{"id":37868,"date":"2023-04-28T09:08:19","date_gmt":"2023-04-28T07:08:19","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=37868"},"modified":"2023-04-28T09:42:05","modified_gmt":"2023-04-28T07:42:05","slug":"wolne-zapominanie","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/04\/28\/wolne-zapominanie\/","title":{"rendered":"Wolne zapominanie"},"content":{"rendered":"<p>Przy wra\u017ceniach wzrokowych zdarzaj\u0105 si\u0119 powidoki. W wypadku smakowych czy zapachowych &#8211; jaka\u015b nuta, mniej lub bardziej mi\u0142a, kt\u00f3ra zostaje d\u0142u\u017cej ni\u017c si\u0119 wydawa\u0142o, po kt\u00f3rej d\u0142ugo\u015bci ocenia si\u0119 potraw\u0119 czy wino. Przy wra\u017ceniach d\u017awi\u0119kowych zdarza si\u0119 echo, ale w pewnych sytuacjach tak\u017ce co\u015b, co s\u0142ycha\u0107 dopiero gdy muzyka dawno si\u0119 sko\u0144czy &#8211; jakie\u015b uczucie pustki, brzmienie ciszy w przestrzeni, kt\u00f3r\u0105 ta muzyka przed chwil\u0105 wype\u0142nia\u0142a. W muzyce <strong>Martyny Basty<\/strong> chodzi &#8211; o ile si\u0119 zd\u0105\u017cy\u0142em zorientowa\u0107 &#8211; w du\u017cej mierze o czas i przestrze\u0144. A o jej klasie decyduje ten odruch, kt\u00f3ry si\u0119 pojawi, gdy ju\u017c wybrzmi <em>Slowly Forgetting, Barely Remembering<\/em> &#8211; \u017ce mianowicie szybko potrzebuj\u0119 powrotu tej muzyki. Nie po to, \u017ceby cokolwiek zag\u0142uszy\u0107 czy us\u0142ysze\u0107 po raz kolejny ulubion\u0105 melodi\u0119, tylko tak po prostu. Troch\u0119 jak w tytule utworu, kt\u00f3rego przestrzenn\u0105 aran\u017cacje wype\u0142niaj\u0105 g\u0142\u00f3wnie partie smyczk\u00f3w i g\u0142os go\u015bcinnie wyst\u0119puj\u0105cej Claire Rousay &#8211; <em>It Could Be As It Was Forever<\/em>. Ca\u0142o\u015b\u0107 to wa\u017cny dla krakowskiej kompozytorki zestaw, nie zdziwi\u0119 si\u0119, je\u015bli oka\u017ce si\u0119 prze\u0142omem w jej dzia\u0142aniach na polu \u015bwiatowym. Ja w ka\u017cdym razie wol\u0119 zacz\u0105\u0107 pi\u0105tek od Basty ni\u017c od u\u0142o\u017conego wieki temu, nieschodz\u0105cego poni\u017cej poziomu, ale jednak troch\u0119 nudziarskiego zestawu The National.\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Y07uEEjI12c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n<p>Zanim zabrzmi d\u017awi\u0119k, te\u017c ju\u017c co\u015b s\u0142ycha\u0107. Cho\u0107 to bardziej wyobra\u017cenie tego, co si\u0119 wydarzy. A r\u00f3\u017cne elementy pozwalaj\u0105 jako\u015b sklasyfikowa\u0107 muzyk\u0119 nale\u017c\u0105cej do kolektywu Progrefonik artystki, zanim jeszcze j\u0105 us\u0142yszymy. Udzia\u0142 Rousay przybli\u017ca nas do nurtu, kt\u00f3ry stapia muzyk\u0119 gran\u0105 na instrumentach z d\u017awi\u0119kow\u0105 proz\u0105 i poezj\u0105 \u017cycia, otoczenia, a poprzez swoj\u0105 delikatno\u015b\u0107 tak\u017ce do muzycznego ASMR rodem z katalogu Shelter Press. Z kolei nazwa wytw\u00f3rni Warm Winters, publikuj\u0105cej tak\u017ce nagrania Aleksandry S\u0142y\u017c, te\u017c jako\u015b sygnalizuje pokrewie\u0144stwo. Wa\u017cniejsze jest to pierwsze ni\u017c to drugie. Owszem, S\u0142y\u017c i Basta, a pewnie jeszcze Teoniki Ro\u017cynek, s\u0105 reprezentantkami generacji, kt\u00f3ra bardzo mocno zmienia polsk\u0105 scen\u0119. I fakt, \u017ce ich kariery rozwijaj\u0105 si\u0119 r\u00f3wnolegle nawet przy du\u017cych r\u00f3\u017cnicach estetycznych dzia\u0142a na korzy\u015b\u0107 ca\u0142ej tej grupy. Ale r\u00f3\u017cnice s\u0105 du\u017ce.