{"id":3131,"date":"2020-12-21T15:46:11","date_gmt":"2020-12-21T14:46:11","guid":{"rendered":"https:\/\/taniec.blog.polityka.pl\/?p=3131"},"modified":"2020-12-21T16:08:50","modified_gmt":"2020-12-21T15:08:50","slug":"muzyka-olgi-wojciechowskiej-na-swiatowych-scenach-baletowych","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/taniec\/2020\/12\/21\/muzyka-olgi-wojciechowskiej-na-swiatowych-scenach-baletowych\/","title":{"rendered":"Muzyka Olgi Wojciechowskiej na \u015bwiatowych scenach baletowych"},"content":{"rendered":"\n<p>Sidi Larbi Cherkaoui, rozchwytywany artysta, wsp\u00f3\u0142pracuj\u0105cy z <a href=\"https:\/\/www.danceinforma.com\/2020\/01\/24\/sidi-larbi-cherkaoui-brings-it-all-together-in-jagged-little-pill\/\">Alanis Morissette<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=kbMqWXnpXcA\">Beyonc\u00e9<\/a> i <a href=\"https:\/\/www.youtube.com\/watch?v=nQ5eUJNXrMw\">Cirque du Soleil<\/a>. W \u015bwiecie baletu kojarzony z choreografi\u0105 wsp\u00f3\u0142czesn\u0105. Od wielu lat w jego teatralne przedsi\u0119wzi\u0119cia zaanga\u017cowana jest Olga Wojciechowska, <a href=\"https:\/\/olgawojciechowska.com\">\u201epolska kompozytorka i multiinstrumentalistka, kt\u00f3rej tw\u00f3rczo\u015b\u0107 porusza si\u0119 na pograniczu wsp\u00f3\u0142czesnej muzyki klasycznej i elektronicznej\u201d<\/a>.<\/p>\n\n\n\n<p><strong>Czytaj te\u017c The New York Times:<\/strong> <a href=\"https:\/\/www.nytimes.com\/2019\/05\/07\/arts\/dance\/sidi-larbi-cherkaoui-medusa-royal-ballet.html\">Beyonc\u00e9, Ballet and Points Between: A Choreographer Calmly Covers the Waterfront<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/taniec.blog.polityka.pl\/2020\/12\/19\/gotycki-balet\/?nocheck=1\">W sobot\u0119 poleca\u0142am Pa\u0144stwu \u201eLaid in Earth\u201d<\/a>, wsp\u00f3\u0142czesne baletowe must-see, dost\u0119pne online dzi\u0119ki English National Ballet. I nadal zach\u0119cam do jego obejrzenia. Ale my\u015bl\u0119, \u017ce warto te\u017c cofn\u0105\u0107 si\u0119 w czasie i przyjrze\u0107 si\u0119 wcze\u015bniejszym choreografiom Sidi Larbi Cherkaoui, w kt\u00f3rych realizacji bra\u0142a udzia\u0142 Olga Wojciechowska: \u201eMeduzie\u201d, \u201eFour Seasons\u201d, \u201e\u751f\u957fgenesis\u201d, \u201eThe Moon Opera\u201d, \u201ePluto\u201d, \u201ePuz\/zle\u201d, \u201eConstellation\u201d. W sieci wci\u0105\u017c przechowywane s\u0105 fragmenty przedstawie\u0144, wprowadzenia do spektakli z udzia\u0142em choreografa i artyst\u00f3w wsp\u00f3\u0142tworz\u0105cych z nim dzie\u0142a, pr\u00f3ba dla publiczno\u015bci zorganizowana przez Royal Opera House przed premier\u0105 \u201eMeduzy\u201d. \u201eBalet jest cz\u0119sto nauczany jako powielanie pozycji, ale wszystko staje si\u0119 znacznie bogatsze, kiedy cia\u0142o reaguje na my\u015bl, intencj\u0119 i wyobra\u017ani\u0119\u201d &#8211; m\u00f3wi\u0142 Sidi Larbi Cherkaoui na \u0142amach The New York Times. I, co nale\u017cy w tym miejscu doda\u0107, r\u00f3wnie\u017c na muzyk\u0119. <\/p>\n\n\n\n<p>#Zosta\u0144wdomu, s\u0142uchaj muzyki i&nbsp;ogl\u0105daj taniec!<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sidi Larbi Cherkaoui on the creative process behind his new work Medusa (The Royal Ballet)\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/oUwoz0XmszA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Royal Ballet rehearse Sidi Larbi Cherkaoui&#039;s Medusa\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/hpjdiTqgB9U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Four Seasons - A Collection of Moving Portraits\" src=\"https:\/\/player.vimeo.com\/video\/377736281?dnt=1&amp;app_id=122963\" width=\"1778\" height=\"1000\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u751f\u957fgenesis \/ Yabin Wang &amp; Sidi Larbi Cherkaoui\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/6lq7cdmLrwU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sidi Larbi Cherkaoui \u2013 Yabin Studio \/ Eastman \u2014 Genesis \u751f\u957f Part 1\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/Nbwe6YZSAkY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Yabin Wang Dance- Moon Opera   \u05d0\u05d5\u05e4\u05e8\u05ea \u05d4\u05d9\u05e8\u05d7 , \u05e1\u05d9\u05df\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/r3AqGw9S138?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sidi Larbi Cherkaoui Interview (Aakash Odedra &quot;Constellation&quot;)\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/YKR1x6I9k30?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Puz\/zle - Eastman \/ Sidi Larbi Cherkaoui\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/8qNfDUhqgRA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sidi Larbi Cherkaoui \/ Bunkamura Theatre Cocoon: Pluto\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/_Ln31bJPEmg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Sidi Larbi Cherkaoui, rozchwytywany artysta, wsp\u00f3\u0142pracuj\u0105cy z Alanis Morissette, Beyonc\u00e9 i Cirque du Soleil. W \u015bwiecie baletu kojarzony z choreografi\u0105 wsp\u00f3\u0142czesn\u0105. Od wielu lat w jego teatralne przedsi\u0119wzi\u0119cia zaanga\u017cowana jest Olga Wojciechowska, \u201epolska kompozytorka i multiinstrumentalistka, kt\u00f3rej tw\u00f3rczo\u015b\u0107 porusza si\u0119 na pograniczu wsp\u00f3\u0142czesnej muzyki klasycznej i elektronicznej\u201d. Czytaj te\u017c The New York Times: Beyonc\u00e9, Ballet [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":3134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,132],"tags":[417,416],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/posts\/3131"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/comments?post=3131"}],"version-history":[{"count":2,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/posts\/3131\/revisions"}],"predecessor-version":[{"id":3133,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/posts\/3131\/revisions\/3133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/media\/3134"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/media?parent=3131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/categories?post=3131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/taniec\/wp-json\/wp\/v2\/tags?post=3131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}