
{"id":36418,"date":"2023-02-01T17:12:55","date_gmt":"2023-02-01T16:12:55","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=36418"},"modified":"2023-02-01T19:21:12","modified_gmt":"2023-02-01T18:21:12","slug":"146-premier-plytowych-lutego","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/02\/01\/146-premier-plytowych-lutego\/","title":{"rendered":"146 premier p\u0142ytowych lutego"},"content":{"rendered":"<p>W najnowszej POLITYCE m\u00f3j <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/2199412,1,winyle-biznes-sie-kreci.read\">tekst o czarnej przysz\u0142o\u015bci winylowego rynku<\/a>. Bo cho\u0107 o niepokoj\u0105cych tendencjach (w\u015br\u00f3d entuzjazmu zwi\u0105zanego ze sprzeda\u017c\u0105) wspomina\u0142em ju\u017c w <a href=\"https:\/\/polifonia.blog.polityka.pl\/2022\/12\/28\/rok-2022-10-uwag-koncowych\/\">podsumowaniu roku 2022<\/a>, uzna\u0142em, \u017ce temat pt. czy rynek si\u0119 sko\u0144czy, zanim si\u0119 na dobre rozkr\u0119ci\u0142, wart jest poszerzenia. Przy okazji polecam <a href=\"https:\/\/panwinyl.pl\/2022\/09\/22\/zmiana-daty-premiery-ksiazki-o-winylach-komunikat\/\">&#8222;Ksi\u0105\u017ck\u0119 o winylach&#8221;<\/a>, kt\u00f3r\u0105 firmuje Pan Winyl. Przede wszystkim jako kompendium prosto wy\u0142o\u017conej wiedzy na temat historii tego no\u015bnika. Co do przysz\u0142o\u015bci &#8211; sami b\u0119dziemy to testowa\u0107 w lutym. Premier jest tak du\u017co, \u017ce tego si\u0119, prosz\u0119 pa\u0144stwa, nie da wyt\u0142oczy\u0107 w terminie. Chyba \u017ce wyci\u0105\u0107 samotnie, gdy kto\u015b ma wycinark\u0119. Dawa\u0107 te CD &#8211; postuluj\u0119. To te\u017c przydatny no\u015bnik. Da si\u0119 co\u015b jeszcze z nim zrobi\u0107. No i lokata zwi\u0105zana z muzyk\u0105 wci\u0105\u017c pewniejsza ni\u017c NFT.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n<p><strong>PREMIERY P\u0141YTOWE LUTEGO 2023<\/strong><\/p>\n<p><strong>1.02 <\/strong><br \/><strong>Opla<\/strong> GTI, Pointless Geometry MC\/DL<br \/><strong>Robactwo<\/strong> Mi\u0119kkie miasta, Chwast Records DL, CD ltd<br \/><strong>Tekla Goldman<\/strong> Ta\u015bma <br \/><strong>The Veil<\/strong> .\u200b.\u200b.\u200bAnd Out Of The Void Came, Love Ba Da Bing<\/p>\n<p><strong>2.02 <\/strong><br \/><strong>Biliana Voutchkova &amp; Sarah Davachi<\/strong> Slow Poem For Stiebler, Another Timbre <br \/><strong>Young Fathers<\/strong> Heavy Heavy, Ninja Tune<\/p>\n<p><strong>3.02 <\/strong><br \/><strong>Acid Arab<\/strong> \u0663 (Trois), Crammed Discs <br \/><strong>Bardo Pond<\/strong> No Hashish, No Change Money, No Saki Saki, Three Lobed reed<br \/><strong>Brandon Ross<\/strong> Of Sight and Sound, Sunnyside <br \/><strong>Ellie Goulding<\/strong> Higher Than Heaven, Interscope <br \/><strong>Huntly<\/strong> Sentimental Still, Remote Control <br \/><strong>Isabelle Bodenseh<\/strong> Flowing Mind, GLM <br \/><strong>John Frusciante<\/strong> : I I ., Avenue 66 <br \/><strong>John Frusciante<\/strong> . I :, Avenue 66 <br \/><strong>Kacper Krupa<\/strong> First Snow <br \/><strong>Korn<\/strong> Requiem Deluxe, Loma Vista <br \/><strong>La T\u00e8ne<\/strong> Ecorcha\u200b\/\u200bTaill\u200b\u00e9\u200be, Les Disques Bongo Joe <br \/><strong>Lee Paradise<\/strong> Steady EP, Telephone Explosion <br \/><strong>Loscil &amp; Lawrence English<\/strong> Colours of Air, Kranky <br \/><strong>Pavel Milyakov<\/strong> Project Mirrors, AD 93 <br \/><strong>Raye<\/strong> My 21st Century Blues <br \/><strong>Richard Beaudoin<\/strong> Digital Memory and the Archive, New Focus <br \/><strong>Rien Faire<\/strong> Peuple, Dur &amp; Doux <br \/><strong>Seljuk Rustum<\/strong> Cardboard Castles, Hive Mind <br \/><strong>Shania Twain<\/strong> Queen of Me <br \/><strong>Sunny War<\/strong> Anarchist Gospel, New West <br \/><strong>The Go! Team<\/strong> Get Up Sequences Part Two, Memphis Industries <br \/><strong>The Men<\/strong> New York City, Fuzz Club <br \/><strong>The Waeve<\/strong> The Waeve, Transgressive <br \/><strong>TNS<\/strong> Submersive Behaviour, Joyful Noise <br \/><strong>Tony Conrad \/ Arnold Dreyblatt \/ Jim O&#8217;Rourke<\/strong> Tonic 19\u200b-\u200b01\u200b-\u200b2001, Black Truffle arch<br \/><strong>Toumba<\/strong> Petals EP, Hessle Audio <br \/><strong>Valtteri Laurell<\/strong> Nonet Tigers Are Better Looking, We Jazz <br \/><strong>Vladislav Delay<\/strong> Whistleblower (2022 remaster), Keplar <br \/><strong>Will Epstein<\/strong> Wendy, Fat Possum <br \/><strong>Zave<\/strong> <strong>Trow<\/strong> envo\u200b\u00fb\u200bteuse haleine, Room40<\/p>\n<p><strong>5.02 <\/strong><br \/><strong>Stanis\u0142aw Aleksandrowicz Oktet<\/strong> Pie\u015b\u0144 o b\u0119bnie<\/p>\n<p><strong>6.02 <\/strong><br \/><strong>Twoosty Mayonez<\/strong> Carmin LP, U Know Me <br \/><strong>Warmth<\/strong> Collider, Archives<\/p>\n<p><strong>7.02 <\/strong><br \/><strong>Anthony Pateras<\/strong> Two Solos, Futura Resistenza<\/p>\n<p><strong>9.02 <\/strong><br \/><strong>B\u0142a\u017cej Kr\u00f3l<\/strong> W ka\u017cdym (polskim) domu, Sony <br \/><strong>Satoko Fujii &amp; Otomo Yoshihide<\/strong> Perpetual Motion, Ayler<\/p>\n<p><strong>10.02 <\/strong><br \/><strong>Andy Shauf<\/strong> Norm, Anti- <br \/><strong>Black Belt Eagle Scout<\/strong> The Land, The Water, The Sky, Saddle Creek<br \/><strong>Brian Jonestown Massacre<\/strong> The Future Is Your Past <br \/><strong>Earth House<\/strong> Hold How Deep Is Your Devotion, A Strangely Isolated Place <br \/><strong>El Ten Eleven<\/strong> Valley of Fire, Joyful Noise <br \/><strong>Guy Barash<\/strong> Killdeer, New Focus <br \/><strong>Ha\u0144ba!