{"id":35981,"date":"2023-01-04T09:05:59","date_gmt":"2023-01-04T08:05:59","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=35981"},"modified":"2023-01-04T18:48:18","modified_gmt":"2023-01-04T17:48:18","slug":"94-premiery-plytowe-stycznia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/01\/04\/94-premiery-plytowe-stycznia\/","title":{"rendered":"94 premiery p\u0142ytowe stycznia"},"content":{"rendered":"<p>Nowy rok wypada zacz\u0105\u0107 od sp\u00f3\u017anionego o kilka dni przegl\u0105du premier. To jeszcze jeden z tych miesi\u0119cy, kiedy wydaje si\u0119, \u017ce wszystko da si\u0119 ogarn\u0105\u0107, ale ju\u017c s\u0105 niespodzianki. Nie nale\u017cy do nich zapowiadana ju\u017c p\u0142yta <em>Every Loser <\/em>(Goldtooth\/Atlantic), kt\u00f3r\u0105 nagra\u0142 i pojutrze opublikuje<strong> Iggy Pop<\/strong>. Gwiazdorski zesp\u00f3\u0142 muzyk\u00f3w znanych z Red Hot Chili Peppers, Guns N&#8217;Roses, Jane&#8217;s Addiction czy Foo Fighters (tak, gra tu zmar\u0142y w zesz\u0142ym roku perkusista Taylor Hawkins), produkcja pod okiem Andrew Watta &#8211; \u0142atwo to sobie zsumowa\u0107 do pewniaka, solidnego rockowego albumu. S\u0105 na nim, jak zreszt\u0105 zwiastuje <em>Frenzy<\/em>, przeb\u0142yski punkowej krzykliwo\u015bci, bior\u0105c pod uwag\u0119 metryk\u0119 (Pop ma 75 lat i jest, co oczywiste, przedskoczkiem w dziedzinie punkowych weteran\u00f3w) cho\u0107 s\u0105 te\u017c momenty, gdzie Pop uprawia rodzaj rock&#8217;n&#8217;rollowego chodzonego i pod\u0105\u017ca w niemal Cohenowskie mruczanda. Rzecz b\u0119dzie si\u0119 podoba\u0107. Jest z pewno\u015bci\u0105 najbardziej bezpieczn\u0105 spo\u015br\u00f3d podejmowanych w ostatnich latach pr\u00f3b\u0105 monetyzacji tego bohatera (a przy okazji &#8211; zapewne niez\u0142\u0105 wizyt\u00f3wk\u0105 wsp\u00f3lnych koncert\u00f3w z RHChP), generalnie udan\u0105, cho\u0107 artystycznie nie tak przekonuj\u0105c\u0105 jak <em>Post Pop Depression<\/em> i nie tak klimatyczn\u0105 jak <em>Free<\/em>. B\u0119dzie grana w radiu, kilka singli da si\u0119 tu jeszcze wykroi\u0107, a rozpoczynanie roku od nowego albumu tego artysty nie wydaje si\u0119 najgorszym z mo\u017cliwych pomys\u0142\u00f3w. Jakkolwiek bezpiecze\u0144stwo nie by\u0142o dot\u0105d tym, z czym kojarzy\u0142o si\u0119 Popa w pierwszej kolejno\u015bci.&nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3U6B7Thb2LXZjhV47KTqmm?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE STYCZNIA 2023<\/strong><\/p>\n<p><strong>1.01 <\/strong><br \/><strong>Bisz<\/strong> Ulisses, PchamyTenSyf <br \/><strong>Canine Callgirls<\/strong> Feline Textboys <br \/><strong>Earth<\/strong> Even Hell Has Its Heroes, Thrones and Dominions <br \/><strong>M.O.O.N.<\/strong> Waste Away, EP<br \/><strong>Moby<\/strong> ambient23 <br \/><strong>Oedipus Apartment Complex<\/strong> The Blissful Sounds of Miracula<\/p>\n<p><strong>2.01 <\/strong><br \/><strong>Chris Cutler<\/strong> In a Box. Compositions and Collaborations, 1972-2022, ReR arch<br \/><strong>Grzegorz Bojanek<\/strong> Na trasie Kolei Warszawsko &#8211; Wiede\u200b\u0144\u200bskiej | Nagrania terenowe <br \/><strong>Mark Jenkin<\/strong> Enys Men OST, Invada <br \/><strong>Meeting By Chance<\/strong> (stand still) EP<br \/><strong>N O More<\/strong> Meaningful Human Control, Scatter <br \/><strong>Pere Grindo<\/strong> House of Ambici, Sat00rna<\/p>\n<p><strong>5.01 <\/strong><br \/><strong>Karyman<\/strong> Roads and Ways, Sat00rna<\/p>\n<p><strong>6.01 <\/strong><br \/><strong>Beatriz Ferreyr<\/strong>a Senderos de luz y sombras, Recollection GRM <br \/><strong>Daniel Teruggi<\/strong> Sph\u200b\u00e6\u200bra, Recollection GRM <br \/><strong>Iggy Pop<\/strong> Every Loser, Atlantic<br \/><strong>Paul Dunmall, Paul Rogers, Tony Orrell<\/strong> That&#8217;s My Life, 577 Records<\/p>\n<p><strong>10.01<\/strong><br \/><strong>Groupshow (Jelinek, Leichtmann, Pekler)<\/strong> Live At Skymall, Staubgold<\/p>\n<p><strong>11.01 <\/strong><br \/><strong>Immaterial Possession<\/strong> Immaterial Possession, Fire<\/p>\n<p><strong>12.01 <\/strong><br \/><strong>Hummingbird<\/strong> L\u200b\u00e4\u200bngd, Facture<\/p>\n<p><strong>13.01 <\/strong><br \/><strong>Anchor and Burden<\/strong> Kosmonautik Pilgrimage, MoonJune <br \/><strong>Bell Orchestre<\/strong> Recording a Tape the Colour of the Light, Erased Tapes <br \/><strong>Billy Nomates<\/strong> CACTI, Invada <br \/><strong>Circa Waves<\/strong> Never Going Under <br \/><strong>Declaime &amp; Madlib<\/strong> In the Beginning vol. 3, Fat Beats Distribution <br \/><strong>Dom<\/strong> Dom, Karott Kommando <br \/><strong>James Yorkston, Nina Persson &amp; The Second Hand Orchestra<\/strong> The Great White Sea Eagle, Domino <br \/><strong>Julia Wolf<\/strong> Good Thing We Stayed, Poorchoice Music <br \/><strong>Liela Moss<\/strong> Internal Working Model, Bella Union <br \/><strong>Lucas Santtana<\/strong> O Para\u200b\u00ed\u200bso, No Format! <br \/><strong>Margo Price<\/strong> Strays, Loma Vista <br \/><strong>Memphis LK<\/strong> Too Much Fun, Remote Control <br \/><strong>Miley Cyrus<\/strong> Ever Since Venus<br \/><strong>Obituary<\/strong> Dying of Everything, Relapse<br \/><strong>Tiago Sousa<\/strong> Organic Music Tapes vol. 2, Discrepant <br \/><strong>Tujiko Noriko<\/strong> Cr\u200b\u00e9\u200bpuscule I &amp; II, Editions Mego <br \/><strong>Velvet Negroni<\/strong> Bulli, 4AD<\/p>\n<p><strong>17.01<\/strong><br \/><strong>Ryuichi Sakamoto<\/strong> &#8222;12&#8221;, Milan<\/p>\n<p><strong>19.01 <\/strong><br \/><strong>Francisco Mela featuring Cooper-Moore and William Parker<\/strong> Music Frees Our Souls Vol. 2, 577 records<\/p>\n<p><strong>20.01 <\/strong><br \/><strong>Andrew Cyrille<\/strong> Music Delivery \/ Percussion, Intakt <br \/><strong>Andrzej Korzy\u0144ski<\/strong> Diabe\u0142 OST, Finders Keepers arch<br \/><strong>Art Ensemble of Chicago<\/strong> The Sixth Decade &#8211; From Paris to Paris, RogueArt<br \/><strong>Christoph Irniger Pilgrim with Stefan Aeby, Dave Gisler, Raffaele Bossard and Michael Stulz<\/strong> Ghost Cat, Intakt <br \/><strong>Danny Arakaki<\/strong> Tumble in Shade, Husky Pants <br \/><strong>DRY THRUST &#8211; Graewe\/Siewert\/Kern<\/strong> The Less You Sleep, Trost <br \/><strong>Falling Forward<\/strong> Let These Days Pass: The Complete Anthology 1991\u200b-\u200b1995, Temporary Residence<br \/><strong>Fred Frith \/ Susana Santos Silva<\/strong> Laying Demons to Rest, RogueArt <br \/><strong>Glyders<\/strong> Maria&#8217;s Hunt <br \/><strong>John Cale<\/strong> Mercy, Double Six <br \/><strong>John Zorn<\/strong> New Masada Quartet Volume Two, Tzadik <br \/><strong>Kali Malone (featuring Stephen O\u2019Malley &amp; Lucy Railton)<\/strong> Does Spring Hide Its Joy, Ideologic Organ <br \/><strong>Katatonia<\/strong> Sky Void of Stars <br \/><strong>Kawashima \/ Mochizuki \/ Henritzi<\/strong> Chinmoku wa ishikure ni yadoru bouryoku, Trost <br \/><strong>Ladytron<\/strong> Time&#8217;s Arrow, Cooking Vinyl <br \/><strong>Laibach<\/strong> Love I Still Alive, EP <br \/><strong>L\u00e5psley<\/strong> Cautionary Tales of Youth, Believe <br \/><strong>Loadbang and Ekmeles with guests<\/strong> The Consent of Sound and Meaning: Music of Eric Richards, New Focus <br \/><strong>Nighttime<\/strong> Keeper Is the Heart, Ba Da Bing <br \/><strong>Refree<\/strong> El Espacio Entre, Glitterbeat <br \/><strong>Riverside<\/strong> ID.Entity <br \/><strong>Simon Scott<\/strong> Long Drove, Room40 <br \/><strong>The Bad Ends<\/strong> The Power and the Glory, New West<br \/><strong>The Murder Capital<\/strong> Gigi&#8217;s Recovery, Human Season<br \/><strong>We Are Scientists<\/strong> Lobes<br \/><strong>you.GURU<\/strong> Untouchable, Antena Krzyku<\/p>\n<p><strong>22.01 <\/strong><br \/><strong>Emanuel Harrold<\/strong> We da People, Gearbox<\/p>\n<p><strong>23.01 <\/strong><br \/><strong>Deathprod<\/strong> Compositions, Smalltown Supersound<\/p>\n<p><strong>27.01<\/strong><br \/><strong> Asher<\/strong> Automatism, Room40 <br \/><strong>Ava Max<\/strong> Diamonds &amp; Dabcefloors, Atlantic <br \/><strong>Bob Dylan<\/strong> The Bootleg Series Vol. 17: Fragments &#8211; Time Out of Mind Sessions (1996-1997), Columbia <br \/><strong>Christine Correa<\/strong> Just You Stand and Listen with Me, Sunnyside <br \/><strong>Complete Mountain Almanac<\/strong> Complete Mountain Almanac, Bella Union <br \/><strong>Cristobal Tapia De Veer<\/strong> The White Lotus OST, WRWTFWW<br \/><strong>Dobrawa Czocher<\/strong> Dreamscapes, Modern\/BMG<br \/><strong>Eagle-Eye Cherry<\/strong> Back On Track, Playground <br \/><strong>Fucked Up<\/strong> One Day, Merge <br \/><strong>Hen Ogledd<\/strong> Bronze, Drag City reed<br \/><strong>Hen Ogledd<\/strong> Hen Ogledd, Drag City reed<br \/><strong>Ibukun<\/strong> Sunday PSALM010: Mantra, Phantom Limb <br \/><strong>J. Rocc<\/strong> Beatitudes, Stones Throw <br \/><strong>Jo Johnson<\/strong> The Wave Ahead, Mysteries of the Deep <br \/><strong>Kenny Beats<\/strong> Louie, XL <br \/><strong>Kimbra<\/strong> A Reckoning <br \/><strong>King Tuff<\/strong> Smalltown Stardust, Sub Pop <br \/><strong>Le Cri du Caire<\/strong> Le Cri du Caire, Les Disques du Festival Permanent <br \/><strong>Matthias Puech<\/strong> Mt. Hadamard National Park, Hallow Ground <br \/><strong>Meg Baird<\/strong> Furling, Drag City <br \/><strong>Nat Birchall<\/strong> The Infinite <br \/><strong>Oozing Wound<\/strong> We Cater to Cowards, Thrill Jockey <br \/><strong>Phil Ranelin, Wendell Harrison, Adrian Younge, Ali Shaheed Muhammad<\/strong> Phil Ranelin and Wendell Harrison JID016, Jazz Is Dead <br \/><strong>Purple Decades<\/strong> Journey Test, Beacon Sound <br \/><strong>Rian Treanor &amp; Ocen James<\/strong> Saccades, Nyege Nyege Tapes <br \/><strong>Sam Smith<\/strong> Gloria <br \/><strong>Scott L. Miller &amp; Zeitgeist<\/strong> Coincident, New Focus <br \/><strong>Vusi Mahlasela, Norman Zulu and Jive Connection<\/strong> Face to Face, Strut arch<br \/><strong>Witch<\/strong> Waile<\/p>\n<p><strong>28.01 <\/strong><br \/><strong>Don Cherry &amp; Jean Schwarz<\/strong> Roundtrip (1977), Transversales arch<\/p>\n<p><strong>30.01 <\/strong><br \/><strong>Evita Manji<\/strong> Spandrel?, PAN <br \/><strong>Hollie Kenniff<\/strong> All Have Places That We Miss, Western Vinyl<\/p>\n<p><strong>31.01 <\/strong><br \/><strong>Grant Chapman<\/strong> Indentations, Metron<\/p>","protected":false},"excerpt":{"rendered":"<p>Nowy rok wypada zacz\u0105\u0107 od sp\u00f3\u017anionego o kilka dni przegl\u0105du premier. To jeszcze jeden z tych miesi\u0119cy, kiedy wydaje si\u0119, \u017ce wszystko da si\u0119 ogarn\u0105\u0107, ale ju\u017c s\u0105 niespodzianki. Nie nale\u017cy do nich zapowiadana ju\u017c p\u0142yta Every Loser (Goldtooth\/Atlantic), kt\u00f3r\u0105 nagra\u0142 i pojutrze opublikuje Iggy Pop. Gwiazdorski zesp\u00f3\u0142 muzyk\u00f3w znanych z Red Hot Chili Peppers, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35989,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,13,120,3319,444,3309,526,4009,5601],"tags":[1083],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35981"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35981"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35981\/revisions"}],"predecessor-version":[{"id":36003,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/35981\/revisions\/36003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/35989"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=35981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=35981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}