{"id":39338,"date":"2023-08-04T09:40:19","date_gmt":"2023-08-04T07:40:19","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=39338"},"modified":"2023-08-04T09:45:44","modified_gmt":"2023-08-04T07:45:44","slug":"trans-macabre","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/08\/04\/trans-macabre\/","title":{"rendered":"Trans macabre"},"content":{"rendered":"<p>W nieub\u0142agalnej miarowo\u015bci i tempie tych nagra\u0144 s\u0142ycha\u0107 up\u0142yw czasu: lato biegnie nieub\u0142aganie, kres ju\u017c wida\u0107 i czu\u0107. Ale w tym, \u017ce zajmuj\u0119 si\u0119 w pi\u0105tek akurat <strong>Dead Neanderthals<\/strong>, wida\u0107 ju\u017c przede wszystkim \u015brodek sezonu og\u00f3rkowego. W premierach pusto jak rzadko. Nie \u017ceby holenderski zesp\u00f3\u0142 Otto Kokkego i Ren\u00e9 Aquariusa (tu poszerzony o gitarzyst\u0119 Scotta Hedricka ze Skeletonwitch) by\u0142 niewa\u017cny. Przeciwnie &#8211; ich muzyka jest stale potrzebna. Cho\u0107by jako \u0142\u0105cznik mi\u0119dzy scen\u0105 metalow\u0105 a postrockow\u0105 i punkt, w kt\u00f3rym mog\u0119 sobie posta\u0107 obok koleg\u00f3w metalowc\u00f3w (kole\u017canki metal\u00f3wki chyba nie mam \u017cadnej), wspieraj\u0105c t\u0119 grup\u0119 zagubion\u0105 w czasie, przestrzeni i poszukiwaniu mocnych wra\u017ce\u0144. Brak nadziei i pos\u0119pno\u015b\u0107, kt\u00f3rej ka\u017cdy zdrowy organizm poszukuje w ci\u0119\u017ckiej muzyce w dzieci\u0144stwie, tu znajduj\u0119 w postaci czystej i prawdziwej. D\u0142ugie, transowe formy Dead Neanderthals (ta druga z dw\u00f3ch, czyli <em>Banishment<\/em>, troch\u0119 bardziej dla nich typowa), tak\u017ce te na <em>Specters<\/em>, maj\u0105 si\u0119 tak do metalu jak zwyk\u0142e mroczne \u017cycie do jednorazowego mrocznego \u015bwi\u0119ta. Du\u017co w nich zawzi\u0119to\u015bci, cierpliwo\u015bci, zdrowego pesymizmu i zwyk\u0142ego, codziennego zakapiorstwa, kt\u00f3re pozwala prze\u017cy\u0107 kolejny dzie\u0144. W tym wypadku &#8211; Bandcamp Friday (wi\u0119c tych nowo\u015bci dzi\u015b nieco przyb\u0119dzie, ja z serca polecam jeszcze Alana Silv\u0119 z jego orkiestr\u0105) i start Off Festivalu, kt\u00f3rego sta\u0142\u0105 widowni\u0119 serdecznie pozdrawiam, \u017cycz\u0105c mi\u0142ych wra\u017ce\u0144.\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1180099701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/deadneanderthals.bandcamp.com\/album\/specters\">Specters by Dead Neanderthals<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>29.07 <strong>Alan Silva &amp; The Celestrial Communication Orchestra<\/strong> H\u200b.\u200bCON\u200b.\u200bRES\u200b.\u200b57, Volume I, Eremite <br>29.07 <strong>Alan Silva &amp; The Celestrial Communication Orchestra<\/strong> H\u200b.\u200bCON\u200b.\u200bRES\u200b.\u200b57, Volume II, Eremite <br>30.07 <strong>Rutger Hauser<\/strong> Good Sleep, ScatterArchive <br>31.07 <strong>Dandelion<\/strong> II: Melodies of the Unseen <br>31.07 <strong>David Donohoe<\/strong> Summon (Live at the NCH), Fort Evil Fruit <br>31.07 <strong>Dedalus Ensemble<\/strong> Discreet \/ Music for Airports \/ Thursday Afternoon, Sub Rosa <br>31.07<strong> ni\/s<\/strong> September Sessions At The TEN, Fort Evil Fruit <br>31.07 <strong>Tekla Goldman<\/strong> Odra <br>1.08 <strong>Adam Bad\u00ed Donoval<\/strong> Sometimes Life Is Hard And So We Should Help Each Other, Maple Death <br>1.08<strong> Death and Vanilla<\/strong> Reimagined by Civilistj\u200b\u00e4\u200bvel!, Fire <br>1.08 <strong>Sana Nagano, Leonor Falc\u00f3n<\/strong> Peach and Tomato, 577 Records <br>4.08 <strong>Activity<\/strong> Spirit in the Room, Western Vinyl <br>4.08 <strong>Aidan Baker, Tim Wyskida, Daron Beck<\/strong> Trio Not Trio &#8211; Trzecia, Gizeh <br>4.08 <strong>Anthony B\u00e9ard<\/strong> Les contes de nulle part #2, Dur &amp; Doux <br>4.08 <strong>Bambii<\/strong> Infinity Club, Innonvative Leisure <br>4.08<strong> Belbury Poly<\/strong> The Path, Ghost Box <br>4.08 <strong>Chris Farren<\/strong> Doom Singer, Polyvinyl <br>4.08 <strong>Current Joys<\/strong> Love + Pop, Secretly Canadian <br>4.08 <strong>Daedelus<\/strong> Xenopocene, Dome of Doom <br>4.08 <strong>Dead Neanderthals<\/strong> Spectres, Utech <br>4.08 <strong>Depeche Mode<\/strong> Sounds of the Universe | The 12&#8243; Singles, Sony <br>4.08 <strong>DJs Di Guetto<\/strong> DJs Di Guetto, Principe <br>4.08 <strong>Dustin Wong<\/strong> Perpetual Morphosis, Hausu Mountain <br>4.08 <strong>Emil Amos<\/strong> Zone Black, Drag City <br>4.08 <strong>Jana Winderen<\/strong> The Blue Beyond, Touch <br>4.08 <strong>Jonathan Suazo<\/strong> Ricano, Ropeadope <br>4.08 <strong>Mammoth WVH<\/strong> Mammoth II, BMG <br>4.08 <strong>Moundabout<\/strong> An Cnoc M\u200b\u00f3\u200br, Rocket <br>4.08 <strong>Siavash Amini<\/strong> The Sweat of Earth, Room40 <br>4.08 <strong>Steve Roden<\/strong> lamp (within\u200b\u200b\u200b\/\u200b\u200b\u200bwithout the skin), Room40 <br>4.08 <strong>Teenage Wrist<\/strong> Still Love, Epitaph <br>4.08 <strong>The Front Bottoms<\/strong> You Are Who You Hang Out With, Fueled By Ramen <br>4.08 <strong>The Jesus and Mary Chain<\/strong> Sunset 666, Fuzz Club <br>4.08 <strong>Vinyl Williams<\/strong> Aeterna <br>4.08 <strong>Wishmountain<\/strong> Stonework: 1000 metres down remixes, Accidental<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>W nieub\u0142agalnej miarowo\u015bci i tempie tych nagra\u0144 s\u0142ycha\u0107 up\u0142yw czasu: lato biegnie nieub\u0142aganie, kres ju\u017c wida\u0107 i czu\u0107. Ale w tym, \u017ce zajmuj\u0119 si\u0119 w pi\u0105tek akurat Dead Neanderthals, wida\u0107 ju\u017c przede wszystkim \u015brodek sezonu og\u00f3rkowego. W premierach pusto jak rzadko. Nie \u017ceby holenderski zesp\u00f3\u0142 Otto Kokkego i Ren\u00e9 Aquariusa (tu poszerzony o gitarzyst\u0119 Scotta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":39339,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3319,444,5601],"tags":[3192],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39338"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=39338"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39338\/revisions"}],"predecessor-version":[{"id":39342,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39338\/revisions\/39342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/39339"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=39338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=39338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=39338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}