<\/strong> Narutowicz, Don&#8217;t Sit On My Vinyl 7&#8243;<br \/><strong>Kelela<\/strong> Raven, Warp <br \/><strong>Laraaji<\/strong> Segue to Infinity, Numero Group<br \/><strong>Lisa O&#8217;Neill<\/strong> All Of This Is Chance, Rough Trade <br \/><strong>Marlene Ribeiro<\/strong> Toquei no Sol, Lovers &amp; Lollypops <br \/><strong>\u00f8jeRum\/Scanner<\/strong> V\u200b\u00e5\u200bgnende Jeg Ser De D\u200b\u00f8\u200bde, Room40 <br \/><strong>Paramore<\/strong> This Is Why <br \/><strong>Pearla<\/strong> Oh Glistening Onion, the Nighttime Is Coming, Spacebomb <br \/><strong>Quasi<\/strong> Breaking the Balls of History, Sub Pop <br \/><strong>R. IWANSKI<\/strong> Transformations 1, Eter\/Gusstaff CD\/DL (LP w marcu)<br \/><strong>Roberto Cassani &amp; Fraser A. Campbell<\/strong> Poet Shuts Clock, Sunnyside <br \/><strong>Shayna Dunkelman &amp; Javier Areal V\u00e9lez<\/strong> Miru Mira, Atlantic Rhythms <br \/><strong>Stephanie Lamprea<\/strong> 14 R\u200b\u00e9\u200bcitations, New Focus<br \/><strong>The Golden Dregs<\/strong> On Grace &amp; Dignity, 4AD <br \/><strong>VA<\/strong> Portals, Other People <br \/><strong>Vusi Mahlasela, Norman Zulu and Jive Connection<\/strong> Face To Face, Strut<br \/><strong>White Lung<\/strong> Premonition, Domino <br \/><strong>Yo La Tengo<\/strong> This Stupid World, Matador <br \/><strong>ZA!<\/strong> ZA! &amp; la TransMegaCobla, Lovers &amp; Lollypops<\/p>\n<p><strong>11.02 <\/strong><br \/><strong>The OO-Ray<\/strong> Generate, Audiobulb<\/p>\n<p><strong>14.02 <\/strong><br \/><strong>Caroline Polachek<\/strong> Desire, I Want To Turn Into You, Perpetual Novice<\/p>\n<p><strong>16.02 <\/strong><br \/><strong>Jonnine<\/strong> Maritz, Idle Press<\/p>\n<p><strong>17.02 <\/strong><br \/><strong>Aksel Roed&#8217;s Other Aspects<\/strong> Do You Dream In Colour, Is It Jazz <br \/><strong>Anna B Savage<\/strong> Influx, City Slang <br \/><strong>Astroturf Noise<\/strong> Blazing\/Freezing, 577 Records <br \/><strong>Attila Csihar<\/strong> Void Ov Voices : Baalbek, Ideologic Organ <br \/><strong>Avey Tare<\/strong> 7s, Domino <br \/><strong>Damos Room x LYAM<\/strong> EIN, Accidental <br \/><strong>Death &amp; Vanilla<\/strong> Flicker, Fire <br \/><strong>dEUS<\/strong> How To Replace It, PIAS <br \/><strong>Egipcjanie<\/strong> Czas dla siebie, Thin Man CD<br \/><strong>Erik Hall<\/strong> Canto Ostinato (Simeon ten Holt), Western Vinyl <br \/><strong>Gabriel da Rosa<\/strong> \u00c9 o que a casa oferece, Stones Throw <br \/><strong>Grupo Um<\/strong> Starting Point, Far Out <br \/><strong>Hania Rani<\/strong> On Giacometti, Gondwana <br \/><strong>IFS MA<\/strong> REIFSMA, Guides <br \/><strong>Jon Hassell<\/strong> Psychogeography, Ndeya <br \/><strong>Jon Hassell<\/strong> The Living City, Ndeya <br \/><strong>Jon Hassell<\/strong> Further Fictions, Ndeya <br \/><strong>Khotin<\/strong> Release Spirit, Ghostly <br \/><strong>King Ayisoba<\/strong> Work Hard, Glitterbeat <br \/><strong>Lisel<\/strong> Patterns For