{"id":40584,"date":"2023-11-03T10:32:29","date_gmt":"2023-11-03T09:32:29","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=40584"},"modified":"2023-11-04T19:06:34","modified_gmt":"2023-11-04T18:06:34","slug":"dobry-sen","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/11\/03\/dobry-sen\/","title":{"rendered":"Dobry Sen"},"content":{"rendered":"<p>Dzi\u015b kolejny Bandcamp Friday. Serwis obudzi\u0142 si\u0119 niedawno w innej rzeczywisto\u015bci &#8211; od firmy Epic Games, giganta z rynku gier wideo, kupi\u0142 ca\u0142\u0105 platform\u0119 Songtradr, kt\u00f3ry zd\u0105\u017cy\u0142 ju\u017c (jak donosz\u0105 media) zwolni\u0107 po\u0142ow\u0119 pracownik\u00f3w. Jest to moim zdaniem do\u015b\u0107 jasny znak dla wykonawc\u00f3w ca\u0142\u0105 swoj\u0105 sprzeda\u017c w sieci opieraj\u0105cych na Bandcampie: warto szykowa\u0107 \u0142odzie ratunkowe. Bo cho\u0107 trzymam kciuki i kibicuj\u0119, bo sam zorganizowa\u0142em swoje s\u0142uchanie w du\u017cej mierze wok\u00f3\u0142 tego serwisu, mam \u015bwiadomo\u015b\u0107, \u017ce prze\u017cyli\u015bmy ju\u017c niejedno t\u0105pni\u0119cie rynkowe. I mieli\u015bmy niejeden sygna\u0142 tymczasowo\u015bci oferty, co przypominam tym, kt\u00f3rzy widzieli na w\u0142asne oczy cho\u0107by <a href=\"https:\/\/polifonia.blog.polityka.pl\/2020\/10\/10\/zamykaja-nam-sklepy-podsumowanie-dwoch-tygodni\/\">zamykanie muzycznego sklepu Google Play<\/a>. Zapraszam wi\u0119c do wertowania tygodniowej listy premier &#8211; ci\u0105gle mo\u017cna je znale\u017a\u0107 w du\u017cej cz\u0119\u015bci w Bandcampie, a dzisiejsze zakupy w ca\u0142o\u015bci zasil\u0105 konta artyst\u00f3w. Ale jedyny dobry Sen, z jakim si\u0119 dzi\u015b zetkn\u0105\u0142em, to Morimoto &#8211; chicagowski wokalista, kompozytor, multiinstrumentalista i producent pochodz\u0105cy z japo\u0144skiego Kioto i nagrywaj\u0105cy piosenki, kt\u00f3re s\u0105 amalgamatem popu i jazzu.&nbsp; &nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T4zEJqtNKn4?si=EIyHL6EatR51w5aj\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>30-letni <strong>Sen Morimoto<\/strong> pozostaje figur\u0105 stosunkowo nieznan\u0105, cho\u0107 ma ju\u017c na koncie pi\u0119\u0107 p\u0142yt. Piosenki, jakie zebra\u0142 na <em>Diagnosis<\/em>, s\u0105 s\u0142odko-gorzkie &#8211; melodie topi\u0105 si\u0119 tu, a czasem nawet utykaj\u0105 w skomplikowanych zmianach akordowych. Ta harmoniczna strona p\u0142yty ucieszy by\u0107 mo\u017ce sieroty po Porcysie. Spodoba si\u0119 te\u017c na pewno mi\u0142o\u015bnikom polskiej grupy Sorja Morja, kt\u00f3ra (przypomn\u0119) <a href=\"https:\/\/youtu.be\/-3Qbu4iaGLc?si=gxNjexZjx00prv7S\">zatrudnia\u0142a Morimoto jako saksofonist\u0119<\/a>. Wszystkie te z\u0142o\u017cone zwrotki i refreny wydaj\u0105 si\u0119 coraz ciekawsze z ka\u017cdym kolejnym ods\u0142uchem. Singlowe <em>Bad State<\/em> wskoczy\u0142o z miejsca na moj\u0105 prywatn\u0105 list\u0119 wsp\u00f3\u0142czesnych utwor\u00f3w najbli\u017cszych Steely Dan, jak si\u0119 tylko da. A pocz\u0105tek i ko\u0144c\u00f3wka p\u0142yty zbli\u017ca Morimoto do duetu Knower albo przynajmniej samego Louisa Cole&#8217;a w bardziej lirycznym wydaniu &#8211; z zupe\u0142nie ju\u017c soulowo-jazzowym akcentem w fina\u0142owym <em>Reality<\/em>. A <em>Naive<\/em> to utw\u00f3r nie mniej Beatlesowski ni\u017c wczorajsza premiera<em> Now and Then<\/em>, o kt\u00f3rej napisa\u0142em w osobnym tek\u015bcie na \u0142amach POLITYKI. A w\u0142a\u015bciwie nawet dw\u00f3ch: <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/2232932,1,stonesi-i-beatlesi-slawni-beda-slawniejsi-dlaczego-znowu-jest-o-nich-glosno.read\">tutaj<\/a> i <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/2232928,1,od-czasu-do-czasu-nawet-the-beatles-wydaja-nowy-utwor.read\">tu<\/a>.