{"id":46867,"date":"2025-04-18T11:20:03","date_gmt":"2025-04-18T09:20:03","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?p=46867"},"modified":"2025-04-18T17:45:24","modified_gmt":"2025-04-18T15:45:24","slug":"szybko-szybko-zwolnilo","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2025\/04\/18\/szybko-szybko-zwolnilo\/","title":{"rendered":"Szybko, szybko zwolni\u0142o"},"content":{"rendered":"<p>Refleksyjna jest ta nowa p\u0142yta<strong> Quickly, Quickly<\/strong>, co w pewien spos\u00f3b pasuje do okoliczno\u015bci. Ale wymieszana gatunkowo jak poprzednio. I s\u0142odko-kwa\u015bna jak kuchnia \u015bwi\u0105teczna, co w muzyce Grahama Jonsona z Portland &#8211; jednego z bardziej obiecuj\u0105cych tw\u00f3rc\u00f3w, jacy si\u0119 na scenie pojawili w ostatnich latach &#8211; oznacza \u0142\u0105czenie s\u0142odkich melodii ze zgrzytliwymi erupcjami sprz\u0119\u017ce\u0144 i innymi ha\u0142asami. Wszystko to jednak w kulturalnie wyregulowanych proporcjach, \u017ceby nawet przypadkowy s\u0142uchacz nie zd\u0105\u017cy\u0142 si\u0119 z\u0142apa\u0107 za g\u0142ow\u0119. W trosce o balans emocjonalny p\u0142yty, dzi\u0119ki czemu <em>I Heard That Noise<\/em>, cho\u0107 kameralne i momentami wyciszone, nie idzie w nijako\u015b\u0107. Jest kilka szarpni\u0119\u0107 dynamicznych &#8211; poza \u015bwietnym singlowym <em>Enything<\/em> cho\u0107by <em>I Punch Through The Wall<\/em> &#8211; ale s\u0105 momenty, kiedy rzecz idzie w delikatne granie folkowe, w jazz, w popow\u0105 ballad\u0119. Elementem wsp\u00f3lnym jest ta refleksyjno\u015b\u0107.\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe width=100% height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s6Z6Opd5jNw?si=7x3EcaERidbCumMf\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n\n<p>Ca\u0142y ten Wielki Pi\u0105tek w premierach wypada nadzwyczaj solidnie &#8211; ju\u017c Tunde Andebimpe wcielaj\u0105cy si\u0119 we wsp\u00f3\u0142czesnego Billy&#8217;ego Idola (a momentami w Coldplay!) to mo\u017ce niewybitna, ale przynajmniej interesuj\u0105ca propozycja. Ale nikt wam tak nie z\u0142o\u017cy \u017cycze\u0144 jak Quickly, Quickly (z niewielk\u0105 pomoc\u0105 Polifonii): \u017ceby teraz szybko, szybko zrobi\u0142o si\u0119 wolniej, a potem wszystko wolno, wolno wraca\u0142o do poprzedniej szybko\u015bci. Spokojnych \u015bwi\u0105t.\u00a0\u00a0<\/p>\n<p><strong>QUICKLY, QUICKLY <em>I Heard That Noise<\/em><\/strong>, Ghostly International 2025\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=824606394\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/quicklyquickly.bandcamp.com\/album\/i-heard-that-noise\">I Heard That Noise by quickly, quickly<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>13.04 <strong>Valentina Magaletti &amp; Fanny Chiarello<\/strong> Gym Douce <br \/>14.04 <strong>VA<\/strong> \u0141ukowa. Pie\u015bni jednej wsi, In Crudo <br \/>15.04<strong> Joshua Bonnetta<\/strong> The Pines, Shelter Press <br \/>16.04<strong> Ben Bertrand<\/strong> Relic Radiation, Stroom TV <br \/>16.04 <strong>Garoa<\/strong> Voa, Discrepant <br \/>16.04 <strong>Hitdreams<\/strong> the charity gig for a friend only half of us played under a fake name, in 97bpm, World Of Pane <br \/>16.04 <strong>Jad<\/strong> Odwet <br \/>17.04 <strong>VA<\/strong> My Name Is Pozna\u0144 3.0, Kayax <br \/>17.04<strong> Water Damage<\/strong> Music Box Village 032525 <br \/>18.04 <strong>Adrian Younge<\/strong> Something About April III, Linear Labs <br \/>18.04 <strong>Beirut<\/strong> A Study of Losses, Pompeii <br \/>18.04 <strong>Blackwater<\/strong> <strong>Holylight<\/strong> If You Only Knew EP, Suicide Squeeze <br \/>18.04 <strong>Davido<\/strong> 5ive, RCA <br \/>18.04 <strong>Divide and Dissolve<\/strong> Insatiable, Bella Union <br \/>18.04 <strong>Hieroglyphic Being<\/strong> Dance Music 4 Bad People, Smalltown Supersound <br \/>18.04 <strong>Ikue Mori<\/strong> The Bagatelles Vol. 4, Tzadik <br \/>18.04 <strong>Julien Baker &amp; TORRES<\/strong> Send a Prayer My Way, Matador<br \/>18.04 <strong>Lucy Railton<\/strong> Blue Veil, Ideologic Organ<br \/>18.04 <strong>Neil Young<\/strong> Coastal, Reprise <br \/>18.04 <strong>Quade<\/strong> The Foel Tower, AD93 <br \/>18.04 <strong>Quickly, Quickly<\/strong> I Heard That Noise, Ghostly International <br \/>18.04 <strong>Rindert Lammers<\/strong> Thank You Kirin Kiki, Western Vinyl <br \/>18.04 <strong>Superheaven<\/strong> Superheaven, Blue Grape <br \/>18.04 <strong>Tunde Adebimpe<\/strong> Thee Black Boltz, Sub Pop <br \/>18.04 <strong>Ursula Sereghy<\/strong> Cordial, Mondoj <br \/>19.04 <strong>Immortal Onion<\/strong> Technaturalism, U Know Me<\/p>","protected":false},"excerpt":{"rendered":"<p>Refleksyjna jest ta nowa p\u0142yta Quickly, Quickly, co w pewien spos\u00f3b pasuje do okoliczno\u015bci. Ale wymieszana gatunkowo jak poprzednio. I s\u0142odko-kwa\u015bna jak kuchnia \u015bwi\u0105teczna, co w muzyce Grahama Jonsona z Portland &#8211; jednego z bardziej obiecuj\u0105cych tw\u00f3rc\u00f3w, jacy si\u0119 na scenie pojawili w ostatnich latach &#8211; oznacza \u0142\u0105czenie s\u0142odkich melodii ze zgrzytliwymi erupcjami sprz\u0119\u017ce\u0144 i [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":46871,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4009,4993,3666,7,5878,106],"tags":[4868],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46867"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=46867"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46867\/revisions"}],"predecessor-version":[{"id":46875,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46867\/revisions\/46875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/46871"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=46867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=46867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=46867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}