![\"\"](\"\/polifonia\/wp-content\/uploads\/2025\/09\/a0744100055_10.jpg\")
<\/p>\n\n\n\n\n\n<\/p>\n\n\n\n\n\n
AHO SSAN & RESINA Ego Death<\/em><\/strong>, Subtext
ALFAH FEMMES Banned From Poland<\/em><\/strong>, Let\u2019s Hope Aliens Are Vegan Records
ANGLES 11 Tell Them It’s the Sound of Freedom<\/em><\/strong>, Fundacja S\u0142uchaj!
ANNA VON HAUSSWOLFF Iconoclasts<\/em><\/strong>, Year 0001
ANTROPOCENO Natureza morta<\/em><\/strong>, Longinus
ARMAND HAMMER & THE ALCHEMIST Mercy<\/em><\/strong>, Backwoodz Studioz
BILLY WOODS Golliwog<\/em><\/strong>, Backwoodz Studioz
BLOOD ORANGE Essex Honey<\/em><\/strong>, RCA
BONNIE \u201aPRINCE\u2019 BILLY The Purple Bird<\/em><\/strong>, No Quarter\/Domino
BRIGHDE CHAIMBEUL Sunwise<\/em><\/strong>, tak: til
CAROLINE Caroline 2<\/em><\/strong>, Rough Trade
CI\u015aNIENIE [angry noises]<\/em><\/strong>, Ci\u015bnienie
CMAT Euro-Country<\/em><\/strong>, AWAL
\u0421\u041e\u042e\u0417 \/ SOYUZ Krok<\/em><\/strong>, Mr Bongo
EIKO ISHIBASHI Antigone<\/em><\/strong>, Drag City
ETHEL CAIN Willoughby Tucker, I’ll Always Love You<\/em><\/strong>, Daughters of Cain
GEESE Getting Killed<\/em><\/strong>, Partisan
HANIA RANI Non Fiction \u2013 A Piano Concerto in Four Movements<\/em><\/strong>, Decca
HA\u0143BA! 10:10 Piosenki Warszawskiej Jesieni<\/em><\/strong>, Antena Krzyku
ICHIKO AOBA Luminescent Creatures<\/em><\/strong>, Hermine
INFINITY KNIVES & BRIAN ENNALS A City Drowned In God’s Black Tears<\/em><\/strong>, Phantom Limb
LITTLE SIMZ Lotus<\/em><\/strong>, AWAL
JAMES K Friend<\/em><\/strong>, AD 93
JULES REIDY Ghost\/Spirit<\/em><\/strong>,<\/em> Thrill Jockey
LYRA PRAMUK Hymnal<\/em><\/strong>, 7K!
KOSMA KR\u00d3L & KUBA WI\u0118CEK Kino Femina<\/em><\/strong>
MARCIN MASECKI Boleros y Masecki<\/em>,<\/strong> Toinen
MAVIS STAPLES Sad and Beautiful World<\/em><\/strong>, Anti-
MOLAR Molar LP<\/em><\/strong>, U Know Me
NEWEST ZEALAND Harmony Attack<\/em><\/strong>, NoPaper
OBERKAS TRAVEL Oberkas Travel<\/em><\/strong>, Ta\u0144ce
OMASTA Jazz Report from the Hood<\/em><\/strong>, Astigmatic
ONEOHTRIX POINT NEVER Tranquilizer<\/em><\/strong>, Warp
PATRICK SHIROISHI & PIOTR KUREK Greyhound Days<\/em><\/strong>, Mondoj
PRESERVATION & GABE \u201aNANDEZ Sortil\u00e8ge<\/em><\/strong>, Backwoodz Studioz
PULP More<\/em><\/strong>, Rough Trade
RAPHAEL ROGI\u0143SKI & RUZICNJAK TAJNI Bura<\/em><\/strong>, Instant Classic
RICHARD DAWSON End of the Middle<\/em><\/strong>, Weird World
ROMEO POIRIER Off the Record<\/em><\/strong>, Faitiche
SILVIA TAROZZI Lucciole<\/em><\/strong>, Unseen Worlds
SML How You Been<\/em><\/strong>, International Anthem
STARA RZEKA Wyno\u015b si\u0119 z mojego domu<\/em><\/strong>, Instant Classic
STEFAN WESO\u0141OWSKI Song of the Night Mists<\/em><\/strong>, Unheard Of Hope
STEREOLAB Instant Holograms on Metal Film<\/em><\/strong>, Duophonic
SWANS Birthing<\/em><\/strong>, Young God
TITANIC Hagen<\/em><\/strong>, Unheard Of Hope
USE KNIFE \u00c9tat coupable<\/em><\/strong>, Viernulvier
WOJCIECH RUSIN Honey for the Ants<\/em><\/strong>, AD 93
YASMINE HAMDAN \u0628\u0646\u0633\u0649 \u0648\u0628\u062a\u0630\u0643\u0631 [I Remember I Forget]<\/em><\/strong>, Crammed Discs
YOUTH LAGOON Rarely Do I Dream<\/em><\/strong>, Fat Possum<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":47970,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5925],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48254"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=48254"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48254\/revisions"}],"predecessor-version":[{"id":48256,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/48254\/revisions\/48256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/47970"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=48254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=48254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=48254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}