<\/p>\n<p>Licz\u0119 troch\u0119 na t\u0119 \u015brodowiskow\u0105 synergi\u0119, bo jest co prezentowa\u0107. O Aleksandrze S\u0142y\u017c pisywa\u0142em ju\u017c wielokrotnie, o autorce <em>Slowly Forgetting&#8230;<\/em> nieco mniej. Tymczasem Basta ma na tym nowym albumie do powiedzenia bardzo du\u017co i, rzadko epatuj\u0105c nat\u0119\u017ceniem d\u017awi\u0119ku (mo\u017ce przez kilka chwil w nak\u0142adaj\u0105cych si\u0119 echach i pog\u0142osach <em>Speechless Lately<\/em>), wykorzystuje r\u00f3\u017cne barwy i instrumenty. Pojawia si\u0119 cytra, kt\u00f3r\u0105 s\u0142ycha\u0107 by\u0142o, o ile pami\u0119tam, na jej koncercie podczas Unsoundu. S\u0105 instrumenty perkusyjne, wspomniane ju\u017c skrzypce, pojawia si\u0119 wreszcie w kilku momentach gitara &#8211; d\u0142ugo podstawowy instrument Basty, w pewnym momencie porzucony na rzecz elektroniki. Du\u017co te\u017c na nowym albumie g\u0142osu, wykorzystywanego bardziej tradycyjnie w dwucz\u0119\u015bciowym <em>Podszepniku<\/em>, w <em>Lullaby<\/em> delikatnie preparowanego i wtapianego zr\u0119cznie w struktur\u0119 utworu niczym kolejna barwa syntezatora, a wreszcie &#8211; buduj\u0105cego bardzo emocjonalny i bardzo fizyczny obraz d\u017awi\u0119kowy w <em>Back and Forth<\/em>. Chce si\u0119 do tej dojrza\u0142ej, precyzyjnej i dopracowanej, ale niezbyt d\u0142ugiej p\u0142yty wraca\u0107. Bo jak w tytule &#8211; trudno spami\u0119ta\u0107 to wszystko, ale ulatuje z g\u0142owy bardzo wolno.\u00a0 \u00a0<\/p>\n<p><strong style=\"font-size: inherit;\">MARTYNA BASTA<em> Slowly Forgetting, Barely Remembering<\/em><\/strong><span style=\"font-size: inherit;\">, Warm Winters Ltd. 2023\u00a0<\/span><\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1965090019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/martynabasta.bandcamp.com\/album\/slowly-forgetting-barely-remembering\">Slowly Forgetting, Barely Remembering by Martyna Basta<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>22.04 <strong>Arooj Aftab<\/strong> Live in London, Decca RSD<br \/>22.04 <strong>Brian Eno<\/strong> Forever Viceless, RSD<br \/>22.04 <strong>Jo\u00e3o Donato e Donatinho<\/strong> Sintetizamor, Far Out <br \/>22.04 <strong>Miles Davis<\/strong> Turnaround: Rare Miles from the Complete On the Corner Sessions, Columbia arch, RSD<br \/>22.04 <strong>Nico<\/strong> Live at the Library Theatre &#8217;80, RSD<br \/>22.04 <strong>Rosa Vertov<\/strong> Reflected In, EP<br \/>23.04 <strong>Neil Hagerty\/Ryan Jewell\/Ryley Walker<\/strong> Fried in Denver, Husky Pants <br \/>23.04 <strong>Piotr Damasiewicz, Liba Villavecchia, Grzegorz Lesiak, Alex Reviriego, Vasco Trilla<\/strong> Skawa, L.A.S. <br \/>24.04 <strong>Josiah Steinbrick<\/strong> For Anyone That Knows You, Unseen Worlds <br \/>24.04 <strong>Seven Rivers of Fire<\/strong> Way of the Pilgrim, Ramble <br \/>25.04 <strong>Elisabeth Klinck<\/strong> Picture a Frame, Hallow Ground <br \/>25.04 <strong>Ipaghost<\/strong> Personable Computer!, Istotne Nagr. MC<br \/>26.04 <strong>mmph<\/strong> Harvest, Svbkvlt <br \/>26.04 <strong>Patryk Cannon<\/strong> Our Garden, Dracula Records <br \/>26.04 <strong>Zimn\u00ed pneu<\/strong> Kam jde\u0161 s t\u200b\u00ed\u200bm bigb\u200b\u00ed\u200btem, Poli5 <br \/>27.04 <strong>Packed Rich<\/strong> Warp Fields, Ilian Tapes <br \/>27.04 <strong>The Dwarfs of East Agouza (featuring Maurice Louca, Alan Bishop, Sam Shalabi)<\/strong> High Tide in the Lowlands, Sub Rosa <br \/>27.04 <strong>Torpur<\/strong> The Cult, Plusz Tapes <br \/>28.04 <strong>A Plane To Catch<\/strong> Moko Jumbie, April <br \/>28.04<strong> Aly Eissa<\/strong> Gouda Bar, Akuphone <br \/>28.04 <strong>Amon Tobin<\/strong> Nomark Selects, V\u200b.