{"id":5647,"date":"2014-01-03T11:42:02","date_gmt":"2014-01-03T10:42:02","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=5647"},"modified":"2014-01-03T14:47:57","modified_gmt":"2014-01-03T13:47:57","slug":"rok-2013-w-muzyce-stare-na-nowo","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2014\/01\/03\/rok-2013-w-muzyce-stare-na-nowo\/","title":{"rendered":"Rok 2013 w muzyce: stare na nowo"},"content":{"rendered":"<p>S\u0105 chwile, gdy najlepiej czyta mi si\u0119 stare wydania gazet i ogl\u0105da archiwalne wydania wiadomo\u015bci &#8211; to daje ukojenie w \u015bwiecie, kt\u00f3ry p\u0119dzi. Z p\u0142ytami bywa podobnie: wy\u015bcig mi\u0119dzy nowoczesnym a nowocze\u015bniejszym cz\u0119sto wygrywaj\u0105 starsze nagrania, albo te, kt\u00f3rych warto\u015bci nie trzeba ju\u017c nikomu udowadnia\u0107, albo te, kt\u00f3re zosta\u0142y zapomniane przez ludzi i histori\u0119. Albo te zwyczajnie przyjemne, z innego \u015bwiata &#8211; to dlatego przez d\u0142ugie miesi\u0105ce tego roku s\u0142ucha\u0142em calypso, a w nowy rok wszed\u0142em, hipnotyzuj\u0105c si\u0119 (i usypiaj\u0105c poniek\u0105d) elektroniczn\u0105 muzyk\u0105 filmow\u0105 Mike&#8217;a Ratledge&#8217;a. By\u0142y w\u015br\u00f3d reedycji rzeczy przyjemne, by\u0142y wa\u017cne. Ale do rzeczy. Poni\u017cej 20 p\u0142yt ze starymi nagraniami odkrywanych na nowo w roku 2013, kt\u00f3rych nie warto pomin\u0105\u0107. W dw\u00f3ch grupach po dziesi\u0119\u0107 i kolejno\u015bci alfabetycznej.<!--more--><\/p>\n<p><strong>P\u0141YTY AUTORSKIE (A-Z) &#8212;&#8212;-<\/strong><br \/>\n(reedycje, nagrania archiwalne)<\/p>\n<p><strong>Iasos<\/strong> &#8222;Celestial Soul Portrait&#8221; (Numero Group) <a href=\"http:\/\/chacinski.wordpress.com\/2013\/08\/25\/iasos-brakujace-ogniwo\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/96755879&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Erkin Koray<\/strong> &#8222;Elektronik Turkuler&#8221; (Pharaway Sounds) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/06\/11\/retro-turek\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/80223913&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Ksi\u0119\u017cyc<\/strong> &#8222;Ksi\u0119\u017cyc&#8221; (Penultimate Press)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/119767145&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Jerzy Milian <\/strong>&#8222;Jerzy Milian Tapes&#8221;, ca\u0142a seria (GAD Records) <a href=\"http:\/\/www.polityka.pl\/kultura\/aktualnoscikulturalne\/1538861,1,diamenty-z-archiwum-polskiego-radia.read\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/60532888&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Nurt<\/strong> &#8222;Nurt&#8221; (Polskie Radio\/Sound by Sound) <a href=\"http:\/\/chacinski.wordpress.com\/2013\/02\/27\/nurt-rozped\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/71921533&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>William Onyeabor<\/strong> &#8222;Who is William Onyeabor?&#8221; (Luaka Bop)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/102734786&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Mike Ratledge<\/strong> &#8222;Riddles of the Sphinx&#8221; (Mordant Music)<br \/>\n<a href=\"\/wp-content\/uploads\/2014\/01\/riddles.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/2014\/01\/riddles-150x150.jpg\" alt=\"\" title=\"riddles\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-5671\" srcset=\"\/polifonia\/wp-content\/uploads\/2014\/01\/riddles-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2014\/01\/riddles.jpg 225w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Materia\u0142 do ods\u0142uchu <a href=\"https:\/\/bleep.com\/release\/47129-mike-ratledge-riddles-of-the-sphinx\">tutaj<\/a>. <\/p>\n<p>\n<strong>The Space Lady<\/strong> &#8222;The Space Lady&#8217;s Greatest Hits&#8221; (Night School)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/120865532&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Robert Wyatt <\/strong>&#8222;&#8217;68&#8221; (Cuneiform) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/10\/23\/najwazniejsze-ksiazki-dla-muzyki-popularnej-cz-1\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/105305816&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Iannis Xenakis <\/strong>&#8222;GRM Works 1957-62&#8221; (Editions Mego)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/81214579&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n.