{"id":44901,"date":"2024-10-18T11:17:11","date_gmt":"2024-10-18T09:17:11","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?p=44901"},"modified":"2024-10-18T11:17:11","modified_gmt":"2024-10-18T09:17:11","slug":"warstwy-transu","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2024\/10\/18\/warstwy-transu\/","title":{"rendered":"Warstwy transu"},"content":{"rendered":"<p>Jest dystans mi\u0119dzy drug\u0105 a trzeci\u0105 p\u0142yt\u0105 Saagary. I to wi\u0119kszy ni\u017c tych siedem lat, kt\u00f3re musia\u0142y min\u0105\u0107 pomi\u0119dzy datami ich wydania. Zmieni\u0142o si\u0119 wszystko: kolektyw muzyk\u00f3w z Polski i Indii to ju\u017c w mniejszym stopniu zesp\u00f3\u0142, a w wi\u0119kszym &#8211; korespondencyjny projekt studyjny. Jego lider Wac\u0142aw Zimpel to ju\u017c nie tyle klarnecista, ile producent. A muzyka to ju\u017c nie tyle spotkanie mi\u0119dzykulturowe na polu tradycji karnatyckiej, co raczej futurystyczna wizja muzyki z innego \u015bwiata &#8211; takiego, w kt\u00f3rym naturalny trans \u0142\u0105czy si\u0119 z pulsem elektronicznym. Zwornikiem by\u0142 James Holden, kt\u00f3ry podsun\u0105\u0142 Zimplowi odpowiednie narz\u0119dzie pozwalaj\u0105ce na synchronizacj\u0119 elektroniki do tych naturalnych przebieg\u00f3w rytmicznych.\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n<p>Oczywi\u015bcie ci\u0105gle wa\u017cne s\u0105 hinduskie perkusjonalia. Przede wszystkim gliniany gatham, kt\u00f3rego wirtuozem jest Giridhar Udupa. \u0141atwo te\u017c zauwa\u017cy\u0107 partie skrzypcowe Mysore&#8217;a N. Karthika. Tyle \u017ce ta muzyka najmocniej uderza we fragmentach takich jak <em>The Rite of Rain<\/em>, kiedy uk\u0142ada si\u0119 w wizj\u0119 <em>summy<\/em> wszystkiego, co Zimpel dot\u0105d robi\u0142: jest tu i klarnet, i elektroniczna produkcja, i stara Saagara, i wreszcie jaka\u015b inspiracja p\u0142yn\u0105ca z transu minimalizmu. Cho\u0107 aran\u017cacyjnie nie ma to oczywi\u015bcie z minimalizmem nic wsp\u00f3lnego. Poszczeg\u00f3lne warstwy, na\u0142o\u017cone jedna na drug\u0105, daj\u0105 obraz g\u0119stego wzoru, wizj\u0119 kalejdoskopow\u0105, atrakcyjn\u0105, futurystyczn\u0105 i totaln\u0105. Trudno b\u0119dzie po tym wr\u00f3ci\u0107 do pierwszych p\u0142yt Saagary. Ciekawe, jak zabrzmi w listopadzie na koncertach Zimpla w ramach trasy 3x3x3, kiedy to Zimpel solo, duet z Holdenem i Saagara stanowi\u0107 b\u0119d\u0105 trzy cz\u0119\u015bci tego samego scenicznego przedsi\u0119wzi\u0119cia. Wyobra\u017cam sobie, \u017ce ta p\u0142yta to jego epicentrum.\u00a0<\/p>\n<p>Poza tym na pewno mog\u0119 poleci\u0107 (bo ju\u017c s\u0142ucha\u0142em) The Necks i Karate. Andrew Bird i Madison Cunningham tak\u017ce nagrali urocz\u0105 p\u0142yt\u0119 w ho\u0142dzie historycznemu albumowi innego duetu: Bickingham Nicks. Przyda si\u0119 jako odpoczynek po g\u0119stych ekscesach Saagary.