{"id":38876,"date":"2023-06-30T10:58:25","date_gmt":"2023-06-30T08:58:25","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=38876"},"modified":"2023-06-30T11:07:55","modified_gmt":"2023-06-30T09:07:55","slug":"grian-z-fontann","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/06\/30\/grian-z-fontann\/","title":{"rendered":"Grian z Fontann"},"content":{"rendered":"<p>Solowy debiut to zawsze niez\u0142y test na to, ile procent warto\u015bci zespo\u0142u stanowi jego frontman. W wypadku <strong>Griana Chattena<\/strong> ostro\u017cna odpowied\u017a brzmi: ca\u0142kiem du\u017co. <em>Chaos for the Fly<\/em> to p\u0142yta, kt\u00f3ra mo\u017ce nie osza\u0142amia, nie zachwyca w ca\u0142o\u015bci, ale imponuje dojrza\u0142o\u015bci\u0105, na jak\u0105 starsi koledzy z takiego np. Arctic Monkeys pracowali du\u017co d\u0142u\u017cej. Nagrany szybko, w dwa tygodnie album zachowuje poetyck\u0105 pewno\u015b\u0107 poczyna\u0144 z rodzimym zespo\u0142em, ale przenosi nas w zupe\u0142nie inne rejony i zaciekawi nie tylko fan\u00f3w Fontaines D.C. Rozs\u0105dny pewniak w tygodniu ca\u0142kiem jeszcze obfituj\u0105cym w dobrze zapowiadaj\u0105ce si\u0119 wydawnictwa (Joanna Sternberg, John Carroll Kirby, epka Kierana Hebdena z Williamem Tylerem itd.).\u00a0 \u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PZ72bb51ebE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n\n\n<p>Pitchfork zestawia Chattena z Liamem Gallagherem. Jasne, mo\u017cna mie\u0107 pewne wokalne skojarzenia. Ale je\u015bli ju\u017c spogl\u0105da\u0107 na ambicje, to po <em>Chaos for the Fly<\/em> bardziej sensowne by\u0142oby szukanie skojarze\u0144 z Albarnem, kt\u00f3ry mo\u017ce nie tak szybko, ale r\u00f3wnie sprawnie wyemancypowa\u0142 si\u0119 jako samodzielny artysta z w\u0142asnego zespo\u0142u (s\u0105 zreszt\u0105 i bardziej bezpo\u015brednie skojarzenia &#8211; sprawnie podszyte dubem <em>Last Time Every Time Forever<\/em> to ju\u017c blisko estetyki Albarna). Ten nieco gasn\u0105cy w drugiej cz\u0119\u015bci i bardzo kr\u00f3tki zestaw zostawia po sobie dobre wra\u017cenie &#8211; Irlandczyk potrafi poza staniem na czele \u015bwietnego zespo\u0142u, jednego z lepszych, jakie dzi\u015b dzia\u0142aj\u0105 na m\u0142odej rockowej scenie, nagra\u0107 album nieco bardziej staromodny, a przy tym poszerzaj\u0105cy jego \u015bwiat &#8211; ze s\u0142yszalnymi ambicjami balladzisty, a nawet artysty dancingowego (<em>Bob&#8217;s Casino<\/em>), z mnogo\u015bci\u0105 odniesie\u0144 do folku (\u015bwietne <em>Fairlies<\/em>, nieco dalej <em>Salt Throwers Off the Truck<\/em>) i robi\u0105c\u0105 wra\u017cenie swobod\u0105. Cho\u0107 tak\u017ce z sygna\u0142ami, \u017ce lekka zmiana kursu Fontaines D.C. na<em> Skinty Fia<\/em> mog\u0142a by\u0107 ju\u017c efektem ubocznym stylistycznego niecierpliwienia si\u0119 wokalisty. <em>Seasons for Pain<\/em> to dobra puenta, cho\u0107 gorzkawa jak ca\u0142a p\u0142yta.\u00a0<\/p>\n<p><strong>GRIAN CHATTEN <em>Chaos for the Fly<\/em><\/strong>, Partisan 2023\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2647303263\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/grianchatten.bandcamp.com\/album\/chaos-for-the-fly\">Chaos For The Fly by Grian Chatten<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>25.06 <strong>Z\u00e9 Ibarra<\/strong> Marqu\u00eas, 256. Coala <br \/>26.06 <strong>\u015anied\u017a<\/strong> Zero prawdy <br \/>28.06 <strong>Galcher Lustwerk<\/strong> Lustwerk II, Ghostly <br \/>30.06 <strong>Alex G<\/strong> Live from Union Transfer, Domino <br \/>30.06 <strong>Anberlin<\/strong> Convinced <br \/>30.06 <strong>Angelo de Augustine<\/strong> Toil and Trouble, Asthmatic Kitty <br \/>30.06 <strong>bdrmm<\/strong> I Don&#8217;t Know, Rock Action <br \/>30.06 <strong>Bokant\u00e9<\/strong> History, Real World <br \/>30.06 <strong>Brian Eno<\/strong> 77 Million Paintings, Universal EP<br \/>30.06 <strong>Brigid Mae Power<\/strong> Dream From The Deep Well, Fire <br \/>30.06 <strong>Charlie Watts<\/strong> Anthology, BMG <br \/>30.06 <strong>Chuck Johnson<\/strong> Music from Burden of Proof, All Saints <br \/>30.06 <strong>Death&#8217;s Dynamic