
{"id":35956,"date":"2022-12-30T12:20:00","date_gmt":"2022-12-30T11:20:00","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=35956"},"modified":"2022-12-30T12:20:02","modified_gmt":"2022-12-30T11:20:02","slug":"25-plyt-roku-2022-archiwalia-reedycje-kompilacje","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2022\/12\/30\/25-plyt-roku-2022-archiwalia-reedycje-kompilacje\/","title":{"rendered":"25 p\u0142yt roku 2022 &#8211; archiwalia, reedycje, kompilacje"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-35962\" src=\"\/wp-content\/uploads\/2022\/12\/PODSUMOWANIE_2022_archiwalia_kompilacje-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"\/polifonia\/wp-content\/uploads\/2022\/12\/PODSUMOWANIE_2022_archiwalia_kompilacje-1024x1024.jpg 1024w, \/polifonia\/wp-content\/uploads\/2022\/12\/PODSUMOWANIE_2022_archiwalia_kompilacje-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2022\/12\/PODSUMOWANIE_2022_archiwalia_kompilacje-300x300.jpg 300w, \/polifonia\/wp-content\/uploads\/2022\/12\/PODSUMOWANIE_2022_archiwalia_kompilacje-768x768.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n\n\n<!--more-->\n\n\n<p><strong>ALBERT AYLER <em>Revelations: The Complete ORTF 1970 Fondation Maeght Recordings<\/em><\/strong>, INA\/Elemental <a href=\"https:\/\/elementalmusicrecords.bandcamp.com\/album\/albert-ayler-revelations\">\u266b<\/a><br \/><strong>ALHAJI WAZIRI OSHOMAH <em>World Spirituality Classics 3: The Muslim Highlife Of\u2026<\/em><\/strong>, Luaka Bop <a href=\"https:\/\/alhajiwazirioshomah.bandcamp.com\/album\/the-muslim-highlife-of-alhaji-waziri-oshomah\">\u266b<\/a><br \/><strong>BRANKO MATAJA <em>Over Fields and Mountains<\/em><\/strong>, Numero Group <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/04\/07\/10-najciekawszych-plyt-marca-czyli-co-nadrobic\/\">wi\u0119cej<\/a> <a href=\"https:\/\/brankomataja.bandcamp.com\/album\/over-fields-and-mountains\">\u266b<\/a>\u00a0<br \/><strong>BROADCAST <em>Maida Vale Sessions<\/em><\/strong>, Warp <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/04\/07\/10-najciekawszych-plyt-marca-czyli-co-nadrobic\/\">wi\u0119cej<\/a> <a href=\"https:\/\/broadcast.bandcamp.com\/album\/maida-vale-sessions\">\u266b<\/a>\u00a0<br \/><strong>CHARLES STEPNEY <em>Step on Step<\/em><\/strong>, International Anthem <a href=\"https:\/\/intlanthem.bandcamp.com\/album\/step-on-step\">\u266b<\/a>\u00a0\u00a0<br \/><strong>DENNY ZEITLIN WITH GEORGE MARSH AND MEL GRAVES <em>The Name of This Terrain<\/em><\/strong>, Now-Again <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/07\/12\/fantastyczny-denny-zeitlin-zapasy-na-droge\/\">wi\u0119cej<\/a> <a href=\"https:\/\/zeitlin.bandcamp.com\/album\/the-name-of-this-terrain\">\u266b<\/a>\u00a0\u00a0<br \/><strong>DEREK BAILEY <em>Domestic Jungle<\/em><\/strong>, Scatter <a href=\"https:\/\/scatterarchive.bandcamp.com\/album\/domestic-jungle\">\u266b<\/a>\u00a0\u00a0<br \/><strong>DICKIE LANDRY <em>Having Been Built on Sand<\/em>, <\/strong>Unseen Worlds <a href=\"https:\/\/dickielandry.bandcamp.com\/album\/having-been-built-on-sand\">\u266b<\/a>\u00a0<strong><br \/>DICKIE LANDRY <em>Solos<\/em><\/strong>, Unseen Worlds <a href=\"https:\/\/dickielandry.bandcamp.com\/album\/solos\">\u266b<\/a>\u00a0\u00a0<br \/><strong>FERKAT AL ARD <em>Oghneya<\/em><\/strong>, Habibi Funk <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/06\/28\/co-warto-a-co-trzeba-mamy-od-pilki\/\">wi\u0119cej<\/a> <a href=\"https:\/\/habibifunkrecords.bandcamp.com\/album\/habibi-funk-019-oghneya\">\u266b<\/a>\u00a0\u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY \/ FIELD WORKS <em>Stations<\/em><\/strong>, Temporary Residence Ltd. <a href=\"https:\/\/fieldworks.bandcamp.com\/album\/stations\">\u266b<\/a>\u00a0\u00a0<br \/><strong>GROUND ZERO <em>Plays Standards<\/em><\/strong>, Not Two Records <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/11\/15\/na-wschodzie-bez-zmian\/\">wi\u0119cej<\/a> <a href=\"https:\/\/groundzone.bandcamp.com\/album\/plays-standards\">\u266b<\/a>\u00a0\u00a0<br \/><strong>HORACE TAPSCOTT QUINTET <em>The Quintet<\/em><\/strong>, Mr Bongo <a