{"id":48055,"date":"2025-11-01T14:47:08","date_gmt":"2025-11-01T13:47:08","guid":{"rendered":"https:\/\/blog.polityka.pl\/polifonia\/?p=48055"},"modified":"2025-11-01T14:47:09","modified_gmt":"2025-11-01T13:47:09","slug":"glosy-maszyny-saksofony","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2025\/11\/01\/glosy-maszyny-saksofony\/","title":{"rendered":"G\u0142osy, maszyny, saksofony"},"content":{"rendered":"<p>Wpis bardzo sp\u00f3\u017aniony jak rzadko i wcale nie z powodu niedos\u0142uchania nowej <strong>Florence + The Machine,<\/strong> bo z t\u0105 mia\u0142em si\u0119 okazj\u0119 zapozna\u0107 jeszcze przedpremierowo. I je\u015bli to nie jest p\u0142yta idealnie mierzona na Halloween, z ca\u0142\u0105 t\u0105 nieco mroczn\u0105 ekspresj\u0105 i odniesieniami do zjawisk nadprzyrodzonych. A przy tym starannie napisany, z produkcj\u0105 sprawdzonego Jamesa Forda i (r\u00f3wnie\u017c sprawdzonego, ale przez innych) Aarona Dessnera, kt\u00f3ry prowadzi ten album daleko, w stron\u0119 konkurencji z Taylor Swift, przy zachowaniu r\u00f3\u017cnic stylistycznych i brzmieniowych. Najlepszy album Florence Welch od czasu <em>How Big&#8230;<\/em>, ale przyznaj\u0119, \u017ce z t\u0105 ekspresj\u0105 mia\u0142em zawsze pewien problem &#8211; na skali mi\u0119dzy Kate Bush a PJ Harvey wola\u0142em te dwie skrajne, Welch mie\u015bci si\u0119 gdzie\u015b pomi\u0119dzy. Gdzie\u015b dalej od mainstreamu, ale w tym samym continuum bardzo ekspresyjnych wokalistek znale\u017a\u0107 mo\u017cna <strong>Ann\u0119 Von Hausswolff<\/strong> i to ona wygra\u0142a ten tydzie\u0144 w premierach, za spraw\u0105 albumu mo\u017ce mniej radykalnego ni\u017c <em>Dead Magic<\/em>, ale bardzo zaskakuj\u0105cego.<\/p>\n\n\n<!--more-->\n\n\n<p>Szczeg\u00f3lnie zaskakuj\u0105 te momenty, gdy szwedzka artystka na d\u0142ugie minuty chowa si\u0119 za swoim zespo\u0142em, a na pierwszy plan wychodzi Otis Sandsj\u00f6 ze swoim saksofonem. Oczywi\u015bcie, Von Hausswolff zawsze robi\u0142a muzyk\u0119, a nie piosenki. Ale ten instrumentalista odsuwa tu w cie\u0144 innych znacz\u0105cych i dobrze wpisuj\u0105cych si\u0119 w t\u0119 estetyk\u0119 go\u015bci (Iggy Pop, Ethel Cain). Je\u015bli kto\u015b mia\u0142 jakie\u015b w\u0105tpliwo\u015bci zwi\u0105zane z sam\u0105 stylistyk\u0105 nagra\u0144 szwedzkiej artystki &#8211; a i tu je, przyznaj\u0119, wcze\u015bniej miewa\u0142em &#8211; to powinien koniecznie da\u0107 szans\u0119 <em>Struggle with the Beast<\/em> i jeszcze kilku wyr\u00f3\u017cniaj\u0105cym si\u0119 fragmentom tej p\u0142yty (<em>Stardust<\/em>). Wystarczy wra\u017ce\u0144 do kolejnego pi\u0105tku, a pewnie i d\u0142u\u017cej, o ile pop\u0142yniemy na fali w kierunku \u015bwietnej p\u0142yty<em> Y-Otis Tre<\/em> albo nagra\u0144 zespo\u0142u Koma Saxo. Mo\u017ce nawet do ko\u0144ca roku?\u00a0<\/p>\n<p><strong>ANNA VON HAUSSWOLFF <em>Iconoclasts<\/em><\/strong>, YEAR0001\u00a0<\/p>\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2011515646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/annavonhausswolff.bandcamp.com\/album\/iconoclasts\">ICONOCLASTS by Anna von Hausswolff<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>27.10 <strong>Kristoffer Oustad<\/strong> Magnor, Zoharum <br \/>27.10 <strong>Moljebka Pvlse<\/strong> An Expression Of A Poetry That Was Lost, Zoharum <br \/>27.10 <strong>The Stargazer&#8217;s Assistant<\/strong> Modular Fields. Volume One, Zoharum <br \/>29.10 <strong>Alpha Maid<\/strong> Is This a Queue, AD93 <br \/>30.10 <strong>Courtney Bailey<\/strong> In Dream, Music From Memory <br \/>31.10 <strong>Alister Spence<\/strong> Bright