
{"id":42679,"date":"2024-04-01T16:08:53","date_gmt":"2024-04-01T14:08:53","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=42679"},"modified":"2024-04-01T22:17:26","modified_gmt":"2024-04-01T20:17:26","slug":"173-premiery-plytowe-kwietnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2024\/04\/01\/173-premiery-plytowe-kwietnia\/","title":{"rendered":"173 premiery p\u0142ytowe kwietnia"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-42684\" src=\"\/wp-content\/uploads\/2024\/04\/PREMIERY-2024-04-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"\/polifonia\/wp-content\/uploads\/2024\/04\/PREMIERY-2024-04-1024x1024.jpg 1024w, \/polifonia\/wp-content\/uploads\/2024\/04\/PREMIERY-2024-04-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2024\/04\/PREMIERY-2024-04-300x300.jpg 300w, \/polifonia\/wp-content\/uploads\/2024\/04\/PREMIERY-2024-04-768x768.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n\n\n<!--more-->\n\n\n<p><strong>PREMIERY P\u0141YTOWE KWIETNIA 2024<\/strong><\/p>\n<div><strong>1.04 <\/strong><br \/><strong>Bobi Peru<\/strong> Subliminal Perception, SoulCraft <br \/><strong>Runforrest<\/strong> Rytua\u0142<\/div>\n<div>\u00a0<\/div>\n<div><strong>2.04 <\/strong><br \/><strong>Alain Goraguer<\/strong> Rare Soundtracks &amp; Lost Tapes (1973\u200b-\u200b1984), Transversales <br \/><strong>Mirt<\/strong> Wanderlust<\/div>\n<div>\u00a0<\/div>\n<div><strong>5.04<\/strong><\/div>\n<div><strong>A Lily<\/strong> Saru I-Qamar, Phantom Limb <br \/><strong>Adam Wiltzie<\/strong> Eleven Fugues for Sodium Pentothal, Kranky <br \/><strong>Alpha Wolf<\/strong> Half Living Things, Sharptone <br \/><strong>Amblare<\/strong> Amblare, Melodic Virtue <br \/><strong>Amy Gadiaga<\/strong> All Black Everything, Jazz Re:freshed <br \/><strong>Andrew CS<\/strong> Caught in Pointers, Leaving <br \/><strong>Ariel<\/strong> Ariel, Jazz Room <br \/><strong>Bagus Shidqi<\/strong> Digital Indigenous 06: Njondhil Njondhal, Digital Indigenous <br \/><strong>Beatenberg<\/strong> The Great Fire of Beatenberg, Leafy Outlook <br \/><strong>Bruno Berle<\/strong> No Reino Dos Afetos 2, Far Out <br \/><strong>Caleb Landry Jones<\/strong> Hey Gary, Hey Dawn, Sacred Bones <br \/><strong>Container<\/strong> Yacker, Alter <br \/><strong>Coral Morphologic &amp; Nick Le\u00f3n<\/strong> Projections of a Coral City, Balmat<br \/><strong>Desarbres Ensemble (Ferran Fages, Tom Chant, Mateusz Rybicki, Michal Biel, Carina Khorkhordina, Alex Reviriego)<\/strong> Live at 6th Spontaneous Music Festival 2022, Spontaneous Live Series DL<br \/><strong>Drahla<\/strong> Angeltape, Captured Tracks <br \/><strong>Einst\u00fcrzende Neubauten<\/strong> Rampen \u2013 apm: alien pop music, Potomak <br \/><strong>Fabiana Palladino<\/strong> Fabiana Palladino, Paul Institute <br \/><strong>Faust<\/strong> Momentaufnahme III, Bureau B <br \/><strong>Faust<\/strong> Momentaufnahme IV, Bureau B <br \/><strong>Flung<\/strong> All Heartbeat, Get Better <br \/><strong>Fyear<\/strong> Fyear, Constellation <br \/><strong>Hawkwind<\/strong> Stories From Time and Space, Cherry Red <br \/><strong>IVO PERELMAN QUARTET (I. Perelman, M. Shipp, M. Helias, T. Rainey)<\/strong> Water Music, Rogue Art <br \/><strong>Izzy and the