{"id":46791,"date":"2025-04-11T10:28:30","date_gmt":"2025-04-11T08:28:30","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?p=46791"},"modified":"2025-04-11T10:28:31","modified_gmt":"2025-04-11T08:28:31","slug":"ani-lepiej-ani-gorzej","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2025\/04\/11\/ani-lepiej-ani-gorzej\/","title":{"rendered":"Ani lepiej, ani gorzej"},"content":{"rendered":"<p>Wiadomo, \u017ce bardzo lubi\u0119 elektryczn\u0105 gitar\u0119 hawajsk\u0105. Jednak po przes\u0142uchaniu nowej p\u0142yty <strong>Bon Iver<\/strong>\u00a0by\u0142bym sk\u0142onny zaproponowa\u0107 czasowe moratorium na ograniczenie stosowania tego muzycznego narz\u0119dzia, a tak\u017ce kilku innych, kt\u00f3rych u\u017cycie w swoich aran\u017cach Justin Vernon doprowadzi\u0142 do perfekcji i na granic\u0119 nudy. <em>I w\u0142a\u015bnie ten lekko u\u017cytkowy charakter muzyki Vernona to jedyne, co mnie niepokoi<\/em> &#8211; napisa\u0142em w notce na temat drugiego albumu Bon Iver i spe\u0142ni\u0142y si\u0119 moje obawy dotycz\u0105ce szlifowania estetyki, bardzo ciekawej, \u0142\u0105cz\u0105cej folk i bia\u0142y soul, ale jednak gro\u017c\u0105cej autoparodi\u0105. Tak\u017ce recenzentom, kt\u00f3rzy musz\u0105 \u017conglowa\u0107 tymi samymi punktami odniesienia (Collins, Hornsby), cmoka\u0107 nad nawi\u0105zaniami do lat 80., a przy tym jednak mierzy\u0107 si\u0119 &#8211; jak ja dzi\u015b od rana &#8211; z muzyk\u0105, kt\u00f3ra wydaje si\u0119 idealnie \u015brednia i nie czuj\u0119 si\u0119 po niej ani lepiej, ani gorzej.\u00a0<\/p>\n\n\n<!--more-->\n\n\n<p>Vernon przekona\u0142 mnie, \u017ce mo\u017cna pisa\u0107 emocjonalne teksty i nie bardzo dawa\u0107 temu wyraz w ostatecznym kszta\u0142cie piosenek, rozpuszcza\u0107 je w pog\u0142osach fortepianu czy gitary hawajskiej, styl zamieniaj\u0105c w manier\u0119. I \u017ce mo\u017cna poszukiwa\u0107 nowych \u015brodk\u00f3w wyrazu, a jednak ci\u0105gle wraca\u0107 w te same, bezpieczne rejony. Bo owszem, jest na <em>SABLE, fABLE<\/em> sporo niez\u0142ych moment\u00f3w: wyr\u00f3\u017cnia si\u0119 <em>Everything Is Peaceful Love<\/em>, niez\u0142e wra\u017cenie (wyj\u0105wszy mo\u017ce tego niepotrzebnego wokalnego sampla) robi <em>From<\/em>, w<em> I&#8217;ll Be There<\/em> s\u0142ycha\u0107 bardziej Prince&#8217;a ni\u017c Collinsa, bardzo mi si\u0119 podoba <em>There&#8217;s a Rhythm<\/em>.\u00a0 Og\u00f3lne odbi\u00f3r psuje jednak pewien automatyzm s\u0142yszalny na tej p\u0142ycie od pierwszej do ostatniej minuty.\u00a0\u00a0<\/p>\n<p><strong>BON IVER <em>Sable, Fable<\/em><\/strong>, Jagjaguwar 2025\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2046110960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/boniver.bandcamp.com\/album\/sable-fable\">SABLE, fABLE by Bon Iver<\/a><\/iframe>\n\n\n<p><strong>PREMIERY PLYTOWE TYGODNIA<\/strong><\/p>\n<p>5.04<strong> The Holy Family<\/strong> Live Burning, Burning Live, Zoharum reed<br \/>7.04 <strong>Clara Mann<\/strong> Rift, State51 <br \/>7.04 <strong>Dirk Serries<\/strong> Zonal Disturbances II, Zoharum <br \/>7.04 <strong>JARL<\/strong> Synapse Variation Report, Zoharum <br \/>9.04 <strong>Cold Specks<\/strong> Lifght for the Midnight, Mute <br \/>10.04 <strong>Tamten<\/strong> Wschodnia fala, The Very Polish Cut Outs <br \/>11.04 <strong>Andy Summers &amp; Robert Fripp<\/strong> The Complete Recordings 1981-1984, DGM <br \/>11.04 <strong>Arek Jakubik<\/strong> Romeo i Julia \u017cyj\u0105, Mystic <br \/>11.04 <strong>Bartek W\u0105sik<\/strong> Pianorizon <br \/>11.04 <strong>Bon