&nbsp;&nbsp;<\/p>\n<p><strong>SEN MORIMOTO <em>Diagnosis<\/em><\/strong>, City Slang 2023&nbsp;<\/p>\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1KE5ZOll4qVQTZNLOjp3qa?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>31.10 <strong>Chrisman<\/strong> Dozage, Hakuna Kulala <br \/>31.10 <strong>EQ Why<\/strong> Dance Floor, Orange Milk <br \/>31.10<strong> Micha\u0142 Aftyka Quintet<\/strong> Frukstrakt, Multikulti <br \/>31.10 <strong>VA<\/strong> All Trades &#8211; Vol. 1, Emotional Response <br \/>31.10 <strong>VA<\/strong> All Trades &#8211; Vol. 2, Emotional Response<br \/>1.11 <strong>Beneficjenci Splendoru<\/strong> Fizyka<br \/>1.11<strong> Damien Jurado<\/strong> Passing the Giraffes, Maraqopa <br \/>1.11 <strong>John Butcher, Thomas Lehn &amp; John Tilbury<\/strong> Lights, Fataka <br \/>1.11 <strong>M. Takara<\/strong> Live at 3XR, Edelfaul <br \/>1.11 <strong>Peter Evans &#8211; Being &amp; Becoming<\/strong> Ars Memoria More Is More <br \/>1.11 <strong>Pisitakun<\/strong> KUANTALAENG, Chinabot <br \/>1.11 <strong>U.S. Girls<\/strong> Lives, 4AD <br \/>2.11 <strong>Pascal Comelade, Lionel Limi\u00f1ana, Marie Limi\u00f1ana<\/strong> Boom Boom, Because <br \/>3.11 <strong>AcidSitter<\/strong> Make Acid Great Again, Interstellar Smoke <br \/>3.11 <strong>Actress<\/strong> LXXXVIII, Ninja Tune <br \/>3.11 <strong>Adela Mede<\/strong> Ne L\u00e9pj a Vir\u00e1gra, Warm Winters Ltd <br \/>3.11 <strong>Akhira Sano<\/strong> Far More Decentralized, 33-33 <br \/>3.11 <strong>Alya Isha x Insula<\/strong> diaSpoRia, FPE <br \/>3.11<strong> Amor Muere<\/strong> A time to love, a time to die, Scrawl <br \/>3.11<strong> Anita Lipnicka<\/strong> \u015anienie, Dark Gray <br \/>3.11 <strong>Bar Italia<\/strong> The Twits, Matador <br \/>3.11 <strong>Beatriz Ferreyra<\/strong> UFO Forest+, Room40 <br \/>3.11 <strong>Benny Sings With the Metropole Orkest<\/strong> Benny Sings With the Metropole Orkest, Stones Throw EP<br \/>3.11 <strong>Better Corners<\/strong> Continuous Miracles, Vol\u200b.\u200b2, The State51 Conspiracy <br \/>3.11<strong> Chromb!<\/strong> Cinq, Dur &amp; Doux <br \/>3.11 <strong>Cold War Kids<\/strong> Cold War Kids <br \/>3.11 <strong>Drop Nineteens<\/strong> Hard Light, Wharf Cat <br \/>3.11 <strong>Earth<\/strong> Earth 2.23: Special Lower Frequency Mix, Sub Pop <br \/>3.11 <strong>Elmar Frey<\/strong> Seven Colors <br \/>3.11 <strong>Empty Country<\/strong> Empty Country II, Get Better <br \/>3.11 <strong>Eugene Carchesio + Adam Betts<\/strong> Circle Drum Music, Room40 <br \/>3.11 <strong>Fismoll<\/strong> Pomi\u0119dzy <br \/>3.11 <strong>Gabriel Birnbaum<\/strong> Nightwater | All the Dead Do is Dream, Western Vinyl <br \/>3.11 <strong>Gong<\/strong> Unending Ascending <br \/>3.11 <strong>Green Land<\/strong> This Heathen Land, Nuclear Blast <br \/>3.11 <strong>Hailu Mergia<\/strong> Pioneer Works Swing (live), Awesome Tapes From Africa <br \/>3.11<strong> Hilary Woods<\/strong> Acts of Light, Sacred Bones <br \/>3.11 <strong>Honour<\/strong> \u00c0l\u200b\u00e1\u200b\u00e1\u200bf\u200b\u00ed\u200b\u00e0, PAN <br \/>3.11<strong> Hotline TNT<\/strong> Cartwheel, Third Man <br \/>3.11 <strong>James Heather<\/strong> Reworks vol. 2, Ahead Of Our Time <br \/>3.11<strong> Jan LF Strach<\/strong> Stressing Obsessing Aeropressing <br \/>3.11 <strong>Jockstrap &amp; Taylor Skye<\/strong> I&lt;3UQTINVU, Rough Trade <br \/>3.11 <strong>Kevin Abstract<\/strong> Blanket, RCA <br \/>3.11<strong> King Creosote<\/strong> I Des <br \/>3.11 <strong>Laura Veirs<\/strong> Phone Orphans, Raven Marching Band <br \/>3.11 <strong>Lingua Ignota<\/strong> The End: Live at Islington Assembly Hall <br \/>3.11 <strong>Lisa Lerkenfeldt<\/strong> Halos of Perception, Shelter Press <br \/>3.11 <strong>Lol Tolhurst, Budgie &amp; Jacknife Lee<\/strong> Los Angeles, PIAS <br \/>3.11 <strong>Maria Grapsa Sextet<\/strong> Life, Musical Dojo <br \/>3.11 <strong>Markus Guentner &amp; Joachim Spieth<\/strong> Overlay, Affln <br \/>3.11 <strong>Marnie Stern<\/strong> The Comeback Kid, Joyful Noise <br \/>3.11 <strong>Matmos<\/strong> Return To Archive, Smithsonian <br \/>3.11<strong> Ndox Electrique<\/strong> T\u00ebd ak Mame Coumba Lamba ak Mame Coumba Mbang, Bongo Joe <br \/>3.11 <strong>Off World<\/strong> &#8222;3&#8221;, Constellation <br \/>3.11 <strong>Ola Szmidt<\/strong> Rooted Explorations, Accidental <br \/>3.11 <strong>Old Fire<\/strong> Iterations, Western Vinyl <br \/>3.11 <strong>PoiL<\/strong> Yoshitsune, Dur &amp; Doux <br \/>3.11 <strong>Rebecca Sugar<\/strong> Spiral Bound, EP<br \/>3.11 <strong>Resavoir<\/strong> Resavoir, International Anthem <br \/>3.11 <strong>Robert Kafel<\/strong> Noise Expanse, Jvdasz Iskariota <br \/>3.11 <strong>Sarah Davachi<\/strong> Long Gradus, Late Music <br \/>3.11 <strong>Sen Morimoto<\/strong> Diagnosis, City Slang <br \/>3.11 <strong>Serenity<\/strong> Nemesis AD, Napalm <br \/>3.11 <strong>Sign Libra<\/strong> Hidden Beauty, RVNG Intl <br \/>3.11 <strong>Silent Planet<\/strong> Superbloom, Solid State <br \/>3.11 <strong>Silvan Joray ft. Nadav Erlich &amp; Jeff Ballard<\/strong> Updraft, Ubuntu Music <br \/>3.11 <strong>Spiritbox<\/strong> The Fear of Fear, Rise EP<br \/>3.11 <strong>Suffocation<\/strong> Hymns From The Apocrypha, Nuclear Blast<br \/>3.11 <strong>Szatt<\/strong> Everdome OST vol. II, Dyspensa<br \/>3.11 <strong>TALsounds<\/strong> Shift, NNA Tapes <br \/>3.11 <strong>Tashi Dorji<\/strong> Tashi Dorji, Drag City arch<br \/>3.11 <strong>Tashi Dorji<\/strong> Guitar Improvisations, Drag City <br \/>3.11 <strong>tellKujira<\/strong> tellKujira, Superpang <br \/>3.11 <strong>Thala<\/strong> Twotwentytwo, Fire <br \/>3.11 <strong>The Alchemist<\/strong> Flying High 2, ALC EP<br \/>3.11 <strong>The Struts<\/strong> Pretty Vicious, Big Machine <br \/>3.11 <strong>There Will Be Fireworks<\/strong> Summer Moon <br \/>3.11 <strong>Till Lindemann<\/strong> Zunge <br \/>3.11 <strong>Tkay Maidza<\/strong> Sweet Justice, 4AD <br \/>3.11 <strong>Totenmesse<\/strong> Fiktionlust, Pagan <br \/>3.11 <strong>Tymon Tyma\u0144ski<\/strong> Paszkwile, S7 <br \/>3.11 <strong>Univers Zero<\/strong> Lueur, Sub Rosa <br \/>3.11 <strong>Van Morrison<\/strong> Accentuate the Positive <br \/>3.11 <strong>William Eggleston<\/strong> &#8222;512&#8221;, Secretly Canadian <br \/>3.11 <strong>Willie Nelson<\/strong> Greatest Hits<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Dzi\u015b kolejny Bandcamp Friday. Serwis obudzi\u0142 si\u0119 niedawno w innej rzeczywisto\u015bci &#8211; od firmy Epic Games, giganta z rynku gier wideo, kupi\u0142 ca\u0142\u0105 platform\u0119 Songtradr, kt\u00f3ry zd\u0105\u017cy\u0142 ju\u017c (jak donosz\u0105 media) zwolni\u0107 po\u0142ow\u0119 pracownik\u00f3w. Jest to moim zdaniem do\u015b\u0107 jasny znak dla wykonawc\u00f3w ca\u0142\u0105 swoj\u0105 sprzeda\u017c w sieci opieraj\u0105cych na Bandcampie: warto szykowa\u0107 \u0142odzie ratunkowe. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":40588,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,7,5601,106],"tags":[4051],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/40584"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=40584"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/40584\/revisions"}],"predecessor-version":[{"id":40642,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/40584\/revisions\/40642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/40588"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=40584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=40584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=40584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}