<\/p>\n<p><strong>R\u00d3\u017bNI WYKONAWCY (A-Z) &#8212;&#8212;-<\/strong><br \/>\n(kompilacje)<\/p>\n<p><strong>An Anthology of Noise &#038; Electronic Music<\/strong> &#8211; Seventh and Last-a-Chronology (Sub Rosa)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/97727347&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Change the Beat. <\/strong>The Celluloid Records Story 1979-1987 (Strut) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/03\/05\/to-nie-jest-plyta-to-dokument-z-miedzystrefy\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/81066245&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Cosmic Machine.<\/strong> A Voyage Across French Cosmic &amp; Electronic Avantgarde 1970-1980 (Because Music) <a href=\"http:\/\/chacinski.wordpress.com\/2013\/12\/16\/cosmic-machine-kosmos-klawiatury-kaski-komiksy\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/115770316&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>I Am the Center.<\/strong>Private Issue New Age Music In America 1950-1990 (Light In The Attic)<br \/>\n<a href=\"\/wp-content\/uploads\/2014\/01\/NewAge_Slipcase_thumb_325.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/2014\/01\/NewAge_Slipcase_thumb_325-150x150.jpg\" alt=\"\" title=\"NewAge_Slipcase_thumb_325\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-5668\" srcset=\"\/polifonia\/wp-content\/uploads\/2014\/01\/NewAge_Slipcase_thumb_325-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2014\/01\/NewAge_Slipcase_thumb_325-300x300.jpg 300w, \/polifonia\/wp-content\/uploads\/2014\/01\/NewAge_Slipcase_thumb_325.jpg 325w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Materia\u0142 do ods\u0142uchu <a href=\"http:\/\/lightintheattic.net\/releases\/943-i-am-the-center-private-issue-new-age-music-in-america-1950-1990\">tutaj<\/a> <\/p>\n<p>\n<strong>London Is the Place For Me<\/strong> vol. 5 &#038; 6 (Honest Jon&#8217;s) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/05\/15\/dlaczego-calypso-ocali-swiat\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/86434474&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Mirror To The Soul. <\/strong>Music, Culture and Identinty In The Carribean 1920-72 (Soul Jazz) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/05\/15\/dlaczego-calypso-ocali-swiat\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/90453684&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Purple Snow:<\/strong> Forecasting the Minneapolis Sound (Numero Group)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/116395516&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Sonda.<\/strong> Muzyka z programu telewizyjnego (GAD Records) <a href=\"http:\/\/polifonia.blog.polityka.pl\/2013\/12\/12\/sonda-z-przeszlosci\/\">wi\u0119cej<\/a><br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/48047293&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Sorrow Come Pass Me Around.<\/strong> A Survey of Rural Black Religious Music (Dust-to-Digital)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/82840107&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><br \/>\n<br \/>\n<strong>Theo Parrish Black Jazz Signature. <\/strong>Black Jazz Records 1971-76 (Snow Dog)<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/98745521&amp;color=ff6600&amp;auto_play=false&amp;show_artwork=true\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>S\u0105 chwile, gdy najlepiej czyta mi si\u0119 stare wydania gazet i ogl\u0105da archiwalne wydania wiadomo\u015bci &#8211; to daje ukojenie w \u015bwiecie, kt\u00f3ry p\u0119dzi. Z p\u0142ytami bywa podobnie: wy\u015bcig mi\u0119dzy nowoczesnym a nowocze\u015bniejszym cz\u0119sto wygrywaj\u0105 starsze nagrania, albo te, kt\u00f3rych warto\u015bci nie trzeba ju\u017c nikomu udowadnia\u0107, albo te, kt\u00f3re zosta\u0142y zapomniane przez ludzi i histori\u0119. Albo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5659,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[312,120,1560,1,556,558,1228,4],"tags":[1623,1283,1624,1572,189,1619,1355,1171,1620,1618,757,1578,1621,300,1569,1508,1598,878,1622,1303],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/5647"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=5647"}],"version-history":[{"count":18,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/5647\/revisions"}],"predecessor-version":[{"id":5664,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/5647\/revisions\/5664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/5659"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=5647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=5647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=5647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}