{"id":39501,"date":"2023-08-18T09:13:52","date_gmt":"2023-08-18T07:13:52","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=39501"},"modified":"2023-08-18T19:02:30","modified_gmt":"2023-08-18T17:02:30","slug":"od-genesisa-do-rewelacji","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/08\/18\/od-genesisa-do-rewelacji\/","title":{"rendered":"Od Genesisa do rewelacji"},"content":{"rendered":"<p>Autora jednej z najlepszych p\u0142yt roku 2021 <strong>Genesisa Owusu<\/strong> <a href=\"https:\/\/polifonia.blog.polityka.pl\/2021\/03\/08\/28455\/\">opisywa\u0142em w\u00f3wczas z du\u017cym entuzjazmem<\/a> jako artyst\u0119 brawurowego i do\u015b\u0107 eklektycznego, wybieraj\u0105cego co bardziej szalone elementy soulu, funku czy rocka. P\u0142yta <em>Smiling with No Teeth<\/em> wydawa\u0142a si\u0119 nie tylko nie mie\u0107 s\u0142abych punkt\u00f3w, ale te\u017c rewelacyjnie utrzymywa\u0107 uwag\u0119 s\u0142uchacza. Trudno wi\u0119c dzi\u015b zaczyna\u0107 dzie\u0144 od czego\u015b innego ni\u017c <em>Stay Blessed<\/em> &#8211; by\u0107 mo\u017ce najlepszy, a na pewno najbardziej punkowy spo\u015br\u00f3d trzech singli &#8211; albo<em> The Old Man<\/em> &#8211; z wariacj\u0105 na temat <em>Starmana<\/em> Davida Bowiego. <em>There&#8217;s an old man \/ Waiting in the sky \/ Just to fuck my life up<\/em> &#8211; \u015bpiewa Owusu, pochodz\u0105cy z Ghany, a mieszkaj\u0105cy w Australii autor tego repertuaru. By za chwil\u0119 przej\u015b\u0107 do mocno akcentowanego rytmicznie, ale utrzymanego w wolnym tempie soulu w <em>See Ya There<\/em>.&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Kt_ANxCFDAQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>W wi\u0119kszym stopniu ni\u017c na debiucie walcz\u0105 tu ze sob\u0105 na pewno te dwa \u017cywio\u0142y: punk jest bardziej ognisty, soul jest bardziej elegancki i pow\u015bci\u0105gliwy. Je\u015bli pierwsza p\u0142yta mia\u0142a w spos\u00f3b oczywisty wielu duchowych ojc\u00f3w: Prince&#8217;a, Pattona, Outkast, TV On The Radio, mo\u017ce te\u017c Yvesa Tumora, to du\u017c\u0105 cz\u0119\u015b\u0107 repertuaru <em>Strugglera<\/em> &#8211; cho\u0107by <em>Leaving the Light<\/em>, p\u00f3\u017aniej punkowego <em>Balthazara<\/em> czy wreszcie wspomniane <em>Stay Blessed<\/em> (kojarz\u0105ce si\u0119 z Franzem Ferdinandem) australijski artysta m\u00f3g\u0142by wykona\u0107 na koncercie na wsp\u00f3lnej trasie ze Sleaford Mods, kt\u00f3r\u0105 dzi\u015b \u0142atwiej sobie na pewno wyobrazi\u0107 ni\u017c poprzednio. Jest to ci\u0105gle muzyka niebywa\u0142ej energii, atrakcyjna i pe\u0142na witalno\u015bci &#8211; a\u017c si\u0119 prosi o wyst\u0119p na jakim\u015b porz\u0105dnie zaprogramowanym Off Festivalu za rok &#8211; ale te\u017c uderzaj\u0105co prostsza i \u0142atwiejsza do zdefiniowania ni\u017c debiut. Mniej zaskakuj\u0105ca i jednak przynosz\u0105ca drobne przestoje. Jak na rewelacj\u0119 roku &#8211; troch\u0119 za ma\u0142o. Jak na trudny drugi album &#8211; i tak nie\u017ale.&nbsp;<\/p>\n<p><strong>GENESIS OWUSU <em>Struggler<\/em>,<\/strong> AWAL 2023<\/p>\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1mzWBk8fzEEMumcy5IuVcf?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>12.08 <strong>Emanuele Parrini, Samo \u0160alamon &amp; Vasco Trilla<\/strong> Eating Poetry <br \/>14.08 <strong>Trym S\u200b\u00f8\u200bvdsnes<\/strong> Trym S\u200b\u00f8\u200bvdsnes, Smalltown Supersound <br \/>15.08 <strong>Fievel Is Glauque<\/strong> \u200bI\u2019\u200bm Scanning Things I Can\u200b\u2019\u200bt See \/ Dark Dancing, Fat Possum <br \/>15.08 <strong>Mats Gustafsson<\/strong> Hidros 9 &#8211; Mirrors, Trost <br \/>15.08 <strong>Mats Gustafsson &amp; Ensemble E<\/strong> Opus One, Trost <br \/>16.08 <strong>Sonik Landschafts<\/strong> Winds of Arkona, Suche Fakty <br \/>18.08 <strong>Abigail Toll<\/strong> Matrices of Vision, Shelter Press <br \/>18.08 <strong>Addison Rae<\/strong> AR, Atlantic EP<br \/>18.08 <strong>Aerosmith<\/strong> Greatest Hits, Universal <br \/>18.08<strong> Arnold Dreyblatt<\/strong> Resolve, Drag