\u00a0\u00a0<\/p>\n<p><strong>SAAGARA <em>3<\/em><\/strong>, Glitterbeat 2024\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1313781477\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/waclawzimpel.bandcamp.com\/album\/3\">3 by Saagara<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>14.10 <strong>Jucho<\/strong> &#8222;2&#8221; <br \/>14.10 <strong>Patrick The Pan<\/strong> To nie jest najlepszy czas dla wra\u017cliwych ludzi, Agora <br \/>15.10 <strong>VA<\/strong> Virtual Dreams II: Ambient Explorations In The House &amp; Techno Age, Japan 1993\u200b-\u200b1999, Music From Memory <br \/>16.10 <strong>Songs: Ohia<\/strong> Live: Vanquishers, Secretly Canadian <br \/>18.10 <strong>Andrew Bird &amp; Madison Cunningham<\/strong> Cunningham Bird, Loma Vista <br \/>18.10 <strong>ANNA WEBBER with Matt Mitchell and John Hollenbeck<\/strong> simpletrio2000, Intakt <br \/>18.10 <strong>Avantdale Morning Club<\/strong> &#8222;Live&#8221; II (Live), Years Go By <br \/>18.10 <strong>Bancal<\/strong> Abruti, Outlines <br \/>18.10<strong> Black Pus<\/strong> Terrestrial Seethings, Thrill Jockey <br \/>18.10 <strong>Bon Iver<\/strong> Sable, Jagjaguwar EP<br \/>18.10<strong> Bronski Beat<\/strong> The Age of Consent (40 Year Anniversary Deluxe Edition) London reed<br \/>18.10 <strong>Celer<\/strong> Gems III, Room40 <br \/>18.10 <strong>Chihei Hatakeyama &amp; Shun Ishiwaka<\/strong> Magnificent Little Dudes, Volume 02, Gearbox <br \/>18.10 <strong>Christopher Owens<\/strong> I Wanna Run Barefoot Through Your Hair, True Panther <br \/>18.10 <strong>Daemonolith<\/strong> The Monolithic Cult Of Death, Godz Ov War <br \/>18.10 <strong>Dennis Gonzalez<\/strong> Legacy Band Live at the Texas Theatre, Astral Spirits <br \/>18.10 <strong>DIMoN<\/strong> Doskonale, Mystic <br \/>18.10 <strong>Dora Morelenbaum<\/strong> Pique, Mr Bongo <br \/>18.10 <strong>Ella Raphael<\/strong> Mad Sometimes, Fire <br \/>18.10 <strong>Flora Yin Wong<\/strong> Trigram for Earth, Portraits GRM <br \/>18.10<strong> Greg Mendez<\/strong> First Time \/ Alone EP, Dead Oceans <br \/>18.10 <strong>Guenter Schlienz<\/strong> Software, Muzan <br \/>18.10<strong> Guy Blakeslee<\/strong> Extravision, Leaving <br \/>18.10 <strong>High Vis<\/strong> guided tour <br \/>18.10 <strong>J Spaceman &amp; John Coxon<\/strong> Music for William Eggleston&#8217;s Stranded in Canton, Fat Possum <br \/>18.10 <strong>Jabu<\/strong> A Soft and Gatherable Star <br \/>18.10 <strong>Japandroids<\/strong> Fate &amp; Alcohol, Anti- <br \/>18.10 <strong>Jean Dawson<\/strong> Glimmer of God, P+ <br \/>18.10<strong> John Zorn<\/strong> New Masada Quartet, Volume Three, Tzadik <br \/>18.10 <strong>Jordana<\/strong> Lively Premonition, Grand Jury <br \/>18.10 <strong>Karate<\/strong> Make It Fit, Numero Group <br \/>18.10 <strong>Karl Blau<\/strong> Vultures of Love, Otherly Love <br \/>18.10 <strong>Katarzyna Golla, Weronika Troja\u0144ska<\/strong> Canti Spazializzati #17: O wschodzie we Wschodnim, Sound Art Forum \/ Canti Spazializzati <br \/>18.10 <strong>Kelly Lee Owens<\/strong> Dreamstate, DH2 <br \/>18.10 <strong>King Pari<\/strong> There It Goes, Stones Throw <br \/>18.10<strong> Kylie Minogue<\/strong> Tension II, BMG <br \/>18.10 <strong>Lin-Manuel Miranda &amp; Eisa Davis<\/strong> Warriors, Atlantic <br \/>18.10 <strong>Lisel<\/strong> The Vanishing Point, Ba Da Bing <br \/>18.10 <strong>Marysia Osu<\/strong> Harp, Beats &amp; Dreams, Brownswood <br \/>18.10 <strong>MC5<\/strong> Boys Who Play With Matches <br \/>18.10 <strong>Meek, Oh Why?