{"id":41048,"date":"2023-12-08T09:21:45","date_gmt":"2023-12-08T08:21:45","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=41048"},"modified":"2023-12-08T17:47:57","modified_gmt":"2023-12-08T16:47:57","slug":"nowe-plyty-po-koncu-roku","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2023\/12\/08\/nowe-plyty-po-koncu-roku\/","title":{"rendered":"Nowe p\u0142yty po ko\u0144cu roku"},"content":{"rendered":"<p>Nie ma lepszego momentu na s\u0142uchanie nowo\u015bci, gdy reszta \u015bwiata jest skoncentrowana na czym\u015b innym. Z drugiej strony &#8211; to prawdopodobnie ostatni w tym roku pi\u0105tek z tak poka\u017an\u0105 ofert\u0105 premierow\u0105. Wybieram z niej perkusist\u0119 i producenta <strong>Bena Lumsdaine&#8217;a<\/strong>, kt\u00f3ry &#8211; wsp\u00f3lnie z kilkoma przyjaci\u00f3\u0142mi, niez\u0142ymi muzykami r\u00f3\u017cnych formacji (instrumenty d\u0119te, gitara) &#8211; nagra\u0142 transowy album elektro-jazzowy z ca\u0142\u0105 palet\u0105 przebieg\u00f3w rytmicznych powsta\u0142ych z inspiracji afryka\u0144skich lub latynoameryka\u0144skich. Pachnie to na pocz\u0105tku troch\u0119 ugrzecznionym, syntetycznym odpowiednikiem poszukiwa\u0144 Jushuy Abramsa, p\u00f3\u017aniej s\u0142ycha\u0107 troch\u0119 wp\u0142yw\u00f3w Jona Hassella, nietrudno te\u017c znale\u017a\u0107 jakie\u015b odniesienia do nagra\u0144 Manuela G\u00f6ttschinga. Jest to przy tym p\u0142yta zwarta, bardzo nowocze\u015bnie zrealizowana, robi\u0105ca du\u017ce wra\u017cenie stron\u0105 produkcyjn\u0105. Muzyka, kt\u00f3rego mo\u017cemy zna\u0107 z tegorocznej p\u0142yty Duranda Jonesa czy zesz\u0142orocznego albumu Anny Butterss (\u015bwietne <em>Activities<\/em>, wspomina\u0142em gdzie\u015b o tej p\u0142ycie), poznajemy tu od zupe\u0142nie innej strony. I obstawiam, \u017ce jeszcze o nim us\u0142yszymy. Utwory 1, 4 i 5 obowi\u0105zkowo, reszta w miar\u0119 wolnego czasu, no bo przecie\u017c nikt ju\u017c nie s\u0142ucha nowo\u015bci, wszyscy podsumowuj\u0105, rok si\u0119 ko\u0144czy.\u00a0 \u00a0 \u00a0<\/p>\n\n\n<!--more-->\n\n\n<p><strong>BEN LUMSDAINE <em>Murmuration without End<\/em>,<\/strong> International Anthem 2023<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/intlanthem.bandcamp.com\/album\/murmuration-without-end\">Murmuration Without End by Ben Lumsdaine<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>6.12<strong> Roger Lin<\/strong> Exploitation Suite <br \/>6.12 <strong>Tribbs<\/strong> MT <br \/>7.12 <strong>Faune <\/strong>Des Fant\u200b\u00f4\u200bmes, La Novia <br \/>7.12 <strong>Health<\/strong> Rat Wars, Loma Vista <br \/>8.12 <strong>Atreyu<\/strong> The Beautiful Dark of Life, Spinefarm <br \/>8.12 <strong>Barbara Manning<\/strong> Charm of Yesterday\u200b\u2026\u200bConvenience of Tomorrow, Ba Da Bing <br \/>8.12 <strong>Bart\u0142omiej Ole\u015b \/ Mira Opali\u0144ska<\/strong> Cat&#8217;s Songs &#8211; 17 Haiku for Piano, Audio Cave CD\/DL<br \/>8.12<strong> Ben Lumsdaine<\/strong> Murmuration without End, International Anthem <br \/>8.12 <strong>Blu &amp; Nottz<\/strong> Afrika, Nature Sounds <br \/>8.12 <strong>Bound By Endogamy<\/strong> Bound By Endogamy, Les Disques Bongo Joe <br \/>8.12 <strong>Car Seat Headrest<\/strong> Faces from the Masquarade (live), Matador <br \/>8.12 <strong>Cool Kids Of Death<\/strong> \u017bart, Mystic 7&#8243;<br \/>8.12 <strong>Cymande<\/strong> Second Time Round, Partisan