{"id":43867,"date":"2024-07-19T10:21:51","date_gmt":"2024-07-19T08:21:51","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?p=43867"},"modified":"2024-07-19T21:49:45","modified_gmt":"2024-07-19T19:49:45","slug":"nierowna-nienudna","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2024\/07\/19\/nierowna-nienudna\/","title":{"rendered":"Nier\u00f3wna, nienudna"},"content":{"rendered":"<p>5,5 tys. km p\u00f3\u017aniej wr\u00f3ci\u0142em w sam raz na ods\u0142uch nowej &#8211; i pono\u0107 ostatniej &#8211; p\u0142yty Donalda Glovera jako <strong>Childish Gambino<\/strong>. Zabawne, bo dos\u0142ownie kilka dni temu, w Alzacji, podr\u00f3\u017cowali\u015bmy niemal przypadkowo (bo znu\u017ceni ju\u017c u\u0142o\u017conym wcze\u015bniej zestawem) na tle nieko\u0144cz\u0105cej si\u0119 listy utwor\u00f3w tego artysty. To on tyle nagra\u0142? Jak ten cz\u0142owiek zd\u0105\u017cy\u0142 tyle napisa\u0107, tyle zagra\u0107 (serial <em>Atlanta<\/em> &#8211; nie chc\u0119 si\u0119 powtarza\u0107 &#8211; ale to \u015bcis\u0142y top sztuki serialowej, szczeg\u00f3lnie na poziomie literacko\u015bci), a do tego jeszcze tyle nagra\u0107? <em>Bando Stone and the New World<\/em> to p\u0142yta, kt\u00f3ra zreszt\u0105 ma \u0142\u0105czy\u0107 dwa wa\u017cne w\u0105tki dzia\u0142a\u0144 Glovera, bo b\u0119dzie do tego film &#8211; albo raczej album jest \u015bcie\u017ck\u0105 d\u017awi\u0119kow\u0105. Co t\u0142umaczy nieco rozstrza\u0142 stylistyczny oraz obecno\u015b\u0107 na pok\u0142adzie a\u017c dw\u00f3ch mocarnych Szwed\u00f3w (nacja szeroko obecna w Alzacji, gdzie Szwedem okaza\u0142 si\u0119 nawet w\u0142a\u015bciciel naszego pensjonatu): z jednej strony Max Martin, z drugiej &#8211; Ludwig G\u00f6ransson. Cho\u0107 z tym ostatnim Gambino wsp\u00f3\u0142pracowa\u0142 przecie\u017c parokrotnie, pocz\u0105wszy od punktu prze\u0142omowego w karierach obu pan\u00f3w: serialu <em>Community<\/em>. Podobnie jak przy poprzednich albumach Glovera stylistyczne zainteresowania autora nie ograniczaj\u0105 si\u0119 jednak od \u017cadnego &#8222;odt\u0105d dot\u0105d&#8221;, tylko przeczesuj\u0105 szerokie terytorium &#8211; klasycznego R&amp;B, rapu, a nawet teatralnego pop-rocka, czego dowodem by\u0142a singlowa <em>Lithonia<\/em>. Wr\u00f3\u017cy\u0142a zreszt\u0105 jak\u0105\u015b stylistyczn\u0105 wolt\u0119, kt\u00f3rej p\u0142yta nie przenosi. W ostatecznym rozrachunku &#8211; nic nie szkodzi.\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe width=100% height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OS6ggNu-cFA?si=C6h-WRXWQ00Tw9r7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n\n<p><em>Bando Stone&#8230;<\/em> to p\u0142yta nier\u00f3wna, ale i nienudna. W ko\u0144cu ka\u017cdy mo\u017ce sobie stworzy\u0107 playlist\u0119 ulubionych utwor\u00f3w na drog\u0119. Tyle \u017ce ta moja lista jest coraz d\u0142u\u017csza. Obejmuje <em>Lithoni\u0119<\/em>, <em>Survive<\/em>,<em> In the Night<\/em>, <em>Cruisin\u2019<\/em>, <em>Running Around<\/em>, a