Black Trees<\/strong> Go On, Test The System, Antena Krzyku EP<br \/><strong>James Rushford<\/strong> Turzets, Blank Forms <br \/><strong>Jane Penny<\/strong> Surfacing, Luminelle <br \/><strong>Jane Weaver<\/strong> Love in Constant Spectacle, Fire <br \/><strong>Josh Johnson<\/strong> Unusual Object, Northern Spy <br \/><strong>Kate Soper<\/strong> The Hunt, New Focus <br \/><strong>Khruangbin<\/strong> A la Sala, Dead Oceans <br \/><strong>Kolonel Djafaar<\/strong> Getaway, Batov <br \/><strong>Lizzy McApline<\/strong> Older <br \/><strong>Loscil \/ Lawrence English<\/strong> Chroma, Room40 <br \/><strong>Louis Culture<\/strong> I Can&#8217;t Wait to See You Again <br \/><strong>Matthew Shipp<\/strong> New Concepts in Piano Trio Jazz, ESP-Disk <br \/><strong>Maya Beiser<\/strong> X Terry Riley In C, Islandia <br \/><strong>Melissa Aldana<\/strong> Echoes of the Inner Prophet, Blue Note <br \/><strong>Mount Kimbie<\/strong> The Sunset Violent, Warp <br \/><strong>Phelimuncasi &amp; Metal Preyers<\/strong> Izigqinamba, Nyege Nyege Tapes <br \/><strong>Phosphorescent<\/strong> Revelator, Verve <br \/><strong>Project Gemini<\/strong> Colours &amp; Light, Mr Bongo <br \/><strong>Pye Corner Audio<\/strong> The Endless Echo, Ghost Box <br \/><strong>Rail Band<\/strong> Rail Band, Mississippi <br \/><strong>Resonance<\/strong> Valediction, Discrepant <br \/><strong>Saint Abdullah &amp; Eomac<\/strong> Light Meteors Crashing Around You Will Not Confuse You, Drowned by Locals <br \/><strong>Shabason, Krgovich, Sage<\/strong> Shabason, Krgovich, Sage, Idee Fixe <br \/><strong>Sinkane<\/strong> We Belong, City Slang <br \/><strong>Still Corners<\/strong> Dream Talk <br \/><strong>The Black Keys<\/strong> Ohio Players, Nonesuch <br \/><strong>The Libertines<\/strong> All Quiet on the Eastern Esplanade, Casablanca <br \/><strong>VA<\/strong> Congo Funk! &#8211; Sound Madness From The Shores Of The Mighty Congo River (Kinshasa\u200b\/\u200bBrazzaville 1969\u200b-\u200b1982) (Analog Africa No. 38), Analog Africa <br \/><strong>VA<\/strong> Imaginational Anthem vol. XIII : Songs of Bruce Cockburn, Tompkins Square <br \/><strong>Valebol<\/strong> Valebol, Otherly Love <br \/><strong>Vampire Weekend<\/strong> Only God Was Above Us, Columbia <br \/><strong>Vegyn<\/strong> The Road To Hell Is Paved With Good Intentions, PLZ Make It Ruins <br \/><strong>Wisp<\/strong> Pandora EP, Interscope<br \/><strong>Zdr\u00f3j<\/strong> Koleiny, Fonoradar<\/div>\n<div>\u00a0<\/div>\n<div><strong>6.04 <\/strong><br \/><strong>Prurient<\/strong> Electronic Storms, Hospital<\/div>\n<div>\u00a0<\/div>\n<div><strong>7.04 <\/strong><br \/><strong>Senjawazabawa<\/strong> Ma\u0142y cz\u0142owiek &#8211; ko\u0142ysanki z przesz\u0142o\u015bci, Bart\u0142omiej<\/div>\n<div>Wozniak Baba Sound Studio<\/div>\n<div>\u00a0<\/div>\n<div><strong>8.04<\/strong><\/div>\n<div><strong>Jozef van Wissem<\/strong> Un Prince, Incunabulum <br \/><strong>Use Knife<\/strong> Peace Carnival, Morphine<\/div>\n<div>\u00a0<\/div>\n<div><strong>10.04<br \/>Franek Warzywa i M\u0142ody Budda<\/strong> Komputer EP<strong><br \/><\/strong><\/div>\n<div><strong>Teiku<\/strong> Teiku, 577 Records<\/div>\n<div>\u00a0<\/div>\n<div><strong>11.04<\/strong><\/div>\n<div><strong>Po\u0142oz<\/strong> What