Iver<\/strong> Sable, Fable, Jagjaguwar <br \/>11.04 <strong>Bonobo<\/strong> Lazarus OST, Milan <br \/>11.04 <strong>CBZK<\/strong> Dybuctwo <br \/>11.04 <strong>Charif Megarbane<\/strong> Habibi Funk 030: Hawalat, Habibi Funk <br \/>11.04 <strong>Daughter of Swords<\/strong> Alex, Psychic Hotline <br \/>11.04 <strong>Floating Points<\/strong> Lazarus OST, Milan <br \/>11.04 <strong>Fuerza Oculta<\/strong> 5 Revised Models, Gusstaff <br \/>11.04 <strong>Guilherme Granado<\/strong> Goat Unity Ghost Parades, Discrepant <br \/>11.04 <strong>HHY &amp; The Kampala Unit<\/strong> Turbo Meltdown, Nyege Nyege Tapes <br \/>11.04<strong> Ina West<\/strong> Path Toward Everywhere <br \/>11.04 <strong>Jeff Bridges<\/strong> Slow Magic, 1977-1978, Light in the Attic <br \/>11.04 <strong>Joseph Shabason, Spencer Zahn, Vibrant Matter, Thom Gill<\/strong> Buds EP, Western Vinyl <br \/>11.04 <strong>Kamasi Washington<\/strong> Lazarus OST, Milan <br \/>11.04 <strong>Ken Carson<\/strong> More Chaos, Opium <br \/>11.04 <strong>Kuunatic<\/strong> Wheels of \u00d6mon, Glitterbeat <br \/>11.04 <strong>Kwashibu Area Band<\/strong> Love Warrior\u2019s Anthem, Soundway <br \/>11.04 <strong>Mamalarky<\/strong> Hex Key, Epitaph <br \/>11.04 <strong>Messa<\/strong> The Spin, Metal Blade <br \/>11.04 <strong>Neil Smith<\/strong> Anxious, Bella Union <br \/>11.04 <strong>Painting<\/strong> Snapshot Of Pure Attention, Sinnbus <br \/>11.04 <strong>Poppy Daniels<\/strong> Keep On Going, Jazz Re:freshed <br \/>11.04<strong> Quantum Trio<\/strong> No Way Out <br \/>11.04 <strong>Red Snapper<\/strong> Barb and Feather, Lo Recordings <br \/>11.04 <strong>R\u00f6yksopp<\/strong> True Electric, Dog Triumph <br \/>11.04 <strong>Salif Keita<\/strong> So Kono, No Format! <br \/>11.04 <strong>Scrounge<\/strong> Almost Like You Could, Ba Da Bing <br \/>11.04 <strong>Tekamolo<\/strong> Best Tunes for Your Answering Machine, Hidden Harmony <br \/>11.04<strong> The Mars Volta<\/strong> Lucro sucio; Los ojos del vacio, Clouds Hill <br \/>11.04<strong> Theresa Wong<\/strong> Journey to the Cave of Guanyin, Room40 <br \/>11.04 <strong>Valerie June<\/strong> Owls, Omens, and Oracles, Concord <br \/>11.04<strong> Westberg \/ Udupa \/ Mazurkiewicz<\/strong> Everyday Life Activities, Gusstaff<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Wiadomo, \u017ce bardzo lubi\u0119 elektryczn\u0105 gitar\u0119 hawajsk\u0105. Jednak po przes\u0142uchaniu nowej p\u0142yty Bon Iver\u00a0by\u0142bym sk\u0142onny zaproponowa\u0107 czasowe moratorium na ograniczenie stosowania tego muzycznego narz\u0119dzia, a tak\u017ce kilku innych, kt\u00f3rych u\u017cycie w swoich aran\u017cach Justin Vernon doprowadzi\u0142 do perfekcji i na granic\u0119 nudy. I w\u0142a\u015bnie ten lekko u\u017cytkowy charakter muzyki Vernona to jedyne, co mnie niepokoi [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":46796,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,3666,7,5878,106],"tags":[370,369],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46791"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=46791"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46791\/revisions"}],"predecessor-version":[{"id":46797,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46791\/revisions\/46797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/46796"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=46791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=46791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=46791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}