{"id":38191,"date":"2023-05-19T09:21:55","date_gmt":"2023-05-19T07:21:55","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=38191"},"modified":"2023-05-19T09:29:55","modified_gmt":"2023-05-19T07:29:55","slug":"koniec-wszystkiego","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/05\/19\/koniec-wszystkiego\/","title":{"rendered":"Koniec wszystkiego"},"content":{"rendered":"<p>Serwery Polifonii zosta\u0142y zaatakowane. No dobrze, tak naprawd\u0119 zmasowane ataki typu DDoS, kt\u00f3rych autorzy ju\u017c si\u0119 przyznali do dzia\u0142a\u0144. I nie, to nie by\u0142 koncern Live Nation. Bynajmniej. O Polifoni\u0119 zreszt\u0105 w oczywisty spos\u00f3b nie chodzi\u0142o. Ataki prorosyjskiej hakerskiej grupy Noname057(16) (brzmi troch\u0119 jak \u017ale wymy\u015blony tytu\u0142 utworu Aphex Twina) obj\u0119\u0142y wczoraj du\u017c\u0105 cz\u0119\u015b\u0107 polskich medi\u00f3w, a w naszym wypadku celem by\u0142 z pewno\u015bci\u0105 g\u0142\u00f3wny serwis Polityka.pl, ale og\u00f3lnodost\u0119pny serwis blogowy dosta\u0142y od\u0142amkiem, rano i wieczorem trudno si\u0119 by\u0142o po\u0142\u0105czy\u0107 z t\u0105 stron\u0105, za co bardzo przepraszam. Z kolei ten wpis by\u0107 mo\u017ce zostanie zbanowany w mediach spo\u0142eczno\u015bciowych z powodu ok\u0142adki p\u0142yty <strong>Mega Bog<\/strong>, ale nie mog\u0119 nie zamkn\u0105\u0107 tygodnia, nie podsuwaj\u0105c nowej p\u0142yty Erin Elizabeth Birgy, kt\u00f3rej kibicuj\u0119 od dawna. <a href=\"https:\/\/polifonia.blog.polityka.pl\/2021\/07\/26\/dzis-to-ja-moge-zapytac-czego-sluchac\/\">Ostatnio pisa\u0142em<\/a> o odniesieniach (z pewno\u015bci\u0105 niezamierzonych) Mega Bog do wczesnej muzyki Maanamu. A jeszcze wcze\u015bniej z przekonaniem dowodzi\u0142em, \u017ce <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/07\/10\/country-w-kosmosie\/\">Birgy jest ciekawsza ni\u017c grupa Big Thief<\/a>, z kt\u00f3rej pomocy ju\u017c wtedy korzysta\u0142a (i korzysta dalej &#8211; najnowszy album wsp\u00f3\u0142produkowa\u0142 James Krivchenia). Nie da si\u0119 ukry\u0107, \u017ce po latach Big Thief du\u017co wi\u0119ksze, a swoj\u0105 warto\u015b\u0107 udowodnili parokrotnie. Sama Mega Bog te\u017c przeskoczy\u0142a do nieco bardziej eksponowanego labela Mexican Summer, ale pozostanie raczej ciekaw\u0105 postaci\u0105 z poboczy dla sympatyk\u00f3w przesi\u0105kni\u0119tego artyzmem i bardzo swobodnie traktowanego popu. <strong><em>The End of Everything<\/em><\/strong> &#8211; czyli <em>Koniec wszystkiego<\/em> &#8211; taki tytu\u0142 nosi najnowsza, do\u015b\u0107 kr\u00f3tka i r\u00f3\u017cnorodna stylistycznie p\u0142yta Mega Bog, ponownie nawi\u0105zuj\u0105ca do stylistyk lat 80. (z tym nawi\u0105zaniem do Alison Moyet i Bronski Beat w <em>Love Is<\/em> to ju\u017c nawet lekka przesada, \u015bwietnie brzmi za to nowy singiel <em>All and Everything<\/em>). Mam nadziej\u0119, \u017ce to jednak nie wr\u00f3\u017cba ko\u0144ca wszystkiego, cho\u0107 na koniec atak\u00f3w hakerskich bym si\u0119 akurat nie obrazi\u0142.