Welcome, Room40 <br \/>31.10 <strong>Anna von Hausswolff<\/strong> Iconoclasts, YEAR00001 <br \/>31.10 <strong>Anushka Chkheidze + Robert Lippok<\/strong> Uncontrollable Thoughts, Morr Music <br \/>31.10 <strong>August Fanon &amp; billy woods<\/strong> Golliwog, BackwoodzStudioz <br \/>31.10 <strong>Bruise Blood<\/strong> You Run Through the World Like An Open Razor, Rocket <br \/>31.10<strong> Chat Pile &amp; Hayden Pedigo<\/strong> In the Earth Again, The Flenser <br \/>31.10 <strong>Chino Amobi<\/strong> Eroica II: Christian Nihilism, Drowned By Locals <br \/>31.10 <strong>Claire Rousay<\/strong> A Little Death, Thrill Jockey <br \/>31.10 <strong>Daniel Avery<\/strong> Tremor, Domino <br \/>31.10 <strong>Florence + The Machine<\/strong> Everybody Scream, Polydor <br \/>31.10 <strong>Hannah Peel<\/strong> Mary Casio: Journey to Cassiopeia, Real World <br \/>31.10 <strong>Hilary Woods<\/strong> Night CRI\u00da, Sacred Bones <br \/>31.10 <strong>Hildur Gu\u00f0nad\u00f3ttir<\/strong> Where To From, Deutsche Grammophon <br \/>31.10 <strong>Holy Sons<\/strong> Puritan Themes, Thrill Jockey <br \/>31.10 <strong>Jamie Lidell &amp; Luke Schneider<\/strong> A Companion For The Spaces Between Dreams, Northern Spy <br \/>31.10 <strong>keiyaA<\/strong> Hook&#8217;s Law, XL <br \/>31.10 <strong>Lunatic Soul<\/strong> The World Under Unsun, InsideOut <br \/>31.10 <strong>Makaya McCraven<\/strong> Techno Logic (featuring Theon Cross &amp; Ben LaMar Gay), International Anthem <br \/>31.10 <strong>Maps<\/strong> Welcome to the Tudor Gate, Mute <br \/>31.10 <strong>Micah P. Hinson<\/strong> The Tomorrow Man, Ponderosa <br \/>31.10 <strong>Nat Birchall<\/strong> World Without Form volume 1, Special Edition <br \/>31.10 <strong>Nils Landgren<\/strong> Christmas with My Friends, ACT <br \/>31.10 <strong>Pablopavo<\/strong> Lakuna 2, Karrot Kommando <br \/>31.10 <strong>Pezet<\/strong> Muzyka popularna <br \/>31.10 <strong>Phexioenesystems<\/strong> Empty Space Symbols, Okla <br \/>31.10 <strong>Ship Sket<\/strong> InitiatriX, Planet Mu<br \/>31.10 <strong>Snocaps<\/strong> Snocaps, Anti-<br \/>31.10 <strong>Tom\u00e1\u0161 \u0160enky\u0159\u00edk &amp; Pavel Zl\u00e1mal<\/strong> &#8222;306&#8221;, Okla <br \/>31.10 <strong>VA<\/strong> Total Spook Mixtape, Discrepant <br \/>31.10 <strong>Zach Hill &amp; Lucas Abela<\/strong> Bag of Max, Bag of Cass<\/p>","protected":false},"excerpt":{"rendered":"<p>Wpis bardzo sp\u00f3\u017aniony jak rzadko i wcale nie z powodu niedos\u0142uchania nowej Florence + The Machine, bo z t\u0105 mia\u0142em si\u0119 okazj\u0119 zapozna\u0107 jeszcze przedpremierowo. I je\u015bli to nie jest p\u0142yta idealnie mierzona na Halloween, z ca\u0142\u0105 t\u0105 nieco mroczn\u0105 ekspresj\u0105 i odniesieniami do zjawisk nadprzyrodzonych. A przy tym starannie napisany, z produkcj\u0105 sprawdzonego Jamesa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":48060,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,3309,4993,7,5878],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48055"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=48055"}],"version-history":[{"count":4,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48055\/revisions"}],"predecessor-version":[{"id":48061,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48055\/revisions\/48061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/48060"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=48055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=48055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=48055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}