{"id":48142,"date":"2025-11-21T12:40:57","date_gmt":"2025-11-21T11:40:57","guid":{"rendered":"https:\/\/blog.polityka.pl\/polifonia\/?p=48142"},"modified":"2025-11-22T12:54:31","modified_gmt":"2025-11-22T11:54:31","slug":"rapowe-requiem","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2025\/11\/21\/rapowe-requiem\/","title":{"rendered":"Rapowe requiem"},"content":{"rendered":"<p>Je\u015bli polski rap ostatnio przetwarza przemijanie, to ten ameryka\u0144ski wkracza na dobre w er\u0119 po\u017cegna\u0144. Album <strong>De La Soul<\/strong> <em>Cabin in the Sky<\/em> jest mo\u017ce ma\u0142o odkrywczy pod wzgl\u0119dem muzycznym, ale to p\u0142yta bardzo ciekawa i paradoksalna. G\u0142\u00f3wny paradoks polega na tym, \u017ce kiedy gwiazdy rapu \u017cegnaj\u0105 zmar\u0142ego dwa lata temu koleg\u0119 &#8211; a ca\u0142o\u015b\u0107 po\u015bwi\u0119cona jest pami\u0119ci Davida Jolicoeura, znanego jako Trugoy the Dove &#8211; robi si\u0119 z tego jedna z bardziej pogodnych premier tygodnia. Kilka z nich ju\u017c przes\u0142ucha\u0142em i chyba \u017cadnej (poza mo\u017ce wydanym wczoraj albumem Molar, ale o tym jeszcze b\u0119dzie) nie rekomendowa\u0142bym z miejsca tak gor\u0105co jako album do s\u0142uchania w weekend. To zestaw d\u0142ugi i tradycyjny do b\u00f3lu: beaty DJ-a Premiera i Pete&#8217;a Rocka, format wpisuj\u0105cy si\u0119 w zapowiadan\u0105 seri\u0119 wydawnicz\u0105 wytw\u00f3rni Mass Appeal, kt\u00f3ra ma pokazywa\u0107 klasyk\u00f3w &#8211; mamy wi\u0119c grono dinozaur\u00f3w rapu, troch\u0119 jak z dinozaurami rocka przed laty. Ale momentami (utw\u00f3r tytu\u0142owy, warto wi\u0119c doci\u0105gn\u0105\u0107 do fina\u0142u albumu) rzecz ociera si\u0119 o najlepsze utwory z dorobku DLS.\u00a0 \u00a0<\/p>\n\n\n<!--more-->\n\n\n<p>Trudno jednak przebi\u0107 intro do tego rapowego requiem. Tu w g\u0142\u00f3wnej roli wyst\u0119puje Giancarlo Esposito, wywo\u0142uj\u0105cy kolejno wszystkie pojawiaj\u0105ce si\u0119 na p\u0142ycie gwiazdy. Dave nie odpowiada, cho\u0107 jego g\u0142os si\u0119 tu pojawi (produkowa\u0142 te\u017c podk\u0142ady do kilku nagra\u0144), za to nie ma sensu zamienia\u0107 tego wpisu w litani\u0119 go\u015bci zaproszonych na <em>Cabin in the Sky<\/em>. Bohater serialu <em>Breaking Bad<\/em> robi to lepiej, to jedna z najd\u0142u\u017cszych introdukcji p\u0142yt, z jakimi si\u0119 spotka\u0142em, orszak \u017ca\u0142obny jest tu jednak proporcjonalnie d\u0142ugi (zwracam uwag\u0119 na kilka niespodziewanych wizyt &#8211; cho\u0107by Yukimi z Little Dragon w wyr\u00f3\u017cniaj\u0105cym si\u0119 <em>Cruel Summers Bring FIRE LIFE!!<\/em>). A przy tym &#8211; mimo pewnej melancholii wpisanej w przedsi\u0119wzi\u0119cie &#8211; zaskakuj\u0105co weso\u0142y.\u00a0 \u00a0<\/p>\n<p><strong>DE LA SOUL <em>Cabin in the Sky<\/em><\/strong>, Mass Appeal 2025<\/p>\n\n\n<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0yBlUg27MbywASeGd1uNIA?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>15.11 <strong>Becky and the Birds<\/strong> Only Music Makes Me Cry Now, 4AD <br \/>18.11 <strong>Pol Wanda<\/strong> Nieba krzyk i kr\u00f3l wiatr<br \/>19.11 <strong>Mirt<\/strong> Exceptionally Quiet Wisents, Saamleng<br \/>20.11 <strong>Molar<\/strong> Molar LP, U Know Me <br \/>21.11<strong> [something&#8217;s happening]<\/strong> a map has always been an attempt, Strategic Tapes Reserve<br \/>21.11 <strong>\u0645\u062f [Ahmed]<\/strong> \u0633\u0645\u0627\u0639 Sama&#8217;a (Auditon), OTORoku <br \/>21.11<strong> Aksak Maboul<\/strong> Before Aksak Maboul (Documents &amp; Experiments 1969-1977), Crammed <br \/>21.11 <strong>Ani Zakareishvili<\/strong> Neither in the sky nor on the ground, Warm Winters Ltd. <br \/>21.11<strong> Anthony Moore with AKA &amp; Friends<\/strong> On Beacon Hill, Drag City <br \/>21.11 <strong>Billy Hart<\/strong> Multidirectional, Smoke