City <br \/>18.08 <strong>Birdy<\/strong> Portraits, Warner<br \/>18.08<strong> Cautious Clay<\/strong> Karpeh, Blue Note<br \/>18.08 <strong>Cory Wong<\/strong> The Lucky One <br \/>18.08 <strong>Dir<\/strong> \u015awitezianka, Opus Elefantum <br \/>18.08 <strong>Dizzy<\/strong> Dizzy, Royal Mountain <br \/>18.08 <strong>EVAN PARKER &#8211; MATTHEW WRIGHT, TRANCE MAP+ with Peter Evans and Mark Nauseef<\/strong> Etching the Ether, Intakt <br \/>18.08 <strong>Fiddlehead<\/strong> Death Is Nothing To Us, Run For Cover <br \/>18.08<strong> Fran Lobo<\/strong> Burning It Feels Like, Heavenly <br \/>18.08 <strong>Genesis Owusu<\/strong> Struggler, AWAL<br \/>18.08 <strong>Giggs<\/strong> Zero Tolerance <br \/>18.08 <strong>Gregory Alan Isakov<\/strong> Appaloosa Bones, Suitcase Town Music <br \/>18.08 <strong>Guillermo Klein Quinteto<\/strong> Telmo&#8217;s Tune, Sunnyside <br \/>18.08 <strong>Horrendous<\/strong> Ontological Mysterium, Season Of Mist <br \/>18.08 <strong>Hozier<\/strong> Unreal Unearth, Universal <br \/>18.08 <strong>Injury Reserve<\/strong> &#8222;5\/3&#8221;<br \/>18.08 <strong>Jon Batiste<\/strong> World Music Radio, Verve<br \/>18.08 <strong>Klawo<\/strong> Live!, Coastline Northern Cuts <br \/>18.08<strong> Kora \/ Maanam<\/strong> Blues Kory, Kamiling <br \/>18.08 <strong>Les Rallizes D\u00e9nud\u00e9s<\/strong> CITTA\u2019 &#8217;93, Temporal Drift <br \/>18.08 <strong>LUCAS NIGGLI SOUND OF SERENDIPITY TENTET<\/strong> Play, Intakt <br \/>18.08 <strong>Mapache<\/strong> Swinging Stars, Innovative Leisure <br \/>18.08 <strong>Margaret Glaspy<\/strong> Echo the Diamond, ATO <br \/>18.08 <strong>Mick Jenkins<\/strong> The Patience, BMG <br \/>18.08<strong> Naked Lungs<\/strong> Doomscroll <br \/>18.08 <strong>No End To The Obscure<\/strong> No End to the Obscure, Figment <br \/>18.08 <strong>Orbit Culture<\/strong> Descent, Seek &amp; Strike <br \/>18.08 <strong>Osees<\/strong> Intercepted Message, In The Red <br \/>18.08 <strong>Panda Bear &amp; Sonic Boom<\/strong> Reset in Dub Domino <br \/>18.08 <strong>Quavo<\/strong> Rocket Power, Motown <br \/>18.08<strong> Rene\u00e9 Rapp<\/strong> Snow Angel, Polydor <br \/>18.08 <strong>Rhiannon Giddens<\/strong> You&#8217;re the One, Nonesuch <br \/>18.08 <strong>Sheila Chandra<\/strong> Out in the Real World, Real World <br \/>18.08 <strong>Simon Berz, Toshinori Kondo &amp; Bill Laswell<\/strong> Breath versus Beats, Everest <br \/>18.08 <strong>Sonic Youth<\/strong> Live in Brooklyn 2011, Silver Current <br \/>18.08 <strong>Stephen Steinbrik<\/strong> Disappearing Coin, Western Vinyl<br \/>18.08<strong> Tash Sultana<\/strong> Sugar EP <br \/>18.08 <strong>Worm Shepherd<\/strong> The Sleeping Sun, Unique Leader EP<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Autora jednej z najlepszych p\u0142yt roku 2021 Genesisa Owusu opisywa\u0142em w\u00f3wczas z du\u017cym entuzjazmem jako artyst\u0119 brawurowego i do\u015b\u0107 eklektycznego, wybieraj\u0105cego co bardziej szalone elementy soulu, funku czy rocka. P\u0142yta Smiling with No Teeth wydawa\u0142a si\u0119 nie tylko nie mie\u0107 s\u0142abych punkt\u00f3w, ale te\u017c rewelacyjnie utrzymywa\u0107 uwag\u0119 s\u0142uchacza. Trudno wi\u0119c dzi\u015b zaczyna\u0107 dzie\u0144 od czego\u015b [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":39507,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,4993,3666,7,5601,106],"tags":[4571],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39501"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=39501"}],"version-history":[{"count":13,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39501\/revisions"}],"predecessor-version":[{"id":39529,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/39501\/revisions\/39529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/39507"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=39501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=39501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=39501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}