{"id":36179,"date":"2023-01-20T13:19:07","date_gmt":"2023-01-20T12:19:07","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=36179"},"modified":"2023-01-20T14:13:08","modified_gmt":"2023-01-20T13:13:08","slug":"cale-w-kazdym-calu","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/01\/20\/cale-w-kazdym-calu\/","title":{"rendered":"Cale w ka\u017cdym calu"},"content":{"rendered":"<p>W dawnych dzia\u0142aniach <strong>Johna Cale&#8217;a<\/strong> z okresu The Theatre of Eternal Music, a troch\u0119 i w epoce The Velvet Underground, chodzi\u0142o m.in. o zatrzymanie czasu muzyk\u0105. Teraz daleko mu do minimal music, aran\u017cacje na nowym, pierwszym od wielu lat albumie Mercy, s\u0105 ca\u0142kiem z\u0142o\u017cone, formy rozwini\u0119te, ale te\u017c mo\u017cna wyj\u015b\u0107 z tego z prze\u015bwiadczeniem, \u017ce czas si\u0119 zatrzyma\u0142. 80-letni Cale na nowej p\u0142ycie, otoczony wianuszkiem wspania\u0142ych go\u015bci, brzmi troch\u0119 jak David Bowie w ostatnich latach swojej dzia\u0142alno\u015bci: jego g\u0142os przepe\u0142nia szlachetna i dojrza\u0142a rezygnacja, odniesienia do \u015bwiata zewn\u0119trznego s\u0105 raczej gorzkie (<em>Dawna wielko\u015b\u0107 Europy tonie w b\u0142ocie<\/em> &#8211; \u015bpiewa w <em>Time Stands Still<\/em>), ale ci\u0105gle jeszcze pr\u00f3buje na niego wp\u0142yn\u0105\u0107. Zostawi\u0107 \u015blad, uspokoi\u0107 ca\u0142\u0105 reszt\u0119 ludzi: <em>Dzisiejszy wiecz\u00f3r to jeszcze nie jest koniec \u015bwiata<\/em> &#8211; zapewnia w <em>Not the End of the World<\/em>.\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qgwOid8vdwE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Daleki jestem od ekscytacji tym nowym materia\u0142em: to p\u0142yta utrzymana w umiarkowanych albo wolnych tempach, raczej melancholijna (co prze\u0142amuje przewrotnie<em> I Know You&#8217;re Happy<\/em>) , z jednej strony pe\u0142na uroku i czytelna, z drugiej &#8211; niezbyt zach\u0119caj\u0105ca do s\u0142uchania w k\u00f3\u0142ko. A mia\u0142em okazj\u0119 parokrotnie pos\u0142ucha\u0107 jej przed premier\u0105. Walijczyk nie wymy\u015bla si\u0119 tu na nowo, ale z pomoc\u0105 Actress, Animal Collective czy Laurel Halo zagl\u0105da w r\u00f3\u017cne rejony, wypadaj\u0105c w tym poszukiwaniu &#8211; szczeg\u00f3lnie jak na metryk\u0119 &#8211; ca\u0142kiem \u015bwie\u017co. I cho\u0107 najbardziej przemawiaj\u0105 do mnie piosenki do\u015b\u0107 tradycyjne (wspomniane <em>Time Stands Still<\/em> i fina\u0142owe<em> Out Your Window<\/em>), to s\u0105 momenty, gdy przypomina sobie o w\u0142asnych eksperymentalnych korzeniach. Cho\u0107by <em>Marilyn Monroe&#8217;s Legs<\/em> z przetwarzanymi wokalami. Ewidentnie chcia\u0142 jednocze\u015bnie zamacha\u0107 do szerszej publiczno\u015bci i zrobi\u0107 uk\u0142on w stron\u0119 fan\u00f3w. Trudno takie dwa gesty wykona\u0107 jednocze\u015bnie i wi\u0119ksz\u0105 pewno\u015b\u0107 mia\u0142bym w stosunku do skuteczno\u015bci tego drugiego aspektu. Jestem ciekaw, co z tego wyjdzie, licz\u0119 na to, \u017ce nie b\u0119dzie to wariant <em>Blackstar. <\/em>Ale te\u017c nie mam w\u0105tpliwo\u015bci, \u017ce nie taki jest potencja\u0142 p\u0142yty <em>Mercy<\/em>. Wa\u017cne, \u017ce styl Cale&#8217;a jest tu rozpoznawalny, a materia\u0142 nie przynosi jakiego\u015b frontalnego zawodu.&nbsp; &nbsp; &nbsp;<\/p>\n<p><strong>JOHN CALE <em>Mercy<\/em><\/strong>, Double Six\/Domino 2023&nbsp;<\/p>\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0kRucvv6YTD7EJ0jduNmD0?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>14.01 <strong>Eiko Ishibashi \/ Jim O&#8217;Rourke<\/strong> Live in Okayama <br>17.01 <strong>Ryuichi Sakamoto<\/strong> &#8222;12&#8221;, Milan <br>19.01 <strong>Buck Curran<\/strong> Immortal Light, Ramble <br>19.01<strong> Francisco Mela featuring Cooper-Moore and William Parker<\/strong> Music Frees Our Souls Vol. 2, 577 records <br>20.01 <strong>Aidan Baker &amp; Sergio Sorrentin<\/strong> And the Clouds Played the Guitar <br>20.01 <strong>Andrew Cyrille<\/strong> Music Delivery \/ Percussion, Intakt <br>20.01 <strong>Andrzej Korzy\u0144ski<\/strong> Diabe\u0142 OST, Finders Keepers arch<br>20.01 <strong>Art Ensemble of Chicago<\/strong> The Sixth Decade &#8211; From Paris to Paris, RogueArt <br>20.01 <strong>Boldy James &amp; Richgains<\/strong> Indiana Jones <br>20.01 <strong>Brainiac<\/strong> The Predator Nominate, Touch and Go EP<br>20.01 <strong>Christoph Irniger Pilgrim with Stefan Aeby, Dave Gisler, Raffaele Bossard and Michael Stulz<\/strong> Ghost Cat, Intakt <br>20.01 <strong>Danny Arakaki<\/strong> Tumble in Shade, Husky Pants <br>20.01 <strong>Dave Rowntree<\/strong> Radio Songs, Cooking Vinyl <br>20.01 <strong>DRY THRUST &#8211; Graewe\/Siewert\/Kern<\/strong> The Less You Sleep, Trost <br>20.01 <strong>Falling Forward<\/strong> Let These Days Pass: The Complete Anthology 1991\u200b-\u200b1995, Temporary Residence <br>20.01<strong> Fred Frith \/ Susana Santos Silva<\/strong> Laying Demons to Rest, RogueArt <br>20.01 <strong>Gamut Inc.<\/strong> Sum to Infinity, Morphine <br>20.01 <strong>Ghost Woman<\/strong> Anne, If, Full Time Hobby <br>20.01 <strong>Glyders<\/strong> Maria&#8217;s Hunt <br>20.01<strong> Imperium Dekadenz<\/strong> Into Sorrow Evermore, Napalm <br>20.01 <strong>John Cale<\/strong> Mercy, Double Six <br>20.01 <strong>John Zorn<\/strong> New Masada Quartet Volume Two, Tzadik <br>20.01 <strong>Judy Talk<\/strong> Remember Never Before, Six Shooter <br>20.01 <strong>Kali Malone (featuring Stephen O\u2019Malley &amp; Lucy Railton)<\/strong> Does Spring Hide Its Joy, Ideologic Organ <br>20.01 <strong>Katatonia<\/strong> Sky Void of Stars <br>20.01 <strong>Kawashima \/ Mochizuki \/ Henritzi<\/strong> Chinmoku wa ishikure ni yadoru bouryoku, Trost <br>20.01 <strong>Ladytron<\/strong> Time&#8217;s Arrow, Cooking Vinyl<br>20.01 <strong>Laibach<\/strong> Love Is Still Alive EP<br>20.01 <strong>L\u00e5psley<\/strong> Cautionary Tales of Youth, Believe <br>20.01 <strong>Lionel Marchett &amp; Decibel<\/strong> Inland Lake (le lac int\u200b\u00e9\u200brieur), Room40 <br>20.01 <strong>Loadbang and Ekmeles with guests<\/strong> The Consent of Sound and Meaning: Music of Eric Richards, New Focus <br>20.01 <strong>Mac DeMarco<\/strong> Five Easy Hot Dogs, Mac&#8217;s Record Label <br>20.01 <strong>M\u00e5neskin<\/strong> Rush!, Epic <br>20.01 <strong>Martina Bertoni<\/strong> Hypnagogia, Karlrecords <br>20.01 <strong>Mike Majkowski<\/strong> Coast, Fragments Editions <br>20.01 <strong>New Found Glory<\/strong> Make the Most of It, Revelation <br>20.01 <strong>Nighttime<\/strong> Keeper Is the Heart, Ba Da Bing <br>20.01 <strong>Oddisee<\/strong> To What End, Outer Note <br>20.01 <strong>Refree<\/strong> El Espacio Entre, Glitterbeat <br>20.01 <strong>Riverside<\/strong> ID.Entity <br>20.01 <strong>RM Francis<\/strong> pedimos un mensaje, Superpang <br>20.01 <strong>Scalp<\/strong> Black Tar, Closed Casket Activities <br>20.01 <strong>Simon Scott<\/strong> Long Drove, Room40 <br>20.01 <strong>Ted Reichman<\/strong> Orgelwerke, Touch <br>20.01 <strong>The Bad Ends<\/strong> The Power and the Glory, New West <br>20.01 <strong>The Murder Capital<\/strong> Gigi&#8217;s Recovery, Human Season <br>20.01 <strong>Tribunal<\/strong> The Weight of Remembrance, 20 Buck Spin <br>20.01 <strong>We Are Scientists<\/strong> Lobes <br>20.01<strong> you.GURU<\/strong> Untouchable, Antena Krzyku<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>W dawnych dzia\u0142aniach Johna Cale&#8217;a z okresu The Theatre of Eternal Music, a troch\u0119 i w epoce The Velvet Underground, chodzi\u0142o m.in. o zatrzymanie czasu muzyk\u0105. Teraz daleko mu do minimal music, aran\u017cacje na nowym, pierwszym od wielu lat albumie Mercy, s\u0105 ca\u0142kiem z\u0142o\u017cone, formy rozwini\u0119te, ale te\u017c mo\u017cna wyj\u015b\u0107 z tego z prze\u015bwiadczeniem, \u017ce [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2674],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36179"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=36179"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36179\/revisions"}],"predecessor-version":[{"id":36185,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36179\/revisions\/36185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/36180"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=36179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=36179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=36179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}