Kind of Flower Are You?, Mik.Musik<\/div>\n<div>\u00a0<\/div>\n<div><strong>12.04<br \/>8 Minute Agony <\/strong>8 Minute Agony, Antena Krzyku<strong><br \/><\/strong><\/div>\n<div><strong>9T Antiope<\/strong> Horror Vacui, American Dreams <br \/><strong>Abacothozi<\/strong> Thema Maboneng, Jazz Room arch<br \/><strong>Avalanche Kaito<\/strong> Talitakum, Glitterbeat <br \/><strong>Baby Rose (w\/ BADBADNOTGOOD)<\/strong> Slow Burn, Secretly Canadian <br \/><strong>Bad Bad Hats<\/strong> Bad Bad Hats, Don Giovanni <br \/><strong>Bela<\/strong> Noise and Cries (\u200b\u200b\u200b\uad49\u200b\u200b\u200b\uc74c\u200b\u200b\u200b\uacfc \uc6b8\u200b\u200b\u200b\uc74c\u200b\u200b\u200b), Unsound <br \/><strong>Blue Bendy<\/strong> So Medieval, The State51 Conspiracy <br \/><strong>Caroline Davis &amp; Wendy Eisenberg<\/strong> Accept When, Astral Spirits <br \/><strong>Clarissa Connelly<\/strong> World of Work, Warp <br \/><strong>Elsa Hewitt<\/strong> Chaos Emeralds, Tompkins Square <br \/><strong>Giant Sand<\/strong> Chore Of Enchantment, Fire reed<br \/><strong>Girl In Red<\/strong> I\u2019m Doing It Again Baby!, Columbia <br \/><strong>Griffure<\/strong> Paratonnerre, Umlaut <br \/><strong>James Elkington and Nathan Salsburg<\/strong> All Gist, Paradise of Bachelors <br \/><strong>Laura Veirs<\/strong> and Her Band Live in Brooklyn, Raven Marching Band <br \/><strong>Leyla McCalla<\/strong> Sun Without the Heat, Anti- <br \/><strong>Lynks<\/strong> Abomination, Heavenly <br \/><strong>Madeleine Cocolas<\/strong> Bodies, Room40 <br \/><strong>Maggie Rogers<\/strong> Don\u2019t Forget Me, Capitol <br \/><strong>Mark Knopfler<\/strong> One Deep River, Universal<br \/><strong>Metz<\/strong> Up On Gravity Hill, Sub Pop <br \/><strong>Nia Archives<\/strong> Silence Is Loud, Island <br \/><strong>Nicolas Cueille<\/strong> Curiositi, Unjenesaisquoi <br \/><strong>Obe Calvaire<\/strong> 150 Million Gold Francs, Ropedope <br \/><strong>Oxford Drama<\/strong> The World Is Louder <br \/><strong>Patrick Shiroishi<\/strong> A Sparrow in a Swallow\u200b\u2019\u200bs Nest, Sub Pop <br \/><strong>Red Hot Org &amp; Meshell Ndegeocello<\/strong> Red Hot &amp; Ra: The Magic City, Red Hot Organization <br \/><strong>Rejoicer<\/strong> This Is Reasonable, Circus Company <br \/><strong>Shabaka<\/strong> Perceive Its Beauty, Acknowledge Its Grace, Impulse! <br \/><strong>Sonniku<\/strong> Whirlwind Of Malevolence, Bella Union <br \/><strong>Still House Plants<\/strong> If I Don\u2019t Make It, I Love U, Bison <br \/><strong>Sunburned Hand Of The Man<\/strong> Nimbus, Three Lobed<br \/><strong>Tekla Goldman<\/strong> Grzybnia Pierwsza &#8211; leczenie zimn\u0105 wod\u0105, Antena Krzyku<\/div>\n<div>\u00a0<\/div>\n<div><strong>16.04 <\/strong><br \/><strong>15 15<\/strong> Saplin, XL <br \/><strong>Silvia Bolognesi \/ Dud\u00fa Kouate \/ Griffin Rodriguez<\/strong> Timing Birds, Astral Spirits<\/div>\n<div>\u00a0<\/div>\n<div><strong>18.04<\/strong><\/div>\n<div><strong>||ALA|MEDA||<\/strong> Spectra 2, Brutality Garden <br \/><strong>Osheyack &amp; Nahash<\/strong> Bait, Svbkvlt<\/div>\n<div>\u00a0<\/div>\n<div><strong>19.04<\/strong><\/div>\n<div><strong>Aleksander