{"id":37969,"date":"2023-05-05T09:30:28","date_gmt":"2023-05-05T07:30:28","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=37969"},"modified":"2023-05-05T17:44:02","modified_gmt":"2023-05-05T15:44:02","slug":"cos-pieknego","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/05\/05\/cos-pieknego\/","title":{"rendered":"Co\u015b pi\u0119knego"},"content":{"rendered":"<p>Skutkiem ubocznym tych do\u015b\u0107 pracoch\u0142onnych tygodniowych playlist jest to, \u017ce troch\u0119 wi\u0119cej uwagi w ci\u0105gu tygodnia po\u015bwi\u0119cam \u0142adnym piosenkom. I zaczynam &#8211; chyba cz\u0119\u015bciej ni\u017c kiedy\u015b &#8211; wyrabia\u0107 sobie opini\u0119 o nadchodz\u0105cej p\u0142ycie na podstawie kolejno s\u0142uchanych singli. Seria piosenek, kt\u00f3ra promowa\u0142a ten album &#8211; jedn\u0105 z naj\u0142atwiejszych i najprzyjemniejszych w tym roku p\u0142yt \u0142atwych i przyjemnych &#8211; by\u0142a wyj\u0105tkowa: staro\u015bwieckie i ponadczasowe niczym piosenki duetu Simon &amp; Garfunkel <em>Corner of My Eye<\/em>, przebojowe<em> In My Head<\/em>, kapitalne w wokalnych harmoniach <em>Any Time of Day<\/em> i wreszcie <em>Every Day Is the Worst Day of My Life, <\/em>najd\u0142u\u017cej wybrzmiewaj\u0105ce w g\u0142owie tak\u017ce po przes\u0142uchaniu ca\u0142o\u015bci. \u015awietna piosenka. Pogodna i smutna zarazem, co w utworze muzycznym udaje si\u0119 chyba lepiej ni\u017c w jakiejkolwiek innej dziedzinie. Genialna zarazem do opisania nastroju premierowego pi\u0105tku, kt\u00f3ry jest zarazem specjalnym pi\u0105tkiem w Bandcampie: jest tak \u017ale, \u017ce a\u017c wspaniale. Albo mo\u017ce odwrotnie.&nbsp;<\/p>\n<p>A ta p\u0142yta to nie nowy Ed Sheeran bynajmniej.&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cdzDRhTTfnc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>To jest ten przypadek, kiedy schodz\u0105c w d\u00f3\u0142 drabiny przemys\u0142u muzycznego tak naprawd\u0119 wchodzicie wy\u017cej w klasyfikacji piosenek przebojowych i zarazem \u015bwietnie napisanych. Bracia bli\u017aniacy Brian i Michael D&#8217;Addario takie pisa\u0107 potrafi\u0105, cho\u0107 nawet jak na ich obszern\u0105 ju\u017c ca\u0142kiem (jak na ledwie 8 lat dzia\u0142ania duetu) dyskografi\u0119 <em>Everything Harmony<\/em>, album, kt\u00f3rym wychodz\u0105 z katalogu 4AD do mniejszej Captured Tracks, jest wydarzeniem wyj\u0105tkowym. I w tej dyskografii jak dot\u0105d najlepszym. \u015awietnie zaaran\u017cowany i za\u015bpiewany, a przede wszystkim napisany w stylu lat 70. Z najprostszymi odniesieniami do Big Star, T. Rex czy Supertramp. Oczywi\u015bcie do wspomnianych Simona &amp; Garfunkela, ale te\u017c do Arthura Russella. Z niesamowit\u0105 melodyjno\u015bci\u0105, kt\u00f3rej nie zaoferuje wam ani Ed Sheeran, ani nawet Eurowizja. Z odrobin\u0105 taniego sentymentalizmu (zmieniaj\u0105cy metrum z 4\/4 na 3\/4 <em>Born to Be Lonely<\/em> to praktycznie dom pogodnej staro\u015bci i rzeczywi\u015bcie rejony ju\u017c bliskie starej Eurowizji). I wreszcie kilkoma kolejnymi hitami czekaj\u0105cymi na odpalenie. Sami autorzy m\u00f3wi\u0105, \u017ce poszukuj\u0105 w muzyce <em>something beautiful sounding<\/em>. I tutaj znale\u017ali to co\u015b pi\u0119knego. &nbsp;<\/p>\n<p><strong>THE LEMON TWIGS <em>Everything Harmony<\/em><\/strong>, Captured Tracks 2023<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=368478545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/thelemontwigs.bandcamp.com\/album\/everything-harmony\">Everything Harmony by The Lemon Twigs<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>29.04 <strong>Robin Nitram<\/strong> Sugar Free, Ramble<br \/>30.04 <strong>Dam\u0101vand<\/strong> As long as you come to my garden, Die Schachtel <br \/>30.04 <strong>Matty<\/strong> Eis o Homem<br \/>1.05 <strong>Emotional Indulgence<\/strong> Pan Cyan, Noumenal Loom<br \/>1.05 <strong>Ha\u0144ba!