
{"id":4318,"date":"2013-03-22T15:08:45","date_gmt":"2013-03-22T14:08:45","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=4318"},"modified":"2013-03-22T15:11:14","modified_gmt":"2013-03-22T14:11:14","slug":"32-lata-nowego-zycia-depeche-mode","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2013\/03\/22\/32-lata-nowego-zycia-depeche-mode\/","title":{"rendered":"32 lata nowego \u017cycia Depeche Mode"},"content":{"rendered":"<p>Nowa p\u0142yta <strong>Depeche Mode<\/strong> jest nudna. Ale tylko przez pierwsz\u0105 minut\u0119 i dwadzie\u015bcia sekund. Potem pokazuje, \u017ce z syntezatora i automatu perkusyjnego we w miar\u0119 prostym zestawieniu mo\u017cna ci\u0105gle sporo wykrzesa\u0107. Szczeg\u00f3lnie gdy ma si\u0119 na pok\u0142adzie zdolnego kompozytora i wokalist\u0119 coraz bardziej zafascynowanego bluesem. I posiada\u0142o umiej\u0119tno\u015b\u0107 pisania \u015bwietnych singlowych utwor\u00f3w. Znu\u017cenie wraca dopiero ko\u0142o dwudziestej minuty i bardzo wolno rozwijaj\u0105cego si\u0119 &#8222;My Little Universe&#8221;, kt\u00f3re pokazuje, \u017ce niezale\u017cnie od formalnych pomys\u0142\u00f3w na utwory zesp\u00f3\u0142 musi si\u0119 od czasu do czasu zderza\u0107 ze \u015bcian\u0105 natr\u0119tnie mroczno-melancholijnego tonu, kt\u00f3ry sobie wybra\u0142, kt\u00f3ry ka\u017ce czasem Martinowi Gore&#8217;owi szarpn\u0105\u0107 ze smutkiem struny gitary, a fan\u00f3w doci\u0105\u017ca i usztywnia bardziej ni\u017c blaszki w obuwiu. Do ko\u0144ca repertuar bywa ju\u017c mieszany, przynosz\u0105c mi\u0142e zaskoczenia i d\u0142u\u017cyzny. Przy okazji kolejnych mielizn, na kt\u00f3re powolne tempo muzyki Depeche Mode wyrzuca nas od czasu do czasu, dobrze mie\u0107 pod r\u0119k\u0105 jak\u0105\u015b szarad\u0119 umys\u0142ow\u0105. Ja w takich chwilach si\u0119gam zwykle po wywiady z przesz\u0142o\u015bci. Jak ten, przeprowadzany 32 lata temu:<!--more--><\/p>\n<p>Rozmawia\u0142 Peter Silverton dla magazynu &#8222;New Sounds New Styles&#8221;, o kt\u00f3rego istnieniu w og\u00f3le zapomnia\u0142em, a kt\u00f3ry <a href=\"http:\/\/shapersofthe80s.com\/the-face-i-d-media\/also-new-sounds-new-styles\/\">by\u0142 przez moment<\/a> bibli\u0105 stylu kszta\u0142tuj\u0105cych si\u0119 lat 80. W sierpniu 1981 opublikowali rozmow\u0119 z m\u0142odziutkim zespo\u0142em z Basildon, kt\u00f3ra od pocz\u0105tku \u015brednio si\u0119 klei\u0142a, ale kt\u00f3rej fragmenty czytane po latach (i poddane tu niewielkiej edycji) \u015bwietnie opisuj\u0105 stan ducha DM na samym pocz\u0105tku. Po drugim singlu, nomen omen, &#8222;New Life&#8221;.<\/p>\n<p><em><strong>Vince:<\/strong> We played guitars. We had a bass guitar and all that&#8230; rhythm guitar&#8230; one synth for a little while, and then we had two synths and then three synths.<br \/>\n<strong>Martin:<\/strong> We used to look really silly.<br \/>\n<strong>Dave:<\/strong> Overdone make-up, things like that. It was so funny.<br \/>\n<strong>Martin:<\/strong> I think maybe we&#8217;ve grown up.<br \/>\n<strong>Andrew:<\/strong> (Wakes up) Oh God, I can see the headline. MAYBE THEY&#8217;VE GROWN UP.<br \/>\n<strong>Dave:<\/strong> We&#8217;ve decided to do an album now, but we&#8217;ll probably do another single release first.<br \/>\n<strong>Dave:<\/strong> Most of my ambitions have been fulfilled. When I was at school, I wanted to be in a band and be quite successful. I dunno if that&#8217;s fulfilled or not. I&#8217;d like to have a top ten, be on Top Of The Pops.<br \/>\n<strong>Andrew:<\/strong> I wouldn&#8217;t. I&#8217;m quite happy to stay independent.