reed<br \/>8.12 <strong>Depeche Mode<\/strong> Strange\/Strange Too, Sony DVD, BR<br \/>8.12 <strong>Dimmu Borgir<\/strong> Inspiratio Profanus, Nuclear Blast<br \/>8.12 <strong>Geins&#8217;t Na\u00eft + Laurent Petitgand + Scanner<\/strong> Et il y&#8217;avait, Ici d&#8217;ailleurs<br \/>8.12 <strong>Fionnlagh &amp; Warmth<\/strong> Glow, Archives<br \/>8.12 <strong>Infant<\/strong> Sigla, sone, Warm Winters Ltd. <br \/>8.12<strong> Jac Berrocal<\/strong> Bo\u200b\u00ee\u200bte Bo\u200b\u00ee\u200bte, Akuphone <br \/>8.12 <strong>James Elkington<\/strong> Me Neither, No Quarter <br \/>8.12 <strong>Jarhead Fertiziler<\/strong> Carceric Warfare, Closed Casket Activities <br \/>8.12 <strong>Jerskin Fendrix<\/strong> Poor Things OST, Searchlights<br \/>8.12 <strong>JJJJJerome Ellis<\/strong> Compline in Nine Movements, NNA Tapes <br \/>8.12<strong> Kind Beast<\/strong> Dirty Realism, Don Giovanni <br \/>8.12 <strong>Lamino Bajo<\/strong> Tierra, Wabi-Sabi Tapes <br \/>8.12 <strong>Lionmilk and Club Diego<\/strong> In Float, Leaving <br \/>8.12 <strong>Muireann Bradley<\/strong> I Kept This Old Blues, Tompkins Square <br \/>8.12 <strong>Neil Young<\/strong> Before and After, Reprise <br \/>8.12 <strong>Nicki Minaj<\/strong> Pink Friday 2, Heavy On It <br \/>8.12 <strong>Nooli<\/strong> Tanssihuuma, Eclipse <br \/>8.12 <strong>Pearl &amp; The Oysters<\/strong> Coast 2 Coast Remixes, Stones Throw <br \/>8.12 <strong>Philip Selway<\/strong> Live at Evolution Studios, Bella Union <br \/>8.12 <strong>Phobocosm<\/strong> Foreordained, Dark Descent <br \/>8.12 <strong>Pointe du Lac<\/strong> Les siphonophores des eaux froides et profondes de l&#8217;Arctique, Hands In The Dark <br \/>8.12<strong> Sigurdur R\u00f6gnvaldsson<\/strong> L\u200b\u00fa\u200bna, Eclipse <br \/>8.12 <strong>Sombat Simla<\/strong> Master Of Bamboo Mouth Organ &#8211; Isan, Thailand, Black Truffle <br \/>8.12 <strong>Tate McRae<\/strong> Think Later, RCA <br \/>8.12 <strong>TSA<\/strong> Dream Team Live 2021, Mystic <br \/>8.12<strong> Wendy Eisenberg, Damon Smith &amp; Stefan Gonz\u00e1lez<\/strong> Balloon of Ruin, Joan of Bark<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nie ma lepszego momentu na s\u0142uchanie nowo\u015bci, gdy reszta \u015bwiata jest skoncentrowana na czym\u015b innym. Z drugiej strony &#8211; to prawdopodobnie ostatni w tym roku pi\u0105tek z tak poka\u017an\u0105 ofert\u0105 premierow\u0105. Wybieram z niej perkusist\u0119 i producenta Bena Lumsdaine&#8217;a, kt\u00f3ry &#8211; wsp\u00f3lnie z kilkoma przyjaci\u00f3\u0142mi, niez\u0142ymi muzykami r\u00f3\u017cnych formacji (instrumenty d\u0119te, gitara) &#8211; nagra\u0142 transowy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":41050,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,5601,106],"tags":[5770],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/41048"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=41048"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/41048\/revisions"}],"predecessor-version":[{"id":41055,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/41048\/revisions\/41055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/41050"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=41048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=41048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=41048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}