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<\/p>\n\n\n\n\n\n<\/p>\n\n\n\n\n\n
AERIAL M The Peel Sessions<\/em><\/strong>, Drag City | \u266b<\/a>
ALICE COLTRANE The Carnegie Hall Concert<\/em><\/strong>, Impulse!\u00a0
ALVIN CURRAN ARCHEOLOGY \/\/ ARCHEOLOGIA<\/em><\/strong>, Room40 | \u266b<\/a>
APHEX TWIN Music From the Merch Desk (2016-2023)<\/em><\/strong>, Warp | \u266b<\/a>
BROADCAST Spell Blanket: Collected Demos 2006-2009<\/em><\/strong>, Warp\u00a0| \u266b<\/a>
CAN Live in Paris 1973<\/em><\/strong>, Mute\u00a0| \u266b<\/a>
CHRISTER BOTHEN FEAT. BOLON BATA Trancedance (40th Anniversary Edition)<\/em><\/strong>, Black Truffle | \u266b<\/a>
EMAHOY TSEGE AMRIAM GEBRU Souvenirs<\/em><\/strong>, Mississippi | P<\/a> | \u266b<\/a>
FAUST Momentaufnahme III \/ IV<\/em><\/strong>, Bureau B\u00a0
GASTR DEL SOL We Have Dozens of Titles<\/em><\/strong>, Drag City | \u266b<\/a>
KRZYSZTOF KOMEDA Kraksa: Film Music from WFO Vaults, 1956-65<\/em><\/strong>, GAD Records | \u266b<\/a>
MARGO GURYAN Words and Music<\/em><\/strong>, Numero Group | \u266b<\/a>
MIECZYS\u0141AW KOSZ Debiut. Jazz Jamboree ’67\/’68<\/em><\/strong>, Polskie Radio\u00a0
MOTHER MALLARD’S PORTABLE MASTERPIECE CO. \/ DAVID BORDEN Make Way For Mother Mallard: 50 Years of Music<\/em><\/strong>, Cuneiform\u00a0| \u266b<\/a>
POZNA\u0143SKA ORKIESTRA ROZRYWKOWA PRiTV Magma<\/em><\/strong>, GAD Records | \u266b<\/a>
RAHMAN MAMMADALI Azerbaijani Gitara vol. 2<\/em><\/strong>, Les Disques Bongo Joe | \u266b<\/a>
RAPHAEL ROGI\u0143SKI Plays John Coltrane and Langston Hughes<\/em><\/strong>, Unsound\u00a0| \u266b<\/a>
SBB FOS<\/em><\/strong>, GAD Records\u00a0| \u266b<\/a>
SONIC YOUTH Walls Have Ears<\/em><\/strong>, Goofin\u2019\u00a0| \u266b<\/a>
SUN RA Inside the Light World. Sun Ra Meets the OVC<\/em><\/strong>, Strut\u00a0| \u266b<\/a>
TUCKER ZIMMERMAN I Wonder If I’ll Ever Come True<\/em><\/strong>, Big Potato\u00a0| \u266b<\/a>
VA Kampire Presents: A Dancefloor in Ndola<\/em><\/strong>, Strut\u00a0| \u266b<\/a>
VA Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Crimean Tatar Jazz from 1980s Soviet Central Asia<\/em><\/strong>, Ostinato | \u266b<\/a>
VA Virtual Dreams II: Ambient Explorations in the House & Techno Age, Japan 1993-1999<\/em><\/strong>, Music From Memory\u00a0| \u266b<\/a>
XMAL DEUTSCHLAND Early Singles 1981-1982<\/em><\/strong>, Sacred Bones | \u266b<\/a> <\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":45646,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5877],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/45632"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=45632"}],"version-history":[{"count":13,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/45632\/revisions"}],"predecessor-version":[{"id":45647,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/45632\/revisions\/45647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/45646"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=45632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=45632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=45632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}