href=\"https:\/\/mrbongo.bandcamp.com\/album\/the-quintet\">\u266b<\/a>\u00a0\u00a0<br \/><strong>IANNIS XENAKIS <em>Electroacoustic Works<\/em><\/strong>, Karlrecords <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/01\/12\/wznowienie-roku-juz-jest\/\">wi\u0119cej<\/a> <a href=\"https:\/\/karlrecords.bandcamp.com\/album\/electroacoustic-works\">\u266b<\/a>\u00a0\u00a0<br \/><strong>JOYCE WITH MAURICIO MAESTRO <em>Natureza<\/em><\/strong>, Far Out <a href=\"https:\/\/joycemoreno.bandcamp.com\/album\/natureza-produced-arranged-conducted-by-claus-ogerman\">\u266b<\/a>\u00a0\u00a0<br \/><strong>KRZYSZTOF KOMEDA QUINTET <em>Live in Praha 1964<\/em><\/strong>, GAD Records <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/07\/11\/jak-to-sie-powinno-robic-zapasy-na-droge\/\">wi\u0119cej<\/a> <a href=\"https:\/\/gadrecords.bandcamp.com\/album\/live-in-praha-1964\">\u266b<\/a>\u00a0\u00a0<br \/><strong>LES RALLIZES DENUDES <em>The Oz Tapes<\/em><\/strong>, Temporal Drift <a href=\"https:\/\/lesrallizesdenudes.bandcamp.com\/album\/the-oz-tapes\">\u266b<\/a>\u00a0\u00a0<br \/><strong>MAREK WILCZY\u0143SKI, ANDRZEJ KORZY\u0143SKI <em>Bolek i Lolek na Dzikim Zachodzie<\/em> OST<\/strong>, GAD Records <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/12\/07\/odklejka\/\">wi\u0119cej<\/a> <a href=\"https:\/\/open.spotify.com\/album\/568eiogd1qGsqnOYgyxQEn?si=DdROp6cTRWGvFYhn404Qcw\">\u266b<\/a>\u00a0\u00a0<br \/><strong>OKSANA LINDE <em>Aquatic and Other Worlds<\/em><\/strong>, Buh <a href=\"https:\/\/buhrecords.bandcamp.com\/album\/aquatic-and-other-worlds\">\u266b<\/a>\u00a0\u00a0<br \/><strong>STEREOLAB <em>Pulse of the Early Brain [Switched On Volume 5]<\/em><\/strong>, Duophonic <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/10\/04\/przyszlosc-bardziej-kompaktowa\/\">wi\u0119cej<\/a> <a href=\"https:\/\/stereolab.bandcamp.com\/album\/pulse-of-the-early-brain-switched-on-volume-5\">\u266b<\/a>\u00a0\u00a0<br \/><strong>TOMASZ STA\u0143KO QUINTET <em>Wooden Music I<\/em><\/strong>, Astigmatic <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/12\/07\/odklejka\/\">wi\u0119cej<\/a> <a href=\"https:\/\/tomaszstanko.bandcamp.com\/album\/wooden-music-i\">\u266b<\/a>\u00a0\u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Dobrostan<\/em><\/strong>, Kanu Kanu\/CannabiGold Sounds <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/01\/27\/samo-dobro\/\">wi\u0119cej<\/a> <a href=\"https:\/\/kanukanu.bandcamp.com\/album\/kanu-004-v-a-dobrostan\">\u266b<\/a>\u00a0\u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY <em>Fictions (Made to Measure Vol.47)<\/em><\/strong>, Crammed Discs <a href=\"https:\/\/crammed-discs.bandcamp.com\/album\/fictions-made-to-measure-vol-47\">\u266b<\/a> \u00a0<br \/><strong>R\u00d3\u017bNI WYKONAWCY \/ YASUHIRO MORINAGA <em>Exploring Gong Culture of Southeast Asia. Massif and Archipelago<\/em><\/strong>, Sub Rosa <a href=\"https:\/\/subrosalabel.bandcamp.com\/album\/exploring-gong-culture-of-southeast-asia-massif-and-archipelago\">\u266b<\/a>\u00a0\u00a0<br \/><strong>VOIVOD <em>Forgotten In Space<\/em><\/strong>, Noise (box)\u00a0\u00a0<\/p>\n<p><strong>wi\u0119cej<\/strong> &#8211; <em>linki do tekst\u00f3w na Polifonii\u00a0\u00a0<\/em><br \/><strong>\u266b<\/strong> &#8211; <em>linki ods\u0142uchowe\u00a0<\/em><\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":35962,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3200,5588,4993,558,5177],"tags":[894,5596,1124,5422,1237,5595,5519,5495,5592,5511,5599,5574,5594,2559,5597,5234,1946,5590,5591,5581,5598,5593,3917,1247,5525,5600],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35956"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35956"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35956\/revisions"}],"predecessor-version":[{"id":35963,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35956\/revisions\/35963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/35962"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=35956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=35956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}