<\/strong> Kryzys, Antena Krzyku LP 20.05<br \/>1.05 <strong>Oudeziel<\/strong> Fluistert EP<br \/>2.05 <strong>Ben Folds<\/strong> What Matters Most, New West<br \/>4.05<strong> Daniel Lopatin<\/strong> Star Wars &#8211; Visions vol. 2, Lucasfilm<br \/>4.05 <strong>Krzysztof Topolski<\/strong> Egilssta\u200b\u00f0\u200bir Soundscape, Arszyn<br \/>4.05 <strong>Mark McGuire<\/strong> Pocket Full of Rain, Husky Pants <br \/>4.05 <strong>Ukandanz<\/strong> Kemekem \u12a8\u200b\u200b\u200b\u1218\u200b\u200b\u200b\u12a8\u200b\u200b\u200b\u121d, Ouch! <br \/>4.05 <strong>Ukandanz<\/strong> 4 Against the Odds, Ouch! <br \/>5.05 <strong>a.P.A.t.T.<\/strong> We, Dur &amp; Doux <br \/>5.05 <strong>Aidan Baker<\/strong> Engenderine, Midira<br \/><span style=\"font-size: inherit;\">5.05 <\/span><strong style=\"font-size: inherit;\">Artemis<\/strong><span style=\"font-size: inherit;\"> In Real Time, Blue Note<br \/><\/span>5.05 <strong>Asher Gamedze<\/strong> Turbulence and Pulse, International Anthem<br \/>5.05 <strong>Atmosphere<\/strong> So Many Other Realities Exist Simultaneously, Rhymesayers<br \/>5.05 <strong>Baskot Baskot<\/strong> Lel Baltageyya, Akuphone <br \/>5.05 <strong>Ben Frost &amp; Francesco Fabris<\/strong> Meradalir <br \/>5.05 <strong>Ben Vida w\/ Yarn\/Wire and Nina Dante<\/strong> The Beat My Head Hit, Shelter Press<br \/>5.05 <strong>BIKE<\/strong> Arte bruta<br \/>5.05 <strong>billy woods &amp; Kenny Segal<\/strong> Maps, Backwoods Studioz <br \/>5.05 <strong>Cian Nugent<\/strong> She Brings Me Back To The Land Of The Living, No Quarter <br \/>5.05 <strong>Colloboh<\/strong> Saana Sahel, Leaving <br \/>5.05 <strong>Conway The Machine<\/strong> Won&#8217;t He Do it Drumwork <br \/>5.05 <strong>Da Baby<\/strong> Call Tha Fireman <br \/>5.05 <strong>Dave Lombardo<\/strong> Rites of Percussion, Ipecac<br \/>5.05 <strong>Delphine Dora<\/strong> As Above, So Below, Recital<br \/>5.05 <strong>Denzel Curry<\/strong> Live at Electric Lady, Loma Vista <br \/>5.05 <strong>Destroy Lonely<\/strong> If Looks COuld Kill, Interscope <br \/>5.05 <strong>Drain<\/strong> Living Proof, Epitaph <br \/>5.05 <strong>Dr\u00f8ne<\/strong> The Long Song, Touch<br \/>5.05 <strong>Durand Jones<\/strong> Wait Til I Get Over, Dead Oceans<br \/>5.05 <strong>Ed Sheeran<\/strong> -, Atlantic <br \/>5.05<strong> \u00c9liane Radigue<\/strong> Naldjorlak, Saltern <br \/>5.05<strong> Elite Terrorism<\/strong> <strong>Modulus<\/strong> Elite Terrorism Modulus, Orange Milk Records <br \/>5.05 <strong>Flasher<\/strong> In My Myth, Domino <br \/>5.05 <strong>France Jobin<\/strong> 10\u200b-\u200b33CM, Room40<br \/>5.05 <strong>Fred again.. &amp; Brian Eno<\/strong> Secret Life, Text<br \/>5.05 <strong>Ghost and Tape<\/strong> Freeform, Home Normal <br \/>5.05 <strong>Hecate<\/strong> Interval, Antenna Non Grata <br \/>5.05 <strong>IDK<\/strong> F65 <br \/>5.05 <strong>Immaterial Possession<\/strong> Mercy of the Crane Folk, Fire <br \/>5.05 <strong>Jan Ptaszyn Wr\u00f3blewski Quartet<\/strong> On the Road vol. 2, For Tune<br \/>5.05 <strong>Kamil Kukla<\/strong> Double Cry, Fort Evil Fruit <br \/>5.05 <strong>Kayhan Kalhor and Toumani Diabat\u00e9<\/strong> The Sky Is The Same Colour Everywhere, Real World<br \/>5.05<strong> Ken Vandermark<\/strong> Snapshots: Complete, Kilogram<br \/>5.05<strong> LA Priest<\/strong> Fase Luna, Domino <br \/>5.05 <strong>Laura<\/strong> Sunset Balcony, GLM <br \/>5.05 <strong>Lesley Mok<\/strong> The Living Collection <br \/>5.05 <strong>Lord Echo<\/strong> Rarities 2010 &#8211; 