<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1201892563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/megabog.bandcamp.com\/album\/end-of-everything\">End Of Everything by Mega Bog<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>13.05 <strong>Lorenzo De Finti feat. Fabrizio Bosso<\/strong> Lullabies from an Unknown Time, Losen <br \/>13.05 <strong>Nonturn<\/strong> Jellybeans, Audiobulb <br \/>15.05 <strong>Bobby Lee<\/strong> Endless Skyways, Tompkins Square <br \/>15.05 <strong>Bram Gielen<\/strong> Eight Pieces (for Four Instruments) <br \/>15.05 <strong>Fields<\/strong> We Found Paths, Facture <br \/>15.05 <strong>Harald Walkate\u2019s The New York Second Trio<\/strong> After the Hours, the Minutes, NY2 <br \/>16.05<strong> Nakibembe Embaire Group<\/strong> Nakibembe Embaire Group, Nyege Nyege Tapes <br \/>16.05 <strong>Peacebone<\/strong> Warm Paint <br \/>17.05<strong> Jesper Nordberg <\/strong>Trio, Gotta Let It Out <br \/>17.05 <strong>Kapibara<\/strong> To nie jest p\u0142yta tylko podk\u0142adka \u017ceby\u015bmy mogli gra\u0107 koncerty <br \/>18.05 <strong>Bartek Kalinka<\/strong> Hierarchia, BFF Music <br \/>18.05 <strong>Ghost<\/strong> Phantomime, Loma Vista <br \/>18.05 <strong>Penthouse <\/strong>Music Undersea, Antena Krzyku <br \/>19.05 <strong>Alex Lahey<\/strong> The Answer Is Always Yes, Liberation <br \/>19.05 <strong>Bana Haffar<\/strong> intimaa\u2019 \u0625\u200b\u0646\u200b\u062a\u200b\u0645\u200b\u0627\u200b\u0621, Touch <br \/>19.05 <strong>Bar Italia<\/strong> Tracey Denim, Matador <br \/>19.05 <strong>Califone<\/strong> Villagers, Jealous Butcher <br \/>19.05 <strong>Charles Wesley<\/strong> &#8222;C&#8221;, L-ne <br \/>19.05 <strong>Def Leppard with the Royal Philharmonic Orchestra<\/strong> Drastic Symphonies <br \/>19.05 <strong>Dwa S\u0142awy &amp; Gruby Mielzky &amp; Pers<\/strong> I jest to mo\u017cliwe, mixtape<br \/>19.05 <strong>Eli Keszler<\/strong> Live at Levitation (2012), LuckyMe <br \/>19.05 <strong>Ellen Zweig<\/strong> Fiction of the Physical, Phantom Limb <br \/>19.05 <strong>Eyes Of Others<\/strong> Eyes of Others, Heavenly <br \/>19.05 <strong>Fetlar<\/strong> Before Entanglement Aftermath, Jvdasz Iskariota Rec <br \/>19.05 <strong>Foals<\/strong> Life Is Dub, Warner <br \/>19.05 <strong>Hannah Jadagu<\/strong> Aperture, Sub Pop <br \/>19.05<strong> JG Thirlwell &amp; Mivos Quartet<\/strong> Dystonia, Cantaloupe <br \/>19.05 <strong>Joel Futterman<\/strong> Inneraction, Mahakala <br \/>19.05 <strong>John Zorn &amp; Bill Laswell<\/strong> Memoria, Tzadik <br \/>19.05 <strong>Juanes<\/strong> Vida Cotidiana, Universal <br \/>19.05 <strong>KAYTRAMIN\u00c9<\/strong> KAYTRAMIN\u00c9, CLBN <br \/>19.05 <strong>Kesha<\/strong> Gag Order, Kemosabe <br \/>19.05 <strong>K\u00f3smos<\/strong> Averno <br \/>19.05 <strong>Lary 7<\/strong> Larynx, Blank Forms <br \/>19.05 <strong>Leith Ross<\/strong> To Learn <br \/>19.05 <strong>Lewis Capaldi<\/strong> Broken By Desire To Be Heavenly Sent, EMI <br \/>19.05 <strong>Lochy i Smoki<\/strong> Powiedz, \u017ce wystarczam, Peleton EP<br \/>19.05 <strong>Mandy, Indiana<\/strong> I&#8217;ve Seen a Way, Fire Talk <br \/>19.05 <strong>Massimo Pupillo<\/strong> My Own Private Afghanistan, Improved Sequence <br \/>19.05 <strong>Matt Espy<\/strong> Hawksworth, Drag City <br \/>19.05 <strong>Mega Bog<\/strong> End of Everything, Mexican Summer <br \/>19.05 <strong>MICHAEL FORMANEK ELUSION QUARTET with Tony Malaby, Kris Davis, Ches Smith<\/strong> As Things Do, Intakt <br \/>19.05 <strong>Mike Cooper<\/strong> Black Flamingo, Room40 <br \/>19.05 <strong>Modfunk<\/strong> A Journey Through Time (Selected Recordings 1999-2009) <br \/>19.05 <strong>Namian Sidib\u00e9<\/strong> Namian