Auto\u200b-\u200bTuned Voices And Delay, Ba Da Bing <br \/><strong>Orbital<\/strong> Optical Delusion <br \/><strong>P!nk<\/strong> Trustfall <br \/><strong>Pedro Ricardo<\/strong> Soprem Bons Ventos, Soundway <br \/><strong>Pigs Pigs Pigs Pigs Pigs Pigs Pigs<\/strong> Land of Sleeper, Rocket <br \/><strong>Polobi &amp; the Gwo Ka Masters<\/strong> Abroni Cyclonique, Real World <br \/><strong>Roberto Pistolesi<\/strong> Open Lands and Moving People, \u03a0\u039amusic <br \/><strong>Santa Muerte<\/strong> Eslabon EP, Hyperdub <br \/><strong>Screaming Females<\/strong> Desire Pathway, Don Giovanni <br \/><strong>Sounding Society<\/strong> Homecoming Medley or Society Into Sound, Gotta Let It Out <br \/><strong>The Wild Classical Music Ensemble &amp; Lee Ranaldo<\/strong> Hell Gate, La Belle Brute <br \/><strong>Wesley Joseph<\/strong> Glow, Secretly Canadian <br \/><strong>Zdech\u0142y Osa<\/strong> Breslau Hardcore, Warner<\/p>\n<p><strong>18.02 <\/strong><br \/><strong>Steve Roden<\/strong> Winter Couplet, Room40<\/p>\n<p><strong>19.02 <\/strong><br \/><strong>Grand River<\/strong> All Above, Editions Mego<\/p>\n<p><strong>20.02 <\/strong><br \/><strong>Beqa Ungiadze<\/strong> PSALM011: \u10e1\u200b\u10d0\u200b\u10d3\u200b\u10d2\u200b\u10e3\u200b\u10e0\u200b\u10d8 [Station], Phantom Limb<\/p>\n<p><strong>21.02 <\/strong><br \/><strong>Trupa Trupa<\/strong> ttt, Glitterbeat<\/p>\n<p><strong>23.02<br \/>RSS B0Y 1 <\/strong>H0L0, Sat00rna <br \/><strong>The Strokes<\/strong> The Singles: Volume 1, Rough Trade<\/p>\n<p><strong>24.02 <\/strong><br \/><strong>3Phaz<\/strong> Ends Meet, Discrepant <br \/><strong>Afro Kolektyw<\/strong> Ostatnie s\u0142owo <br \/><strong>Algiers<\/strong> Shook, Matador <br \/><strong>Amen Seat<\/strong> Amen Seat, Deathbomb Arc <br \/><strong>BIG|BRAVE<\/strong> Nature Morte, Thrill Jockey <br \/><strong>Circus\/Citadel<\/strong> Antti L\u200b\u00f6\u200btj\u200b\u00f6\u200bnen, We Jazz <br \/><strong>Drew Gardner<\/strong> The Return, Astral Spirits <br \/><strong>Earth Trax<\/strong> Closer Now, Lapsus <br \/><strong>Faten Kanaan<\/strong> Afterpoem, Fire <br \/><strong>Gorillaz<\/strong> Cracker Island, Warner <br \/><strong>Hako Yamasaki<\/strong> Tsunawatari, WRWTFWW <br \/><strong>Hako Yamasaki<\/strong> Tobimasu, WRWTFWW reed<br \/><strong>Heinali<\/strong> Kiyv Eternal, Injazero <br \/><strong>Iris DeMent<\/strong> Workin\u2019 on a World, Flariella <br \/><strong>Ironomi<\/strong> Himorogi, Kitchen Label <br \/><strong>J. Vague<\/strong> Silver, Mansions &amp; Millions <br \/><strong>Kaitlyn Aurelia Smith<\/strong> Let&#8217;s Turn It Into Sound Remixes, Ghostly EP<br \/><strong>Katrina Krimsky<\/strong> &#8222;1980&#8221;, Unseen Worlds arch<br \/><strong>KSU<\/strong> &#8222;44&#8221;, Mystic <br \/><strong>Lisa Marie Simmons, Marco Cremaschini<\/strong> Notespeak 12, Ropeadope <br \/><strong>Mat Muntz<\/strong> Phantom