<br \/>\n<strong>Andrew:<\/strong> We hate the major labels.<br \/>\n<strong>Vince:<\/strong> We?<br \/>\n<strong>Andrew:<\/strong> Well, I do.<br \/>\n<strong>Dave:<\/strong> If you&#8217;re going to make a statement like that, you speak for yourself.<br \/>\n<strong>How has being a star changed your life?<\/strong><br \/>\n<strong>Dave:<\/strong> It hasn&#8217;t changed anything at all. But we don&#8217;t carry on like stars. I don&#8217;t know how. When I learn, I will.<\/em><\/p>\n<p>A\u017c chcia\u0142oby si\u0119 te wypowiedzi skomentowa\u0107 nieprawdziwymi, ale prawdopodobnymi wersjami z dzi\u015b:<\/p>\n<p><strong>Vince:<\/strong> &#8230;and then we had <a href=\"http:\/\/www.wiretotheear.com\/wp-content\/uploads\/2010\/02\/vince-clarke-studio.jpg\">so many synths<\/a> it was hard to count.<br \/>\n<strong>Martin:<\/strong> We look <a href=\"http:\/\/www.cbc.ca\/gfx\/images\/arts\/photos\/2009\/04\/20\/arts_depeche-mode_584.jpg\">different now<\/a>.<br \/>\n<strong>Andrew: <\/strong>Oh God, I can see the headline. MAYBE THEY&#8217;VE GROWN UP?<br \/>\n<strong>Dave:<\/strong> We&#8217;ve decided to release 13th album now, bu we&#8217;ll probably do another single release first.<br \/>\n<strong>Andrew:<\/strong> We signed Columbia. We don&#8217;t hate major labels anymore.<br \/>\n<strong>Vince:<\/strong> We?<br \/>\n<strong>Andrew:<\/strong> Well, we do. You just play your synthesizers.<br \/>\n<strong>How has being a star changed your life?<\/strong><br \/>\n<strong>Dave:<\/strong> Completely, but I forgot exactly how it used to be. Once I recall that, I&#8217;ll let you know.<\/p>\n<p><a href=\"\/wp-content\/uploads\/2013\/03\/depeche_mode_delta_machine.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/2013\/03\/depeche_mode_delta_machine-150x150.jpg\" alt=\"\" title=\"depeche_mode_delta_machine\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-4320\" \/><\/a><strong>DEPECHE MODE &#8222;Delta Machine&#8221;<\/strong><br \/>\nColumbia 2013<br \/>\n<strong>Trzeba pos\u0142ucha\u0107: <\/strong>&#8222;Welcome To My World&#8221;, &#8222;Heaven&#8221;, &#8222;Secret To The End&#8221;, &#8222;Alone&#8221;.<\/p>\n<p> <iframe loading=\"lazy\" width=\"500\" height=\"285\" src=\"http:\/\/www.youtube.com\/embed\/Fy7FzXLin7o\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nowa p\u0142yta Depeche Mode jest nudna. Ale tylko przez pierwsz\u0105 minut\u0119 i dwadzie\u015bcia sekund. Potem pokazuje, \u017ce z syntezatora i automatu perkusyjnego we w miar\u0119 prostym zestawieniu mo\u017cna ci\u0105gle sporo wykrzesa\u0107. Szczeg\u00f3lnie gdy ma si\u0119 na pok\u0142adzie zdolnego kompozytora i wokalist\u0119 coraz bardziej zafascynowanego bluesem. I posiada\u0142o umiej\u0119tno\u015b\u0107 pisania \u015bwietnych singlowych utwor\u00f3w. Znu\u017cenie wraca dopiero [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4320,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,312,120,7,1228,106],"tags":[1304],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/4318"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=4318"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/4318\/revisions"}],"predecessor-version":[{"id":4324,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/4318\/revisions\/4324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/4320"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=4318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=4318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=4318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}