D\u0119bicz<\/strong> Magnolia, Warner <br \/><strong>Alexander Hawkins, Sofia Jernberg<\/strong> Musho, Intakt <br \/><strong>Asher Tuil<\/strong> Opus, Room40 <br \/><strong>Atr\u00e1s del Cosmos<\/strong> Cold Drinks, Hot Dreams, Blank Forms <br \/><strong>Bbymutha<\/strong> Sleep Paralysis, True Panther <br \/><strong>BIG|BRAVE<\/strong> A Chaos of Flowers, Thrill Jockey <br \/><strong>Blunt Chunks<\/strong> The Butterfly Myth, Telephone Explosion <br \/><strong>Brian Eno<\/strong> Eno, Universal komp<br \/><strong>Cadence Weapon<\/strong> Rollercoaster, MNRK <br \/><strong>Camila Nebbia &amp; Patrick Shiroishi<\/strong> We Speak in Rivers, Superpang <br \/><strong>CatchUp<\/strong> Kuku na muniu <br \/><strong>Chanel Beads<\/strong> Your Day Will Come, Jagjaguwar <br \/><strong>Claire Rousay<\/strong> Sentiment <br \/><strong>Cloud Nothings<\/strong> Final Summer, Pure Noise <br \/><strong>Elephant9<\/strong> Mythical River, Rune Grammofon <br \/><strong>Innode<\/strong> Grain, Editions Mego <br \/><strong>James D\u00edaz &amp; Julia Jung<\/strong> Un Suh [speking in a foreign language], New Focus <br \/><strong>John Zorn<\/strong> The Hermetic Organ Volume 12 &#8211; The Bosch Requiem, Tzadik <br \/><strong>Local Natives<\/strong> But I&#8217;ll Wait for You, Loma Vista <br \/><strong>Lucy Rose<\/strong> This Ain\u2019t the Way You Go Out, Communion <br \/><strong>Melvins<\/strong> Tarantula Heart, Ipecac <br \/><strong>Manja Risti\u0107<\/strong> Ma, L-ne <br \/><strong>MARTA SANCHEZ TRIO with Chris Tordini and Savannah Harris<\/strong> Perpetual Void, Intakt <br \/><strong>Memeshift<\/strong> Echoes, Chinabot <br \/><strong>Olli Ahvenlahti<\/strong> Mirror Mirror, We Jazz <br \/><strong>Pearl Jam<\/strong> Dark Matter, Monkeywrench<br \/><strong>Polski Piach<\/strong> Anomalia, Gusstaff CD\/LP\/LP+7&#8243; <br \/><strong>Rasmussen \/ Sakata \/ O&#8217;Rourke \/ Corsano<\/strong> Live at SuperDeluxe &#8211; Volume 1, Trost <br \/><strong>Shards<\/strong> Byrd Song, Erased Tapes <br \/><strong>Taylor Swift<\/strong> Tortured Poets Departement <br \/><strong>VA<\/strong> Live on Mountain Stage: Outlaws &amp; Outliers, Oh Boy<\/div>\n<div>\u00a0<\/div>\n<div><strong>20.04<\/strong><\/div>\n<div><strong>Fleet Foxes<\/strong> Live on Boston Harbour, Anti- RSD<br \/><strong>RG Rough &amp; Richard Pinhas<\/strong> End of the Line, Bam Balam <br \/><strong>Sparks \/ No\u00ebl<\/strong> No. 1 in Heaven \/ Is There More To Life Than Dancing?, Lil\u2019 Beethoven RSD<br \/><strong>Steven Wilson<\/strong> Harmonic Divergence, Spinefarm RSD<br \/><strong>The Residents<\/strong> Leftovers Again!? Again!?!?!, Cherry Red RSD<br \/><strong>VA<\/strong> The Power of the Heart: A Tribute to Lou Reed, Light in the Attic<\/div>\n<div>\u00a0<\/div>\n<div><strong>23.04<\/strong><\/div>\n<div><strong>Contours<\/strong> Elevations, Music From Memory <br \/><strong>Z\u0142e Oko<\/strong> Xenos, Zoharum<\/div>\n<div>\u00a0<\/div>\n<div><strong>24.04<\/strong><\/div>\n<div><strong>Francisco Mela featuring Leo Genovese and William Parker<\/strong> Music Frees Our Souls, vol. 3, 577 Records <br \/><strong>Francisco Mela, Shinya Lin<\/strong> Motions vol. 2, 577 