![\"alameda5\"](\"\/wp-content\/uploads\/2015\/05\/alameda5.jpg\")
<\/a><\/p>\nPOLSKA<\/p>\n
ALAMEDA 5 Duch tornada<\/em><\/strong>, Instant Classic 9\/10<\/strong> link<\/a> …I \u015aWIAT<\/p>\n AFRICA EXPRESS PRESENTS Terry Riley’s In C Mali<\/em><\/strong>, Transgressive 8\/10<\/strong> link<\/a> (wpis dodatkowo edytowany 8 lipca 2015)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Innymi s\u0142owy – powtarzam „\u00f3semki”, te najwy\u017cej ocenione albumy w ostatnich sze\u015bciu miesi\u0105cach. A raczej: przede wszystkim „\u00f3semki” i prawie wszystkie „\u00f3semki”. Po pierwsze dlatego, \u017ce b\u0119dzie z g\u0142owy. Po drugie dlatego, \u017ce \u0142atwiej powtarza\u0107 materia\u0142 po kawa\u0142ku ni\u017c raz do roku. Po trzecie dlatego, \u017ce zaczyna si\u0119 sezon og\u00f3rkowy, wi\u0119c mo\u017ce kto\u015b jeszcze b\u0119dzie […]<\/p>\n","protected":false},"author":1,"featured_media":8277,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,31,22,3,312,120,556,558,1923,4,1059,557],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/8267"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=8267"}],"version-history":[{"count":16,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/8267\/revisions"}],"predecessor-version":[{"id":8331,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/8267\/revisions\/8331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/8277"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=8267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=8267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=8267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWILHELM BRAS Visionaries & Vagabonds<\/em><\/strong>, Mik.Musik 8\/10<\/strong> link<\/a>
\nBYE BYE BUTTERFLY Do Come By<\/em><\/strong>, Thin Man 8\/10<\/strong> link<\/a>
\nFISCHERLE Playmate<\/em><\/strong>, BDTA 8\/10<\/strong> link<\/a>
\nkIRk III<\/em><\/strong>, Asfalt 8\/10<\/strong> link<\/a>
\nKROJC 0101<\/em><\/strong>, BDTA 8\/10<\/strong> link<\/a>
\nKWADROFONIK & ADAM STRUG Requiem ludowe<\/em><\/strong>, Polskie Radio 8\/10<\/strong>
\nGERARD LEBIK, PIOTR DAMASIEWICZ, GABRIEL FERRANDINI veNN Circles<\/em><\/strong>, Bocian 8\/10 link<\/a>
\nARTUR MA\u0106KOWIAK If It’s Not Real<\/em><\/strong>, Wet Music 8\/10<\/strong> link<\/a>
\nROBERT PIOTROWICZ & LUKAS JIRICKA Samoobrona<\/em><\/strong>, Bo\u0142t 8\/10<\/strong> link<\/a>
\nPTAKI Przelot<\/em><\/strong>, Transatlantyk 8\/10<\/strong> link<\/a>
\nRAPHAEL ROGI\u0143SKI Plays John Coltrane and Langston Hughes. African Mystic Music<\/em><\/strong>, Bo\u0142t 9\/10<\/strong> link<\/a>
\nRSS B0YS HDDN<\/em><\/strong>, Mik.Musik 8\/10<\/strong>
\nJACEK SIENKIEWICZ Drifting<\/em><\/strong>, Recognition 9\/10<\/strong> link<\/a>
\nJACEK SIENKIEWICZ Instynkt<\/em><\/strong>, Bocian, 8\/10<\/strong> link<\/a>
\nDOMINIK STRYCHARSKI, RAFA\u0141 MAZUR Myriad Duo<\/em><\/strong>, Fundacja S\u0142uchaj 8\/10<\/strong> link<\/a>
\nTRUPA TRUPA Headache<\/em><\/strong>, Blue Tapes & X-Ray 8\/10<\/strong> link<\/a>
\nZBIGNIEW WODECKI WITH MITCH & MITCH ORCHESTRA AND CHOIR 1976: A Space Odyssey<\/em><\/strong>, Lado ABC\/Agora 8\/10<\/strong> link<\/a>
\nIREK WOJTCZAK NYCONNECTION Folk Five<\/em><\/strong>, ForTune 8\/10<\/strong>
\nWOVOKA Sevastopolis<\/em><\/strong>, Lado ABC 8\/10<\/strong> link<\/a><\/p>\n<\/a><\/p>\n