\u200b1, Nomark <br \/>28.04 <strong>Automatisme<\/strong> Groove 14, Outlines MC, DL<br \/>28.04 <strong>Ayumi Ishito<\/strong> Ayumi Ishito &amp; The Spacemen, Vol. 2, 577 Records <br \/>28.04 <strong>Babsy Konate<\/strong> Tounga, Sahel Sounds <br \/>28.04 <strong>Baby Rose<\/strong> Through and Through, Secretly Canadian <br \/>28.04 <strong>Bartosz Dziadosz<\/strong> Peace, Dronarivm <br \/>28.04 <strong>Beach House<\/strong> Become EP, Sub Pop <br \/>28.04 <strong>Bebe Rexha<\/strong> Bebe, Warner <br \/>28.04 <strong>Bell Orchestre<\/strong> As Seen Through Windows, Erased Tapes <br \/>28.04 <strong>Berk<\/strong> <strong>Offset<\/strong> Intraface, Accidental <br \/>28.04 <strong>Bernice<\/strong> Cruisin\u2019, Telephone Explosion <br \/>28.04 <strong>Bill Orcutt<\/strong> Jump On It <br \/>28.04 <strong>Cassie Wieland &amp; Vicky Chow<\/strong> Hymn, Cantaloupe <br \/>28.04 <strong>Country Westerns<\/strong> Forgive the City, Fat Possum <br \/>28.04 <strong>David Lord<\/strong> Forest Standards vol. 3, Astral Spirits <br \/>28.04 <strong>David Preston<\/strong> Purple \/ Black Vol. One, Whirlwind <br \/>28.04 <strong>Domenico Lancellotti<\/strong> Sramba, Mais Um <br \/>28.04 <strong>ensemble 0<\/strong> Jojoni, Crammed Discs <br \/>28.04 <strong>Felix Laband<\/strong> The Soft White Hand Remix EP Part 1, Compost <br \/>28.04 <strong>Forbidden Color<\/strong> Lingua del S\u00ec, Antenna Non Grata CD, DL<br \/>28.04<strong> Giuseppe Ielasi<\/strong> Down on Darkened Meetings, Black Truffle <br \/>28.04 <strong>Gregory Uhlmann<\/strong> Again and Again, Northern Spy <br \/>28.04 <strong>Grzegorz Bojanek<\/strong> Loops for People <br \/>28.04 <strong>h\u00c4K \/ Danzeisen<\/strong> h\u00c4K \/ Danzeisen, Karlrecords <br \/>28.04 <strong>Holy Tongue<\/strong> Deliverance And Spiritual, Warfare <br \/>28.04 <strong>Indigo De Souza<\/strong> All of This Will End, Saddle Creek <br \/>28.04 <strong>Jack Harlow<\/strong> Jackman, Atlantic <br \/>28.04 <strong>James Ivy<\/strong> Everything Perfect, Fader Label EP<br \/>28.04 <strong>Jan Jelinek<\/strong> Seascape &#8211; Polyptych, Faitiche <br \/>28.04<strong> Jessie Ware<\/strong> That! Feels Good!, EMI<br \/>28.04 <strong>JFDR<\/strong> Museum, Houndstooth <br \/>28.04<strong> Kammerflimmer Kollektief<\/strong> Schemen, Karlrecords <br \/>28.04<strong> k\u0153nig 1<\/strong> Above Minus Underground, PTP <br \/>28.04 <strong>Lau Nau<\/strong> 5 x 4, Beacon Sound <br \/>28.04 <strong>Les Abranis<\/strong> Amazigh Freedom Rock 1973\u200b-\u200b1983, Les Disques Bongo Joe arch<br \/>28.04 <strong>Lonnie Liston Smith, Adrian Younge, Ali Shaheed Muhammad<\/strong> Lonnie Liston Smith JID017, Jazz Is Dead <br \/>28.04 <strong>Martyna Basta<\/strong> Slowly Forgetting, Barely Remembering, Warm Winters Ltd. <br \/>28.04 <strong>Matthewdavis<\/strong> Mycelium Music, Leaving <br \/>28.04 <strong>Mulo Francel<\/strong> The Melody Sax, GLM <br \/>28.04 <strong>Nabihah Iqbal<\/strong> Dreamer, Ninja Tune <br \/>28.04 <strong>Neggy<\/strong> <strong>Gemmy<\/strong> CBD Reiki Moonbeam, 100% Electronica <br \/>28.04 <strong>Otwinowski \/ Sikorski \/ Witkowski<\/strong> Spalona ziemia, Gusstaff\/Don&#8217;t Sit On My Vinyl CD \/ LP 12&#8243; clear limited + dl<br \/>28.04 <strong>OvE<\/strong> Geography and Geometry, Fonoradar <br \/>28.04 <strong>Painted Faces<\/strong> Normal Street, ESP-Disk <br \/>28.04 <strong>Pluto Junkies<\/strong> Contact <br \/>28.04 <strong>Praed<\/strong> Kaf Afrit, Akuphone <br \/>28.04 <strong>Rajna Swaminathan<\/strong> Apertures, Ropeadope <br \/>28.04 <strong>Romance<\/strong> Fade Into You, Ecstatic <br \/>28.04 <strong>Schacke<\/strong> Synchronized Breathing, Posh Isolation <br \/>28.04 <strong>Scratchclart &amp; Menzi<\/strong> Beyond Gqom &amp; Grime, Hakuna Kulala <br \/>28.04 <strong>Skinny Pelembe<\/strong> Hardly the Same Snake, Partisan <br \/>28.04 <strong>Soft Machine<\/strong> The Dutch Lesson, Cuneiform arch<br \/>28.04 <strong>Spotlights<\/strong> Alchemy for the Dead, Ipecac <br \/>28.04 <strong>Summrs<\/strong> Ghost, 10k Projects <br \/>28.04 <strong>Susanne Sundf\u00f8r<\/strong> blo\u200b\u0301\u200bmi, Bella Union<br \/>28.04 <strong>Swiernalis<\/strong> Stoicki niepok\u00f3j<br \/>28.04 <strong>TERR<\/strong> Consciousness As A State Of Matter, Phantasy <br \/>28.04 <strong>The Damned<\/strong> Darkadelic <br \/>28.04 <strong>The National<\/strong> First Two Pages of Frankenstein, 4AD <br \/>28.04 <strong>The Orb<\/strong> Prism, Cooking Vinyl <br \/>28.04 <strong>Tobias Meinhart<\/strong> Berlin People Dark Horse, Sunnyside <br \/>28.04 <strong>VA<\/strong> A moi la liberte &#8211; Early Electronic Ra\u00ef &#8211; ALGERIE &#8211; 1983\u200b\/\u200b1990, Born Bad <br \/>28.04 <strong>Vaster Than Empires<\/strong> Three Days, New Focus <br \/>28.04 <strong>Vito Bambino<\/strong> Pracownia, Def Jam<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Przy wra\u017ceniach wzrokowych zdarzaj\u0105 si\u0119 powidoki. W wypadku smakowych czy zapachowych &#8211; jaka\u015b nuta, mniej lub bardziej mi\u0142a, kt\u00f3ra zostaje d\u0142u\u017cej ni\u017c si\u0119 wydawa\u0142o, po kt\u00f3rej d\u0142ugo\u015bci ocenia si\u0119 potraw\u0119 czy wino. Przy wra\u017ceniach d\u017awi\u0119kowych zdarza si\u0119 echo, ale w pewnych sytuacjach tak\u017ce co\u015b, co s\u0142ycha\u0107 dopiero gdy muzyka dawno si\u0119 sko\u0144czy &#8211; jakie\u015b uczucie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":37873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,312,120,3319,107,3309,4993,3666,5648,5601],"tags":[5146],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37868"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=37868"}],"version-history":[{"count":13,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37868\/revisions"}],"predecessor-version":[{"id":37888,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37868\/revisions\/37888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/37873"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=37868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=37868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=37868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}