Sidib\u00e9, Sahel Sounds <br \/>19.05 <strong>Niala Effen<\/strong> Kolory Te\u017c Potrafi\u0105 \u015apiewa\u0107, Rope Worm arch. <br \/>19.05 <strong>Nosowska<\/strong> Degrengolada, Kayax <br \/>19.05 <strong>Oliwka Brazil<\/strong> Big Mommy EP, Warner <br \/>19.05 <strong>Opus<\/strong> <strong>Kink<\/strong> My Eyes, Brother EP, Nice Swan <br \/>19.05 <strong>Osees<\/strong> Live at Levitation (2012), The Reverbation Appreciation Society <br \/>19.05 <strong>OvE<\/strong> Veracruz, Don&#8217;t Sit On My Vinyl 8&#8243; ltd.<br \/>19.05 <strong>Paul Simon<\/strong> Seven Psalms, Owl <br \/>19.05 <strong>salami rose joe<\/strong> louis Akousmatikous, Brainfeeder <br \/>19.05<strong> Sam Weinberg Trio w\/ Chris Lightcap &amp; Tom Rainey<\/strong> Implicatures, Astral Spirits <br \/>19.05 <strong>Sir Chloe<\/strong> I Am The Dog <br \/>19.05<strong> Sleep Token<\/strong> Take Me Back To Eden, Spinefarm <br \/>19.05 <strong>STEMESEDER LILLINGER + Peter Evans + Russell Hall + DoYeon Kim + Brandon Seabrook<\/strong> Umbra, Intakt <br \/>19.05 <strong>Steven Ricks &amp; Ron Coulter<\/strong> Precipitations, New Focus <br \/>19.05 <strong>Sufjan Stevens, Timo Andres &amp; Conor Hanick<\/strong> Reflections, Asthmatic Kitty <br \/>19.05 <strong>Temps <\/strong>Party Gator Purgatory, Bella Union <br \/>19.05 <strong>The Circling Sun<\/strong> Spirits <br \/>19.05 <strong>The End<\/strong> Why Do You Mourn, Trost <br \/>19.05 <strong>The Gaslamp Killer &amp; The Heliocentrics<\/strong> Legna, Cuss <br \/>19.05<strong> The Murlocs<\/strong> Calm Ya Farm, ATO <br \/>19.05 <strong>The Ocean<\/strong> Holocene, Pelagic <br \/>19.05 <strong>The Used<\/strong> Toxic Positivity, Big Noise Music Group <br \/>19.05 <strong>Tinariwen<\/strong> Amatssou, Wedge <br \/>19.05 <strong>VA<\/strong> Middle Eastern Grooves (Selected by DJ Kobayashi), Batov <br \/>19.05 <strong>William Selman<\/strong> The Weather Indoors, Mysteries of the Deep <br \/>19.05 <strong>W\u0142ochaty<\/strong> Mi\u0142o\u015b\u0107, pok\u00f3j, zamieszki, Mystic <br \/>19.05 <strong>Yes<\/strong> Mirror to the Sky, InsideOut<\/p>","protected":false},"excerpt":{"rendered":"<p>Serwery Polifonii zosta\u0142y zaatakowane. No dobrze, tak naprawd\u0119 zmasowane ataki typu DDoS, kt\u00f3rych autorzy ju\u017c si\u0119 przyznali do dzia\u0142a\u0144. I nie, to nie by\u0142 koncern Live Nation. Bynajmniej. O Polifoni\u0119 zreszt\u0105 w oczywisty spos\u00f3b nie chodzi\u0142o. Ataki prorosyjskiej hakerskiej grupy Noname057(16) (brzmi troch\u0119 jak \u017ale wymy\u015blony tytu\u0142 utworu Aphex Twina) obj\u0119\u0142y wczoraj du\u017c\u0105 cz\u0119\u015b\u0107 polskich [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38193,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,3666,5601,106],"tags":[4037],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38191"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=38191"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38191\/revisions"}],"predecessor-version":[{"id":38195,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38191\/revisions\/38195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/38193"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=38191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=38191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=38191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}