Islands, Orenda <br \/><strong>Mattias Petersson<\/strong> Triangular Progressions, Hallow Ground <br \/><strong>Meemo Comma<\/strong> Loverboy, Planet Mu <br \/><strong>Neutral Milk Hotel<\/strong> The Collected Works of Neutral Milk Hotel, Merge arch<br \/><strong>NNAMD\u00cf<\/strong> Please HAve a Seat Deluxe, Secretly Canadian <br \/><strong>Oran\u017cada<\/strong> Karma tango, Audio Cave CD, DL<br \/><strong>Owen Pallett<\/strong> The Two EPs, Secret City <br \/><strong>Philip Selway<\/strong> Strange Dance, Bella Union <br \/><strong>Poil Ueda<\/strong> Poil Ueda, Dur &amp; Doux <br \/><strong>Sam Gendel<\/strong> Cookup, Nonesuch <br \/><strong>Shame<\/strong> Food For Worms <br \/><strong>Snow Ghosts<\/strong> The Fell, Houndstooth <br \/><strong>The Necks<\/strong> Travel, Norther Spy <br \/><strong>Tigeroak<\/strong> Living and Living, April <br \/><strong>Tunico<\/strong> Tunico, Far Out <br \/><strong>Ty Segall &amp; Emmett Kelly<\/strong> Live at Workship, Drag City <br \/><strong>U.S. Girls<\/strong> Bless the Mess, 4AD<\/p>\n<p><strong>25.02 <\/strong><br \/><strong>Megan Alice<\/strong> Clune Furtive Glances, Room40<\/p>\n<p><strong>27.02 <\/strong><br \/><strong>Kisu mun<\/strong> City of the revolution, Antena Krzyku<\/p>\n<p><strong>28.02 <\/strong><br \/><strong>Adam Go\u0142\u0119biewski \/ Witold Oleszak<\/strong> Unisex, Antenna Non Grata CD, DL<br \/><strong>Fabriker [101]<\/strong> Delirus, Antenna Non Grata CD, DL<br \/><strong>Zima Stulecia<\/strong> Minus 30\u00b0C, Astigmatic<\/p>\n<p><strong>tbc <\/strong><br \/><strong>DUNS<\/strong> Rufus<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>W najnowszej POLITYCE m\u00f3j tekst o czarnej przysz\u0142o\u015bci winylowego rynku. Bo cho\u0107 o niepokoj\u0105cych tendencjach (w\u015br\u00f3d entuzjazmu zwi\u0105zanego ze sprzeda\u017c\u0105) wspomina\u0142em ju\u017c w podsumowaniu roku 2022, uzna\u0142em, \u017ce temat pt. czy rynek si\u0119 sko\u0144czy, zanim si\u0119 na dobre rozkr\u0119ci\u0142, wart jest poszerzenia. Przy okazji polecam &#8222;Ksi\u0105\u017ck\u0119 o winylach&#8221;, kt\u00f3r\u0105 firmuje Pan Winyl. Przede wszystkim jako [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36420,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3822],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36418"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=36418"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36418\/revisions"}],"predecessor-version":[{"id":36424,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/36418\/revisions\/36424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/36420"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=36418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=36418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=36418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}