Shroud<\/strong> After Angel, Ghost Diamond <br \/>30.06 <strong>Divide and Dissolve<\/strong> Systemic, Invada <br \/>30.06 <strong>Do Nothing<\/strong> Snake Sideways, The Orchard <br \/>30.06 <strong>Ellen Allien x Ash Code<\/strong> Dance and Kill, BPitch Control <br \/>30.06 <strong>Frank Zappa<\/strong> Funky Nothingness, Universal <br \/>30.06 <strong>Grian Chatten<\/strong> Chaos for the Fly, Partisan <br \/>30.06 <strong>Hayden Pedigo<\/strong> The Happiest Times I Ever Ignored, Mexican Summer <br \/>30.06 <strong>HVL &amp; Gacha Bakradze<\/strong> Splits Orange, Analogue <br \/>30.06 <strong>Icebeing<\/strong> Striped <br \/>30.06<strong> JD Pinkus &amp; Tall Tall Trees<\/strong> Ponder Machine, Joyful Noise <br \/>30.06 <strong>Joachim K\u00fchn Trio &amp; Atom String Quartet<\/strong> Jazz at Berlin Philharmonic XIV \u201cKOMEDA\u201d, ACT <br \/>30.06 <strong>Joanna Sternberg<\/strong> I&#8217;ve Got Me, Fat Possum <br \/>30.06 <strong>John Carroll Kirby<\/strong> Blowout, Stones Throw <br \/>30.06 <strong>Kieran Hebden &amp; William Tyler<\/strong> Darkness, Darkness \/ No Services, Psychic Hotline <br \/>30.06 <strong>Laibach<\/strong> Iron Sky: The Coming Race, Mute<br \/>30.06 <strong>Lil Uzi Vert<\/strong> Pink Tape, Atlantic <br \/>30.06 <strong>Location Location Location<\/strong> Damaged Goods, Cuneiform <br \/>30.06<strong> Louis Laurain<\/strong> Le Bargy, Three:four <br \/>30.06 <strong>Mark Vernon<\/strong> Call Back Carousel, Discrepant <br \/>30.06 <strong>MLDVA<\/strong> MLDVA &amp; \u00c7\u200b\u0131\u200bnar Timur, Shapes of Rhythm <br \/>30.06 <strong>Mong Tong \u5922\u6771<\/strong> Tao Fire \u9053\u706b, Guruguru Brain <br \/>30.06 <strong>Nicola Conte<\/strong> Umoja <br \/>30.06 <strong>Nothing But Thieves<\/strong> Dead Club City <br \/>30.06 <strong>Olivia Dean<\/strong> Messy, EMI <br \/>30.06 <strong>Phi-Psonics<\/strong> Octava, Gondwana<br \/>30.06 <strong>Piotr Figiel<\/strong> Shattered Dreams <br \/>30.06 <strong>Praed<\/strong> Fabrication of Silver Dreams, Discrepant <br \/>30.06 <strong>Ricercar 64<\/strong> Opus 1, GAD CD<br \/>30.06<strong> Sam Scranton<\/strong> Body Pillow, Moon Glyph <br \/>30.06 <strong>Serpent Of Old Ensemble<\/strong> Under the Dark Sun, Transcending Obscurity <br \/>30.06 <strong>Soft Machine<\/strong> Other Doors, Dyad <br \/>30.06<strong> Sweeping Promises<\/strong> Good Living Is Coming For You, Sub Pop <br \/>30.06 <strong>The Alchemist<\/strong> Flying High, ALC <br \/>30.06 <strong>The Body<\/strong> I Shall Die Here \/ Earth Triumphant <br \/>30.06 <strong>The Japanese House<\/strong> In the End It Always Does, Dirty Hit <br \/>30.06 <strong>Toro y Moi<\/strong> Mahal (Live from Big Sur), Dead Oceans <br \/>30.06 <strong>Tyshawn Sorey<\/strong> Continuing, Pi Recordings <br \/>30.06 <strong>VA<\/strong> Echolocation: Resonate From Here, Brawl <br \/>30.06 <strong>VA<\/strong> Opole 64, GAD 4CD<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Solowy debiut to zawsze niez\u0142y test na to, ile procent warto\u015bci zespo\u0142u stanowi jego frontman. W wypadku Griana Chattena ostro\u017cna odpowied\u017a brzmi: ca\u0142kiem du\u017co. Chaos for the Fly to p\u0142yta, kt\u00f3ra mo\u017ce nie osza\u0142amia, nie zachwyca w ca\u0142o\u015bci, ale imponuje dojrza\u0142o\u015bci\u0105, na jak\u0105 starsi koledzy z takiego np. Arctic Monkeys pracowali du\u017co d\u0142u\u017cej. Nagrany szybko, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38880,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,3666,7,5601,106],"tags":[5721],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38876"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=38876"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38876\/revisions"}],"predecessor-version":[{"id":38885,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/38876\/revisions\/38885"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/38880"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=38876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=38876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=38876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}