2020: Japanese Tour Singles, Soundway <br \/>5.05 <strong>Micha\u0142 Milczarek<\/strong> Comfortable Noise<br \/>5.05 <strong>Neil O&#8217;Connor<\/strong> Oscillator Suite, Fort Evil Fruit <br \/>5.05 <strong>Nuno Rebelo<\/strong> Improvisa\u200b\u00e7\u200b\u00f5\u200bes Cristalizadas, Holuzam <br \/>5.05 <strong>Olivia Jean<\/strong> Raving Ghost, Third Man <br \/>5.05<strong> Peter Zummo<\/strong> Deep Drive 2+, TAR \/ MM \/ UOH <br \/>5.05 <strong>Plum<\/strong> Plum, Anxiety Blanket <br \/>5.05 <strong>Ramdam Fatal<\/strong> Ramdam Fatal, Dur &amp; Doux <br \/>5.05 <strong>Reiko F\u00fcting<\/strong> Mechthild, New Focus <br \/>5.05 <strong>Remont Pomp \/ Miko\u0142aj Trzaska \/ Adam \u017buchowski<\/strong> Sam jeste\u015b pompa vol. 2, Kilogram <br \/>5.05 <strong>Rodney Crowell<\/strong> The Chicago Sessions, New West <br \/>5.05 <strong>Roomful of Teeth<\/strong> Rough Magic, New Amsterdam <br \/>5.05 <strong>SBTRKT<\/strong> Tha Rat Road <br \/>5.05 <strong>Selma Savolainen<\/strong> Horror Vacui, Whirlwind <br \/>5.05 <strong>Sourdurent<\/strong> L&#8217;Herbe de D\u200b\u00e9\u200btourne, Les Disques Bongo Joe <br \/>5.05 <strong>Spencer Doran<\/strong> SEASON: A letter to the future (Original Soundtrack), RVNG Intl<br \/>5.05 <strong>SQ\u00dcRL<\/strong> Silver Haze, Sacred Bones <br \/>5.05<strong> Svoboda\/O\u2019Connor\/Green<\/strong> Time Together, Time Apart, 577 Records <br \/>5.05 <strong>The Lemon Twigs<\/strong> Everything Harmony, Captured Tracks <br \/>5.05 <strong>The Smashing Pumpkins<\/strong> Atum, Membran <br \/>5.05 <strong>Unearth<\/strong> The Wretched; The Ruinous, Century Media <br \/>5.05 <strong>Upsammy<\/strong> Germ in a Population of Buildings, PAN <br \/>5.05 <strong>VA<\/strong> Guardians Of The Galaxy Volume 3: Awesome Mix Volume 3, Universal <br \/>5.05<strong> Voyage Futur<\/strong> Wellen, Not Not Fun <br \/>5.05 <strong>Voyage Futur<\/strong> In Constant Change, Not Not Fun <br \/>5.05 <strong>Wave Temples<\/strong> Panama Shift, Not Not Fun<br \/>5.05 <strong>Westerman<\/strong> An Inbuilt Fault, Partisan <br \/>5.05 <strong>Wojciech Kucharczyk<\/strong> The Atheist, Mik.Musik <br \/>5.05 <strong>yMusic<\/strong> yMusic, Story Sound <br \/>5.05 <strong>\u017dibuokl\u0117 Martinaityt\u0117 &amp; Synaesthesis<\/strong> Hadal Zone, Cantaloupe<\/p>\n<p><br \/><br \/><br \/><br \/><br \/><\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Skutkiem ubocznym tych do\u015b\u0107 pracoch\u0142onnych tygodniowych playlist jest to, \u017ce troch\u0119 wi\u0119cej uwagi w ci\u0105gu tygodnia po\u015bwi\u0119cam \u0142adnym piosenkom. I zaczynam &#8211; chyba cz\u0119\u015bciej ni\u017c kiedy\u015b &#8211; wyrabia\u0107 sobie opini\u0119 o nadchodz\u0105cej p\u0142ycie na podstawie kolejno s\u0142uchanych singli. Seria piosenek, kt\u00f3ra promowa\u0142a ten album &#8211; jedn\u0105 z naj\u0142atwiejszych i najprzyjemniejszych w tym roku p\u0142yt \u0142atwych [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":37971,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,312,120,3319,444,1,3309,4009,4993,3666,7,5601,106],"tags":[2586],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37969"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=37969"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37969\/revisions"}],"predecessor-version":[{"id":37989,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/37969\/revisions\/37989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/37971"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=37969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=37969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=37969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}