{"id":46983,"date":"2025-05-02T11:13:42","date_gmt":"2025-05-02T09:13:42","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?p=46983"},"modified":"2025-05-04T09:23:29","modified_gmt":"2025-05-04T07:23:29","slug":"pierwszy-mei","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2025\/05\/02\/pierwszy-mei\/","title":{"rendered":"Pierwszy Mei"},"content":{"rendered":"<p>W sam raz na drugiego maja ten pierwszy album <strong>Mei Semones<\/strong>. Posta\u0107 nowa &#8211; i by\u0107 mo\u017ce nieznana, przynajmniej dla tych, kt\u00f3rzy nie zwracali uwagi na single lub nie \u015bledzili weekendowych playlist Polifonii. Tam Japonka z Brooklynu pojawia\u0142a si\u0119 regularnie, bo w jej piosenkach melodyjna bezpo\u015brednio\u015b\u0107 i jazzowe zaplecze dawa\u0142y prawie zawsze przyjemny efekt. Nie inaczej jest na pierwszym albumie Semones, nagranym w kameralnym sk\u0142adzie od pi\u0119ciu do dw\u00f3ch os\u00f3b, w skrajnie minimalistycznym, brzmi\u0105cym jak zagubiony standard jazzowy <em>Donguri<\/em> towarzyszy jej tylko kontrabasista Noam Tanzer. Zwykle jednak brzmienie gitary, kt\u00f3ra poza g\u0142osem jest g\u0142\u00f3wnym narz\u0119dziem autorki, wzbogacaj\u0105 smyczki (skrzypce i alt\u00f3wka). Ca\u0142o\u015b\u0107 ma ci\u0105gle nieco szkolny charakter, jest do\u015b\u0107 pouk\u0142adana, przesycona s\u0142abo\u015bci\u0105 do bossa novy, ale jednak bezpretensjonalna, wymyka si\u0119 oskar\u017ceniom o kalkulacj\u0119, plastikowo\u015b\u0107, uzurpacj\u0119. 24-letnia Semones jest bohaterk\u0105 globalnej kultury muzycznej, wychowank\u0105 s\u0142ynnego Berklee College of Music i gitarow\u0105 influencerk\u0105 (\u015bredniego kalibru, to nie s\u0105 jakie\u015b gigantyczne zasi\u0119gi), a jednocze\u015bnie &#8211; co si\u0119 jednak do\u015b\u0107 rzadko w wypadku takich postaci zdarza &#8211; ulepi\u0142a z tych wszystkich pozornie oczywistych element\u00f3w w\u0142asny, oryginalny styl. To nie tylko po\u0142\u0105czenie jazzu i alternatywnego rocka, ale te\u017c po\u0142\u0105czenie japo\u0144skiego i angielskiego, zszycie obu kulturowych plan\u00f3w: j-popowego i klasycznie jazzowego, naiwnego i powa\u017cnego.\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe width=100% height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/apfpm0G5icc?si=ciWbVit6qLzLHfwp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n\n<p>Z tych wszystkich powod\u00f3w warto pos\u0142ucha\u0107 Mei Semones na debiucie i \u015bledzi\u0107 jej dalsze poczynania, ale warto te\u017c zwr\u00f3ci\u0107 uwag\u0119 na kilka innych wydawnictw. Bo \u015bwiatowy rynek nie jest dzi\u015b pogr\u0105\u017cony w takim d\u0142ugoweekendowym letargu jak ten polski. \u015awiadcz\u0105 o tym cho\u0107by nowe p\u0142yty Car Seat Headrest, Suzanne Vegi czy Pup. D\u0142u\u017csza lista jak co pi\u0105tek poni\u017cej.\u00a0<\/p>\n<p><strong>MEI SEMONES <em>Animaru<\/em><\/strong>, Bayonet 2025<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2269208349\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/meisemones.bandcamp.com\/album\/animaru\">Animaru by Mei Semones<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>26.04 <strong>Steve Hirsh<\/strong> Root Causes, Mahakala<br \/>28.04 <strong>2WSX<\/strong> Delusion Deluxe, Ciche Nagrania<br \/>29.04 <strong>Bill Orcutt Guitar Quartet<\/strong> HausLive 4, Hausu Mountain<br \/>30.04 <strong>Exotic Gardens<\/strong> Drugs &amp; TV, Emotional Response<br \/>1.05 <strong>Anthony Pateras<\/strong> Reise der Schatten, Hallow Ground <br \/>1.05 <strong>Ond\u0159ej Kyas<\/strong> Nahr\u00e1v\u00e1n\u00ed sv\u011bta II, Poli5 <br \/>1.05 <strong>Ond\u0159ej Kyas<\/strong> Nahr\u00e1v\u00e1n\u00ed sv\u011bta I, Poli5 <br \/>1.05 <strong>Suavas Lewy<\/strong> Procesja rezurekcyjna w Sanktuarium Maryjnym w Starych Skoszewach, Nasze Nagrania <br \/>2.05 <strong>Alex Marsh<\/strong> Trellis, Not Not Fun <br \/>2.05 <strong>Andy Bell<\/strong> Ten Crowns, Crown <br \/>2.05 <strong>Angel Bat Dawid &amp; Naima Nefertari<\/strong> Journey to Nabta Playa, Spiritmuse <br \/>2.05 <strong>Blondshell<\/strong> If You Asked for a Picture, Partisan <br \/>2.05 <strong>Car Seat Headrest<\/strong> The Scholars, Matador <br \/>2.05 <strong>Club Night Job<\/strong> Coming Down, Tiny Engines <br \/>2.05 <strong>Daniel Bachman<\/strong> As Time Draws Near <br \/>2.05 <strong>Eddie Marcon<\/strong> Carpet Of Fallen Leaves, Morr Music <br \/>2.05<strong> Eli Keszler<\/strong> Eli Keszler, LuckyMe <br \/>2.05 <strong>Eli Winter<\/strong> A Trick of the Light, Three Lobed <br \/>2.05 <strong>Eva Fern\u00e1ndez Su\u00e1rez &amp; Thomas Barri\u00e8re<\/strong> Adela, Three:four <br \/>2.05 <strong>Fennesz<\/strong> Live at St James&#8217;s Church, Piccadilly, Touch <br \/>2.05 <strong>Flume &amp; JPEGMAFIA<\/strong> We Live in a Society EP<br \/>2.05<strong> Hania Derej<\/strong> Over The World We Know, Xjazz!