Sesions <br \/>21.11 <strong>De La Soul<\/strong> Cabin in the Sky, Mass Appeal <br \/>21.11 <strong>Extensa<\/strong> Echomora, Gusstaff <br \/>21.11 <strong>Fabiano do Nascimento<\/strong> Cavejaz, Leaving <br \/>21.11 <strong>Glyders<\/strong> Forever, Drag City<br \/>21.11 <strong>\u7070\u91ce\u656c\u4e8c [Keiji Haino] &amp; Reinhold Friedl<\/strong> truly, slightly, overflowing, whereabout of good will, Zeitkratzer <br \/>21.11 <strong>Haley Heynderickx &amp; Max Garc\u00eda Conover<\/strong> What of Our Nature, Fat Possum <br \/>21.11 <strong>Hilarious Disasters<\/strong> Unnatural Root, Audio Cave <br \/>21.11 <strong>Horse Lords &amp; Arnold Dreyblatt<\/strong> FRKWYS Vol. 18: Extended Field, RVNG Intl <br \/>21.11<strong> Ictus \/ Collegium Vocale Gent \/ Suzanne Vega<\/strong> Einstein on the Beach (Philip Glass), Vlek <br \/>21.11 <strong>IFS Meets Spalarnia<\/strong> \u0141\u0105ka, Outlines <br \/>21.11<strong> Joseph Shabason and Thom Gill<\/strong> Mississippi River Styx, Western Vinyl <br \/>21.11 <strong>Lawrence English &amp; Stephen Vitiello<\/strong> Trinity, American Dreams <br \/>21.11 <strong>Mark Fell &amp; Pat Thomas<\/strong> Reality Is Not a Theory, Black Truffle <br \/>21.11 <strong>Martin Brandlmayr<\/strong> Interstitial Spaces, Faitiche <br \/>21.11 <strong>Monde UFO<\/strong> Flamingo Tower, Nobody Cares Ep, Fire<br \/>21.11 <strong>\u5ca1\u7530\u62d3\u90ce [Takuro Okada]<\/strong> Konoma, Temporal Drift<br \/>21.11<strong> Oneohtrix Point Never<\/strong> Tranquilizer, Warp<br \/>21.11 <b>Oudeziel <\/b>The Finest Hour, Mystic Production<br \/>21.11<strong> Owls Are Not<\/strong> Nisan Faber EP, 1000Hz<br \/>21.11 <strong>Patryk Grymuza<\/strong> Pomi\u0119dzy, Sadki<br \/>21.11 <strong>Pet Shop Boys<\/strong> Disco 5, Parlophone komp<br \/>21.11<strong> Pete Knight<\/strong> For a Moment the Sky Knew My Name, Room40 <br \/>21.11 <strong>Rufus Wainwright With the Pacific Jazz Orchestra<\/strong> I&#8217;m a Stranger Here Myself: Wainwright Does Weill, Thirty Tigers <br \/>21.11 <strong>Schafter<\/strong> Palimpsest, Restaurant Posse<br \/>21.11<strong> Sharp Pins<\/strong> Balloon Balloon Balloon, Perennialdeath<br \/>21.11 <strong>Susie Ibarra<\/strong> Sky Islands<br \/>21.11 <strong>Talk Show<\/strong> Miss America, We Jazz<br \/>21.11 <strong>The Beatles<\/strong> Anthology 4, Apple arch, box<br \/>21.11 <strong>Tobias Jesso jr<\/strong> Shine <br \/>21.11 <strong>Tomasz Sta\u0144ko<\/strong> Polish Radio Sessions 1970-91, Polskie Radio <br \/>21.11 <strong>Tuxedomoon<\/strong> Desire &#8211; 45th Anniversary Edition, Crammed Discs<\/p>","protected":false},"excerpt":{"rendered":"<p>Je\u015bli polski rap ostatnio przetwarza przemijanie, to ten ameryka\u0144ski wkracza na dobre w er\u0119 po\u017cegna\u0144. Album De La Soul Cabin in the Sky jest mo\u017ce ma\u0142o odkrywczy pod wzgl\u0119dem muzycznym, ale to p\u0142yta bardzo ciekawa i paradoksalna. G\u0142\u00f3wny paradoks polega na tym, \u017ce kiedy gwiazdy rapu \u017cegnaj\u0105 zmar\u0142ego dwa lata temu koleg\u0119 &#8211; a ca\u0142o\u015b\u0107 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":48144,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,120,3319,444,3309,4009,3666,7,5878,4,106],"tags":[5920],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48142"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=48142"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48142\/revisions"}],"predecessor-version":[{"id":48156,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48142\/revisions\/48156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/48144"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=48142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=48142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=48142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}