<\/strong> Wszystko w swoim czasie, Universal <br \/>18.10 <strong>MOMO.<\/strong> Gira, Batov <br \/>18.10 <strong>Nap Eyes<\/strong> The Neon Gate, Paradise of Bachelors <br \/>18.10 <strong>Natalia Szroeder<\/strong> REM, Warner <br \/>18.10 <strong>Net Gala<\/strong> Galapaggot, Hakuna Kulala <br \/>18.10 <strong>Oliver Coates<\/strong> Throb, Shiver, Arrow of Time, RVNG Intl<br \/>18.10 <strong>Paper Jays<\/strong> Paper Jays, ESP-Disk <br \/>18.10 <strong>Paul Weller<\/strong> Supplement: 66, EP<br \/>18.10 <strong>Porridge Radio<\/strong> Clouds In The Sky They Will Always Be There For Me, Secretly Canadian <br \/>18.10 <strong>Robert Curgenven<\/strong> Agenesis <br \/>18.10 <strong>Roy Hargrove\u2019s Crisol<\/strong> Grande-Terre, Verve <br \/>18.10 <strong>Saagara<\/strong> &#8222;3&#8221;, Glitterbeat <br \/>18.10 <strong>S\u00e9bastien Roux<\/strong> 50 frequency and amplitude modulated sine waves describing a landscape, Portraits GRM <br \/>18.10 <strong>Skeggs<\/strong> Pacific Highway Music, Loma Vista <br \/>18.10 <strong>Snowgoose<\/strong> Descendant, Ba Da Bing <br \/>18.10 <strong>Song People Like<\/strong> Somebody Calling Your Name, Don Giovanni <br \/>18.10 <strong>Suriya Botofasina<\/strong> Ashram Sun, Spiritmuse <br \/>18.10 <strong>Svaneborg Kardyb<\/strong> Superkilen, Gondwana <br \/>18.10 <strong>Tarta Relena<\/strong> \u00c9s pregunta, Latency <br \/>18.10 <strong>The Armed<\/strong> Everlasting Gaze EP, Sargent House <br \/>18.10 <strong>The Necks<\/strong> Bleed, Northern Spy <br \/>18.10 <strong>Thollem<\/strong> Infinite-Sum Game, ESP-Disk <br \/>18.10 <strong>Tim Heidecker<\/strong> Slipping Away, Bloodshot <br \/>18.10 <strong>VA<\/strong> Even the Forest Hums: Ukrainian Sonic Archives 1971-1996, Light In The Attic <br \/>18.10 <strong>Yeat<\/strong> Lyfestyle, Field Trip <br \/><br \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Jest dystans mi\u0119dzy drug\u0105 a trzeci\u0105 p\u0142yt\u0105 Saagary. I to wi\u0119kszy ni\u017c tych siedem lat, kt\u00f3re musia\u0142y min\u0105\u0107 pomi\u0119dzy datami ich wydania. Zmieni\u0142o si\u0119 wszystko: kolektyw muzyk\u00f3w z Polski i Indii to ju\u017c w mniejszym stopniu zesp\u00f3\u0142, a w wi\u0119kszym &#8211; korespondencyjny projekt studyjny. Jego lider Wac\u0142aw Zimpel to ju\u017c nie tyle klarnecista, ile producent. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":44906,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,3666,7,5785],"tags":[2217,754],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/44901"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=44901"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/44901\/revisions"}],"predecessor-version":[{"id":44908,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/44901\/revisions\/44908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/44906"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=44901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=44901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=44901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}