Records<\/div>\n<div>\u00a0<\/div>\n<div><strong>26.04<\/strong><\/div>\n<div><strong>Angles &amp; Elle-Kari with Strings<\/strong> The Death of Kalypso, Thanatosis <br \/><strong>Art Tatum<\/strong> Jewels in the Treasure Box, Resonance arch<br \/><strong>Bullion<\/strong> Affection, Ghostly <br \/><strong>Carlos Giffoni<\/strong> Dream Walker, Ideologic Organ <br \/><strong>Catherine Graindorge<\/strong> Songs for the Dead, Glitterbeat <br \/><strong>Cyril Cyril<\/strong> Le Futur \u00c7a Marche Pas Les Disques, Bongo Joe <br \/><strong>Fat White Family<\/strong> Forgiveness Is Yours, Domino <br \/><strong>Herandu<\/strong> Ocher Red, Hive Mind <br \/><strong>Hinode Tapes<\/strong> Kiki Mori, Instant Classic <br \/><strong>Hovvdy<\/strong> Hovvdy, Arts &amp; Crafts <br \/><strong>Howie Lee<\/strong> At The Drolma Wesel\u200b-\u200bLing Monastery, Mais Um <br \/><strong>Irnini<\/strong> Mons Une habitante touch\u200b\u00e9\u200be par une m\u200b\u00e9\u200bt\u200b\u00e9\u200borite, Dur &amp; Doux <br \/><strong>Iron &amp; Wine<\/strong> Light Verse, Sub Pop <br \/><strong>Justice<\/strong> Hyperdrama, Ed Banger <br \/><strong>Lainie Fefferman<\/strong> Here I Am, New Focus <br \/><strong>Lanark<\/strong> Artefax, Metallur <br \/><strong>Laufey<\/strong> Bewitched: The Goddess Edition, AWAL <br \/><strong>Lawrence Rothman<\/strong> The Plow That Broke the Plains, KRO <br \/><strong>Leo Genovese, John Lockwood, Nat Mugavero<\/strong> The Art of Not Playing, 577 Records <br \/><strong>Loren Kramar<\/strong> Glovemaker, Secretly Canadian <br \/><strong>Ludwig A.F.<\/strong> Halo, Ghostly <br \/><strong>Maria Chiara<\/strong> Argir\u00f2 Closer, Innovative Leisure <br \/><strong>Neil Young &amp; Crazy Horse<\/strong> Fu##in\u2019 Up, Reprise <br \/><strong>Olivia Block<\/strong> The Mountains Pass, Black Truffle <br \/><strong>Oren Ambarchi \/ Johan Berthling \/ Andreas Werliin<\/strong> Ghosted II, Drag City <br \/><strong>PartyNextDoor<\/strong> PartyNextDoor Four, OVO <br \/><strong>Pet Shop Boys<\/strong> Nonetheless, Warner <br \/><strong>Peter Hammill<\/strong> Been Alone So Long: The Naked Songs &#8211; Tour, Bremen 1985, Made In Germany <br \/><strong>Sega Bodega<\/strong> Dennis <br \/><strong>Six Organs of Admittance<\/strong> Time Is Glass, Drag City <br \/><strong>St. Vincent<\/strong> All Born Screaming <br \/><strong>Tomeka Reid Quartet<\/strong> 3+3, Cuneiform<br \/><strong>Tuleje<\/strong> Puste ulice, Gusstaff \/ Don&#8217;t Sit On My Vinyl CD \/ LP <br \/><strong>VA<\/strong> Prah, Warm Winters Ltd.<\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":42685,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3822],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/42679"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=42679"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/42679\/revisions"}],"predecessor-version":[{"id":42689,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/42679\/revisions\/42689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/42685"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=42679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=42679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=42679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}