przede wszystkim <em>No Excuses<\/em>. Uwielbiam w tym zestawie przede wszystkim inteligentne odniesienia do z\u0142otej ery popu, z syntezatorami i saksofonem w <em>Survive, <\/em>z lini\u0105 wokaln\u0105 kojarz\u0105c\u0105 si\u0119 z Philem Collinsem w<em> In the Night, <\/em>a wreszcie z wra\u017ceniem, \u017ce wyst\u0119p Collinsa przerywa krzykliwy rave (w <em>Got to Be &#8211; <\/em>sampelek z Prodigy jako pierwsza zauwa\u017cy\u0142a \u017cona). Refren <em>A Place Where Love Goes<\/em> (chyba jeszcze jeden utw\u00f3r na list\u0119). No i wreszcie klimat utworu Sade przechodz\u0105cego w swobodne, jazzuj\u0105ce jam-session w <em>No Excuses<\/em>. Niby bez wym\u00f3wek, ale ta by\u0107 mo\u017ce najlepsza jak dot\u0105d p\u0142yta Glovera to mi\u0142a wym\u00f3wka, \u017ceby wr\u00f3ci\u0107 z wakacji (pozytywne wra\u017cenia z samochodowej playlisty: Cassandra Jenkins, Land of Talk, Sam Wilkes). I jeszcze lepsza wym\u00f3wka, \u017ceby rozrusza\u0107 na nowo Polifoni\u0119.\u00a0 \u00a0<\/p>\n<p><strong>CHILDISH GAMBINO <em>Bando Stone and the New World<\/em><\/strong>, RCA 2024<\/p>\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4yUqNSK6jMi7Y6eWl03U5r?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE DW\u00d3CH TYGODNI<\/strong><\/p>\n<p>10.07 <strong>Agnieszka Wolny-Hamka\u0142o, Aleksandra Pop\u0142awska, Piotr Damasiewicz<\/strong> Zerwane rozmowy <br \/>12.07 <strong>&#8222;Blue&#8221; Gene Tyranny<\/strong> Real Life and The Movies: Volume 1, Unseen Worlds <br \/>12.07 <strong>Berwyn<\/strong> Who Am I, Columbia <br \/>12.07 <strong>Brijean<\/strong> Macro, Ghostly <br \/>12.07 <strong>Cassandra Jenkins<\/strong> My Light, My Destroyer, Dead Oceans <br \/>12.07 <strong>Cigarettes After Sex<\/strong> X&#8217;s, Partisan <br \/>12.07 <strong>Clairo<\/strong> Charm <br \/>12.07<strong> Colin Fisher<\/strong> Suns of the Heart, We Are Busy Bodies <br \/>12.07 <strong>Common<\/strong> The Auditorium vol. 1, Loma Vista <br \/>12.07 <strong>Daedelus<\/strong> Way Out!, Magical Properties <br \/>12.07 <strong>David Jackson<\/strong> We Never Talk, Studio Barnhus <br \/>12.07 <strong>De Schuurman<\/strong> Bubbling Forever, Nyege Nyege Tapes <br \/>12.07 <strong>Dr. John<\/strong> Frankie &amp; Johnny, Sundazed <br \/>12.07 <strong>Eyal Maoz and Eugene Chadbourne<\/strong> The Coincidence Matters <br \/>12.07 <strong>Griff<\/strong> Vertigo <br \/>12.07 <strong>Hatti Vatti<\/strong> Zeit, R&amp;S <br \/>12.07 <strong>Jake Xerxes Fussell<\/strong> When I&#8217;m Called, Fat Possum <br \/>12.07 <strong>Joe Goddard<\/strong> Harmonics <br \/>12.07 <strong>Jordina Mill\u00e0 &amp; Barry Guy<\/strong> Live in Munich, ECM <br \/>12.07 <strong>Kessoncoda<\/strong> Outerstate, Gondwana <br \/>12.07 <strong>Land Of Talk<\/strong> The EPs, Saddle Creek <br \/>12.07 <strong>Laraaji<\/strong> Glimpses of Infinity, Numero Group <br \/>12.07 <strong>Linda Sikhakhane<\/strong> Iladi, Blue Note <br \/>12.07 <strong>Mas Aya<\/strong> Coming