<br \/>2.05 <strong>Hate Bellum<\/strong> Regiis, Metal Blade <br \/>2.05 <strong>James Krivchenia<\/strong> Performing Belief, Planet Mu <br \/>2.05<strong> Jean-Michel Jarre<\/strong> Deserted Place, Transversales arch<br \/>2.05 <strong>Jenny Hval<\/strong> Iris Silver Mist, 4AD <br \/>2.05 <strong>John Carroll Kirby<\/strong> The Luckiest Man in America OST, Stones Throw <br \/>2.05 <strong>Key Glock<\/strong> Glockaveli, Republic <br \/>2.05 <strong>Lael Neale<\/strong> Altogether Stranger, Sub Pop <br \/>2.05 <strong>Litronix<\/strong> One A Day Keeps The Doctor Away, Invada <br \/>2.05 <strong>Loscil<\/strong> Lake Fire, Kranky <br \/>2.05 <strong>Mei Semones<\/strong> Animaru, Bayonet <br \/>2.05 <strong>Model\/Actriz<\/strong> Pirouette, True Panther <br \/>2.05 <strong>Muito Kaballa<\/strong> Tomorrow a Flower, Batov <br \/>2.05 <strong>Paco Cathcart<\/strong> Down On Them, Wharf Cat <br \/>2.05 <strong>Peter Evans, Petter Eldh<\/strong> Jazz Fest, More Is More <br \/>2.05 <strong>Pink Floyd<\/strong> Pink Floyd at Pompeii &#8211; MCMLXXII (2025 Mix), Sony <br \/>2.05 <strong>Pup<\/strong> Who Will Look After the Dogs?, Little Dipper <br \/>2.05 <strong>Rainy Miller<\/strong> Joseph, What Have You Done?, Fixed Abode <br \/>2.05 <strong>Real Estate<\/strong> The Wee Small Hours: B-Sides and Other Detritus 2011-2025, Domino <br \/>2.05 <strong>Roundabout<\/strong> Sidequest, Agogo <br \/>2.05 <strong>Saint Etienne<\/strong> Alone Together: Remix EP, Heavenly EP<br \/>2.05 <strong>Sally Potter<\/strong> Anatomy, Bella Union <br \/>2.05 <strong>Sam Galbi<\/strong> Ylh Bye Bye, Les Disques Bongo Joe <br \/>2.05 <strong>Sequences Aluxes<\/strong> Audio. Visuals. Atmospheres <br \/>2.05 <strong>Sextile<\/strong> Yes, Please, Sacred Bones <br \/>2.05<strong> Sharon Jones &amp; the Dap-Kings<\/strong> Naturally (The Instrumentals), Daptone <br \/>2.05<strong> Shine Grooves<\/strong> Sequences For Fluttering, Not Not Fun <br \/>2.05 <strong>Sinemis<\/strong> Farewell, Injazero <br \/>2.05<strong> Suzanne Vega<\/strong> Flying with Angels, Cooking Vinyl <br \/>2.05<strong> Tatsuya Yoshida &amp; Risa Takeda<\/strong> Arithmetic_Overflow, Magaibutsu <br \/>2.05 <strong>The Flower Kings<\/strong> Love, InsideOut <br \/>2.05 <strong>Torn Hawk<\/strong> Watching Heat On Mute, Not Not Fun <br \/>2.05 <strong>Tucker Zimmerman<\/strong> A Feather Flies Out, Parsifal <br \/>2.05 <strong>WindSong<\/strong> Smooth Jazz Fusion and R&amp;B from Los Angeles 1982, Frederiksberg reed<br \/>2.05 <strong>Young Lean<\/strong> Jonatan, World Affairs<\/p>","protected":false},"excerpt":{"rendered":"<p>W sam raz na drugiego maja ten pierwszy album Mei Semones. Posta\u0107 nowa &#8211; i by\u0107 mo\u017ce nieznana, przynajmniej dla tych, kt\u00f3rzy nie zwracali uwagi na single lub nie \u015bledzili weekendowych playlist Polifonii. Tam Japonka z Brooklynu pojawia\u0142a si\u0119 regularnie, bo w jej piosenkach melodyjna bezpo\u015brednio\u015b\u0107 i jazzowe zaplecze dawa\u0142y prawie zawsze przyjemny efekt. Nie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":46984,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,7,5878,106],"tags":[5818],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46983"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=46983"}],"version-history":[{"count":10,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46983\/revisions"}],"predecessor-version":[{"id":47046,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/46983\/revisions\/47046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/46984"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=46983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=46983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=46983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}