\nBABA COMMANDANT & THE MANDINGO BAND Juguya<\/em><\/strong>, Sublime Frequencies 8\/10<\/strong> link<\/a>
\nDANIEL BACHMAN River<\/em><\/strong>, Three Lobed Records 8\/10<\/strong> link<\/a>
\nCOURTNEY BARNETT Sometimes I Sit and Think and Sometimes I Just Sit<\/em><\/strong>, Marathon 8\/10<\/strong> link<\/a>
\nBIG BLOOD Double Days I + II<\/em><\/strong>, Dontrustheruin 8\/10<\/strong>
\nSIR RICHARD BISHOP Tangier Sessions<\/em><\/strong>, Drag City 8\/10<\/strong>
\nBJORK Vulnicura<\/em><\/strong>, One Little Indian 8\/10<\/strong> link<\/a>
\nBLANCK MASS Dumb Flesh<\/em><\/strong>, Sacred Bones 8\/10<\/strong> link<\/a>
\nBLUR The Magic Whip<\/em><\/strong>, Parlophone 8\/10<\/strong> link<\/a>
\nMICHAEL CHAPMAN The Polar Bear<\/em><\/strong>, Blast First Petite 8\/10<\/strong> link<\/a>
\nCHASSOL Big Sun<\/em><\/strong>, Tricatel 8\/10<\/strong> link<\/a>
\nJAKE XERXES FUSSELL Jake Xerxes Fussell<\/em><\/strong>, Paradise of Bachelors 8\/10<\/strong> link<\/a>
\nGODSPEED YOU! BLACK EMPEROR Asunder, Sweet and Other Distress<\/em><\/strong>, Constellation 8\/10<\/strong>
\nJAGA JAZZIST Starfire<\/em><\/strong>, Ninja Tune 8\/10<\/strong> link<\/a>
\nLAKKER Tundra<\/em><\/strong>, R&S 8\/10<\/strong> link<\/a>
\nKENDRICK LAMAR To Pimp a Butterfly<\/em><\/strong>, Top Dawg 10\/10<\/strong> link<\/a>
\nLIGHTNING BOLT Fantasy Empire<\/em><\/strong>, Thrill Jockey 8\/10<\/strong>
\nLIL UGLY MANE Third Side of Tape<\/em><\/strong>, wyd. w\u0142asne 8\/10<\/strong> link<\/a>
\nPEDER MANNERFELT The Swedish Congo Records<\/em><\/strong>, Archives Interieures 8\/10<\/strong> link<\/a>
\nLAURA MARLING Short Movie<\/em><\/strong>, Ribbon 8\/10<\/strong>
\nROISIN MURPHY Hairless Toys<\/em><\/strong>, PIAS 8\/10<\/strong> link<\/a>
\nJIM O’ROURKE Simple Songs<\/em><\/strong>, Drag City 8\/10<\/strong> link<\/a>
\nPANDA BEAR Meets the Grim Reaper<\/em><\/strong>, Domino 8\/10<\/strong> link<\/a>
\nDAVE PHILIPS & HIROSHI HASEGAWA Insect Apocalypse<\/em><\/strong>, Monotype 8\/10<\/strong> link<\/a>
\nMATANA ROBERTS Coin Coin Chapter Three: River Run Thee<\/em><\/strong>, Constellation 9\/10<\/strong> link<\/a>
\nTHE ROYAL PHILHARMONIC ORCHESTRA Pete Townshend’s Classic Quadrophenia<\/em><\/strong>, Deutsche Grammophon 8\/10<\/strong> link<\/a>
\nSLEATER-KINNEY No Cities to Love<\/em><\/strong>, Sub Pop 8\/10<\/strong> link<\/a>
\nSOKO My Dreams Dictate My Reality<\/em><\/strong>, Because 8\/10<\/strong> link<\/a>
\nSONGHOY BLUES Music in Exile<\/em><\/strong>, Transgressive 8\/10<\/strong> link<\/a>
\nCOLIN STETSON & SARAH NEUFELD Never Were the Way She Was<\/em><\/strong>, Constellation 8\/10<\/strong> link<\/a>
\nSUFJAN STEVENS Carrie & Lowell<\/em><\/strong>, Asthmatic Kitty 8\/10<\/strong> link<\/a>
\nSUPREME TALENT SHOW Danbe<\/em><\/strong>, Sahelsounds 8\/10<\/strong> link<\/a>
\nTAL NATIONAL Zoy Zoy<\/em><\/strong>, FatCat 8\/10<\/strong>
\nTHEE OH SEES Mutilator Defeated at Last<\/em><\/strong>, Castle Face 8\/10<\/strong> link<\/a>
\nTIMBRE Sun & Moon<\/em><\/strong>, wyd. w\u0142asne 8\/10<\/strong> link<\/a>
\nRYLEY WALKER Primrose Garden<\/em><\/strong>, Dead Oceans 8\/10<\/strong> link<\/a>
\nWAND Golem<\/em><\/strong>, In The Red 8\/10<\/strong>
\nKAMASI WASHINGTON<\/strong> The Epic<\/em><\/strong>, Brainfeeder 9\/10<\/strong> link<\/a><\/p>\n