrumentals + Remixes), Domino <br>18 Pole Tempus, Mute <br>18 Pulse Emitter Dusk, Hausu Mountain <br>18 Pulverize The Sound Black, More Is More <br>18 RGG Endorfina <br>18 Richard Dawson The Ruby Cord, Weird World <br>18 Rodrigo Amado Refraction Solo, Trost <br>18 Sarah Davachi In Concert &amp; In Residence, Late Music <br>18 SIO sicilian improvisers orchestra + THOLLEM Omnileliomatic, Superpang <br>18 Soaked Oats Working Titles, Remote Control <br>18 Stan Zapalny Moje ego, Magic EP<br>18 Sunda Arc Night Lands, Gondwana <br>18 T5UMUT5UMU Sea of Trees, Hakuna Kulala EP<br>18 The Muffins Baker&#8217;s Dozen 7 [1979\u200b-\u200b1980], Cuneiform <br>18 The Muffins Baker&#8217;s Dozen 5 [1977], Cuneiform <br>18 Tuleje Ciche miejsca, Gusstaff\/Don&#8217;t Sit On My Vinyl CD \/ LP ltd.<br>18 Weyes Blood And In The Darkness, Hearts Aglow, Sub Pop <br>18 Zola Jesus Alive in Capadocia, Sacred Bones<\/p>","protected":false},"excerpt":{"rendered":"<p>Nowa p\u0142yta Natalie Mering nie sprawdzi si\u0119 na playli\u015bcie. \u0141adne single gin\u0119\u0142y gdzie\u015b w t\u0142umie innych, demonstracyjnie d\u0142ugie, delikatne. Za to w ca\u0142o\u015bci trudno to wy\u0142\u0105czy\u0107. Mo\u017ce nawet przesadnie rozci\u0105gni\u0119te dla niekt\u00f3rych, maj\u0105 te utwory bezapelacyjnie czar przenosz\u0105cy w inn\u0105 przestrze\u0144. Wydaje si\u0119, \u017ce s\u0142uchamy \u017ce\u0144skiej odpowiedzi na najlepsze nagrania Johna Granta, ale koncept zak\u0142ada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35521,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3319,444,3309],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35519"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35519"}],"version-history":[{"count":2,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35519\/revisions"}],"predecessor-version":[{"id":35522,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35519\/revisions\/35522"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/35521"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=35519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=35519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}