and Going, Telephone Explosion <br \/>12.07 <strong>Matthew Bourne<\/strong> This Is Not For You <br \/>12.07 <strong>Meridian Brothers<\/strong> Mi Latinoam\u200b\u00e9\u200brica Sufre, Ansonia <br \/>12.07<strong> Neil Luck<\/strong> Eden Box, Accidental <br \/>12.07 <strong>Orquesta Akokan<\/strong> Caracoles, Daptone <br \/>12.07 <strong>Patrick Higgins<\/strong> Versus, Other People <br \/>12.07 <strong>Remi Wolf<\/strong> Big Ideas, Island <br \/>12.07 <strong>Sam Wilkes, Craig Weinrib, and Dylan Day<\/strong> Sam Wilkes, Craig Weinrib, and Dylan Day, Leaving <br \/>12.07 <strong>Sote<\/strong> Sound System Persepolis, Diagonal <br \/>12.07 <strong>Speed Only<\/strong> One Mode, Flatspot <br \/>12.07 <strong>Spyros Polychronopoulos and Jannis Anastasakis<\/strong> Nyfida, Room40 <br \/>12.07 <strong>Sturgill Simpson &amp; Johnny Blue Skies<\/strong> Passage du Desir High Top Mountain <br \/>12.07 <strong>Thom Yorke<\/strong> Confidenza OST, XL <br \/>13.07 <strong>Henrik Meierkord<\/strong> Visitors to Erinnerungen, Audiobulb <br \/>13.07 <strong>Natalie Beridze<\/strong> Ancient Songs only (2006\u200b-\u200b2018) <br \/>13.07 <strong>Paul Dunmall \/ Tobias Delius \/ Olie Brice \/ Mark Sanders<\/strong> No Better Than Butcher Bird, Fundacja S\u0142uchaj <br \/>14.07 <strong>Mary Ocher<\/strong> Your Guide to Revolution, Underground Institute <br \/>15.07 <strong>Bobby Bradford \/ Frode Gjerstad \/ William Roper \/ Alex Cline<\/strong> Frice, Fundacja S\u0142uchaj <br \/>15.07 <strong>Brad Barrett \/ Taylor Ho Bynum \/ Joe Morris<\/strong> Geologic Time, Fundacja S\u0142uchaj <br \/>15.07 <strong>Dominik Strycharski<\/strong> Ecstasy, Fundacja S\u0142uchaj <br \/>15.07<strong> Henrique Vaz<\/strong> De Silenti Natura, Mappa <br \/>15.07 <strong>Ivo Perelman \/ Aru\u00e1n Ortiz \/ Ram\u00f3n L\u00f3pez<\/strong> Ephemeral Shapes, Fundacja S\u0142uchaj <br \/>15.07 <strong>Jo\u00eblle L\u00e9andre<\/strong> Lifetime Rebel, Rogue Art <br \/>15.07<strong> Sun Ra<\/strong> Excelsior Mill <br \/>15.07 <strong>Udo Schindler \/ Paul Rogers feat. Erik Zwang Eriksson<\/strong> Ephemeral Locations, Fundacja S\u0142uchaj <br \/>16.07 <strong>Agata Dyczko<\/strong> Nieu\u200b\u017c\u200bytki. Brochowskie romanse d\u200b\u017a\u200bwi\u200b\u0119\u200bkowe, Sound Art Forum \/ Canti Spazializzati <br \/>16.07<strong> Joe Armon-Jones<\/strong> Ceasefire, Aquarii EP<br \/>16.07 <strong>Malarze i \u017bo\u0142nierze<\/strong> Piosenki dla pa\u0144 i pan\u00f3w, Thin Man<br \/>17.07 <strong>Kaukolampi<\/strong> BS\/BF, Om <br \/>18.07 <strong>JakoJako<\/strong> Segmente EP, Mute <br \/>19.07<strong> Alberto Boccardi<\/strong> Apnea, Room40 <br \/>19.07 <strong>Bizhiki<\/strong> Unbound, Jagjaguwar <br \/>19.07<strong> Carson McHone<\/strong> Odes, Merge EP<br \/>19.07 <strong>Childish Gambino<\/strong> Bando Stone and the New World, RCA <br \/>19.07 <strong>CLAMM<\/strong> Disembodiment, TAR \/ MM \/ UOH <br \/>19.07 <strong>Deep Purple<\/strong> &#8222;=1&#8221;, earMusic <br \/>19.07 <strong>Denzel Curry<\/strong> King Of The Mischievous South Vol. 2, Loma Vista <br \/>19.07<strong> Dr. Dog<\/strong> Dr. Dog <br \/>19.07 <strong>Elori Saxl<\/strong> Drifts and Surfaces, Western Vinyl <br \/>19.07 <strong>Emile Mosseri &amp; Sam Gendel<\/strong> Hardy Boys <br \/>19.07 <strong>Estle<\/strong> It&#8217;s Always Been You, Orange Milk <br \/>19.07 <strong>Glass Animals<\/strong> I Love You So F***ing Much, Polydor <br \/>19.07<strong> John Zorn<\/strong> Hannigan Sings Zorn Volume One, Tzadik <br \/>19.07 <strong>John Zorn<\/strong> Ballades, Tzadik <br \/>19.07 <strong>Lilacs &amp; Champagne<\/strong> Fantasy World, Temporary Residence <br \/>19.07 <strong>Lol K<\/strong> Climbing\/Holding\/Falling, Halcyon Veil <br \/>19.07 <strong>Luke Temple and The Cascading Moms<\/strong> Certain Limitations, Western Vinyl <br \/>19.07 <strong>Mourning [A] BLKstar<\/strong> Ancient\/Future, Don Giovanni <br \/>19.07 <strong>Multi-Surface<\/strong> NAP, Not Not Fun <br \/>19.07 <strong>Oneida<\/strong> Expensive Air, Joyful Noise <br \/>19.07 <strong>Orcas<\/strong> How to Color a Thousand Mistakes, Morr Music <br \/>19.07<strong> Soft Play<\/strong> Heavy Jelly, BMG <br \/>19.07 <strong>Superposition<\/strong> II, We Jazz <br \/>19.07 <strong>Sweatson Klank &amp; Kondi Band<\/strong> Money Face, FoF EP<br \/>19.07 <strong>Total Blue<\/strong> Total Blue, Music From Memory <br \/>19.07 <strong>Unknown Me<\/strong> Bitokagaku, Not Not Fun <br \/>19.07 <strong>Vian and Merzbow<\/strong> Inside Richard Serra Sculptures, Modern Obscure Music <br \/>19.07 <strong>Zeamsone<\/strong> Wirtuoz <br \/>19.07 <strong>Zelienople<\/strong> Everything Is Simple, Shelter Press<\/p>","protected":false},"excerpt":{"rendered":"<p>5,5 tys. km p\u00f3\u017aniej wr\u00f3ci\u0142em w sam raz na ods\u0142uch nowej &#8211; i pono\u0107 ostatniej &#8211; p\u0142yty Donalda Glovera jako Childish Gambino. Zabawne, bo dos\u0142ownie kilka dni temu, w Alzacji, podr\u00f3\u017cowali\u015bmy niemal przypadkowo (bo znu\u017ceni ju\u017c u\u0142o\u017conym wcze\u015bniej zestawem) na tle nieko\u0144cz\u0105cej si\u0119 listy utwor\u00f3w tego artysty. To on tyle nagra\u0142? Jak ten cz\u0142owiek zd\u0105\u017cy\u0142 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":43868,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,4993,7,5785,106],"tags":[4267,4268],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/43867"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=43867"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/43867\/revisions"}],"predecessor-version":[{"id":43896,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/43867\/revisions\/43896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/43868"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=43867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=43867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=43867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}